Chantal Kreviazuk

REVIEW: Hit Zone 4 – Various Artists (1998)

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HIT ZONE 4 (1998 BMG)

“If You Could Only See” the reasons I own this CD.

Nobody buys a CD like Hit Zone 4 and likes every single track.  Stuff like this was popular because it gave kids an easy way to get a bunch of one hit wonders from the rock and pop genres without buying the albums.  There were also big names on board.  CDs like this were always on the charts, year ’round.  Today, kids just go to Youtube or Spotify.  But even a curmudgeon like me can find a few songs here to enjoy.

In particular, I bought this CD for a rare non-album version of “If You Could Only See” by the underrated Tonic.  This was their big hit, and the version on Hit Zone 4 is an alternate recording with a slightly new arrangement.  The liner notes lie and say it’s from their album Lemon Parade; this is obviously false.  In fact there’s no obvious way to tell it’s a unique version without listening to it.

What else is good?  “All Around the World” by Oasis (from 1997’s Be Here Now) is one of their more Beatles-worshipping moments.  Here it’s in the form of a radio edit (4:50).  I’ve never felt “All Around the World” was one of Oasis’ best tracks, and it works better in the context of its grandly overblown album.  However, “All Around the World” is like freaking gold, compared to Boyz II Men….

Other decent music:  I have a soft spot for Chantal Kreviazuk’s ballad “Surrounded”.  Jann Arden too, and “The Sound Of” is one of her very best tracks.  I’ve seen Jann live, and she did a fantastic show with stories and jokes and unforgettable songs.  Then there’s fellow Canuck Bryan Adams, with his excellent acoustic rocker “Back To You”, from his Unplugged album.  Few Adams albums from the 90s on are worth a full listen.  Unplugged is.  “Back To You” was the “new” track used as a single.  It’s bright and alive in a way that Adams’ later music is not.  Fiona Apple’s dusky “Criminal” is classic, of course.  Finally, who doesn’t still love The Mighty Mighty Bosstones “The Impression That I Get”?  They were one band that truly deserved their hit.  They’d been at it for so long, and this song is really just that one perfect tune for the right time.

Unless you were a kid in the 90s, you’ll find yourself skipping over ‘N Sync, Backstreet Boys, All Saints, Robyn, and even Hanson.  Young Hanson can be tough to listen to.  I mean, they were kids, making music that kids liked.  It couldn’t really be helped.  I also find myself breezing past Mase, The Verve Pipe and Imani Coppola.  One hit wonders, right?  Shawn Colvin’s OK, but Boyz II Men can fuck right off.  “4 Seasons of Loneliness”?  Maybe because you guys are all wearing matching sweaters.  You can’t win friends with sweaters.

Hit Zone 4 is the kind of thing you buy in a bargain bin if you find it for $1.99.  These were once front racked at the old Record Store for $16.99 because they had so many hits from the late 90s.  It really was great value, because really, are you going to listen to Imani Coppola’s whole CD?  Be honest!

2.5/5 stars

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#360: CHYM FM – “96 minutes of continuous light rock…for your workday!”

GEORGE AND TARA AND LEBRAIN

RECORD STORE TALES MkII: Getting More Tale
#360: CHYM FM

In the beginning of my job at United Rentals, they had the radio set to local lite-rock station CHYM FM.  It is a horrible station, unless you enjoy old Daughtry and Taylor Swift ballads coupled with the biggest hits by the dulcet Lady Gaga.  Why, just the other day I was in my dentist’s office.  They have CHYM on the radio, and I was treated to some “Bad Romance” by Miss Gaga.  That’s dreadful enough, but the squeaky, bubbly on-air personalities are way too much for me to handle.  Apparently this was also the case nine years ago when I started at United, according to this 2006 journal entry.  We switched stations to Dave FM shortly thereafter.  Thank fuck!  CHYM TIME journal entry below.

Date: 2006/11/17 17:04

“96 minutes of continuous light rock…for your workday!”

That phrase, friends, is the sound of being welcomed into HELL!

Dear CHYM FM:   This is something that I’ve been wanting to tell you for a long time. Here it is. Sorry if I’m being rather harsh, but you had this coming.

#1. Nobody needs to hear three Kelly Clarkson songs in one day. Nor do we need three of Jann Arden, Chantal Kreviazuk, Celine Dion, or any other of these wonderful light-rock songstresses.

#2. Lionel Richie has a long, illustrious career. I’m pretty sure he has more than one song. Why then, do you insist on playing the same damn song of his every single day?

#3. Same goes with Elton John.

#4. Tara, from the morning George and Tara Show, is too fucking perky. She’s like a fucking toothpaste commercial!  I don’t need that shit at 8:30 am before my coffee.

And finally #5.  Why do you call your station “today’s light rock”?  Are you not aware that Jann Arden hasn’t had a hit in over a decade?

Yours truly, Mike

REVIEW: Avril Lavigne – Under My Skin (2004 w/ bonus track)

Yesterday, you read all about why I own this (and many others).  Will I still like it today?  Let’s find out.

AVRIL LAVIGNE – Under My Skin (2004 Arista)

Let’s get on with it.  The version of Under My Skin that I have comprises 13 songs, so let’s put the headphones on.   “Take Me Away” opens strongly with sparse, polished guitars and keyboards.  It sounds like Evanescence, actually.  It was written by Avril and her guitarist Evan Taubenfeld.  At this point, Avril wasn’t singing with any annoying contrivances in her voice.  She was just blasting away (most likely in autotune).  Given that this song is very produced and plasticized, it’s still a good song.  So far we’re 1/1.

AVRIL_0004“Together” is a bit too melodramatic for Mike 2014, but damn, I still love that fucking chorus. I’m singing along with my fist in the air.  Shit!  2/2.

One of several hit singles was the ballady “Don’t Tell Me”.  This one makes me want to vomit in my mouth a little bit.  I’m uncomfortable with this kind of teenybop rock now.  But that fucking chorus hits and…ahh fuck!  Still, the chorus can’t save the song, it’s shite.  2/3.

Avril returns to her so-called punk roots with “He Wasn’t”.  Phil X on guitar here, but he doesn’t get to solo (a damn shame).  As much as I want to hate the song, I can’t.  It seems pretty sincere, and it ain’t bad.  It’s snarky but not annoyingly so.  3/4 now.  “How Does It Feel” is a ballad, not a bad one either.  The instrumental production on this one (by Raine Maida) is excellent, although the vocals still sound autotuned.  Phil X again on guitar.  The score is now 4/5.

I’m a total sucker for the single “My Happy Ending”.  Butch Walker wrote a pretty cool song, and the chorus is one of those Avril bellows that she is known for.  The lyrics, like most of ’em, are about some dude.  I can’t really sing along to “He was everything, everything that I wanted,” sincerely, you know?  Still, the score is now 5/6.  And it’s going to go up to 6/7, because I remember liking the song “Nobody’s Home” a lot.  I’m not sure what the lyrics are exactly about, but Avril sounds like she’s trying to get serious, so that’s better than words about some dude.  Ben Moody from Evanescence itself co-wrote this one, so you can guess who it naturally reminds me of.  Still, I’ll maintain that 6/7 because the chorus is still great.

“Forgotten” starts out crap.  You sure can tell this one was written by Chantal Kreviazuk as that is who it sounds like.  The track doesn’t improve on the chorus.  Pass.  The board reads 6/8.   A good song called “Who Knows” is up next, and even though it wasn’t one of the single, I think it’s one of the best songs.  This one kind of sounds like a pop metal anthem, you could imagine a band like Warrant having a song like this.  It has mellow acoustic verses with a shout-y fun singalong chorus.  7/9 now!  “Fall To Pieces”, written with Raine Maida sounds like an Our Lady Peace outtake.    A pretty good outtake, with a great bridge.  Good enough for 8/10.

I have always liked “Freak Out”.  It’s just fun.  This one too sounds like a Raine Maida construction, but it is not.  It’s written by Butch Walker and Avril’s drummer Matt Brann.  It’s easier to listen to than most Our Lady Pea(ee-yai-ee-aye-ee)ce, so the score is now 9/11.  As my buddy Craig might say, it’s looking like it’s time to hand in my Man Card.

Maybe not!  “Slipped Away” is utter shite that I cannot listen to.  It sounds like Chantal…guess who wrote it?  The chorus is not too bad, but this song is crap.  Can’t take it.  If I could deduct 2 points, I would.  9/12.  It’s down to the “bonus track” now.  “I Always Get What I Want” originally came from a UK edition, but I bought this CD from my nearest Walmart.  There’s something on the fine print about Sony BMG Music Entertainment (UK) Ltd, so maybe that’s something to do with it.  “I Always Get What I Want” is another “punky” Avril, but like “Slipped Away”, it too is crap.  Sounds like Avril’s trying to be her heroes, Green Day.  No thank you.

The final score for Avril Lavigne’s Under My Skin is 9/13.  Did I like it as much now as I did in 2004?  Not quite.  It might have been that I liked a couple more of those sappy songs.  However, I’ve already said far too much here.  I’m going to cut my losses and get out now.

3.5/5 stars

#321: That Crush on Avril (RSTs Mk II: Getting More Tale)

NEW SERIES

Welcome to the first of my new continuing series; the “Post-Record Store Tales” I’ve been talking about.  Here are the RECORD STORE TALES MkII:  Getting More Tale.  Featuring my Simon Pegg action figure as the new “Mini-LeBrain”! Title suggested by Aaron!

To quote David St. Hubbins, “Hope you like our new direction!”

LEBRAIN AND AVRIL

RECORD STORE TALES Mk II:  Getting More Tale

#321:  That Crush on Avril

One of those lingering points left after the conclusion of Record Store Tales was this: my unexplained, unusually large Avril Lavigne CD collection.  This is that tale.

When Avril’s first album arrived in 2002, I was encouraged to listen to it by a new hire at the Record Store.  “I hear that this album has some of the best pop songwriting that has come out in years,” he said.  “From a technical point of view.  I read that the album is just mathematically perfect, from a songwriting perspective.  Mind if we listen to it?”

“Sure,” I said.  “Throw it on.”  I scanned the credits.  Each song was co-written by big name mega-writers with more gold records than I have socks.  There were big name producers on every song, and some familiar names from my metal collection:  Josh Freese might be best known as the drummer in the Vandals (among many others) but I first heard his name in regards to Guns N’ Roses who he was with for a short time.  Another guy, Alessandro Elena, was the drummer in Bruce Dickinson’s Skunkworks.  (He’s the subject of their song, “I’m In a Band with an Italian Drummer.”)

I know that the album was mostly pre-fab, but I didn’t mind it.  Since I was limited in what I could usually listen to in-store, and Avril was fairly safe, I played it a lot.  I always recommended it to customers who were looking for new music for their kids, who thought Britney was getting too skanky.  As a bonus, punk kids seemed to hate her.  Eventually I bought a copy myself.

I probably annoyed the shit out of my co-workers.

AVRILAvril released her heavier second album (Under My Skin) in 2004, and this is where my crush really began. Avril had a new image and a new sound.  I don’t like thinking about that crush anymore; I have been mocked enough.  Hell, Craig Fee mocked me for it on the air just this past Wednesday!  It is true that I had a crush on Avril.  The new grown-up Avril had gothed out and turned up on the cover of Maxim.  Maxim agreed with me, just look at that headline!

Today, the thoughts of “Chavril”, that unholy union between Avril and Horse-man, makes me feel ill.  It’s like finding out your ex-girlfriend is now seeing that jock in school you just fucking hated.  We recently heard that Chavril was splitting.  If so, I say good for her!

So anyway, the second album: It had more names from my metal shelves.  In addition to Josh Freese, the legendary Kenny Aranoff and the astounding Brooks Wackerman played drums.  Phil X of Bon Jovi and Triumph was on axe.  Finally the Canadian duo of Chantal Kreviazuk and Raine Maida were playing and co-writing on most songs too.  This is accompanied by an overall darker and harder approach.

I liked the album a lot in 2004.  Will I like it in 2014?  Let’s find out tomorrow, for a full review.

To be continued…

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