Bon Jovi

#792: The Summer of ’93 – Live Album Explosion

GETTING MORE TALE #792: The Summer of ’93 – Live Album Explosion

Keeping up with new releases is challenging for anyone.  Today, every band is releasing a box set, live album, compilation, EP, or even (gasp) new material!  This is not a new phenomenon.  As a young collector in an earlier time, 1993 was particularly challenging.  I was suffering from “live album burnout” due to a number of double lives that year.  I dutifully picked up the most important ones to me, as much as I could afford.

I plotted things out.  The first batch of live albums on my radar that year were as follows:

Four of my favourite bands in one brief chunk of time, with two of the four being doubles.  I had to budget this out somehow.

I’m not sure when I bought Van Halen’s album, but I most likely bought it first.  The dual CD set was at Costco for thirty-something bucks so I put it in the cart.  I know it was early in the year because I remember listening to it in the car while driving to school for final exams, which occur in April.  Specifically I remember listening to the live version of “Cabo Wabo” on my way there.

I found the Van Halen album underwhelming.  Too much stuff from For Unlawful Carnal Knowledge and some clattering solos made it a struggle to finish in one sitting.  Sammy Hagar would later comment that the album sucked because too much of it was re-recorded in the studio.  I just thought it was a drag.

Kiss were (and are) my #1 band, so I dutifully bought it as quickly as I could.  I didn’t get it on the day of release (May 18), but I do know the exact date that I purchased it:  May 20.  I know this because I remember that we had to get home from the mall (Fairway Park Mall’s HMV store) in time to catch the series finale of Cheers.  I got the free poster with my cassette copy.  I chose cassette for strategic reasons.  Double live albums were a bigger investment, so I liked to get those on CD.  I was already starting to distrust the cassette tape format.  I’d hate to buy a double cassette set and have one of the tapes go bad.  Alive III was a single tape, so I went for that and stayed with that until I got a double vinyl reissue a couple years later.

The Ozzy was a limited edition package.  I needed that special grille cover with the two “tattoos” inside.  I couldn’t afford it so I put it on my birthday list.  I accompanied my mom to HMV to make sure she got the right one.  Killed the surprise, but also the anxiety of not getting the exact version I “needed” for my collection!

Ozzy Osbourne had already supersaturated the market with live albums, and his was tedious to listen to.  I gave it more it than a fair shot, as I wanted to really hear how Zakk approached the live versions differently than Randy or Tony had.  It was an exercize that paid minimal dividends, wading through minute after minute of numbing “extra extra crazy” Ozzy monologues.

I decided to hold off on Iron Maiden as long as I could.  The idea of a single disc live Maiden album was a little off-kilter for me.  An album of tracks from 1986-1992 didn’t sound all that appealing to me.  Maybe I should wait until the second disc, due in October, came out so I could listen to both equally.  Maybe I should skip A Real Live One entirely.  The album seemed a hasty entity, being released so Maiden could tour to support new product.  The cover art was also lo-fi sketchy, compared to predecessor Live After Death.

Good or bad, I decided to hold off on Maiden for the time being.  I had enough live metal to digest anyway.

Kiss was the only album I was happy with, though it was clearly an inferior offering to Alive I and II.  Unlike Osbourne, it wasn’t too long, and kept the filler to a minimum.

When the next batch of live albums rolled out, I was weary.

The Bon Jovi live disc came with a pricey special reissue of Keep the Faith, a limited edition.  I immediately put that one on my Christmas list and did my best to pester my mom into buying it.  I had to make a decision about the others.  I scratched Satriani and Testament off my list.  They weren’t going to be priorities this time.

As for the final call on Iron Maiden?  The decision was made for me when I found Live at Donington, once again at HMV.  What was this?  It looked like a bootleg, but wasn’t.  It had no liner notes.  Absolutely bare minimum packaging.  Nary an Eddie in sight.  It was a “limited edition“, and a double CD with a complete concert.  The easy choice was to buy this instead of the other two albums.  For the time being, at least.  I finally did get all three albums, when I was working at the Record Store, in 1996.  The Boxing Day sale enabled me to get both live Maidens and the recent Tesla greatest hits for a reduced price.  It took me three years to get ’em!

That busy 1993 list doesn’t include live home videos released that year (Ozzy, Van Halen, Bon Jovi, Kiss) or the albums that I didn’t even know about (Live Cult).  I had to draw the line and audio has always been my priority over video.

Too much is too much, and in 1993 we just had too much.

Do you remember what live albums you bought in 1993?  Comment below!

 

#767: Just Older

A sequel to Getting More Tale #332:  Getting Older Everyday

 

 

GETTING MORE TALE #767: Just Older

Unless you’re a teenager buying booze with your fake ID, nobody likes being mistaken for older than they actually are.

When I was in my 30s, people used to think I was in my 20s.  I looked younger and I dressed younger because I worked at a Record Store and I could get away with it.  I bleached my hair, had piercings, and flashy shirts.  I saw people working at hair salons looking like rock stars so I thought the same could work for me in a Record Store.  Eventually I had a collection of over 30 flashy shirts.  I don’t think my bosses were impressed with my new image, but it was a hit with the ladies.

I loved looking younger than my actual age but all good things come to an end.

After quitting the store I wanted to change my line of work and look more professional.  The fancy shirts went into a closet.  The pleather pants were saved for Halloween.  The hair was toned down.  Eventually it started to go grey.  My beard turned white and I got fat.  It can happen to anyone.

I own the “old man” schtick now, but there is still one thing that I hate.  And I do mean hate.

Mrs. LeBrain is a little younger than me (I’m a 1972 model and she’s a 1978), but not by a significant difference.  Where she wins is a natural youthful look.  People always mistake her for someone much younger.  She loves being asked for ID.  That kind of thing makes her day.  What pisses me off is when people mistake me for her father!  And it keeps happening!

I took Jen to the hospital to have some tests done (no worries, all good) and had about an hour to kill.  I had an mp3 player loaded up with Kiss.  Because Heavy Metal OverloRd had been talking about Hotter Than Hell (a personal favourite and among the first Kiss records I ever owned), I decided to take a nice morning walk while listening to that album.  When done I progressed onward to Rock and Roll Over.  It was a lovely morning filled with cool summer breezes, trainspotting, and Paul Stanley at his peak.

I got back in good time and soon a nurse called to tell me Jen was all set to go.  She led me to her bed, and I saw a big bright smile on her face.  It’s the smile that keeps me going every day.  “Hi ‘dad’!” she said grinning.  I was confused.  Did she have a seizure?  Was she really mistaking me for her dad?

No, she was playing around.  The nurse asked if she wanted them to call “her father” to come and get her.  Me being her father!  Jesus Murphy….

I hate, hate, hate being mistaken for her father!  I didn’t even have my big white beard!

I’ll let it slide because those nurses did a great job as always, but c’mon!

I looked exactly like the guy in the photograph below.  I don’t think he looks old enough to be Jen’s dad, do you?

The hat, maybe?  The day I took Jen to the hospital I was wearing a Van Halen T-shirt and camo shorts with shoes and socks.

I have since shed the locks; a mixture of “shit brown” (my dad’s words) and grey highlights.  I now rock the bald head again, but do I look any younger?  I don’t think so.

It’s a game I just can’t win!  Though it doesn’t really matter does it?  Jen prefers me with less hair, and it’s a lot less work.  I was just keeping it long just to have long hair at Sausagefest for once.  I enjoyed that (it also kept my neck from getting burned), but long hair doesn’t feel nice in the summer time.  It’s time to go back to what feels good!

I have a birthday coming up this week, but I’m not old.  Just older!

 

#764: Go Wild!!

GETTING MORE TALE #764: Go Wild!!

It’s a rite of passage for children and adults alike:  going to see the animals at African Lion Safari in southern Ontario.  The children thrill to the sights of lions, rhinos, elephants and all sorts of exotic birds.  Adults panic at the monkeys climbing on their cars.  Sure, you can always visit the Safari in one of their tour buses, but that’s no fun.

At the African Lion Safari, the animals run free while the humans stay safely locked in their cars.  Open doors and windows are prohibited, and you absolutely must not feed the animals.  I saw what happens to fools that do.

We won’t get into the ethics of animals in captivity — that is not what this story is about.  Many are passionate about animal rights, and that’s a good thing.  This is just a simple tale of our adventure at the Safari in the early 2000s.  Incidentally it’s also the last time we went.

It started with a conversation.  “When was the last time you were at African Lion Safari?”  My sister Kathryn, our friend Shannon, and I decided to relive our childhoods.  The key was driving through the Safari in your own car.  Tour buses are for chumps.  To do this, you had to be willing to accept potential damage to your vehicle.  I’ve never seen anyone rammed by a rhino, but windshield wipers are regularly ripped off by excited monkeys.  My sister was driving a white Neon, and she decided she was willing to accept whatever happened.

We needed tunes.  Stopping at an HMV store, my sister and I both bought CDs that were indicative of the times.  Although it was far from my favourite album, I re-bought Crush by Bon Jovi.  For the third time in a row, they re-issued their new studio album with a bonus CD.  Keep the Faith had a bonus live album, while These Days was loaded with rarities on the second CD.  I was disappointed but not surprised that I would be buying their new album twice, as it was becoming the norm.  Crush was the weakest of the three albums.  It was the first to be co-written by Billy Falcon, and it was a sign of things to come.  But I had to have that bonus live CD.

Kathryn picked up a double Savage Garden.  She was very much into the Australian pop rock duo, as they reminded her of an earlier band she loved — Roxette.  Like Bon Jovi, Savage Garden reissued their album with a bonus live CD.  Don’t scoff.  Savage Garden (or just “Savage”, as I learned their fans shortened it) could really write songs.  Unlike Bon Jovi, they didn’t rely on external songsmiths.  And Steve Smith of Journey played drums on their second album.

We had the tunes, we had the white Neon, and we lined up to enter.

It was a scorching hot August day; thanks to God for air conditioning.  Taking the car allowed us to linger in certain habitats, and skip through ones we were less interested in.  Early in, we saw one family that must have been feeding animals, because now they had a big brown bear leaning on it, staring through the closed windows.  This is why you don’t open the windows or feed the animals.  Fortunately there are park workers in zebra-striped trucks roaming the grounds to keep an eye on things.  Injuries are rare, though recently a trainer was badly hurt by an elephant.

We were having a great time right into the monkey habitat.  Unlike most drivers, we were hoping to catch a few monkey passengers.  Swiftly, one attached himself to Kathryn’s side view mirror.  I say “himself” because he sat on that mirror with his legs wide open, balls blowin’ in the wind.  He was having a great old time, sitting on her side view with his balls dangling free.  I like to think that Bon Jovi’s “It’s My Life” was playing at that exact moment.  It looked quite relaxing and comfortable for our monkey friend.  His balls hung like red Christmas ornaments.

You can tell this story is pre-cell phone cameras.  Otherwise we would have video and photos to prove it.

As Monkey Nuts let it all hang out over my sister’s mirror, I noticed behind us a car full of children.  They had New York license plates, and they were pointing and laughing hysterically.  At first I thought they were laughing at the testicles, like I was.  They were not.  I figured that out when Monkey Nuts jumped ship for somewhere else to hang.

“What are they laughing at?!” I asked with frustration in my voice.  They were still pointing at us!

“Don’t worry about it!” scoffed Shannon.

I was still puzzled.

We figured it out in short order.

After exiting the Safari, we all got out of the car to stretch our legs.  Then, it was all clear.  On the roof of my sister’s white car was a perfectly hilarious monkey poo.  While Mr. Testicles was distracting us on the side view, a friend of his must have been on the roof, using it as his own personal commode.  After leaving his deposit, it began to cook in the hot August sun.

As Jon Bon Jovi said himself, “Say it isn’t so. Tell me it’s not true”.  Ah, but it was.

Our first stop on the ride home:  a drive-through car wash.  It was tragically too late.  The poo residue was stuck on there, and good.  She was going to have to clean this one up manually, and she was on her own with that.

Savage Garden probably said it best on “The Animal Song”.

“Cause I want to live like animals,
Careless and free like animals,
I want to live,
I want to run through the jungle.”

Let your balls hang free on the side view mirror of life.

REVIEW: Rulers of Rock – Various Artists (1988 cassette)

RULERS OF ROCK (1988 PolyTel)

When the front cover features crumbled tinfoil, you know you’re in for a seriously good time.

This tape still sounds amazing!  It was a gift 30 years ago from an old girlfriend, and it somehow survived all my cassette purges (even the one that sent most of them to Thunder Bay.)

From the fine folks at PolyTel, you get an assortment of hot rock that makes for a remarkably good listen today.  Opening with Bon Jovi’s “Living on a Prayer” you couldn’t ask for a better embarkation point.  That goes right into the back-to-basics brilliance of “Love Removal Machine” by the Cult.  I remember that old girlfriend really hated The Cult, so it was kind of her to give this to me.  I didn’t have Electric yet, so this was my first ownership of the song.

The Ozzman cometh on “The Ultimate Sin”, still relentless today even though Ozzy tries to ignore most of the Ultimate Sin era.  Ozzy and Jake made some incredible music together and this is one.  The cassette swings back towards hair metal with Cinderella and their early hit “Nobody’s Fool” from 1986.  On tape, the ballad sounds thicker and heavier.  It also appears to be the full length version and not a single edit.  Up next, it’s the non-metal of The Alarm, but “Rain in the Summertime” fits like a glove.  It’s really no softer than “Living on a Prayer” when you think about it.  Unfortunately the cassette has a warbly spot right in the middle of the song.  Kiss close the side with the softest one yet:  “Reason to Live” from Crazy Nights.

Flipping the tape, side two opens with a hit just about equal to the one that commenced side one.  The keyboards sound carpet-deep on tape, as you recognise “The Final Countdown” by Europe.  If there were only two bands battling for rock supremacy in 1987, it was Bon Jovi vs. Europe.  Side one vs side two!

Our first Canadian content is predictably by Rush.  Hey, it had to be either Rush or Bryan Adams.  “Time Stand Still” featuring Aimee Mann was the kind of mainstream hit perfect for a tape like this.  Less predictable is the presence of Yngwie Malmsteen with “Fire” from Trilogy, a song totally out of character for a tape with The Alarm and Cinderella.  Deep Purple are next to crash the party with 1987’s Bad Attitude.  Once again, it was my first time owning a song.  I imagine Deep Purple with a little less shocking next to Yngwie, though probably just as unfamiliar to an unsuspecting buyer.

Why not a little Christian content, since so many styles of rock are represented here?  Stryper’s “Honestly” may sound like a romance, but it’s a cleverly disguised prayer.  And finally, because why not? It’s “Hourglass” by Squeeze!  I was 17 years old, and I hated it!  Different story today.

30 years down the road, Rulers of Rock was a delightfully entertaining listen with twists, turns and surprises.  And it’s still the only place I own those Squeeze and Alarm songs!

4/5 stars

 

 

REVIEW: Bon Jovi – “Wanted: Dead or Alive” (1987 cassette)

BON JOVI – “Wanted: Dead or Alive” (1987 Mercury extended play cassette)

Some rarities are easiest to find on tape.

That’s definitely still the case for “Wanted: Dead or Alive”, the 1987 acoustic version originally released only on an extended play cassette in most of the world.  This version, discussed below, is a Holy Grail collectable.  What about CD or vinyl?  There was a rare Japanese version with a slightly different tracklist, but for 30 years, all I had was this cherished cassette.

The tape has four tracks.  The original studio version (titled “Long Version” here to avoid confusion with the  4:10 single edit) leads side A.  “Wanted” is Bon Jovi’s first truly brilliant song.  An extended cowboy metaphor about the road, it’s timeless.  It always has been.  Richie Sambora’s 12 string guitar made all the young guitar kids want to play one.  His backing vocals were the real highlight.  Funny thing about Bon Jovi:  the backing vocalist was better than the lead singer!  Smoking guitar solo too, where every note counts.  You can hear Richie pushing those strings and wrenching that solo from the instrument.  It’s a perfect song, with every component serving a purpose and coming together.  The old west as seen from New Jersey.

The acoustic version of “Wanted” is the real delight here.  It’s just Jon and Sambora together with two acoustic guitars.  Jon explains the details in the liner notes, but only the cassette has this information: one more good reason to hunt down the tape.  Read below:

“On March 18, 1987 or somewhere there bouts, Richie and I flew into New York to mix some live tracks for a radio special.  After a couple hours of record making, donut eating, and MTV watching we got bored, picked up two acoustics and started to jam.  The results are here on tape, the way we wrote it, just like it was in the basement on that cold January night in Jersey.”

If that doesn’t set the scene, nothing will.  Richie sings more of the lyrics, and belts out a killer acoustic solo too.  It was this recording that demonstrated to me the talents of Mr. Sambo.  What it lacks in glossy finish, it makes up for in spades with vibe.

On side B, the live version of “Wanted” is another rarity.  It’s an extended 8:13 full band version, with a long instrumental prologue.  According to the liner notes (again, only on the cassette), it was recorded at Cobo Hall in Detroit on March 11, exactly a week before the studio jam was recorded.  It’s likely this is one of the live songs that Jon and Richie were in New York mixing on the 18th.  (Production is credited to both.)  You may have lots of versions of “Wanted” already, but owning an extended take from early ’87 is better.

The tape ends on “I’d Die For You”, a song that was good enough to be a single in its own right.  However, it wasn’t.  It’s just an album track from Slippery When Wet, but it’s safe to say it’s a bit of an unsung classic.  The Japanese CD version, on the other hand, comes with the non-album rarity “Edge of a Broken Heart”, one of their best tunes ever.  After “Edge”, there is an exclusive unlisted interview with all five band members.  Inside, Japan also got a “Bon Jovi Dictionary (R to Z)”.  Presumably the other volumes of the dictionary can be found in other Japanese CDs.

Though this cassette has an overabundance of “Wanted”, you simply need to get that acoustic version.  You want the one that’s 5:31 long, recorded in March ’87.  In fact, you need that one.  And even though CD is the superior format, the tape has the liner notes and other details you won’t find on CD.

5/5 stars

Thanks to Mitch Lafon for helping me locate a CD copy of these tracks!

VHS Archives #65: Bon Jovi full band interview – original lineup (1992)

I’ve been teasing this one for a few weeks.  It’s rare to get interviews with anyone from the original lineup of Bon Jovi other than Jon and Richie.  It’s even rarer to get a full band interview.

Michael Williams hosted all five members on MuchMusic’s Start Me Up program, before the release of Keep the Faith in 1992.

Ladies and gentlemen, I present to you:

Jon Bon Jovi,
Richie Sambora,
David Bryan,
Tico Torres,
and Alec John Such.

BON JOVI!

VHS Archives #61: Wild ‘T’ and the Spirit band interview (1993)

Tony “Wild T” Springer was hot in 1993!  He was sailing high with his second album Givin’ Blood, not to mention a gig playing with David Bowie on Black Tie White Noise.  He also scored a gig as the opening act for Bon Jovi on the Keep the Faith tour.  MuchMusic’s Erica Ehm asked ‘T’ about the Bon Jovi slot, and the rock scene in Trinidad where Tony was born.

Check out Tony Springer, Danny Bilan, and Nazeem Lakay — Wild ‘T’ and the Spirit.

#719: Mystery Disc

GETTING MORE TALE #719: Mystery Disc

Cleaning out Jen’s mom’s house after she passed away was very emotional work.  Nobody’s been living there since July.  One day she got up and broke her hip.  We didn’t know it yet but the cancer was in her bones.  She never came home again.  When we started working on the house in September, everything was more or less how she left it.

Her music collection was small with a few gems.  One disc that I kept was Cat Stevens’ Icon.  I had to take it for “If You Want to Sing Out, Sing Out.”  As told in Getting More Tale #702, that song seemed to make a connection with me when she was sick.  One day we went to see her in the hospital, and she was unconscious.  No longer able to communicate.  That song was stuck in my head for reasons I can’t explain.  I like to think she was sending me a message.  Not to be sad.  It would have been like her to say that to me.  I get tears in my eyes thinking about her lying there dying, and that song playing on repeat in my head.  I had the song played at her funeral.  It just seemed like such a “mum” song, even though I have no memories of us ever listening to it together.  When I found out that she actually owned that song, I got the chills again.  Finding Cat Stevens made my heart swell.

We also found a number of CD-Rs that I made, but had no labels or covers.  For today’s chapter I’m focusing on one specifically.  I can’t figure out why I made it, or who I made it for, or what it was doing at Jen’s mom’s house!

It is a lightscribe CD, and burned into the top is the old background from my website.  It’s a photo of some model guitars and guitar picks.  The 15 song track listing is most bizarre and I can’t figure out what I was doing!

Track 1:  Craig Fee saying “LeBraaaain”.  This dates the CD to 2012 at the earliest.  I liked to introduce my CDs with something amusing, so this works.

Tracks 2-4:  “Whiskey in the Jar”.  The first is Metallica’s studio cover from Garage Inc.  The second is Thin Lizzy’s take from 1972.  Last is a live Metallica version, possibly from the CD single.  That’s a lot of whiskey – 15 solid minutes worth.  Listening back, the Metallica live version absolutely kills their studio cut.  Yeah-hah!

Track 5:  Steve Earle – “Home to Houston”.  This track is from Steve’s political 2004 album The Revolution Starts Now.  I haven’t played that album in years and I don’t remember this song.  Why it stuck out enough to put it on this mystery disc, I haven’t a clue.  Good tune, but I don’t know it anymore!

Track 6:  Jeff Bridges & Colin Ferrel – “Fallin’ & Flyin'” from the 2010 soundtrack Crazy Heart.  Now, memories are starting to form.  I can remember driving around with Jen and her mom, listening to this song in my car.  Did I make this CD for her mom?  If so, why the Metallica?

Track 7:  Johnny Cash – “The Man Comes Around”.  One of the greatest Cash songs, from the best American album in my opinion.  Goosebumps, still to this day.  Jen and I love Cash and had him played at our wedding.

Track 8:  Me doing a song intro!  The backing track sounds like Motorhead’s acoustic version of “Ace of Spades” with the main lick looped and no vocals.  I made this for a past Sausagefest countdown!  The track I’m introducing:  “Renegade” by Styx!  I mention that it was covered by Daughtry and then add sound effects of Nicko McBrain burping and farting.  I have to admit it’s a pretty great (and funny) intro!  It was #30 on the 2013 countdown.  From that I can now assume I made this CD the same year.  Which is strange because I wasn’t really making mix CDs anymore in 2013.

Track 9 is a personal favourite, “Rock An’ Roll Angels” from Whitesnake’s 1982 album Saints & Sinners.  I’ve always been into rock and roll songs with boogie woogie piano. I have loved this song for three decades.  Then Track 10, another Whitesnake classic:  “Slow An’ Easy” from the landmark classic Slide It In.  That’s another personal fave, because of the slide riff.  It’s incredible and I spent many hours as a teenager playing air slide to it.  Not to mention air drums!  Cozy Powell was so fucking cool.

Then more slide!  Track 11:  The Black Crowes – “Twice as Hard”.  I was clearly trying to make the CD flow.  Indeed I used to spend hours shuffling track order until I had it “just right”.  With all this slide business going on, I wonder if the next song is going to be some “Travelling Riverside Blues”?

Nope!  A total surprise to me, Track 12 is The Tragically Hip!  “50 Mission Cap” is Jen’s favourite, for reasons you’ll understand.

Bill Barilko disappeared that summer,
He was on a fishing trip.
The last goal he ever scored,
Won the Leafs the cup.
They didn’t win another till nineteen sixty two,
The year he was discovered.
I stole this from a hockey card,
I keep tucked up under.

I think the lyrics are brilliant because they tell two stories at once.  First, they tell the true tale of Toronto Maple Leaf Bill Barilko, who tragically died in a plane crash in a remote part of Quebec.  Nobody knew what happened to him until his body was found 11 years later.  The second tale is that of a young Gord Downie who read about it on the back of a hockey card.

Track 13 is another surprise:  “The Boys are Back in Town” by Bon Jovi!  Don’t scoff, this is actually a really good Thin Lizzy cover from their New Jersey period.  Lyrically, Jon and Phil Lynott were on similar wavelengths.  This is exactly the kind of tune that Jon was writing.  “Wild in the Streets” is Bon Jovi trying to re-write “The Boys are Back in Town”.

Track 14:  “Big Foot” from Chickenfoot III.  Gotta be one of my favourite car tunes.  “Got Houses Of The Holy on the box, got it all cranked up cause, yeah! That shit rocks!”  What a groove — you can’t help but stomp along.  Joe Satriani has a way with a riff.

I had a guess that Track 15 was going to be all of side one of 2112.  The track time was over 20 minutes, so I had an inkling it was either that or side two of Abbey Road.  I’ve ended mix CDs with 20 minute epics before, and I think it works.  The Beatles did it!  Granted, the 2112 epic was a side one, but it still functions perfectly in the closing position.  Try it yourself!

Listening to this mystery disc has been enjoyable, but my reasoning still escapes me.  It’s such a bizarre mix, with the front loaded threesome of “Whiskey in the Jar”.  From there it starts to make a little more sense.  But how it did it end up at “mum’s” house?

My best theory is that I made it as a gift for Jen’s Uncle Rick, and it never got mailed.  He lived in Texas at the time — maybe that’s why I included “Home to Houston”.  Rick is also a Whitesnake fan, and a Toronto Maple Leafs fan.  I’m just not sure.

How would you rate this mix CD if you were the recipient?  I think I’d give it a solid:

4/5 stars

 

REVIEW: Bon Jovi – Red Hot and 2 Parts Live (1985 EP)

 

All hail the mighty Aaron of the KMA.  He is a very generous man.  He is known to send parcels to friends all over the world, and he always keeps an eye out for things that people look for.  He’s incredible that way, and he deserves a tremendous amount of recognition for all he does for the Community.

 

BON JOVI – Red Hot and 2 Parts Live (1985 red vinyl Polygram EP)

Preamble:  Although I forgot about this, back in the fall Aaron did his regular Toronto shopping excursion.  He found a Bon Jovi 12″ single that I’d never seen before.  But I was tapped out, cash wise.  I had done my own Toronto trip to pick up an an absolutely massive toy for my collection.  Apparently he texted me about the Bon Jovi, and I asked him to leave it there because I couldn’t afford it.  Naturally he bought it anyway and secretly stashed it away.

Aaron sent me a big box of goodies for Christmas (and reviews of those will come too!) but the Bon Jovi was the centerpiece.  I didn’t actually open this box of goodies until Easter.  Due to illness and circumstance, our family finally just got around to celebrating Christmas.  I saved his box until then.

This three song EP, on brilliant clear red vinyl, has two live tracks and one remix.  “Hardest Part is the Night” (from 7800° Fahrenheit) was mixed by David Theoner though the differences are minor.  Interestingly, it was also issued as its own single with “Always Run to You” on the B-side.

The other two tracks were recorded live in Japan in 1985.  “Tokyo Road” was later released on the remastered 7800° Fahrenheit as a bonus track, but that CD doesn’t look nearly as pretty as this vinyl.  It’s a little odd hearing Jon introduce it by saying, “Welcome back to ‘Tokyo Road’…” when in fact they were the visitors in Tokyo, but whatever!  Jon’s the professional frontman, not me.  “In and Out of Love” is the real treat, featuring an extended guitar solo, and a different version from the one on 7800° Fahrenheit.  The track is still over 10 minutes long with all that (smoking) noodlin’, but Sambora fans who miss him will want to have this.

Fans of early Bon Jovi — hunt down this EP.  Get it or live your life without this awesome live Bon Jovi that you won’t get otherwise.

4.5/5 stars

 

#658: Wanted Dead or Alive

Happy belated birthday to this single, released March 3 1987!

 

GETTING MORE TALE #658: Wanted Dead or Alive

I didn’t care for Bon Jovi. They seemed like a “girls’ band”. It seemed to be all about the screaming ladies. I did like Europe. “The Final Countdown” was a pretty cool anthemic track, with a sci-fi lyric. The rock press were pitting one band against the other: “Who’s better, Bon Jovi or Europe?” I took Europe every time.

Besides, what the hell was a “Bon Jovi” anyway?*  Bon means “good”.  “Good Jovi to you, sir!”

I continued to ignore Bon Jovi, while receiving Europe’s The Final Countdown as a gift for Easter 1987. The album took a couple listens to get into, but once I did, “Rock the Night”, “Ninja” and especially “Cherokee” blew me away. Europe weren’t a “girls’ band” to me, with songs about Ninjas and Cherokees.

My sister and her friends loved Bon Jovi. One of them had a crush on keyboardist David Bryan. I thought he looked weird, like he had gummy worms in his hair. I remember they were writing “BON JOVI” and “DAVID BRYAN” in the sand at the beach. I erased it and changed it to “BON SCOTT” and “BRIAN JOHNSON”. Take that, eh? No wonder I thought Bon Jovi were a “girl’s band”. Anyone who had a younger sister at the time probably thought so too.

Considering that I own an extensive Bon Jovi collection now (Richie Sambora era only), something must have changed. What was it?

Jon Bon Jovi and Richie Sambora wrote a song together in Richie’s mom’s basement. It was an acoustic song called “Wanted: Dead or Alive”. When I saw the music video in July of 1987, it changed all my impressions.

That 12 string acoustic rang true, on a song that deserves all the awards, video play and accolades. Something about the song was very real. Writing in that New Jersey basement about the road life was about as honest as Bon Jovi get, and you can hear it in the recording. “Wanted: Dead or Alive” turned me around rather quickly. I taped the video, and from there put “Wanted” on a cassette tape. The cassette tape had a lot of new songs from the summer of ’87: Ace Frehley’s “Into the Night”, and Ozzy’s live “Crazy Train” were among those tracks. Eventually I had to get all those albums.

I received the Frehley and the Ozzy for my birthday. I bought Bon Jovi later on in September. By then, I was familiar with all the singles and a track called “Raise Your Hands” from the movie Spaceballs. I just had to digest the album tracks.

Slippery When Wet was…OK, I guess. Not as good as The Final Countdown was.  Not all it was hyped to be, but good enough. “Social Disease” was pretty bad. Slippery struck me as a couple songs short of a great album. Good enough, though, to hang on ‘til the next one.

1988’s New Jersey was the next one. It seems they ditched 80% of the schlock and really tried to get back to their roots. I loved New Jersey and it was my first Bon Jovi CD once I had a player. Whatever authenticity they had on “Wanted: Dead Or Alive” spilled all over New Jersey.

“Wild is the Wind”, “Blood on Blood”, “Ride Cowboy Ride”, “Stick to Your Guns”, and “Homebound Train” had the magic. There is something real and close to perfect about those songs. Bon Jovi put out an album soaked in passion, as opposed to the sterile and clean Slippery When Wet. It didn’t match the 12 million copies sold of Slippery, but New Jersey was so slouch at 7 million.

It’s funny to be using words like “integrity” when speaking of Bon Jovi today. They’ve become an adult contemporary project; no longer a rock band. “Wanted” was their first acoustic hit and it’s often considered one of the landmark ballads of the era. In many respects, the lite-rock Bon Jovi of today was forged by “Wanted”. But that doesn’t tarnish the song itself. “Wanted: Dead or Alive” is still fantastic. Even better is the 1987 acoustic version, only available on cassette single (or Japanese CD single).

You can go ahead and scoff at Bon Jovi, in light of the last 10 or even 20 years. They’re a mere fraction of the group they used to be. Yet “Wanted: Dead or Alive” still stands as a high water mark that any band would be jealous to have.

 

 

*Real name:  Jon Bongiovi