cinderella

#766: The Blue Tape (1991)

GETTING MORE TALE #766: The Blue Tape (1991)

This blue Scotch tape has seen a lot of use over the years.  It was my first blank tape, 120 minutes.  This cassette was well loved.  Back in ’83, it contained open-air recordings of songs like “Dirty Deeds Done Dirt Cheap” and “The Mighty Quinn”.  At some point in history (early 1991) I must have recorded over it.  Let’s have a listen.

Play ►

I have a feeling I know what it is now.  Sounds like something I recorded for a girl!  It would have been for my long distance crush Tammy.

This tape was never anything more than a cheap cassette, and it sounds awfully horrendous today.  The contents, however, are still identifiable.  The reason I never sent it to her was that it didn’t pass the sound quality test when I played it back.  That was the shitty thing about cassettes.  You could pour hours into making something, and then abandon the entire project.

I’m writing this in real time as I listen.  If I’m right about my original intentions with this cassette, then I know that I’m going to find a specific song buried somewhere in the track list.  Let’s find out.

Side 1

1. Tesla – “Love Song”

The acoustic intro to the song made a perfect run-in for this lovey-dovey tape.  I’ll spare the identity of the poor girl who this was made for, but she knows!  This Tesla ballad is still utterly perfect.  Off to a good start.

2. Kiss – “Shout It Out Loud”

Whew, I sure am glad it’s not all ballads.  This track took me by surprise.  I’m glad I used a classic Kiss rocker as the second track, instead of pandering for romance with “Reason to Live”.  Good for me!

3. Cheap Trick – “The Flame”

I read a lot of hate for this song today.  In the 80s, it was my favourite Cheap Trick and it’s still in my top five.  It may be a ballad but like the Tesla one, it’s utterly perfect.  This tape is now clearly made for a girl.  I’d never do 2/3 ballads for my opening trio otherwise.

4. Warrant – “Thin Disguise”

Here I go again with the rarities!  She loved Warrant but there is no way she had this song unless she had the cassette single for “Cherry Pie”.  I did — I collected that stuff even back then.  Turns out the B-side “Thin Disguise” is one of the best Warrant tracks, even today.  It’s an acoustic/electric killer.  Jani wrote some incredible songs in his time.  This is one.

5. Warrant – “I Saw Red (Acoustic version)”

Another rarity, this time from the “I Saw Red” cassette single.  I think this simple acoustic track (just Jani and a guitar) is better than the bombastic A-side version.  Even then, I was trying to impress a girl with my music collection — how comical is that?

6. Kiss – “Reason to Live”

Ahh shit, there it is!  That is hilarious.

7. Cinderella – “Nobody’s Fool”

OK, I’m getting a little sick of the power ballads now.  The cool thing is, I know for a fact that I taped this off a cassette that she gave me for Christmas called Rulers of Rock.  I wanted to show that I appreciated the gift by including this song.  Kind of like when your favourite aunt gave you a sweater and you had to wear it when she was over to visit.

Enough with the ballads though.  Let’s get a rocker next.  Let’s hope for a rocker.

8. Kim Mitchell – “Easy to Tame”

Well, it’s not a ballad, but it ain’t a rocker either.  Kim Mitchell was a good way into a girl’s heart in the late 80s and early 90s.  Everybody loved “Patio Lanterns”.  “Easy to Tame” was kind of like it’s cooler, lesser known cousin.

9. Paul Stanley – “Hold Me, Touch Me (Think Of Me When We’re Apart)”

Jesus fuck!  I went full ballad.  This was probably my favourite ballad of all time back then.  Stanley’s guitar solo is flawlessly written and executed.  And I got three Kiss songs right there on side one.

10.  Kiss – “I’ll Be Back”

Four!  Four Kiss songs!  What a wild inclusion, too.  This is a brief, very quick, Beatles tune done a-cappella for Kiss eXposed on VHS.  I dubbed this from the video for a “soundtrack tape” that I made, and then recorded it here tape to tape.  Just a filler between two other songs, but fuck…that’s cool.

11. Killer Dwarfs – “Doesn’t Matter”

At least this ballad has balls.  We played this song a lot the previous summer.  Bob had the cassette for Dirty Weapons, and he loved this song.  A couple years later it was still good enough to include on their next album Method to the Madness.  It’s still great.

12. Triumph – “Let the Light (Shine on Me)”

I’m getting steadily more and more disgusted with myself as the ballads play on.  This one was recorded from the 7″ single, but at this point I don’t care and I just want the side to be over so I can flip the tape.

13. Quiet Riot – “Don’t Wanna Let You Go”

I’ll let myself off with a warning here, because this electric song is still pretty great.  Truthfully, I included it hoping she’d like it, as Quiet Riot wasn’t really her thing.  I was feeling nostalgic for the early 80s, the simplicity and quality of the Metal Health era.  You didn’t need a ballad to have a hit then, and indeed “Don’t Wanna Let You Go” isn’t a single.  Even in this shitty tape, Carlos’ guitar sound incredible.

14. Slaughter – “Fly to the Angels (Acoustic version)”

I put this on because she loved Slaughter but didn’t have a CD player, and this was a CD bonus track.

Side 2

I need a break from all the balladeering, but I have a feeling the mush will be just as relentless.  On the whole of side 1, there was only one track that you could call a rocker!

1. Judas Priest – “Out in the Cold”

Here it is!  Yes, I sure do remember making this tape.  The main motivation was — get this — to trick her into liking Judas Priest.

She hated Priest.  Meanwhile, we were in the Painkiller era and I was riding a Priest high.  I planned to write this song on the cover as:

1. Exciter – “Out in the Cold”

I used an alias (disregarding the thrash band with the same name because I know she wouldn’t recognize it) because I wanted her to hear this awesome Priest song with no preconceived notions.  I wanted her to love it.  I never found out since the cassette sounds so terribly bad and I never sent it, but this proves that I remembered my intentions correctly.

This sheds a new light on all the balladry.  I was trying to really lull her in.  I figured I needed a tape with nothing but the best soft songs in the world to really get her with the mighty Priest.  It’s all coming back to me now.

2. Frehley’s Comet – “It’s Over Now”

I didn’t think she would know this one, but I hoped she’d like it.  I was a big proponent of the second Frehley disc, appropriately called Second Sighting.  I always thought this song should have been a huge, huge hit.  I was hoping she would agree.  Unusually for a Frehley song (but wiser from a commercial ballad point of view), it has both lead vocals and lead guitar by Tod Howarth.

3. Frozen Ghost – “Promises”

This one takes me completely by surprises.  It’s a great song, but I didn’t have it back then.  My sister did — I must have poached it from her collection for this tape.  Bob played this a lot in the car over the last couple summers, so our whole gang would remember it fondly.  She would have been in the car when we were rocking Frozen Ghost.  Lead singer Arnold Lanni later went on to become quite a successful producer.  Guitarist Phil X made it even bigger, now touring the world with Bon Jovi!

4. Lee Aaron – “Only Human”

I don’t think this is one of Lee’s finer moments, but I thought she’d like it, so on it went.

5. Winger – “Miles Away”

Putrid.  Just awful.  Fast forwarding.

6. AC/DC – “Moneytalks”

Holy shit!  Finally a rock song.  AC/DC were huge in ’90-’91.  I couldn’t have gone wrong with AC/DC.  Then why the fuck didn’t I include more?  “Who Made Who”.  “You Shook Me All Night Long”.  Everybody likes those songs.  Holy shitballs.

7. Motley Crue – “Home Sweet Home”

Tammy had Dr. Feelgood before I did, but I don’t know if she would have Theater of Pain back then.  There was no such thing as a Motley greatest hits (can you imagine such a world?) so I thought this would be nice for her to have.

8. Van Halen – “Dreams”

OK, probably not a ballad.  Very keyboard-heavy.  Very easy to enjoy, and Van Hagar were still cool as fuck.

9. Van Halen – “Dancing in the Streets”

Some folks that are not necessarily Van Halen fans really like their version of “Dancing in the Streets”.  It’s probably better than Bowie/Jagger, at least.  I’m pleased with myself for including both Sammy and Dave on this tape, and one after the other no less!

10. REZ – “Shadows”

Woah!  Deep cut.  This was a tape, of a tape, of a tape, of a tape.  You can imagine what it sounds like today.  Bob and I loved this song by the Christian rock band REZ, formerly Resurrection Band.  You can see that I snuck in a few unfamiliar songs like this, hoping she’d get into them.  This one is pretty easy to like.  Total shock to find it here.

11. Kiss – “Hard Luck Woman”

Kiss Count:  five.

12. Brighton Rock – “One More Try”

This also comes as a surprise.  Then I think to myself that my music collection wasn’t very large back then and I would have to pull a few obscure ones out.  If I remember the details clearly, Tammy had MTV and so didn’t necessarily hear as much Canadian content like Brighton Rock.

13. AC/DC – “You Shook Me All Night Long”

Ah, good.  What’s interesting to me about this is that at this point of the tape, the right channel is completely inaudible.  So all I get is Angus (no Malcolm), Brian, and maybe half of Phil Rudd.

To my surprise, that is the last song.  Usually I snuck something short and goofy at the end of a tape.  “You Shook Me All Night Long” does make a good final song….

Wait!

I didn’t erase the tape to the end!  There is something left at the tail.  Older contents; older than 1991.

It’s “On the Road to Rock” by Kick Axe!  It is a mystery how that song got on this tape in the first place, as I didn’t own it back then and don’t even own it now.  I must have recorded it off someone.  Who, I have no idea.  Perhaps my next door neighbour George had it.  It was him or Bob, but I’ll never know for sure.  George is gone now and Bob wouldn’t remember.

Knowing when I made this tape, and all the motivations behind it doesn’t forgive it for being a piece of shit. I did a shitty job here folks! Too many ballads, not enough variety. It’s a real slog to listen to without a fast forward button. At least half of those ballads could be axed, and replaced with something else that I had in my collection at that time.

Usually when you make a tape for someone, you give it away and never hear it again. In this case I had the rare chance to play back a mix tape that I made 28 years ago and never sent. It’s just as bad as I feared though not without some surprises and the odd cool inclusion.

That blue Scotch tape, an ancient C-120, goes back to at least 1983 making it 36 years old at minimum.  120 minute tapes are never any good, and this one was always particularly cheap.  Now that I’ve satisfied my curiosity, I will never play this tape again.

REVIEW: Rulers of Rock – Various Artists (1988 cassette)

RULERS OF ROCK (1988 PolyTel)

When the front cover features crumbled tinfoil, you know you’re in for a seriously good time.

This tape still sounds amazing!  It was a gift 30 years ago from an old girlfriend, and it somehow survived all my cassette purges (even the one that sent most of them to Thunder Bay.)

From the fine folks at PolyTel, you get an assortment of hot rock that makes for a remarkably good listen today.  Opening with Bon Jovi’s “Living on a Prayer” you couldn’t ask for a better embarkation point.  That goes right into the back-to-basics brilliance of “Love Removal Machine” by the Cult.  I remember that old girlfriend really hated The Cult, so it was kind of her to give this to me.  I didn’t have Electric yet, so this was my first ownership of the song.

The Ozzman cometh on “The Ultimate Sin”, still relentless today even though Ozzy tries to ignore most of the Ultimate Sin era.  Ozzy and Jake made some incredible music together and this is one.  The cassette swings back towards hair metal with Cinderella and their early hit “Nobody’s Fool” from 1986.  On tape, the ballad sounds thicker and heavier.  It also appears to be the full length version and not a single edit.  Up next, it’s the non-metal of The Alarm, but “Rain in the Summertime” fits like a glove.  It’s really no softer than “Living on a Prayer” when you think about it.  Unfortunately the cassette has a warbly spot right in the middle of the song.  Kiss close the side with the softest one yet:  “Reason to Live” from Crazy Nights.

Flipping the tape, side two opens with a hit just about equal to the one that commenced side one.  The keyboards sound carpet-deep on tape, as you recognise “The Final Countdown” by Europe.  If there were only two bands battling for rock supremacy in 1987, it was Bon Jovi vs. Europe.  Side one vs side two!

Our first Canadian content is predictably by Rush.  Hey, it had to be either Rush or Bryan Adams.  “Time Stand Still” featuring Aimee Mann was the kind of mainstream hit perfect for a tape like this.  Less predictable is the presence of Yngwie Malmsteen with “Fire” from Trilogy, a song totally out of character for a tape with The Alarm and Cinderella.  Deep Purple are next to crash the party with 1987’s Bad Attitude.  Once again, it was my first time owning a song.  I imagine Deep Purple with a little less shocking next to Yngwie, though probably just as unfamiliar to an unsuspecting buyer.

Why not a little Christian content, since so many styles of rock are represented here?  Stryper’s “Honestly” may sound like a romance, but it’s a cleverly disguised prayer.  And finally, because why not? It’s “Hourglass” by Squeeze!  I was 17 years old, and I hated it!  Different story today.

30 years down the road, Rulers of Rock was a delightfully entertaining listen with twists, turns and surprises.  And it’s still the only place I own those Squeeze and Alarm songs!

4/5 stars

 

 

#681: Bad Lessons

GETTING MORE TALE #681: Bad Lessons

Parents of the 80s were always concerned about the impressions that their kids were getting from music videos.  Objectifying women?  Drug and alcohol use?  Absolutely a concern.  But what about other misleading lessons from the music video age?

 

Bad Lesson #1:  You can play guitar with gloves on!

You’re guilty, Blackie Lawless from W.A.S.P.!  You too, Jeff Pilson of Dokken!  You both played your instruments in music videos while wearing full leather gloves.  As children, we simply assumed if it got cold outside, you could continue to play your guitar with gloves on.  I’m not talking fingerless gloves, but full coverage.

It doesn’t really look cold in that Dokken video for “Burning Like a Flame”. Why the gloves, Jeff? George Lynch isn’t even wearing a shirt.

 

Bad Lesson #2:  Great hair just happens.

How many music videos of the 80s showed the band members doing up their hair?  None!  Probably due to the “hairspray” stigma of the 80s. Some videos showed the band members literally getting out of bed, with hair intact.  I assumed that once you grew your hair long enough and had it cut by a professional, it would just automatically look cool every morning.  Naturally, I had bad hair for years.  Thanks, rock stars.  Don’t be embarrassed by your hair care products!

 

Bad Lesson #3:  Guitars are eeeeasy to play!

Since we didn’t fully comprehend that music videos were mimed, and not an actual performance, we assumed guitars were easy to play!  After all, they made it look so easy!  C.C. DeVille could jump around and swing his guitar everywhere without missing a note.  Others would just…hit their guitars…and the song played on!  Paul Stanley seemed to play his without even touching it.  You can imagine how we felt when we actually bought our first guitars ourselves.  Hitting it didn’t play a song, it just made a hitting sound.  We were lied to!

Players like DeVille and Jeff Labar of Cinderella also made it look far too easy to swing your guitars over your shoulders.  We damaged some necks and some ceilings trying to imitate these guys.  We learned you had to buy strap locks or watch your guitar get launched skyward.

 

Bad Lesson #4:  Adulthood involves walking the streets at night with your boyz.

As young impressionable kids, we didn’t know what adulthood was really about.  We saw our dads go to work every day.  Mom worked hard too.  But what about before they met and got married and settled down to have kids?  What was life like at that stage?  Judging by Dokken, Journey or Motley Crue videos, adulthood meant walking around town a lot with your buds.  Some bands even cruised in cars!  Is this what growing up looked like?


“Don’t Go Away Mad” (by the most Mötleyest of Crües) is guilty on two counts: plenty of downtown walkin’, and Vince waking up with hair perfectly coiffed.

 

Bad Lesson #5:  Getting arrested is no big deal!

David Lee Roth was led away in handcuffs in the “Panama” music video.  Bobby Dall of Poison got arrested in one of their clips, too.  Let’s not forget Sammy Hagar getting busted for speeding in “I Can’t Drive 55”.   But it’s all good – the guys were all there at the end of the songs.  No big deal!

 

 

It was never the alcohol, or devil worship, or women that made rock videos dangerous. Turns out it was the mundane stuff. Who knew long hair was so hard to upkeep? They never told us that. How naive we were!

 

 

REVIEW: Make A Difference Foundation – Stairway to Heaven/Highway to Hell (1989)

Make A Difference Foundation – Stairway to Heaven/Highway to Hell (1989 Polygram)

In 1989, I proudly sported my Moscow Music Peace Festival T-shirt in the highschool halls.  It was cool to see the rock bands on the forefront of heavy metal bringing music to the Soviet Union.  Scorpions, Bon Jovi, Motley Crue, Cinderella, Ozzy Osbourne and Skid Row joined Russian metal band Gorky Park in the name of peace and being drug free.

Drug free?  Ozzy?  It’s true that this was a little strange, but Motley were at least clean for the first time in their lives.  The Scorpions had played behind the Iron Curtain before, and Sabbath were huge in Russia.  Meanwhile Bon Jovi were one of the few bands to legally release an album in the USSR, and in return they brought Gorky Park to the US.  I was lucky enough to have a girlfriend who recorded the televised part of the concert off MTV and sent me a copy.  It was a pretty mindblowing video.  Those Russians were going absolutely nuts, seeing their idols on stage.

Later on, the bands each contributed a song to a compilation album called Stairway to Heaven/Highway to Hell, each covering an artist who had been touched by substance abuse.  The CD was produced by the biggest name at the time, Bruce Fairbairn himself.  The proceeds went to an anti-drug charity, for all the good “just saying no” does.  The album itself was a pretty great compilation of mostly exclusive music.  Though almost all of it is now available elsewhere, that wasn’t the case in 1989, making this a tempting buy.

Gorky Park, the up and comers, started off with “My Generation”.  Some find it too putrid to stomach.  It’s virtually an original song with only the lyrics recognizable.  The riffs and melodies seem otherwise new.  So give Gorky Park some credit for at least not attempting a carbon copy, but then you gotta take off some points for turning “My Generation” into a Bon Motley song.  Unfortunately for Gorky Park, their momentum halted when singer Nikolai Noskov quit in 1990.

Skid Row surprised the hell out of everyone with the Pistols’ “Holidays in the Sun”.  It was the first indication that Skid Row had punk roots.  “Holidays” was very much a look ahead to where they would go on Slave to the Grind.  They were on the punk bandwagon a full two years before Motley decided to cover the Sex Pistols.  It’s always strange to hear flashy metal guitar solos on a Pistols song, but it’s sheer joy to hear Sebastian spitting and screaming up a storm.

Scorpions had a new compilation out called Best of Rockers ‘n’ Ballads.  Another Who song, “I Can’t Explain” was taken from it to be used on this CD.  It is by far the better of the Who covers, as Scorpions really made it their own.  Next, Ozzy’s track is quite interesting.  It’s the only studio recording of the lineup including Zakk Wylde, Randy Castillo, and Geezer Butler.  Geezer quit the band shortly after, and this incredible lineup never recorded anything else.  I consider it the strongest band that Ozzy had after Randy Rhoads.  The quartet did a live sounding cover of “Purple Haze”, unfortunately not the greatest version.  It is at least a showcase for Zakk Wylde to go nuts on the wah-wah pedal.

I will argue that the best track on this album came from the band that was riding a brand new high:  Motley Crue.  Clean and mean, they were incredibly strong in 1989.  They the balls to choose an obscure Tommy Bolin (Deep Purple) solo tune:  “Teaser”.  Motley put on that Dr. Feelgood groove, and Mick Mars laid waste to the land with his slidey guitar goodness.  It’s no surprise that “Teaser” has reappeared on Motley compilations several times since.  It has balls as big as a bus!

Another strong contender is Bon Jovi’s take on Thin Lizzy.  “The Boys are Back in Town” fits seamlessly with that small town New Jersey vibe that Bon Jovi used to have.  Lynott must have had some influence on a young Jon Bon, because all his old tunes are about the boys – back in town!  Dino’s bar and grill could be in Sayreville NJ.  Of course, Bon Jovi are a competent enough band to be able to cover Thin Lizzy and do it well.

Another surprise:  Cinderella doing Janis Joplin.  Singer Tom Keifer suited Joplin, though you don’t immediately associate the two!  “Move Over” takes advantage of that Keifer shriek that isn’t too far removed from Janis.  From there on though, it’s filler.  Jason Bonham, Tico Torres and Mickey Curry do a pretty boring “Moby Dick”.  It’s funny how John Bonham sounds bigger on the original, than three drummers on this remake.  Then it’s a bunch of live jams from the Moscow concert:  “Hound Dog”, “Long Tall Sally”, “Blue Suede Shoes” and “Rock and Roll” (Bonham on drums again for the latter).  Vince Neil is hopelessly out-screamed by Sebastian Bach on the Zep tune.  All the singers participated, but Sebastian Bach and Tom Keifer blew ’em all away.

This disc has been out of print a while, but isn’t too hard to find.  80s rockers need to have it for its historical value.

3/5 stars

REVIEW: Cinderella – Gold (2006)

CINDERELLA – Gold (2006 Universal)

When a band like Cinderella, who only have four studio albums, get a double CD “best of” compilation, it had better be good.  Fortunately Cinderella’s edition of the Gold series offers value for the money and unreleased live tracks to boot.

All the Cinderella albums are represented, including the criminally underrated Still Climbing album from 1994.  Cinderella did not “go grunge” as so many others did.  As “Bad Attitude Shuffle” indicates, they simply doubled down on their own brand of bluesy hard rock with bite.  From the same album, “Free Wheelin'” and “Talk is Cheap” both show fearless commitment to the genre.  Then the ballad “Through the Rain” also from Still Climbing provides the balance.  Cinderella have successfully employed ballads since day one, because they happen to be quite good at them.

Among their greatest ballads: “Don’t Know What You Got (‘Til It’s Gone)”, “Heartbreak Station”, “Coming Home”, “Wind of Change”, and “Nobody’s Fool”.  Each one of these tracks is worthy to be on this compilation.  Some of their slower material either bordered on blues, or were just flat-out blues songs.  Some are here:  “Long Cold Winter”, “Dead Man’s Road”, and “Sick For the Cure”.  Then there is the soulful “Shelter Me” that is harder to categorize.  But of course Cinderella are best known as a hard rock band, and most of the material falls into that vast category.  Many of these tunes are truly awesome.  “Shake Me” was first to gain attention, with some noting similarities to AC/DC.  “Hot and Bothered”, originally from the Wayne’s World soundtrack, combines the blues and rock in a tasty confection.  “Second Wind” from Long Cold Winter kicks ass, and “Gypsy Road” is here too, albeit in live form.

The live tracks are all credited to a Japanese promo CD called Last Train to Heartbreak Station, which appears to be a completely different thing from their Japanese EP called Live Train to Heartbreak Station.  Rarities are always welcome on a compilation, but one has to wish that the great single “Gypsy Road” was also included in its studio version.  It’s a good enough tune that it wouldn’t be a crime to have two versions on the same CD.

Because of their feminine name and some really bad wardrobe choices, Cinderella was written off by many people without hearing any of their rocking material.  While that is a real shame, Cinderella hasn’t made a new album in 23 years so this would be a good one-stop-shop to get much of their best material.  Augment this baby with a copy of their classic Long Cold Winter CD and you will have enough Cinderella to have a good representation of their best stuff.

4/5 stars

Sunday Chuckle: Meat says the darndest things

For this week’s Sunday Chuckle, it started with an enthusiastic Facebook post from me that “Gypsy Road” by Cinderella was now playing on the radio.  That generated two responses including this one from Uncle Meat:

 

ear-fuckies

You just learned a new term.  “Ear fuckies” — the sensation of having Tom Keifer screamin’ in your ear!

REVIEW: Wayne’s World – Music from the Motion Picture (1992)

MOVIE SOUNDTRACK WEEK

By a weird coincidence, I wrote up this review on the exact same night that Aaron wrote up his for the KMA. Weeeeeeird.

Scan_20160605WAYNE’S WORLD – Music from the Motion Picture (1992 Warner)

Today we’ll take an extreme close up look at Wayne Campbell, Garth Algar, and the movie soundtrack that returned Queen to the top of the charts.

Wayne’s World was a phenomenon.  Not only did it put Queen back on their throne, but it also kickstarted a whole wave of Saturday Night Live movie spinoffs, including the Coneheads and Pat.  The soundtrack was one that “everybody” had to have.   While I had started my Queen collection well before the movie came out, this soundtrack was the first place that I acquired “Bohemian Rhapsody”.  In many regards, you can almost regard “Bohemian” as a brand new song in 1992.  It charted as if it was brand new, and it became a cultural cornerstone only after the movie.  I know I can’t be the only one who head-banged to it in the car on weekend nights during the summer of ’92.  As one of the most campy yet brilliant tracks ever recorded in the history of rock, “Bohemian” deserved everything that came its way.

The soundtrack CD was made up of new and old material like “Bohemian”.  Also dusted off:  “Dream Weaver” by Gary Wright.  Though not to the same degree as Queen, Gary Wright experienced a bit of a renaissance thanks to the prominent usage of the song in the film.  The 1975 soft rock ballad is still cheesey fun today.  Then, Jimi Hendrix’s “Foxy Lady” was given a fresh release in one of the most memorable Garth scenes.  Admit it:  If you are over a certain age, you make the little “fox ears” on your head just like Garth Did when Jimi sings “Foxy”!  I know you do — don’t try to lie.  Although I can’t recall the song being in the movie at all, a mediocre Eric Clapton outtake from 1985 is included on the CD, in “Loving Your Lovin'”.  It’s about as memorable as you would expect a mid-80’s Clapton outtake to be; its just “OK”.  Of course, everyone knows that Alice Cooper’s “Feed My Frankenstein” was used during the Cooper cameo in the movie.  It introduced Alice to a whole new generation who still remember and love that song.

New tracks included the zippy Red Hot Chili Peppers funk blitzkrieg “Sikamikanico”.  Bass pulsing in time with the racing beats, this is the kind of Chili Peppers I love.   Meanwhile, Black Sabbath unveiled their first new material with Dio since 1981, on “Time Machine”.  This Wayne’s World version of the song is completely different from the one that was recorded for Dehumanizer, although both are included on the Sabbath remaster.  The Wayne’s World version feels faster and more frantic.  It was quite a thrill for fans to hear a brand new Black Sabbath song in a mainstream comedy movie.  (Cool scene too, with Robert Patrick of Terminator 2 fame.)  Although the soundtrack couldn’t resurrect their careers, both Cinderella and Bulletboys had new tunes on the CD.  Bulletboys tackled a cover of Montrose’s “Rock Candy”, perfect for their Van Halen worshipping vibe.  Cinderella had a new rocker to show off, a soul-infused vintage song called “Hot and Bothered”, which was a fine return to form but had no impact.  Finally, Rhino Bucket who were considered heirs to the throne of AC/DC included a new song called “Ride With Yourself” from their 1992 album Get Used to It.  It’s cleaner sounding than AC/DC but it’s in that ballpark.

Finally there are the throw away tracks.  At the time, Tia Carrere was being hyped up for a music career.  They hooked her up with Ted Templeman and recorded a cover of “Ballroom Blitz” (you know the scene in the movie) and a ballad called “Why You Wanna Break My Heart”.  Both are fine in the movie, but not really necessary for rock fans in general to own on CD.  Still, here they are!  (Tia’s version of Hendrix’s “Fire”, also in the movie, was included on the B-side of the “Ballroom Blitz” single.)  Then there is a throw-away version of the Wayne’s World theme song with Wayne and Garth singing.  I’ll take the Aerosmith version any day!

Not on the soundtrack CD, but prominently featured in the film, was Ugly Kid Joe’s hit “Everything About You”.  No big loss; you should be able to find their Ugly As They Wanna Be EP for under $5.  Party on!

3/5 stars

WTF Search Terms: Joey Tempest Strikes Back edition

DARTH TEMPEST

WTF Search Terms XXVII:  Joey Tempest Strikes Back edition

Been a long time since I rock and rolled?  Hardly!  I just rock and rolled last night actually.  But it has been a long time since we’ve seen some WTF Search Terms!  (The last was in March.)  These are the most bizarre of the bizarre search terms that somehow led people to mikeladano.com.  Today’s instalment includes a couple for the Dark Lord of the Sith himself: Joey Tempest (you devil, you!) and a fair share of farts.

First up, a follow-up to the bizarre Joey Tempest Conspiracy Theory (TM):

  • satanic signs of joey tempest

I think the next person was looking for Joey aka Joakim Larsson as well!

  • presinor in paradies song

Here ya go, fella!  This would actually be the first album with Fake Joey.

Here are some fart and bowel related search terms:

  • thunder fart piss
  • how to rip on coworker who is constipated
  • white lion till death do us fart
  • faith no more farts

The video where Mike Patton farts into his microphone is called You Fat Bastards: Live at the Brixton Academy.  Here ya go, fella!* 20 seconds in. You’re welcome. You’re all welcome!

Here’s an old classic for you.  Were you aware that the Boobsy Animation Whore Wearing Glasses Acquired Screwed series was up to Part 7 already?

  • boobsy animation whores wearing glasses acquire screwed hardcore part 7

The question below is one I have often wondered.  Not really a WTF, but a good question.  Should they have called the album something else?

  • why did cinderella release “long cold winter” album in may

In England, it was released in July.  Imagine that!

Then, the below search term is a belief I do hold.  It’s OK if you don’t but why are you searching for this?  Is there one definitive authority who “knows” this?  (If so, let it be me?)

Finally, I’d like to close this batch of search terms with a guy who, well, he hasn’t been featured in WTF search terms for a long time.  His last appearance was WTF Search Terms XVI, back in February 2014.   Please welcome back the founder and bare buttocks of W.A.S.P., Mr. Steven Edward Duren aka Blackie Lawless!

  • biggest ass in leather
  • black lawless is an arse hole

Thank you, goodnight!

* Yes I made the assumption that the searcher was male.  Because farts.

#358: The Personal Impact of Led Zeppelin

ZEPPERS

RECORD STORE TALES MkII: Getting More Tale
#358: The Personal Impact of Led Zeppelin

Christmas 1990 was another major turning point in my musical life. I know others who can say the same thing for the same reason. Led Zeppelin had released their first box set, a 4 CD collection of 54 essential tracks, remastered by Jimmy Page himself. This was the impetus I needed to finally take the Zeppelin plunge.

Prior to this, I had stayed away from Zeppelin.  I only knew a couple live videos from MuchMusic, which didn’t appeal to me at all.  A rock band wearing sandals?  The fuck was this?  I couldn’t wrap my head around the violin bow solo, nor the band.  I remember watching the old live “Dazed and Confused” video with my friend Bob.  “You can tell that guy’s on drugs,” he said of Jimmy Page.

That was in the 1980’s.  By the turn of the decade, I was starting to tire of plastic sounding pop rock bands. I was craving authenticity, and I know I wasn’t the only one. Bands like Warrant were wracked by controversy, when it was revealed that they employed two guitar teachers to write their guitar solos and teach the members how to play them. Too much fakery for me — at that point I decided to stop listening to them.  I sold my Warrant tapes.  Warrant in turn accused Poison, the band they were opening for, of using backing tapes live. All kinds of bands were accused of using backing tapes. Sebastian Bach was quoted as saying, “The only band out there that doesn’t use backing tapes live today is Metallica, and that’s a fact.”  (I am fairly certain Iron Maiden are above such tom foolery as well.)


The old “Dazed and Confused” video that Much used to play

I didn’t want backing tapes, I wanted authentic pure rock music. There was a bustle in my hedgerow. I wasn’t satisfied with the new releases coming out either. A lot of groups that I really liked released disappointing albums in 1990.  From Dio to Iron Maiden to Winger, there were too many bands that failed to impress that year.   A band like Zeppelin seemed to have not only authenticity, but solid consistently.  They were hailed as the greatest rock band of all time by just about every rock group I heard of!

I received the box set from my parents on Christmas day 1990. The following day, Boxing day, I had set aside to listen to the entire box set from start to finish – about five and a half hours of listening. I took a brief lunch break between discs 2 and 3. I emerged from my room that afternoon, dazed, but not confused at all. There were some songs that I didn’t care too much for – “Poor Tom”, “Wearing and Tearing”, “Ozone Baby” – mostly songs from Coda. They were vastly outnumbered by the songs that absolutely blew me away, even though I had never heard of them before: “Your Time Is Gonna Come”, “Immigrant Song”, “Ramble On”, “The Ocean”, “All My Love”…I could not believe the sheer quality of the music.

Sure, Led Zeppelin’s songs weren’t produced as slick as I was used to. They were a far cry from Whitesnake. Jimmy Page wasn’t a shredder like Steve Vai, but I felt a personal shift. I thought bands like Whitesnake and Cinderella had been exhibiting the epitome of integrity, with the ace players and incredible musicianship. Like athletes, musicians only seemed to achieve loftier heights over the decades with their playing. This was exemplified by a guy like Steve Vai who pushed guitar into entirely new frontiers. Cinderella, on the other hand, had even worked with Zeppelin’s John Paul Jones, who provided strings to their bluesy Heartbreak Station LP. I thought Cinderella were the blues! But now, my eyes were really opening.  It was like Obi-Wan Kenobi had prophesized:  “You’ve just taken your first step, in a larger world.”

IMG_20150114_182807Led Zeppelin (and also ZZ Top) were talking about blues artists I never heard of. Muddy Waters? Lightning Hopkins? Robert Johnson? Who were these people that were so influential that Zeppelin were known to lift entire songs from them?

I had a thought: “From this moment on, I will never be able to listen to rock bands the same way again. I used to think Cinderella were authentic blues. How can I ever go back to listening to Cinderella with the same feeling of passion? How can I play bands like Slaughter and Judas Priest, and think for a second that these guys are any better than the old guys like Zep?”

Fortunately I found that eventually Cinderella, Whitesnake and Led Zeppelin could co-exist in my collection. Liking one does not mean you can’t like the others. Even though Led Zeppelin raised the bar to extraordinary heights, I found it wasn’t too hard to “lower my standards” sometimes and enjoy a little “Slow An’ Easy” with David Coverdale. Zeppelin simply opened my eyes: that there was an entire history of blues that I hadn’t really been aware of before. My musical life journey was about to expand exponentially.

IMG_20150114_182150

REVIEW: A World With Heroes – A KISS Tribute for Cancer Care – A 40th Anniversary Celebration (2013)

Part 7.5 in my series on Ace Frehley, sorta!  Plenty of Ace related coolness here.  For the last part of the Ace series, 12 Picks, click here.

A World With Heroes – A KISS Tribute for Cancer Care – A 40th Anniversary Celebration

Cancer sucks.  Kiss rules.  Agreed?  Buy this CD.

Mitch Lafon executive produced this sucker, and I suspect that means a hell of a lot of work.  I have never in my travels discovered a cooler Kiss tribute album.  Do you really need to buy another Kiss tribute album?  Do you?  Yes, you do.  Why?  For the following reasons:

  • IMG_00000937Profits benefit the Vaudreuil-Soulanges Palliative Care Residence in Hudson, Quebec.
  • Obscure track selections.
  • Rare Kiss related gems, such as two Peter Criss Band demos with Phil Naro.
  • New Brighton Rock!  Finally.
  • Superstar performers including Mark Tornillo of Accept, Russ Dwarf, Don Dokken, Bonfire, Sean Kelly, Vinny Appice, L.A. Guns, Doro, and many more.
  • Members of the Kiss family including Eric Carr, Peter Criss, Frehley’s Comet (minus Frehley), Bob Kulick and Phil Naro.

I can’t say enough good things about this compilation.  Upon first sight, it had enough rarities from artists I liked, as well as Kiss obscurities, to make it a must-have.  Hearing it, I’m blown away repeatedly.  It is a heady brew of hits and deep, deep cuts.  Since there are 51 tracks in total, I can’t go into too much detail.  I’ll point out some personal favourite moments.

I’m a huge fan of the Revenge album, and I’m a huge fan of Accept.  Hearing Mark Tornillo do his thing through “Spit” was awesome.   I think the man’s vocal cords must be made of steel or something for him to sing like that.  I also loved “Sure Know Something”, although I don’t know Chris Buck & Anthony Cardenas Montana.  It’s a slinky version, very true to the original but with a Rod Stewart vibe.  Jeff Paris does a pretty authentic “Shout Mercy” and I give him full points for doing a Monster tune, the newest Kiss song on A World With Heroes.

I’ve loved Brighton Rock since I was a kid, but I never expected them to unplug “Creatures of the Night”.  This twist takes a moment to get used to, but their haunting arrangement is very original and cool!  “Larger Than Life” from Alive II is revisited by Brian Tichy and friends, and they do it pretty straight to the original, almost lick for lick.  It’s great.  I love that Ron Young from Little Caesar sings “Little Caesar”, a nice wink and a smile there.  A band called Shredmill contribute their original song “Outerspace”…which was later covered by Ace Frehley on his Anomaly album (giving himself a writing credit).  Shredmill’s version is more Danzig, where Ace’s was more Ace.

On the second CD, surprises and highlights continue.  Ron Keel and friends from Tesla and Cinderella knock it out of the park on “Rock N’ Roll Hell”, with a nod at the start to Keel’s own “The Right To Rock”.  Rick Hughes of Quebec metal masters Sword helps blow the doors off “The Oath”, a favourite from The Elder.  The L.A. Guns guys (Phil Lewis included) tackle the difficult “Master & Slave” from Carnival of Souls, and it smokes.  They do it authentic to the grungy original but with Phil’s snarky vocals.

As a Killer Dwarfs fan, I’m always pleased to hear Russ Dwarf’s nasally twang, and he turns in a decent “Hard Luck Woman”.  (Meanwhile, another bunch of L.A. Guns guys did their own version on disc one.)  Bonfire contribute a live version of Paul Stanley’s unreleased song “Sword & Stone”, from their Live at Wacken CD.  I don’t really know who American Dog are, but I love that they covered the Paul Stanley version of “God of Thunder”, not the Gene Simmons take from Destroyer.  They do it the speedy rocked-up way that Paul originally demoed.  Jim Crean does justice to “Magic Touch”.  He’s almost Joe Lynn Turner style on this one.

A WORLD WITH_0001The second CD ends with two takes of “Beth” (Chris VanDahl sounding like the hoarse Peter Criss on Alive II, and Phil Naro).  This is in addition to Michael Lardie’s (Great White) version on disc one.  Naro’s is easily the best of the three.

But wait, that’s not all, folks.  iTunes are selling a 51 track version of A World With Heroes, including 11 exclusives.  Thankfully, you can buy these exclusives separately if you already bought the CD (like I did).  Once again, highlights are many.  Doro contributes a 2013 re-recording of “Only You”, which she had a previous hit with back in 1990.  Russ Dwarf returns with an outstanding “God Gave Rock and Roll To You II”.  There are two previously unreleased demos by the Peter Criss Band with Phil Naro.  These feature Peter on drums, but believe me, you can hear that it is the Cat Man and no one else.  In addition, there’s a third song from this period, but recorded by Phil in 2013.  There is also a second version of “Larger Than Life”, this time by somebody called Robot Lords Of Tokyo.  I don’t know who Robot Lords Of Tokyo are, but I love “Larger Than Life” and I have no problem with another version of it.  This one’s done quite differently, and heavier too.

But wait!  There’s still more!  Pledgers who pre-ordered the CD got four bonus tracks.  I missed the boat on these, and you can’t get them anymore.  I’m bummed about that, but for the sake of completion, the four bonus tracks are:

  1. ‘Calling Dr. Love’ – Performed by: Crash Kelly
  2. ‘Comin’ Home’ – Performed by: Sudden Flames
  3. ‘Heaven’s On Fire’ – Performed by: The Feckers (ft. Irene Slade)
  4. ‘I Was Made For Lovin’ You’ Performed by: Alain Pernot

I’d love to have these, especially Crash Kelly, but alas.  The project is still awesome and worth your coins.  Especially if you’re a self respecting Kiss fan.  Get it.

5/5 stars

EDIT:  I now have the tracks.  Crash Kelly’s is awesome!  Fun and awesome.

Disc 1:

  1. ‘Psycho Circus’ – Performed by: DDRIVE (Phil Naro, Don Mancuso, Dave Sessions, Jt Taylor & Bobby Bond)
  2. ‘Spit’ – Performed by: Ken Dubman, Jimmy Callahan, Scott Metaxas, & Mark Tornillo
  3. ‘Deuce’ – Performed by: Bill Leverty, Kevin Valentine, John Regan, & Russ Dwarf
  4. ‘Sure Know Something’ – Performed by: Chris Buck & Anthony Cardenas Montana
  5. ‘Detroit Rock City’ – Performed by: Ron ‘Bumblefoot’ Thal, Rex Brown & Brian Tichy
  6. ‘Eyes Of Love’ – Performed by: Eric Carr, Benny Doro & John Humphrey
  7. ‘Shout Mercy’ – Performed by: Jeff Paris, Troy Lucketta, Eric Brittingham Jeff Labar
  8. ‘Creatures Of The Night’ – Performed by: BRIGHTON ROCK
  9. ‘Larger Than Life’ – Performed by: Rex Brown, Brian Tichy & Mark Zavon
  10. ‘Cold Gin’ – Performed by: Don Dokken & Tommy Denander
  11. ‘Love Gun’ – Performed by: Tony Harnell, Mark Kendall, Scott Snyder, Sean Michael Clegg, Kevin Valentine & Tommy Denander
  12. ‘Little Caesar’ – Performed by: Ron Young, John Regan & Tommy Denander
  13. ‘Hard Luck Woman’ – Performed by: Chris VanDahl, Stacey Blades & Adam Hamilton
  14. ‘Outerspace’ – Original demo later covered by Ace Frehley on his Anomaly album – Performed by: SHREDMILL (David Askew, Jesus Mendez Jr, Jaime Moreno)
  15. ‘Goodbye’ – Performed by: IMPERIA & BOB KULICK (J.K.Impera, Matti Alfonzetti, Tommy Denander & Mats Vassfjord) – Additional Guitars by Lars Chriss
  16. ‘See You Tonight’ – Performed by: TODD FARHOOD & MYSTERY (Todd Farhood, Michel St-Pere, Sylvain Moineau, Jean-Sébastien Goyette, Francois Fournier & Benoit Dupuis)
  17. ‘Beth’ – The Grand Piano Version – Performed by: Michael Lardie
  18. ‘Tomorrow’ – Performed by: DRESSED TO CHILL (Matt Bradshaw, Rav Thomas & Rhys Lett)
  19. ‘Anything For My Baby’ – Performed by: SLAVES ON DOPE (Kevin Jardine, Jason Rockman, Seb Ducap & Peter Tzaferis)
  20. ‘Unholy’ – Performed by: Fred Duvall, Glenn Belcher, Mark Slaughter (Guitar Solo), Rob Zakojc & Russ Dwarf

Disc 2:

  1. ‘Breakout’ – Performed by: Tod Howarth, John Regan & Kevin Valentine
  2. ‘Rock N Roll Hell’ – Performed by: Ron Keel, Troy Lucketta, Eric Brittingham & Jeff Labar
  3. ‘Nowhere To Run’ – Performed by: DRUCKFARBEN (Phil Naro, Ed Bernard, William Hare, Troy Feener & Peter Murray)
  4. ‘The Oath’ – Performed by: Rick Hughes, Chris Buck & Bob Richards
  5. ‘Master & Slave’ – Performed by: Adam Hamilton, Scott Griffin, Stacey Blades & Phil Lewis
  6. ‘Calling Dr.Love’ – Performed by: BURNING RAIN (Keith St John, Doug Aldrich, Sean McNabb & Matt Starr)
  7. ‘I Stole Your Love’ – Performed by: S.U.N. (Brian Thomas Tichy, Sass Jordan & Tommy Stewart) With Derek Sharp (Of The Guess Who)
  8. ‘Reason To Live’ – Performed by: Johnnie Dee & Derry Grehan of HONEYMOON SUITE with Michael Foster & Bill Leverty of FIREHOUSE
  9. ‘Hard Luck Woman’ – Performed by: Fred Duvall, Glenn Belcher, Rob Zakojc & Russ Dwarf
  10. ‘Forever’ – Performed by: Terry Ilous, Sean Kelly With Jeff Paris.
  11. ‘Sword And Stone’ – Taken From Bonfire Live In Wacken – Performed by: BONFIRE (Claus Lessmann, Hans Ziller, Chris Limburg, Uwe KöHler, Harry Reischmann)
  12. ‘God Of Thunder’ – Performed by: AMERICAN DOG (Michael Hannon, Steve Theado & Keith Pickens)
  13. ‘She’ – Performed by: RAZER (Chris Powers, Chris Catero, Jordan Ziff, Paul Sullivan, Eric Bongiorno & Chuck Alkazian)
  14. ‘New York Groove’ – Performed by: SLAVES ON DOPE (Kevin Jardine, Jason Rockman, , Elizabeth Lopez & Peter Tzaferis With Marty O’Brien)
  15. ‘Magic Touch’ – Performed by: Jim Crean, Phil Naro, Vinny Appice, Steve Major & Stan Miczek
  16. ‘Tears Are Falling’ – Performed by: Willie Basse, Bruce Bouillet, Scott Warren & Mike Hansen.
  17. ‘Rock N Roll All Nite’ – Performed by: Harley Fine, John Regan & Atom Fellows
  18. ‘Shandi’ – Performed by: Dani Luv, Scott Griffin & Matt Starr
  19. ‘Beth – Bonus Track’ – Performed by: Chris Vandahl & Scott Griffin.
  20. ‘Beth – Bonus Track’ – Performed by: Phil Naro, William Hare & Ed Bernard

iTunes exclusives:

  1. ‘No, I’m Not Afraid’ (Previously Unreleased Peter Criss Band Demo from 1991) – Performed by Peter Criss and Phil Naro
  2. ‘Wait For A Minute To Rock N’ Roll’ (Previously Unreleased Peter Criss Band Demo from 1991) – Performed by Peter Criss and Phil Naro
  3. ‘Back On The Streets’ (2013 Mix originally from Return of the Comet) – Performed by Richie Scarlet, John Regan, Tod Howarth, Arthur Stead & Steve Werner (The Comet Band)
  4. ‘Only You’ (2013 Recording) – Performed by DORO
  5. ‘God Gave Rock N Roll To You II’ – Performed by Russ Dwarf
  6. ‘I’m An Animal’ (2013 Mix originally from Return of the Comet) – Performed by the Comet Band
  7. ‘Let Me Go Rock N’ Roll’ – Performed by The Oddfathers
  8. ‘Surrender In The Name Of Love’ (Written by Peter Criss & Phil Naro) – Performed by 24K featuring Phil Naro and Mladen Alexander
  9. ‘Love Gun’ (Tommy Denander Guitar Solo Mix) – Performed by Tony Harnell, Kevin Valentine and Tommy Denander
  10. ‘Larger Than Life’ (2013 Remaster – Robot Lords Of Tokyo version) – Performed by Robot Lords Of Tokyo
  11. ‘Cold Gin’ (2013 Remaster from L.A. GUNS’ 1998 Wasted EP) – Performed by L.A. Guns