GUEST CONCERT REVIEW: Chantal Kreviazuk – Friday, February 12, 2021 (Sessions Live) by Dr. Kathryn Ladano

Review by Dr. Kathryn Ladano

CHANTAL KREVIAZUK – Friday, February 12, 2021 (via Sessions Live)

I’m going to preface this review by saying that at the start of the pandemic, I spoke openly about how I didn’t like virtual concerts and didn’t think they could ever replace live concerts. While I still feel that virtual concerts can’t and won’t replace live concerts, now, after viewing a number of virtual events, I’m seeing that they are simply different animals. And the best virtual concerts I’ve seen are the ones that embrace the fact that it’s a different and new platform. In other words, the ones that aren’t trying to be replacements for live concerts. Friday night (February 12 2021) I attended Chantal Kreviazuk’s live-streamed concert presented by Sessions Live, which definitely falls into the category of digital concerts that embrace the platform, and in the process give you something new and innovative, and in this case, really intimate as well.

Chantal’s concert was streamed from her own home. We got to see her perform on her own piano with a simple black background with three of her own paintings in the background with a couple of candles in front (we learned during the concert that the artwork was all painted by Chantal and put on display for the live concert by her husband, Raine Maida of Our Lady Peace). There was a single camera being used that allowed the audience a side view of Chantal and her piano as she performed. The format was very unique: She had no pre-determined set list going into the concert. Instead, she asked for audience requests via social media leading up to the concert, and then also took requests via the chat option on the Sessions Live platform. You really felt that you were witnessing something new and special. Nothing was pre-planned, which meant that Chantal would get requests for songs that she hadn’t played in decades. What I loved about this was that instead of just skipping over those requests, she tried to play the songs anyway – even when she couldn’t remember the lyrics and wasn’t sure of the melodic or harmonic material either. As an artist myself, I can say with certainty that I wouldn’t have even attempted to play something for an audience that I wasn’t 100% confident in my ability to do – so I really, really admire her for doing this. The music was all about the fans – not her image, not her vanity, not to display her skills as a pianist or singer. I feel that this is exceptionally rare, and it was one of the things that made the night so special.

In addition, doing the concert from her home meant that you got a little glimpse into Chantal’s life. At one point she wanted some water, so she grabbed her phone and texted Raine upstairs, asking him to bring down a glass (during the middle of her live stream!). Raine arrived a couple minutes later with a glass of white wine instead of water. While Chantal wanted him to appear on camera, he refused and all we saw was his hand as he handed over the glass of wine. During her performance of “Before You”, which she sang right after receiving the glass of wine, and she referred to as Raine’s song, she tried to keep herself composed as her 12-year old son mimicked and did impressions of her off camera. These are the types of things that may seem trivial, but you’ll never see them as a part of a live show. As I said earlier, this show was just about the fans and what they wanted to hear, as well as creating an intimate and unique experience from home.

While I am most certainly fan of Chantal’s music, I must be perfectly honest and confess that I am primarily a fan of her first two albums. I own the first four, but I mostly just listen to the first two. When she first emerged in 1997 with the album Under These Rocks and Stones, her music hit me hard at a pivotal moment in my life. I was in my early 20’s and the raw and angst-filled themes in those songs resonated with me in a way that no other music did. The first album does have some happier themes, but it also deals with loss, low self-esteem, feeling that one lacks in social prowess, death, unhealthy relationships, and feeling like one doesn’t deserve to be treated well by others. Chantal is only 2 years older than me, so I believe she was likely writing about what young women of that age feel and experience – and boy did it speak to me. Her second album, Colour Moving and Still was also a big favourite of mine. At this point in her life she was with Raine (she got married to him the same year the album was released), and you could begin to hear the influence of those “happier” themes in her music (such as in the song “Before You”). While this album wasn’t as dark thematically, it still had some very powerful material and still dealt with themes of death, loss, separation, and uncertainty. While the first album was more emotionally raw, the second album was more musically strong. Chantal is a classically trained pianist and you can really tell – there’s no doubt that she has chops. As someone who was studying music performance in university at the time, this was another reason why her music resonated with me. The music and the piano playing were so much more sophisticated than most of the other popular music I was hearing at the time. As I said earlier, the first two albums are what I’m mostly a fan of. That’s not to say her later music isn’t as strong, it just didn’t impact or resonate with me the same way, so I’ve found myself less attached to it (even though I love many of the singles from her third and subsequent albums). Chantal writes from within – from her own life. And I think that when she got into a happy marriage and had kids, her music shifted along with her lifestyle, and I just didn’t exactly shift with it. I couldn’t relate to it the same way.

That being said, last night’s concert was a real treat because many of the fans sending in requests were asking for songs from the earlier albums. While I think I may have forgotten a song or two, I do recall the following songs being performed: “Feels Like Home”, “Time”, “Green Apples” (she couldn’t quite remember all of this one), “Souls” (she also couldn’t quite remember all of this one), “Before You”, “Unforgivable”, “All I Can Do”,  “What if it All Means Something”, and “Surrounded”. She also sang a rendition of “Happy Birthday” to an audience member named Jennifer. This is where I learned that Chantal’s real name is Jennifer, and Chantal is actually her middle name. She mentioned that this concert was one in a set of three that will be coming up over the next little while. She also ran out of time and promised that the next performance would feature “Wayne” from the first album (the song that hooked me as a fan), and “Wings” from her most recent album. I also have a song named “Wings” on my latest album! But they couldn’t sound more different from one another.

In addition to the concert ticket, I also purchased a one-on-one meet and greet with Chantal following the show. It was very brief, but really great (each person had only 3-minutes, but she did go a little over with most people I think). I was very nervous and while I had several questions and comments pre-planned, I didn’t actually get any of them out. Instead I asked her about her dog who jumped into her lap during our chat. She is very personable though and I really appreciated even just having a couple minutes to talk to her like anyone else. I did want to tell her how much her first two albums impacted me, but I didn’t get that out either. All in all, it was a fantastic experience and I will definitely be attending the next live-stream in mid-March.

4.5/5 stars

 

 

16 comments

  1. “I can say with certainty that I wouldn’t have even attempted to play something for an audience that I wasn’t 100% confident in my ability to do – so I really, really admire her for doing this.”

    About everything I play live I’m not 100% confident in my ability to do so, so you should be my biggest fan. Sounds like a cool intimate setting. Not a live concert, but a totally different beast worth a bit of dough. Was it recorded to where you can watch it later if you paid for a ticket? That seems like it would be a nice feature, something I would do for the fans if I had any.

    I’m writing a totally bonkers song write now I’ll have to send to you at some point, Dr. Kathryn. It’s a metal tune with shifting time signatures, modulations, borrowed chords, chormaticism, exotic scales (phrygian dominant), etc. Somehow it all fits together, and I can think of only one other person who knows enough music theory to pat me on the back for the madness I’ve accomplished. So when I say “have to send to you” I really mean I’d like you to hear it so someone musically versed can recognize my unparalleled genius.

    Liked by 1 person

  2. Great write-up Doc. I would agree that this method seems way better than trying to do a live “concert” with streaming. I might actually pay to watch something like this. Not ready to stream a full live concert though.

    Liked by 1 person

  3. I have a question for the doctor. I had a regional manager at work who used to refer to Chantal as “Yelly Kreviazuk” because sjhe “yells when she sings”. What is your take on that?

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    1. Yeah I agree that she does that at times. It’s not a consistent feature of her music and I think it’s lessened in her later music. I always felt that she used that just enough in just the right places to emphasize what needed to be emphasized. The song “Dear Life” is a good example of her yelling style, but it works (for me).

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  4. You’re right, this is an awesome, intimate way to go about things, with the world the way it is right now. I felt the same watching the Hawksley Workman Christmas concert, broadcast from his house. Nice you got to talk to her, even if you didn’t ask your pre-planned questions lol. It’s all good. Sounds like a lovely night, right on!

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  5. Great review, Kathryn. It sounds like a wonderful way to live stream a concert. I love the fact that it was in her own home, with her own piano and even her artwork. It must have made for an exciting evening, especially with the one on one afterwards.

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    1. Thank you Devon! I did go to the Sessions Live concert today but i’m not planning to write a review. Most of the songs were from the last 2-3 albums – and i’m just not familiar enough with those songs to write a useful review. She did play “Wayne”, which was great! (it was the one song I wanted to hear in the last concert that didn’t get played). I was also hoping for “Blue” and “Hands”! But she didn’t play either – or any other songs from the first two albums, and really no hits other than “Wayne”. She also did a LOT of talking during this concert, which was great to a point, but it meant that there were easily 2-3 more songs she could have played if she cut the talking back. It makes a big difference when the concert is only an hour in total.

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