The Four Horsemen were so fucking good, and this DVD really is the proof. Man, how cool did they look? Frank C. Starr, rocking the stage all confident in his pirate shirt, black gloves, and white sneakers. A look I admittedly tried to emulate in the 1990s. Haggis wonders how this “guido car mechanic from Long Island” managed to end up opening for Lynyrd Skynyrd? Because he was born to be there!
The video quality is surprisingly good for an audience bootleg. The camera is high in a balcony, but close enough to the stage to get some great shots. The camera moves around and zooms in from its vantage point, getting clear images of pretty much the whole band except the “big fucking Yeti” behind the drum kit. The video isn’t all that grainy, and there’s a consistently entertaining commentary by guitarist Haggis! He’s very grateful to whoever smuggled a suitcase-sized video camera into the arena to film the band with such care.
Opening for Skynyrd, Dimwit Montgomery (the aforementioned Yeti) swiftly kicks things into motion with “’75 Again”. According to Haggis, the band were practising their “big stage rock star posing”, something he learned from the Cult. Onto “Let It Rock”, the groove is honed and the band is synced up like conjuring “the ghost of Bon Scott”. Frank Starr and Dave Lizmi are the most mobile of the band, moving from one side of the stage to the other, back and forth, while the others tend to stay put. Haggis wonders how Lizmi could hear himself solo when his amps were on the opposite side of the stage! Though the tune starts as a groove, it quickly turns into a blitz.
Onto “Hothead”, a track partly stolen from Humble Pie, says Haggis. Apparently nobody noticed. Frank’s in total rock star mode, just killing it vocally. Then a cover of Savoy Brown’s “Can’t Get Next to You”, the band settle into a low groove. An excuse for Lizmi to show off his stuff, but any excuse is a good excuse. When he solos, he owns the stage. You can see him break a string mid-solo; he just sweeps it out of his way and keeps going.
Moving on to “Wanted Man” (the first song recorded for Nobody Said It Was Easy). Frankie is just fun to watch. He truly was a great frontman. Lizmi’s solo is out of this world, completely different from the album version. A shirtless and tattooed Haggis is so skinny he looks like he should be hooked up to an IV instead of a guitar. But enough with the deep cuts. It’s time for the hits: “Nobody Said It Was Easy” and “Rockin Is Ma Business”. Why was this band not huge? They were so fucking good and their songs were fucking brilliant!
Ironic fact I learned: the man named after a pudding made of a sheep’s innards was a vegetarian.
This DVD can be acquired directly from the Four Horsemen store. It is certainly worth it, even if you already own the Death Before Suckass CD. It’s a different show with a similar setlist, but the audio seems superior. The commentary seals the deal. Essential Four Horsemen buy.
COMPLETE FOUR HORSEMEN:
- Record Store Tales #224: Rockin’ Is Ma Business
- Welfare Boogie (1990 – 21st Anniversary edition CD)
- Nobody Said It Was Easy (1991 – 21st Anniversary edition CD)
- Nobody Said It Was Easy (2018 double vinyl LP)
- Daylight Again (1994 “lost” album – 21st Anniversary edition CD)
- Gettin’ Pretty Good…At Barely Gettin’ By… (1996)
- Left For Dead 1988-1994 (2005 – CD/DVD set)
- Death Before Suckass – Live at Saratoga Winners 1991 (2012 CD)
Coming next: Gettin’ Pretty Good…At Barely Gettin’ By… (CD with bonus tracks)