#983: Gimme Another R!

RECORD STORE TALES #983: Gimme Another R!

A sequel to Record Store Tales Part 2:  Gimme An R!

There’s a certain amount of pride that one takes in being a Helix fan.  Helix the band are almost as old as I am!  They formed in 1974 and put out their first independent album Breaking Loose in 1979.  And what a debut it was!  With a handful of road-tested songs, the band plied the waters of guitar rock, with a foot in sci-fi prog and another in boogie-woogie.  Just check out their first minor hit “Billy Oxygen” if you don’t believe me.  They’ve been releasing music steadily ever since, with Capitol Records and others, with only a minor five year gap between It’s a Business Doing Pleasure (1993) and half-ALIVE (1998).

In 2022, Helix are back with a new single called “Not My Circus, Not My Clowns”.  They’re getting ready to start gigging again after two years of Covid-induced hibernation.  The current lineup consists of founder Brian Vollmer, classic members Daryl Gray and Greg “Fritz” Hinz, and guitarists Chris Julke and Mark Chichkan.  Julke has already been in the band eight years, and Chichkan had countless gigs with Helix in the mid-90s.  These veterans absolutely know how to give ’em an R.  Then we have Sean Kelly helping out in the studio to boot, adding some nitro to the mix.  In other words:  Helix are still potent.

It’s fair to say we all miss Paul Hackman.  I never met Paul though I’ve met most of the others.  He sure was a talented writer, and many of his songs like “Heavy Metal Love” are beloved classics today.  Fritz Hinz has been through hell and back, making a stunning recovery after a coma-inducing fall from a roof.  In recent years we also lost original guitarist Ron Watson, keyboardist Don Simmons, and road warrior Brian Knight.  Brian Knight was a kid from our neighborhood, who went to do road work with Helix for many years.  We lost him in 2021.  Yet Helix keep on going, and going, and going.  Even former guitarist Brent “the Doctor” Doerner has a new album coming out called The Ashtray Sonatas.

Speaking of the good Doctor, I first befriended the guitarist in 2006 at a Helix gig.  I knew a guy named Shane Schedler, who was in his new solo band, and this led to an interview with Brent at his home.  It was the first of several visits.  A few months later, with a few gigs under his belt, Brent screened some live footage of the band and had some friends over to celebrate.  It was that night that I wrote up the official bios for his band.  I remember telling Brent I wanted to write the band member bios for his website and then running around the room getting quotes from all the members.  It was a lot of fun.  Definitely a personal highlight.

So for the first time since the first time, here are the Brent Doerner’s Decibel bios that I wrote.

Thanks to everyone who’s ever been in Helix for rocking us.


BRENT DOERNER’S DECIBEL

Band Bios and Fascinating Factoids

 

BRENT DOERNER (Lead Vocals, Lead & Rhythm Guitars)

“What’s right is what’s left after you’ve done everything else wrong.”

Not just every guitar slinger out there can claim to be a part of a Canadian rock institution.  Brent Doerner can:  He spent over 15 years in Helix playing guitar, writing, singing, blowing minds and winning fans the world over.  He has the battle scars and the gold records to prove it, but that’s not the end of the story.  A new chapter has just begun with Decibel, a new rock band of good-time tunes and unique lyrics that continues his legacy with pride and vision for the future.

CHICK (Rhythm Guitars)

“If you don’t have rhythm, stay at home.”

Ralph “Chick” Schumilas has been around the block once or thrice.  He has 40 years experience as a musician.   In the beginning, he was a drummer which gives him a rhythmic edge that’s tough to beat.  Formerly, he was the co-owner of  Buzz Marshall studios, and has played and written with such luminaries as Cheryl Lescom, Rob Juneau, and Keith Gallagher among others.  He brings his immense songwriting experience to Decibel’s solid live repertoire.

HILLS WALTER (Bass, Lead & Backing Vocals)

“I’m not working for road rash.”

Hilliard Walter’s résumé is impressive in its diversity and scope.  He’s been paying his dues in the clubs across Ontario for the better part of 30 years.  Rock, however, is only one part of Hills’ musical makeup:  He’s done punk, new wave, funk, soul, and every combination and isotope of those styles that is currently known to modern science.  He’s played with Soul Circus, Sthil, Dezmanhall, Ed Bertoli, and lots more.  He saw Helix make their big break and said, “I can do that too.”  Now, Decibel is the main focus of this talented bass player with the soulful voice.  When he sings, you listen.

SHANE SCHEDLER (Lead guitars, Lead & Backing Vocals)

“They tried to bury the double lead, but we’re going to rectify that.”

Shane’s history as a recording artist goes back to the mid-90’s when he was a member of the guitar-driven trio Martyrs of Melody.  With the Martyrs, he released two independent CDs and began honing his songwriting craft.  He’s been grinding his axe for “seven point something Olympic years” (you do the math).  He now writes, sings and plays for Decibel, a band that makes him beam with pride.  Shane is also proud that he hasn’t cut his hair since grade nine.

BRIAN DOERNER (Drums, Vocals)

“Some drummers think ‘time’ is a magazine, but they don’t have a subscription!”

Brent’s twin brother Brian Doerner is legend on the skins.  His discography reads like a “who’s-who” of rock:  Helix, Saga, Brian Vollmer, Ray Lyell, Refugee, Myles Hunter, and more.  He first picked up the sticks after seeing the Beatles on TV in ’65, and it’s been a love affair with music ever since.  A respected session man and teacher, Brian has inspired the others to new levels in their playing.  Now that the twins are back together, the chemistry onstage is infectious.


 

12 comments

  1. That is so awesome Mike! Great memories and cool you have an in with a band like Helix. I am just really starting to listen to them (thanks to you). Next time I’m out, I plan on grabbing a vinyl if I find one.

    Liked by 1 person

    1. Oooh that would be cool! Here Helix vinyl is common. Many of my records were FREE. As in, stores could not sell them, they had too many copies, so I got them for FREE. Others were bought from a 25 cent bin. Is there such a thing as a vinyl 25 cent bin anymore?

      The time I spent with Brent was really special. He ended up hiring a manager who took over the PR stuff, but for a while I was doing a lot of writing for him, and it was just fun!

      Liked by 1 person

  2. This is still the first Helix album I pull out when I binge their catalog. It is the first Helix album I had in my music collection and was aquired through the country music station my father worked at when the album was released and submitted for airplay; I guess it didn’t fit the station manager’s format list for ‘Country’ and was in the box of LPs and 45s that my dad brought home (the station also dubbed all music to 8-track-styled loop cassettes rather than playing the physical vinyl, so it may have actually aired). First listen I fell in love with this album, and have followed Helix through the years, with ‘White Lace’ and the harder rock albums to come. The first two albums are always played at equal, or higher, volume to the heavier albums and hold a place in my heart for great songs to rock to; I was listening to these albums just last Saturday on my short roadtrip, which lasted the first three albums in the playlist. I’m glad that these albums have not been forgotten.

    Liked by 1 person

    1. Those first two albums are amazing Dan! I bet that box of records you got was pretty cool.

      The first record in particular I think is very special. The second has Mike Uzelac but not Brian Doerner, which made their sound a little more straightforward I find. But damn I do love those first two albums and I think they are better than many of the major label releases.

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      1. I definitely agree. I always listen to these two albums, even if my listening time doesn’t let me get deep into my playlist and those major releases (I also have these two on ‘The Early Years’ compilation CD). I usually do get back to the playlist a short time later to hear the full catalog in its entirety.

        Obviously that was many years ago, and time has faded my memory of the contents of the box, but there were a few albums and singles I kept, and I do remember there was a Be-Bop Deluxe album, Drastic Plastic, that was in there also; at the time I thought it was a strange album and band, and I’m not sure my thoughts have changed much since, as they really were a strange, experimental-genre-type/progressive band.

        Like in your reply to ‘2loud2oldmusic’ I have also found many treasures in discount bins and thrift-shop shelves. I’m not sure why some great albums don’t find appreciation, and get tossed in those bins, but it seems to be our gain; and at a reduced purchase cost, which is always good.

        Liked by 1 person

        1. I really miss those cheap, cheap record bins! Back in the 90s, there were a lot of albums I could not find on CD. Stuff like Rainbow – Down to Earth, or Helix – No Rest for the Wicked. I remember telling my friends, “Stuff you can’t find on CD is cheap on vinyl!” How times have changed.

          That Early Years compilation was a godsend for me. I had heard early Helix was “country music” which is funny, given your story earlier. I was nervous about what I was buying. I had never heard of some of the band members before. But I hit “play” and then suddenly “I Could Never Leave” came on, and I was hooked.

          I thought it was really great music then and I feel even more like that today.

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  3. Great stuff. Helix had some strong tunes thats for sure and a great live show to boot back in 84 when they played our University. Still recall that old goat Vollmer climbing the speaker bins and summersaulting right off and as a 16 year old at the time it floored me. We were up close at that show including Tbone. Such a great show…
    Year later they were back headlining the arena and pulling a decent crowd on the LWTH Tour.

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