Brent “The Doctor” Doerner

REVIEW: Helix – Icon (2018)

HAPPY CANADA DAY from LeBrain and Superdekes! HELIX double feature!

HELIX – Icon (2018 Universal vinyl)

New Helix vinyl?  Yes please.

The Icon series of compilations used to be a budget CD line that you could pick up for $5 or under.  Now, you can even get ’em on vinyl.  Buy ’em direct from Helix mainman Brian Vollmer and he’ll sign it for you.  This copy is signed by all five current Helix members, including a pre-injury Fritz Hinz.

As far as Helix compilations go, you can’t do much with just 11 tracks.  Even so, Icon has some surprises and plenty of pleasers.  There’s also enough difference from 2016’s compilation Rock It Science to justify it.  Opening with the one-two punch of “Rock You” and “Heavy Metal Love”, Helix top loaded this thing with their best known songs.  Perfect for the newcomer, or just a great party.

From there it’s “The Dirty Dog”, a long time Helix concert favourite.  This is followed in quick succession by some great singles:  “Gimme Gimme Good Lovin'”, “Wild in the Streets” and the dark ballad “Deep Cuts the Knife”.  All three songs are considered to be Helix classics.  “Deep Cuts the Knife”, written by guitarist Paul Hackman, is a particularly powerful ballad.  The entire first side is from the Capitol Records years, featuring the best known Helix lineup:  Vollmer, Hinz, Hackman, Brent Doerner and Daryl Gray.

Side two has a different flavour.  Only the hit “The Kids are All Shakin'” originates in the 1980s.  This top Helix pop rock track is followed by the Helix of the 90s and today.  “Good to the Last Drop” is another ballad, but much brighter than “Deep Cuts the Knife”.  This is the original album mix, with minimal keyboards.  Then it’s “Runnin’ Wild in the 21st Century”, kicking your teeth in at lightspeed.  The last two songs feature some help from guitarist extraordinaire Sean Kelly.  A razor sharp “Even Jesus Wasn’t Loved in His Home Town” comes from 2014’s excellent Bastard of the Blues.  The aggressive rocker is based on the fact that Helix can’t even their new songs played on the radio in their home town of Kitchener, Ontario.  Finally, the 2016 single “Gene Simmons Says (Rock Is Dead)” tells the demon where it’s at!  Maybe Helix don’t get radio play in Canada but rock ain’t dead — not if Vollmer and Co. have anything to say about it!

When it comes to Helix compilations, they are so numerous that you can really take your pick.  If you really care about the band, then just buy ’em direct from Vollmer at Planet Helix.  There are loads to choose from, but only this one was ever made on vinyl.  Or, you can just go CD!  Either way, support the boys if you’re gonna buy some Helix.

4/5 stars

REVIEW(S): Helix – Breaking Loose, White Lace & Black Leather (2019 expanded editions)

HELIX –

  • Breaking Loose – 40th Anniversary Expanded Edition (originally 1979, 2019 Prog AOR)
  • White Lace & Black Leather – Classic Hard Rock Expanded Edition (originally 1981, 2019 Prog AOR)

Helix have really done it this year. They have a new album (Old School) made up of some pretty excellent songs that were never completed before. On top of that, you can also get brand new reissues of their first two indi albums, Breaking Loose and White Lace & Black Leather.  Those two albums have already been reviewed in full, so this time we will focus primarily on the perks of these new CD versions.

Both discs feature lyrics, rare photos, and liner notes by Brian Vollmer.  All essential things for a reissue, so what else?  Unreleased tracks, that’s what else.  Good ones!  The hell, Brian?  Where have you been hiding this stuff?  If anyone assumed thought Helix cleared the vaults with their B-Sides album, they were mistaken.  Maybe Universal should have been storing their tapes at Planet Helix….

Too soon?

Breaking Loose features “Let Me Take You Dancin'” (not the Bryan Adams song), apparently the first song they ever recorded, at the behest of manager William Seip.  You can understand why they didn’t put it out, considering the Disco revolution going around.  It’s too dance-y for what Helix wanted to be:  a rock band.  With 40 years hindsight, it’s bloody brilliant.  Full-on horn section blasting away on a blatantly commercial rock song with just a whif of surf rock.  Nothing wrong with any of that in 2019.  “Sidewalk Sally” is the very first Brent Vollmer/Brian Doerner composition and you can tell by Dr. Doerner’s trademark chunky riff.  This song is strictly outtake quality, but it’s notable for historic reasons (and the pretty advanced drumming by Brian Doerner).

The second album, White Lace & Black Leather, has two interesting bonus cuts as well.  Brent Doerner wrote and sang a killer tune called “When the Fire is Hot”, which is one of the songs submitted to Capitol that got them signed.  It’s never been released.  It’s a very unpolished demo, but with a serious stomp and stunning guitar solo.  The final bonus track is an unreleased early version of “White Lace & Black Leather”, which was re-recorded for their third album No Rest for the Wicked.  See, for the first couple Helix albums, you had to wait until the next record to get the title track!

A brief talk about the albums themselves:  both are chock full of great, unpolished youthful rock.  Helix were just learning how to make records, but they had more than enough original material.  Between the key songwriters (Paul Hackman, Brian Vollmer & Brent Doerner), they had plenty of quality songs.  “Billy Oxygen”, “I Could Never Leave”, “Here I Go Again”, “You’re a Woman Now” and “Wish I Could Be There” from the first album alone are must-haves.  Nobody should be forced to live their life without hearing “Billy Oxygen”.  The second LP was almost as great as the first.  “It’s Too Late”, “Breaking Loose”, “Mainline”, and “It’s What I Wanted” stand with the best material from the first.  Sure, the band were rough around the edges, but they could already sing, play and write.  They were goin’ places!

As for the mastering job, the music is not brickwalled like the versions of some songs on the Rock It Science CD.  These discs are the versions to get; the expanded tracklist making them musts to the collecting fan who already own them all.  Best of all, Planet Helix is offering them and the new Helix album for just 40 bucks.  40 bucks for 3 CDs is a ridiculous deal.  I daresay these two albums have been steady companions to me over the years, and I look forward to re-enjoying them in this new form.

5/5 stars for Breaking Loose

4/5 stars for White Lace & Black Leather

 

REVIEW: Helix – Rockin’ in My Outer Space (2004)

ontario-bands-weekWelcome back to Ontario Bands Week, presented by BoppinsBlog,  Keeps Me Alive, Stick It In Your Ear, 1001 Albums in 10 Years, and mikeladano.com.  

KITCHENER.

scan_20161215HELIX – Rockin’ in My Outer Space (2004 Dirty Dog)

This album was a long time coming. The last “true” Helix studio album (eg: not live, greatest hits or previously unreleased songs) was the excellent It’s A Business Doing Pleasure, twelve years previous to this one. A lot happened in those twelve years, including member changes, management and record company splits, and even a Brian Vollmer solo album (When Pigs Fly). That Helix came out with an album this good with no warning was a pleasant surprise.

Almost every song here is quality stuff, with only the instrumental opener “Space Junk” and the jokey closer “Sunny Summer Daze” not fitting in with the serious rocking going on here. A couple of these recordings had previously appeared on Vollmer’s solo CD (with Brian Doerner on drums), but this sounds more like a proper Helix album. The title track features a killer chorus (reminded me of “Rock You” a bit) with those recognizable Helix backing vocals. It’s also the most “party” of all the new songs, some of them being a little darker.  Glen “Archie” Gamble (drums) utilizes some interesting cymbal work, a little different from what you usually hear on a Helix record.  His playing gives this version of Helix a different rhythm.

“Six Feet Underground” has some nice acoustic work, and is extremely catchy. “Panic” has some irresistible vocals. “It’s Hard To Feel the Sunshine When Your Heart is Filled With Rain” might have an overly long title, but the song is amazing, as heard live in concert.  A wicked harmonica solo fills the spot with a guitar solo might normally fit.  “The Ballad Of Sam & Mary” is a jokey lyric as Helix have done before, but with some serious kick behind it. (Listen for a cameo by Brian’s wife Lynda Vollmer.)  It’s only when you get to the closer with its Hawiian guitar that you feel like the album just hit a speedbump. The final track’s saving grace is a guest appearance by former member “Doctor” Doerner on guitar.

This album represented a muscular return for Helix, one that kicked off a stream of new Helix records.  The band seemed revitalized even as lineups changed, as they continued to follow through with more quality rock and roll.  Rockin’ in My Outer Space is a pleasure for fans because it’s different. This is not party music. There are audible dark clouds and angry riffs.  The changes in heavy metal over the previous decade are obvious here.  The guitars are chunkier and dirtier, and no song has a party-hardy chorus like the days of old, though the title track comes close.  Helix are known for a certain brand of rock, and it’s nice when they choose to stretch out.

Fear not Helix fans. Brian Vollmer and his gang of little-known but excellent players did not disappoint when they finally decided to release a new album under the Helix Band banner. Aside from the first and last tracks, this is one you’ll be playing all the way through.

And heck, you get used to the the first and last tracks after a while.

4/5 stars

scan_20161215-3

Bonus:  In 2005, Helix returned to Sweden to play Sweden Rock.  iTunes have one song from their set available for download: “Rock You”  This track features the short-lived but very cool six-piece lineup of Brian Vollmer, Archie Gamble, Jeff Fountain (bass), Jim Lawson (guitar), Rainer Wiechmann (guitar and producer) and Cindy Wiechmann (vocals and other instruments). This is the version of Helix that supported this album, and fortunately it was captured live. Check it out for an idea of what this great lineup sounded like live.

Gallery: HELIX guitar picks

These.  Are.  COOL.

To promote their new album Rock It Science, Helix released this set of five custom guitar picks.  It is available at their site for only $10, and they feature the excellent album art (by Brent Doerner) on the front.  On the back, each pick has a photo of a band member:  Brian Vollmer, Daryl Gray, Greg “Fritz” Hinz, Kaleb “Duckman” Duck and Chris Julke.

Guitar picks are great to collect and here at LeBrain HQ, we can always appreciate a cool set of custom plectrums.  They’re fun, they don’t take up a lot of space (I’ll be storing mine inside the CD case) and they just look cool.  Feast your eyes upon these beauties and if you decide to go for a set, don’t forget to order the Rock It Science CD to go with ’em!

REVIEW: Helix – Rock It Science (2016)

NEW RELEASE


scan_20160930HELIX – Rock It Science (2016 Perris)

Helix just don’t stop!  Never have, never will.  They have been an ongoing property since 1974, steadily releasing albums with only minor gaps between.  They keep playing live, year after year.  They keep recording new music, ensuring there is always fresh product for fans to pick up at one of their unflagging shows.  The latest is a new “greatest hits” CD called Rock It Science, featuring a smattering of tracks from all over their career and one new song.

Bands and record labels are often guilty of exploiting their fans for one or two new tracks and a whole bunch of stuff they already own.  Helix fans generally don’t feel that way.  They want to support the band (“the hardest working band in Canada”), and it’s worth noting that most past Helix “hits” CDs are out of print now, and there is very little overlap in songs.  What overlap exists is usually limited to the “big hits” – songs like “Rock You” and “Heavy Metal Love”.  Incidentally, the hits from the Capitol years included here are the re-recorded versions from Best Of 1983-2012.  Fear not, they are very authentic remakes.  You gotta do what you gotta do to get paid!

Brian Vollmer has been good about including deeper cuts on his compilations.  “Billy Oxygen” and “You’re a Woman Now” from the first album are brilliant.  These are two of their best songs, period, and they commence Rock It Science brilliantly.  Any Helix CD that includes “Billy Oxygen” is better for it.  This jazzy little rocker is one of their more complex arrangements, written and sung by the “Doctor” Brent Doerner.  Speaking of Brent, he designed the artwork for the CD and directed the music video for “(Gene Simmons Says) Rock is Dead“.  That’s the new track on this CD (click the link for a review of the song) and a damn fine one it is.  Brian co-wrote it with his partner in crime, Sean Kelly, a brilliant musician in his own right.

A few other treasures worth mentioning are the lava-hot “Get Up!” from 2006, and the ballad “Good to the Last Drop” from 1990.  This is the single remix version of the song, which tips the scales as the slightly superior (and more rare) mix.  “Shock City Psycho Rock” (1998) is a pleasant surprise.  This is a track written by bassist Mike Uzelac in the early 1980’s but not recorded until the 90’s.  (When they recorded it, Uzelac was actually a missing person.  He has since returned to the land of the living, but I can remember meeting his brother back in the Record Store days and that is when I first heard the story that Mike hadn’t been seen by family or friends in years.)  Mike Uzelac was a talented writer and contributed lots of material to Helix.  “Shock City” is one of the fastest and most destructive tracks in their catalogue.  Finally, “Even Jesus (Wasn’t Loved in His Home Town)” is a favourite, notable for its biting lyrics and brain-searing chorus.

So go ahead and give them an R.  The band is like an institution, a hard working gang of rockers that aim to please each and every time.  Buy the CD direct from the band and you’ll get a signed copy with some great liner notes detailing some rare band history.  Rock It Science would make a fine first Helix album for any collection.

4/5 stars

REVIEW: Helix – “(Gene Simmons Says) Rock is Dead” (2016 music video)

HELIX – “(Gene Simmons Says) Rock is Dead” (2016 music video from the forthcoming album Rock It Science)

“I don’t need no god of thunder to tell me what is great.” — Brian Vollmer

Helix are back once more, with a new greatest hits album called Rock It Science.*  You gotta have a new song on a new greatest hits (teased previously as “Mystery Track”), and this new song is timely and sharp.  Gene Simmons does indeed say that rock is dead.  In fact he’s been saying that for over 25 years.  I have a M.E.A.T Magazine interview with Gene from 1990 where he professes that rock is indeed dead.  And he’s still saying it now.  But Brian Vollmer retorts, “Don’t believe it when Gene Simmons says rock is dead!”

Sure, lots has changed, but Helix keeps going.  It’s not the 80’s anymore.  Very few can sell 2,000,000 copies of an album today.  It’s hard to make a living just by selling records.  You have to diversify.  Everything has changed — but like many things, the more they change the more they stay the same.  Rock is not dead.  In many respects, rock is more popular than ever.  Helix are still producing great quality music, and “Gene Simmons Says) Rock is Dead” is one more gem for their rock crown.  Daryl Gray and “Fritz” Hinz are still there on the rhythm section.  Chris Julke and Kaleb Duck handle the axes just fine.  This could have been on an album like Back for Another Taste.

As far as the video goes, Brent Doerner directed this one.  The Gene impersonator is bang-on — I hope Helix don’t get sued for this!  The video celebrates the old school.  It’s performed at Speed City Records in London, Ontario.  (Look for cool posters of bands such as Gob and VoiVod, who Gene slammed in the 1990 M.E.A.T interview.)  I really dig Daryl Gray’s Helix logo bass guitar.  That looks like a bitch to play.  Brent captured the fun side of the band in the video.  It’s not glossy, but I think it does the trick.

There’s no release date yet, but Rock It Science should be available to purchase soon.  Check out the CD cover, also designed by Brent Doerner.

Rock is dead?  Hardly.  Gene’s been wrong before, and he’s wrong again.

4/5 stars

ROCK IT

*The title It’s ROCK Science, Not Rocket Science was a working title for 2009’s Vagabond Bones.

 

 

REVIEW: Helix – Vagabond Bones (2009)

STRAT

Welcome back to Canadian Rawk Week!

Scan_20160210HELIX – Vagabond Bones (2009 Universal)

2009 was an exciting time to be a Helix fan.  15-odd years of rotating lineups kept the band alive and in the clubs, but it was hard to grow attached to any band members when they only stayed for a couple years and were off elsewhere.  Helix main man Brian Vollmer had always maintained strong ties with former members, and guys like Brent Doerner often showed up on albums, or in the audience at local Helix shows.  It was still a surprise when Doerner, drummer Greg “Fritz” Hinz, and bassist Daryl Gray all returned to the Helix lineup.  This completed the classic 80’s version of the band, or at least the surviving members thereof.  Paul Hackman was killed in 1993 in a tragic auto accident.  Replacing him in the lineup was Kaleb “Duckman” Duck, who had previously worked with Brent.

Vollmer was working on a new album (originally called It’s Rock Science, NOT Rocket Science!), writing with his partners Sean Kelly and Moe Berg (The Pursuit of Happiness).   The final product entitled Vagabond Bones has a variety of different players on it.  Former Helix members Brent “Ned” Niemi and Rob MacEachern play drums, and guitar maestro Kelly (also briefly a Helix member) contributed to guitar and bass.  Also on the CD is Steve Georgakopoulos who played on a few past Helix albums.  You’d think it would be a case of “too many cooks” in the kitchen.  That’s not the case; Vollmer and Co. brewed a potent mixture of songs, with all the attitude and quality that you have come to expect from this band.

Immediately you’re hit over the head by the slick production work by Vollmer, Kelly and Aaron Murray. “The Animal Inside (Won’t Be Denied)” has the stamps of both Helix and Sean Kelly all over it, from the absurdly catchy chorus to the shredding solos. Vollmer sings powerfully, but his voice has so much depth character from years of training and road work.  Very few singers from the 70’s still sound the same, but Brian Vollmer is damn close!  “Go Hard or Go Home” has another powerful chorus, plus great catchy riff, and fun lyrics.  “Go hard, or go home, take your little whiny candy ass and go.”  Considering all that Helix has been through, Vollmer surely knows only the strong survive.  “No short cuts, no sweet deals,” he sings and he knows it!  The title track “Vagabond Bones” makes it three great songs in a row. It’s an instantly likeable good time hard rock boogie.

Helix really developed a knack for melody as they grew. One of the most pop moments is “Monday Morning Meltdown”, a song that Brian compared to Cheap Trick in terms of style.  You can hear it in the choruses, but it’s just a great pop rock song with another great Sean Kelly riff holding down the fort.  Very different for Helix, and very good.

Onto a fast vintage Van Halen style shuffle, “When The Bitter’s Got The Better Of You” is the fifth straight up great song in a row.  It too is very different for Helix.  It continues a theme of “down on your luck” songs, but always with a message to keep on givin’ ‘er.  That holds true on “Hung Over But Still Hanging In”, a sleeze rock duet with Russ Dwarf of Killer Dwarfs.  If you need a hard rocking party song, then this is what you want. It has the groove, the fun, and the lyrics so just hoist them wobbly-pops and rock on!

My personal favourite song has always been “Best Mistake I Never Made”. It has a classic 70’s rock aura, an acoustic guitar, and if I had to compare it to something else it would be Helix’s excellent 1992 single “That Day Is Gonna Come”.  That’s a trip down memory lane that I don’t mind taking.  “Make ‘Em Dance” is a fast stomper with a beat that strikes me as almost Disco.  It just rages though, I wouldn’t try dancing to it until you want to break your neck!

Ending the album on a funky rock vibe is “Jack it Up”. This is a really interesting song, because I used to hate it. You may have to let it grow on you because, like much of this album, it’s forging new territory for Helix. It’s still great party rock, but just a little laid back.

With sharp production, Vagabond Bones was certainly the best sounding Helix album, and the best overall in many a year. And that’s saying something, because 2007’s The Power Of Rock And Roll was very, very strong.  Hearing this album for the first time, I just smiled.  I had to.  Helix were back and pretty much better than ever.

5/5 stars

REVIEW: Helix – Wild in the Streets (1987, Rock Candy remaster)

STRAT

Canadian Rawk week continues with a double dose of HELIX! Boppin at boppinsblog reviews the same record today. For his review, click here!

HELIX – Wild in the Streets (1987 Capital, 2011 Rock Candy remaster)

Before this handy-dandy 2011 Rock Candy reissue, Wild in the Streets was an exceptionally hard album to find on CD.   By the time I started working at the Record Store in 1994, it was already long deleted.  I had a pretty neat cassette version, with a glow in the dark shell, but the sound was pretty muddy and warbly.  The CD finally fell into my lap thanks to a kind hearted customer named Len, who picked it up for me at a rival store.  The full story of this rare item and the quest to find one was told in Record Store Tales Part 234:  Wild in the Streets.  Since I’ve already told that story, no further background is necessary and we can cut to the chase.

It has been well documented, both in Brian Vollmer’s book Gimme An R and the fine liner notes in this CD, that Wild in the Streets was not an easy album.   This album had to make it, or Helix’s deal with Capital wasn’t going to be renewed.  They had trouble coming up with songs.  They recorded overseas with a disinterested producer (Mike Stone).  The album was mixed and remixed again, until Stone had to demonstrate to the guys that they had lost perspective and couldn’t tell one version from another anymore.  Other stressors added to the pressure, but finally some singles were selected and videos filmed.  Time to rock!

The action-packed video for the title track made quite an impression. The high-flying Helix were (and are) one of the most exciting live bands around. The video perfectly fit the music, an unforgettable rock anthem about turnin’ on the heat and going wild in the streets. It was written by guitarist Paul Hackman and his friend Ray Lyell, a Canadian solo artist gaining success at the time. This kickin’ track represented a high point for Helix; never before had they combined the rock with catchy melody like this. MuchMusic gave it plenty of exposure, but it failed to jump the border and make an impact down south.

To make up for a shortage of originals, Helix recorded some covers. FM’s “Never Gonna Stop the Rock” was a funky dud. According to the liner notes, the band didn’t particularly like the song either. Manager Bill Seip chose it among many submissions, and on the album it went, because nobody had any better ideas. Nazareth’s “Dream On” was a much more natural fit. Helix always had a way with tender ballads; witness their success with “(Make Me Do) Anything You Want”. An inspired choice like “Dream On” works well as a Helix song, in fact up here in the Great White North, I daresay the song is associated more with Helix than Nazareth. It’s hard to say who plays the subtle keyboards and piano, as three players are credited on the album: Sam Reid from Glass Tiger, the legendary Don Airey, and Helix bassist Daryl Gray. Dr. Doerner brought up his huge doubleneck for the video, an image burned in our memories. Doerner had to be the coolest looking guy on the scene, he had the star quality.

“What Ya Bringin’ to the Party” is the question, on another Lyell/Hackman original. The slicker production of Wild in the Streets doesn’t really do it any favours. If it had been on an earlier album like No Rest for the Wicked (and been a teensy bit faster), it could have been a sleezey rock classic. “High Voltage Kicks” is better because it delivers what it promises. This sounds like Helix to me. It’s fast, high-octane, and recommended for head banging. You’ll want a breather afterwards, which is good because it’s time to flip the album over to Side Two.

Scan_20160211 (2)Ready to “Give ‘Em Hell”? Helix are, and this is a good quality album track to do it. It fits that mid-tempo rock niche that Helix often call home. It’s back to hot flashy rock on “Shot Full of Love”, a Vollmer/Doerner co-write with some pure lead guitar smoke. I wouldn’t be surprised if that’s his twin brother Brian laying waste on the drums. Brian Doerner is one of four drummers credited, including Mickey Curry, Matt Frenette, and of course Helix skinsman Greg “Fritz” Hinz. “Love Hungry Eyes” is one of the strongest songs in the bunch, and I think if there was to be a third single, it would have been “Love Hungry Eyes”. Brian Vollmer kicks this one right in the ass. I don’t think Helix get enough credit for their background vocals, but all five members sing. Brent Doerner has a unique voice and when the Helix backing vocals kick in on the chorus, you get a whallop of the Doctor right in the ears. That’ll cure what ails ya.

Joe Elliot of Def Leppard contributed “She’s Too Tough”, but then the shit hit the fan. Leppard’s label (Polygram) were terrified of Elliot competing with the soon-to-be released Hysteria album. Even though “She’s Too Tough” never passed the demo stage and was never in consideration for Hysteria, the label was so afraid that they were going to force Helix to remove it from their album. A compromise was reached: Helix could keep the song for their album, but could not release it as a single.  As such, you’ve probably never heard Helix’s version of it.  Leppard eventually recorded a proper version for a single B-side (“Heaven Is“) and it has become the more famous of the two.  That’s too bad, because Helix’s version is far more adrenalized, pardon the pun.

“Kiss It Goodbye” inspired the infamous Helix tour shirt that I would never have been allowed to buy or wear to school!  The song, another Doerner/Vollmer rocker, was unforgettable in concert.  It’s still a barnstormer on CD, certainly one of the most memorable tracks from this era.  The album is over and out in under 40 minutes, but you’ll probably have lost a couple pounds in sweat, if you were rocking out properly during those 40 minutes.

Unfortunately for Helix, despite a great live show featuring their fancy new stage set, the album failed to perform and the writing was on the wall.  Morale took another blow when Brent Doerner told the band that he was leaving.  The guitarist had been there since 1975.  He was integral to every album they made, and he was a charismatic personality on stage.  What were a band to do?  If you’re Helix, you do what you have always done.  You keep on givin’ ‘er.  They responded to this dire time with one of the best albums of their career.

Wild in the Streets was the end of an era.  It was also the last Helix album of the 1980’s.  With the benefit of hindsight, Wild in the Streets capped the decade off properly.  Mushy production aside, it was a strong collection of songs that probably could have been presented better.  Too bad!

3.5/5 stars

Scan_20160211 (3)

REVIEW: Helix – B-Sides (1999)

Scan_20150918 (5)HELIX – B-Sides (1999 Beak Records)

The occasion:  It was Helix’s 25th anniversary.  How about an album, and some classic returning band members, for a good time?

The title B-Sides here is misleading; a B-side is a track that appears on the flipside of a single, and is often not on the album. No tracks on this album appeared on the flipside of any singles, at least not these versions. However, the misleading title does not mar the excellent music contained within.

B-Sides contains songs written and/or demo’d for various Helix albums from 1990 onwards. Some of these have been re-recorded, such as “Love Is A Crazy Game”, which appeared as an acoustic version on the Business Doing Pleasure CD. This version is electric and is much heavier. I could imagine this version fitting right in on an Aerosmith album. “S.E.X. Rated” has also been re-recorded. It’s the only song that actually appeared as a B-side, but it’s not the same version as on that single.

Various versions of the Helix band appear on this album, but most interesting is the lineup on the bonus tracks. “Like Taking Candy From A Baby” and “Thinking It Over” are both from the sessions from Helix’s excellent first album (Breaking Loose), left unreleased until now. “Thinking It Over”, a terrific pop rock song, is a Del Shannon cover.  Helix worked as Shannon’s backing band during an early 70’s Canadian tour. There are also three songs by a reunited “80’s Helix”, and it’s great to hear that version of the band again.

In a way, it’s a shame that this album was given the title and terrible album cover that it has. Brian Vollmer and Co. could have simply put this out as the next Helix album, which may have given it the respect it deserves. From the ballads to the heavy stuff, this Helix CD has a bit of everything you already liked about the band, with a modern edge. Every song kicks, there’s not a weak track in the bunch. By the time you get to the bonus tracks, Helix have already pummelled your eardrums.

Helix fans absolutely need to hear this music; not B-sides but in fact some of Helix’s best stuff. Along the way, there are appearances from pretty much every major Helix member from the indi days to the mid-90’s. You will even hear songs written and performed by Paul Hackman, the late Helix guitarist who was tragically killed in a 1992 auto accident.  The major selling point of the disc was that three songs featured a reunion of the surviving members of the classic 80’s Helix.  With Hackman gone, that consisted of leader singer Brian Vollmer, guitarist Brent “the Doctor” Doerner, bassist Daryl Gray, and drummer Greg “Fritz” Hinz.

Personal faves:

  • “Thinking It Over” which my wife thinks sounds like Sloan.
  • “Devil’s Gate”, hard and hammering.
  • “You Got Me Chained”, with killer horn section.
  • “Take It Or Leave It”, moody and dark but catchy as hell.

Final bonus:  a booklet absolutely chock full of never before seen photos.  A real treat!

5/5 stars

REVIEW: Helix – Over 60 Minutes With… (1989)

Welcome back to GREATEST HITS WEEK! This week we are looking at different, interesting hits albums from various bands. Today…just gimme an R!

Monday:  EXTREME – The Best of Extreme: An Accidental Collication of Atoms? (1997)
Tuesday: JUDAS PRIEST – The Best of Judas Priest (1978/2000 Insight Series)
Wednesday: JUDAS PRIEST – Greatest Hits (2008 Steel Box)


Scan_20150809 (5)HELIX – Over 60 Minutes With… (1989 Capital)

It’s always risky buying a compilation album from a label “series”.  Yesterday, we looked at a Judas Priest compilation from Sony’s Steel Book Series.  Over 60 Minutes With… was a CD-only (no tapes, no records) series by Capital/EMI in the late 80’s and early 90’s.  I remember seeing it over Christmas break in ’89, and trying to decide whether to buy it, or Ace Frehley’s Trouble Walkin’.  (I went with the Ace, and saved the Helix for a month or two later.)  I was confused:  Here was a brand new Helix CD, with Brent “The Doctor” Doerner right there on the front cover.  But hadn’t he left the band?  He had, but that was how I could tell this was a semi-official release, driven by the label.

The difference between Over 60 Minutes With…Helix and all the other label compilations is that this one is really, really good.  In fact to this day, it is still the one of the best Helix compilations assembled (and it was the first!).  Here are some reasons:

1. Rare tracks! Three of them in fact. You get demos for “Give It To You” (a new song re-recorded for the Back For Another Taste CD), “Jaws Of The Tiger” (re-recorded for B-Sides) and “Everybody Pays The Price” (later to be the B-side to “The Storm”).

2. Lots of hits. 21 tracks are contained within, and a good solid six of them were hit singles.

Those two points are enough reason to buy this CD (especially the first).  Let’s keep listening.

3. Rocker-to-ballad ratio is a generous 17 : 4.  Keep me mind, Helix ballads tend to rock anyway.  “Never Wanna Lose You” gets pretty heavy come chorus time!

PIE CHARTThanks to Geoff over at the 1001 Albums in 10 Years for the “Excel”lent inspiration!

4. Loads of tunes from No Rest for the Wicked.  When this CD came out in ’89, that album was unavailable on CD and scarce on cassette.  This CD has seven songs from No Rest!  That album, loaded with rockers heavy and melodic, is still one of their very best today.  Even though there were only three unreleased songs on Over 60 Minutes With…, there were tons that were brand new to me.

That considered, Over 60 Minutes With… has one serious flaw.   The record company only included songs from the first three Capitol Helix albums. Obviously nothing from the independent albums Breaking Loose or White Lace & Black Leather were up for grabs.  Strangely though, 1987’s Capitol Wild In The Streets CD is strangely missed.  The inclusion of one or two tracks from that album would have been appreciated.

Flaw aside, the liner notes are informative and the track listing is still generous. You certainly don’t want to miss album tracks such as the awesome “You Keep Me Rocking”, the raunchy “Dirty Dog” or the slinky “Check Out The Love”.  They are here along with many others. Pick this up, enjoy it, and then explore some of Helix’s proper albums, such as No Rest for the Wicked.  This is great, but it’s only the beginning!  Gimme an R indeed.

4.5/5 R’s

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