Dr. Kathryn Ladano

Soundtrack Stream! Nigel Tufnel Top Ten with Rob Daniels and Surprise Guest!

Thanks to Rob Daniels for not one but two awesome lists, and terrific co-hosting duties!   The knowledge of this man is unsurpassed.   Down to microscopic detail, Rob is able to discuss virtually any soundtrack on a dime.  This show was long overdue!  It was the Nigel Tufnel Top Ten Soundtracks with lists from:

My hope is that this show will give you some new music to check out,  I know I’ll be adding some discs to my wishlist.  You’ll have to watch and see!

An extra-special thanks to Dr. Kathryn for her first video appearance and an awesome list!  Apologies for the technical issues, such is the nature of live streaming.  It only gets harder when I’m on location.  The LeBrain Facebook page lost its feed close to the end, but if you missed anything it’s all on Youtube below.

Also thanks to Holen, Erik, Frank, Meat, Chris, Candace and everyone else for your great comments!

VIDEO: Windy Weekend

You don’t have to feel obligated to watch this video.  These videos are more for me than anyone else.  This time I wanted to keep intact the camera audio from the weekend.  The sights and sounds (and smells, natch) of the countryside are preserved here.  Instead of mixing my still and moving pictures as I usually do, all the stills can be found in the latter part of this video accompanied by the track “Masked” by Dr. Kathryn Ladano.

I saw a lot of birds this weekend (including geese and a family of wild turkeys) and managed to capture a bit on video. Nature lovers will enjoy the wildlife and greenery, the stormy skies and the churning lake. There are some seriously breathtaking pictures of the sky in this video, as well as a blooper and cameos by Sith Lords and Sausagefesters.

Wind and rain aside, it was a lovely weekend full of music, live streaming, barbecuing and the beach.

Sunday Chuckle: Schnauzer Cam

Good doggies! Music is “Contentions” by Dr. Kathryn Ladano, from Masked.

Epic All-Canadian Live Stream featuring Mr. Books and Agent Dekes

History was made Friday night!

For the first time ever, Deke and I have shared the screen with Mr. Books himself, Aaron from the KMA.  The subject this week:  Top 11 Canadian albums of all time.  An absolutely epic discussion unfolded with so many different genres being touched upon.  As remarkable as the lists were (five in total), it’s also quite astounding when we talked about all the albums we left out!

Lists submitted by:

  • Deke
  • Mr. Books
  • LeBrain
  • Darr
  • Dr. Kathryn Ladano

With Deke coming in from Lake Superior, Aaron from Georgian Bay, and myself on the shore of Lake Huron, we had three massive bodies of water covered.  What should we call ourselves?  The Great Lakes Consortium?

For a look at the shape of streams to come, check out the end of the video.  We brought in Uncle Meat, Rob Daniels from Visions in Sound, and Kevin/Buried On Mars.  While six at a time is a lot, it sure was fun to see everybody together for the first time!

I can’t help but take a little bit of pride in all this.  My very first live stream was March 20, the week lockdown began. Eager to make connections with others in isolation, I hit that “live” button on my Facebook app just to see what would happen. It ended up being a lot of fun and it so happened that others liked it too. A few weeks later, we figured out how to get Uncle Meat to co-host and he came up with the now infamous “Nigel Tufnel Top Ten” format.

But there were limitations, because we had to use a Facebook phone app if I wanted to have a co-host.  This reduced the scope of awesome people available to share the screen with me.  Finally Kevin directed me to Streamyard which solved numerous problems.  After months of trying to figure out how to stream to Facebook (where my audience is) without having to use Facebook, Streamyard worked.  For the first time after many months of trying, Aaron has finally co-hosted a show.  A milestone!  So yeah, I’m proud of myself and proud of the awesome friends who have co-hosted along the way.  We made something here that is catching on with people.  I owe Meat a huge debt for being the first co-host and coming up with the Nigel Tufnel Top Ten concept.

Look at the first stream below, and look where we are now.  We’ve come a long way.

Sunday Chuckle: F*** Off Light

My sister has a little recording/rehearsal building she calls Kathronia.  Yesterday she was in there practicing for a recording session.  You could tell she was working because she has a red recording light in there.

“Where’s your sister?” asked my dad.

“She’s in there rehearsing,” I answered. “You can see she has the red light on.”

“Oh yeah,” he said.  “That’s her Fuck Off light.”

Henceforce those things shall be known as Fuck Off lights!

#842: Three Times

GETTING MORE TALE #842: Three Times

Cottages were not meant to have all the niceties of city living.  No washing machines, no dishwasher, no cable TV, no telephones.  At least that’s how it used to be.  When we used to head to the cottage for a long two week vacation, we had to take our clothes to the laundromat.  If we needed to make a phone call, we had to go over to my Uncle’s place who had a phone.  If I was worried about missing some WWF wrestling, I had to set the VCR at home and hope it worked.  (It usually didn’t — programming those simple machines was very finicky.)

We only got two TV stations at the cottage so pickings were slim.  There was a station up in Lion’s Head and another in Wingham.  You had to turn the TV antenna in the general direction of those towns to get a signal.  I can recall that the two stations were exactly 90 degrees apart and almost in line with the cottage itself.  If you wanted Lion’s Head, you turned the antenna aligned with the front wall.  If you wanted Wingham, you turned it 90 degrees to match the angle of the side wall.  All done manually by twisting a pole in your hands.  Changing channels in the rain was something that happened too!  On a particularly clear day, we could pick up a signal from Michigan across the lake.  The old timers say that if the weather is just right, you could actually see the lights of Michigan from the shore of Goderich, Ontario — a trick of the refraction of light.

Between those two stations, we had very little television to choose from.  The one show that we watched every single day was The Price is Right.  I seem to remember watching Bob Barker and Barker’s Beauties after many morning swims, and just before heading back to the beach again.

One morning in ’87, we were watching a poor old guy named Fred up there on the Price is Right, and he was so uncomfortable.  “You can tell he really doesn’t want to be there,” I said to my sister Kathryn.  He ended up winning a bid and had to play a pricing game.  He looked so miserable and confused up there.  You just wanted the poor guy to lose and be out of his misery.  But that also demonstrates how dull cottage life could be for a kid — one of the most memorable highlights of that vacation was a goddamn Price is Right episode!  I can still remember Fred and his green hat!

The potential boredom of the cottage, and even the Price is Right, really sparked some creative moments.  Two things you needed at the lake at all times:  Some paper and pencils.  With those, you could keep yourself entertained through days-long rain spells and cold snaps.  The weather up there was colder and wetter than home, and you could find yourself stuck indoors with no respite.

Kathryn was always creative back then, which was shortly before she started playing music.  She invented her own games.  One of them was based on the Price is Right.

Do you recall that pricing game called “Three Strikes”?  You reached in a bag and pulled out a chip.  It could have a number, or a “strike” on it.  Pull three strikes and yer out!  Kathryn invented her own variation of that.  She called it “Three Times”.  Her version was far more challenging.  She put more chips and way more strikes in the bag.  It was unwinnable.  But memorable.  We still talk about her first prototypical game, “Three Times”.  Not a triumph, but certainly a good effort.

Another of her creations was more original and ambitious.  It was a Choose Your Own Adventure book.  She drew upon real life experiences for its storyline.  This book still exists; it is in a drawer at the lake.  It is fully illustrated and bound.

Inside, on a street that looked a lot like ours, a little kid was taking their dog for a walk.  A cute miniature Schnauzer, just like ours.  Turn the page.  You see a man approaching.  Do you:  1) Turn and walk the other direction? 2) Turn and walk towards the man.

I’m not sure what the two endings say about my sister.  In one, the man turns out to be your dad and walks with you.  In the other, the same man kills you with a knife!

This bizarre book was limited to a single copy.  Her latest work, The Improvising Musician’s Mask:  Using Musical Instruments to Build Self-Confidence and Social Skills in Collective Free Improvisation is less accessible but saw a wider distribution.  But would it exist if her Choose Your Own Adventure dog walking book did not?

We’ll never know!

#836: Transformers 2 – Revenge of the Schnauzers – How It Was Made & Full Movie

GETTING MORE TALE #836: Transformers 2 – Revenge of the Schnauzers

For one weekend in the summer of 2012, I put the music on pause.  Transformers 2 – Revenge of the Schnauzers was the title.  It was a series and  I made four movies in total.  Five, if you count the final one that I shot but never edited.  There’s something so satisfying about animating Transformers.  I wanted to go big or go home this time, and what I ended up with this time was a 44 minute movie (originally split into two parts for file size reasons).

It’s amazing to think I did this movie in a single weekend in July 2012.  Probably Canada Day weekend.  I filmed the whole thing in just two days.  You can see the the light change as I filmed from sunrise to sunset, in order to squeeze time out of every minute.  And this movie was just my side project!  At the same time, I was also posting 1-2 articles per day for my main gig:  reviews and Record Store Tales.

I came prepared for Canada Day weekend with my Nokia C3 cell phone as my only camera.  Here’s something you didn’t know.  Cell phones back then were so much easier to do primitive animation with.  There’s a pause button you could hit when you’re making a video, and it essentially allowed me to do the stop motion very single-handedly, very quickly, just by hitting that pause button.  Sure, I made a few mistakes along the way.  I had to reshoot entire scenes when I didn’t know I was pausing “off” instead of “on”, but it did enable me to do this entire thing in just two days.  I barely stopped to eat, and I was just wiped by the end of it.  I think it was a manic episode to be honest with you, but a doctor never diagnosed that so it’s just my opinion.

I chose the characters (and more importantly, toys) that I wanted to use for the movie.  Most of them are from the Generations lines, with some third party add-on kits for Hound and Goldbug.  Others are reissues of G1 originals:  Soundwave and his tapes, Predaking, and Ultra Magnus.  I needed figures that would be easy to transform on the fly.  Magnus and Predaking were brand new in my collection and I wanted to show them off.  I decided to bring more Decepticons with me than Autobots to give them a real disadvantage.  I built the teams and roughed out a story.  Dialogue was improvised on the spot but not fixed in place until the editing stage a few days later!

I used Windows Movie Maker, then and now, to edit.  It was much less stable then (or at least my computer is more powerful now).  The amount of edits I used numbered in the hundreds and crashes were frequent.  Even though I was essentially editing “live” in-camera as I filmed and animated, I was also tightening up those edits with Windows.  Funny enough, Windows has no more features in the current version than it did in 2012.  For the laser blasts, I added a “split” and inserted a “fade in from white” effect.  They are remarkably effective.

I originally edited the movie with mainstream rock music as the soundtrack.  I used Van Halen, Black Sabbath, Iron Maiden, Bruce Dickinson, and AC/DC among others.  Needless to say, YouTube never let me upload it, so it sat on my various hard drives and DVDs all these years.  Until I recently had an idea.

Uncle Meat’s hatred of my “playing with action figures” inspired me to use his music to get around the YouTube issues.  More accurately, Max the Axe’s music (with a little of my sister’s mixed in).  It worked brilliantly.  Just as well as the original version, though with music you’re not familiar with.

Now you can hear many of these great Max the Axe tracks for yourself.  While watching robots blow each other to bits!

Sure, it was cool when I used “Accident of Birth” by Bruce Dickinson as the entrance music for the Colossus Schnauzers and….

Oh!  You’re confused about the Schnauzers.  Having grown up around the wee beasts, I realized that in action figure scale, you could use them as giant monsters if you could get them to do what you wanted them to do.  With Kathryn Ladano’s help, we used treats as incentives to chase and attack Autobots.  I affixed Decepticon logos to their foreheads and wrote them into the story as Shockwave’s latest creation:  Colossus Schnauzers.  With DNA stolen from a secret lab (named after the two doggies Laci and Ali), the Decepticons engineered giant versions of the beasts.

It’s up to the Autobots to find out what they are up to, with a small squad led by Ultra Magnus.  (I had focused on Optimus Prime in the preceding chapter with his death and rebirth as Powermaster Prime, so I wanted a different leader figure this time.)  I used two Bumblebee figures.  One was modified with a third-party head that made him into a Generations version of Goldbug, his rebuilt form.  This is all roughly based on an original Marvel comics storyline.  I also took inspiration from the TV show.  One figure that I wanted to show off next time was my transparent “Ghost Starscream”.  I didn’t have time to get into that with this chapter, so I ended it with some foreshadowing that would allow me to introduce my ghost version of the figure next time.

I coloured the dialogue to make it easier to tell which ‘bot is talking. I did an “infodump” introduction for the Predacons.  This is the much-critisized technique used by Bob Budiansky in the 80s Marvel series.  Each new toy had an introduction, because the comic was just a device to sell toys.  That was my homage to Budiansky.  The characterisations of the figures in my film are meant to be true to their toy bios and comic book appearances. Although my story takes place in a universe all its own, it’s similar to the ones you know.  The “release the Schnauzers” scene is of course a parody of the the Kraken scene in Clash of the Titans.  I wanted something that reminded me of Poseidon pulling the chain that opened the big gate.

I haven’t watched this movie for a long time. I had forgotten that I even included a “blooper reel” at the end. This is the only part of the movie that still has its original music soundtrack. Though I’ve forgotten the name of the track, that’s Kathryn Ladano’s music playing and that’s her in her only cameo!

Consider that I shot this thing in two days, sunrise to sunset, and edited it together in a couple more, all while posting new daily reviews and Record Store Tales. That’s unbelievable and probably also unhealthy. But I still enjoy the results! I legitimately like this. I also enjoyed adding the new music by Max the Axe and seeing how it worked out.  I’m proud enough to post it here for you to enjoy. And I hope you do!

#834: Top Five Masked Artists

GETTING MORE TALE #834: Top Five Masked Artists

The Masked Singer, you say?  Never seen the show; not interested.  What about real artists who wear, or have worn, masks?  Not makeup, but an actual physical face covering?  Since masks are everywhere today, and sometimes required depending on where you go, let’s have a look at some artists who were already ahead of the (flattening) curve.

#5:  Crimson Glory

Before Slipknot, Mushroomhead, and before Ghost, Crimson Glory were the most famous masked metal band.  Often compared to Queensryche (but more ambitious), Crimson Glory were fronted by singer Midnight.  He wore a half-mask so he could sing, while the rest of the band kept their faces fully covered.  At first, anyway.  The masks were toned down on the second album and eventually dropped.  But when their debut appeared in ’86, they looked like nobody else.  That they are forgotten is unfair — they don’t even appear on Wikipedia’s “masked musicians” list!

#4:  Buckethead

At best, Brian Carroll is a recluse.  He’s rarely been photographed without his plain white mask and a chicken bucket on his head (though you can find pictures of a young unmasked Carroll online).  According to Bucket, the mask was inspired by Michael Myers in Halloween 4.  It is highly likely that the anonymity of a mask allows Buckethead to loosen up and perform live.  In all probability, the mask helps him get into his creative headspace.   It’s not too much of a stretch to say that without the mask there could be no Buckethead.

#3:  Nash the Slash

Nash was very early in the mask game, having started wearing bandages in 1979, the same year the Residents started wearing giant eyeball helmets.   The Slash, or Jeff Plewman, passed away in 2014.  He was best known as a founding member of FM, playing electric violin and mandolin.  His 1980 solo cover of “Dead Man’s Curve” had a music video featuring that bandage mask, and trademark top hat.  It was one of the weirdest videos of its time.

#2: Slipknot

I considered Gwar for this position, but then I remembered:  Gwar don’t wear masks. They are aliens that crash landed in Antarctica. No, seriously, this position should belong to Gwar except that I don’t really consider them a masked band. What they have done takes the idea of “masks” and puts them in an entirely unique category. Gwar might be the top “costumed” band, but speaking strictly of masks, this spot goes to Slipknot. Mushroomhead may have come first, but there is no question that Slipknot commercialised their image much more successfully. They expanded upon the masks with matching numbered jumpsuits. They became iconic. Just as one can easily recognize Gene Simmons as a member of Kiss, Shawn “Clown” Crahan simply cannot be mistaken for some guy in Pearl Jam. When you see Slipknot, you know Slipknot. And only they can take the credit for that.

#1: Kathryn Ladano

Biased? Yeah, so what!  This is where I defend my choice.

All of the above artists are brilliant and that cannot be disputed.  But how many of them incorporate the mask with the music?  Perhaps only Buckethead uses the mask to get into a specific headspace to create.  Kathryn Ladano’s newest album, also called Masked, explores this.  Masks and blindfolds were worn in the studio while music was improvised and captured for the album.  The mask becomes part of the audible art, which you cannot say about Slipknot or Crimson Glory.  Maybe I’m biased, or maybe I’m one of a few people who knows how critical masks were to the creation of this music.  Without the masks, some of this music wouldn’t even exist.  For that reason, Kathryn Ladano is our topped masked artist.  Nobody else incorporated the mask with the music like she did.


Worthy Mentions

 

Hey!  Where’s Daft Punk? Where’s Deadmau5? Not on this list, that’s where!  Neither are Ghost, Thunderstick, the Residents or a number of other groups who wear physical facial coverings.  Narrowing down is the hardest part of any list, but I hope you enjoyed this one anyway.  Check out some Crimson Glory or Nash the Slash and tell us who you think the greatest masked artists are.

 

Live Stream – More Vinyl & Special Guests – Saturday May 9

Pardon the technical difficulties, we had some audio lag and some viewers experienced frozen video. I think we pushed the limits of what Facebook and our own bandwidth could handle.

The best live stream of the series so far is available for you to watch below! We went for 90 minutes and featured so much vinyl your head will spin. We also had three special guests joining us: Dr. Kathryn Ladano, Uncle Meat, Scotty P, all local legends in their own rights!

Album release event: MASKED by Dr. Kathryn Ladano – tonight at the Walper

January 11 2020

8 PM

Join us for the release of MASKED!  Get the new album on vinyl, or CD with two bonus tracks.  Admission is free!

 

 

Please note that the venue has changed slightly. Instead of being in the Oak Room lobby in the 2nd floor of the Walper, it will now be in the TWH Social After Dark Space.

Bonus:  Come meet me and Max the Axe!