Had this album come out 30 years ago, it might have been called Smith/Curran. According to our good pal Andy Curran from Coney Hatch, Iron Maiden’s Adrian Smith has been looking for a project like this for quite some time. The right partner arrived with soulful singer/songwriter/shredder Richie Kotzen. As heard on the nine-track debut, everything clicked. It was Smith’s wife Nathalie that introduced the two. Friendship turned to jamming, and jamming turned to writing and recording. We owe Nathalie a huge debt of rocking’ gratitude.
Fans of Kotzen, either via his solo work or the Winery Dogs, won’t be shocked by what they hear. It is the Maiden fans who are in for an adjustment. Not that Smith/Kotzen is wimpy — it isn’t at all — but it is vastly different from the traditional metal that Maiden peddle in. This is a soul/blues/rock fusion from the heart.
None of the nine songs should earn a “skip” in your player. Each one boasts a wicked blend of guitars and voices. Who would have thought that two players and singers, so different in style, would mix so naturally? You can usually pick out who is playing what, but it all works as one monolithic gestalt. The whole thing is brilliant. You can choose your own peaks, because everyone will have their own favourites.
“Running” should be an uptempo high point in anyone’s scorebook. On the opposite end of the spectrum is the power ballad “Scars” (if you want to call it that). Over six minutes with heartfelt playing and harmonizing over a slow riff — pigeonhole it any way you like. The guitar tones on this album are rich and sometimes trippy. Fans of both guitarists are in for a tour-de-force of feel.
Another high water mark is “Glory Road” which may be a slower blues, but boasts a melodic power chorus that you can imagine Iron Maiden pulling off successfully. That gives way to a wicked series of solo trade-offs that blow the mind and punch the gut all at once. But if you really like Maiden, there is no way you will not recognize the one and only Nicko McBrain on the Purple-y “Solar Fire”. (The drums on the rest of the album are performed by Kotzen and Tal Bergman, which Richie and Adrian share bass duties.) Picture the Coverdale/Hughes/Blackmore vibe. An album highlight, “Solar Fire” is as hot as the stellar eruptions it’s named for.
Pick a song — “I Wanna Stay”, “Some People”, “Taking My Chances”, or “‘Til Tomorrow” — all are excellent choices. Smith/Kotzen has nine remarkable tracks to choose from. They’ve all been road tested, and given fair play at home and on the porch. Though they vary in tempo and direction, all nine promise excellent, memorable melodies and powerful playing. This is an album for the summer of 2021 — an album we need.