In 1989, I proudly sported my Moscow Music Peace Festival T-shirt in the highschool halls. It was cool to see the rock bands on the forefront of heavy metal bringing music to the Soviet Union. Scorpions, Bon Jovi, Motley Crue, Cinderella, Ozzy Osbourne and Skid Row joined Russian metal band Gorky Park in the name of peace and being drug free.
Drug free? Ozzy? It’s true that this was a little strange, but Motley were at least clean for the first time in their lives. The Scorpions had played behind the Iron Curtain before, and Sabbath were huge in Russia. Meanwhile Bon Jovi were one of the few bands to legally release an album in the USSR, and in return they brought Gorky Park to the US. I was lucky enough to have a girlfriend who recorded the televised part of the concert off MTV and sent me a copy. It was a pretty mindblowing video. Those Russians were going absolutely nuts, seeing their idols on stage.
Later on, the bands each contributed a song to a compilation album called Stairway to Heaven/Highway to Hell, each covering an artist who had been touched by substance abuse. The CD was produced by the biggest name at the time, Bruce Fairbairn himself. The proceeds went to an anti-drug charity, for all the good “just saying no” does. The album itself was a pretty great compilation of mostly exclusive music. Though almost all of it is now available elsewhere, that wasn’t the case in 1989, making this a tempting buy.
Gorky Park, the up and comers, started off with “My Generation”. Some find it too putrid to stomach. It’s virtually an original song with only the lyrics recognizable. The riffs and melodies seem otherwise new. So give Gorky Park some credit for at least not attempting a carbon copy, but then you gotta take off some points for turning “My Generation” into a Bon Motley song. Unfortunately for Gorky Park, their momentum halted when singer Nikolai Noskov quit in 1990.
Skid Row surprised the hell out of everyone with the Pistols’ “Holidays in the Sun”. It was the first indication that Skid Row had punk roots. “Holidays” was very much a look ahead to where they would go on Slave to the Grind. They were on the punk bandwagon a full two years before Motley decided to cover the Sex Pistols. It’s always strange to hear flashy metal guitar solos on a Pistols song, but it’s sheer joy to hear Sebastian spitting and screaming up a storm.
Scorpions had a new compilation out called Best of Rockers ‘n’ Ballads. Another Who song, “I Can’t Explain” was taken from it to be used on this CD. It is by far the better of the Who covers, as Scorpions really made it their own. Next, Ozzy’s track is quite interesting. It’s the only studio recording of the lineup including Zakk Wylde, Randy Castillo, and Geezer Butler. Geezer quit the band shortly after, and this incredible lineup never recorded anything else. I consider it the strongest band that Ozzy had after Randy Rhoads. The quartet did a live sounding cover of “Purple Haze”, unfortunately not the greatest version. It is at least a showcase for Zakk Wylde to go nuts on the wah-wah pedal.
I will argue that the best track on this album came from the band that was riding a brand new high: Motley Crue. Clean and mean, they were incredibly strong in 1989. They the balls to choose an obscure Tommy Bolin (Deep Purple) solo tune: “Teaser”. Motley put on that Dr. Feelgood groove, and Mick Mars laid waste to the land with his slidey guitar goodness. It’s no surprise that “Teaser” has reappeared on Motley compilations several times since. It has balls as big as a bus!
Another strong contender is Bon Jovi’s take on Thin Lizzy. “The Boys are Back in Town” fits seamlessly with that small town New Jersey vibe that Bon Jovi used to have. Lynott must have had some influence on a young Jon Bon, because all his old tunes are about the boys – back in town! Dino’s bar and grill could be in Sayreville NJ. Of course, Bon Jovi are a competent enough band to be able to cover Thin Lizzy and do it well.
Another surprise: Cinderella doing Janis Joplin. Singer Tom Keifer suited Joplin, though you don’t immediately associate the two! “Move Over” takes advantage of that Keifer shriek that isn’t too far removed from Janis. From there on though, it’s filler. Jason Bonham, Tico Torres and Mickey Curry do a pretty boring “Moby Dick”. It’s funny how John Bonham sounds bigger on the original, than three drummers on this remake. Then it’s a bunch of live jams from the Moscow concert: “Hound Dog”, “Long Tall Sally”, “Blue Suede Shoes” and “Rock and Roll” (Bonham on drums again for the latter). Vince Neil is hopelessly out-screamed by Sebastian Bach on the Zep tune. All the singers participated, but Sebastian Bach and Tom Keifer blew ’em all away.
This disc has been out of print a while, but isn’t too hard to find. 80s rockers need to have it for its historical value.