A Successful Launch! 50 Years of Iron Maiden – The Soundhouse Tapes and More – Episode Recap

A huge thank you to everyone who checked out our debut episode of 50 Years of Iron Maiden!  In this episode, we covered in detail the early years of the band.  From Steve’s first band Smiler, to a roundabout of guitarists and drummers, we broke everything down.  First we covered the Paul Mario Day years and a great recent live version of “Running Free”.  We moved on to the Dennis Wilcock era and the turmoil that ensued!  From swords to keyboards, Iron Maiden were all but derailed!  Finally we turn to Paul Di’Anno, the first officially recorded lead vocalist of Iron Maiden.

With Di’Anno, there are several official releases to talk about from this era: the legendary Soundhouse Tapes,  BBC Archives, Metal For Muthas, and Axe Attack.  There is a rare, little known demo version of “Running Free” on one edition of Axe Attack, and Harrison will tell you how to get it.

We hope you enjoy this fully immersive look at the early years of Iron Maiden.  See you next week for the EMI debut, the singles, and Johnny Clauser from My Music Corner.

SHOW NOTES:

 

Steve Harris originally formed Smiler.
The first lineup of Iron Maiden:
Steve Harris
Paul Mario Day
Terry Rance
Dave Sulivan
Rob “Rebel” Matthews
Paul Day still performs songs today, with former members of early Maiden.  A strong vocalist.  Powerful voice.  Sounds a bit like Di’Anno, with a growl.  Can sing clean, but can also really growl.  Powerhouse vocals – level 10.  Absolutely awesome version of “Running Free”, as good as any Maiden versions with Paul?
Paul Day left – “not enough on stage charisma”
Replaced by Dennis Wilcock, not a great singer but had the bloody sword trick.
Maiden breaks up so Harris can be rid of Rance and Sulivan.
Got in Dave Murray and Bob Sawyer
1977, Matthews, Murray and Sawyer were all fired
Terry Wapram (guitar) and Tony Moore (keyboards) replace the guitarists.  Barry Purkis/Thunderstick on drums with black leather mask.
This lineup played one show before Harris fired Moore. Keyboards didn’t fit.
There is a very slow, very different version of “Charlotte the Harlot” with this lineup.    A bluesy rock n’ roll version of “Another Life” with a completely different kind of beat.  Sounds more like Aerosmith.
Murray returns.  Wapram leaves, down to one guitar again.  Wilcock and Thunderstick leave and are replaced by Paul Di’Anno and Doug Samson who Steve had played with pre-Iron Maiden.
Rapid turnover of second guitarists:
Paul Cairns joins late 1978, plays on Soundhouse Tapes, lasts 3 months
Paul Todd – June 1979 – lasts one week.  Girlfriend wouldn’t let him play shows.  Later joined Paul Day in a band called More.
Tony Parsons joins Sep 1979 – Dec 1979, plays on BBC sessions.  Fired due to lack of ability compared to Murray.  Joined Dennis Wilcock in Gilbraltar.
Dennis Stratton comes aboard.
Doug Samson can’t handle touring schedule, and is replaced by Clive Burr, a friend of Dennis
– The Soundhouse Tapes
Iron Maiden – different, more straight ahead groove.  Not as driving or ahead of the beat.  Low end is more present.  Vocal is more laid back.
Invasion – less frantic and speedy than the B-side version.  Vocals on the chorus are heavily layered and produced.  Can’t save the song for me.
Prowler – Brilliant version, with the high guitar part laying clean on the top.  Great scream from Paul.  More straightforward than the album version.  Slower groove.
Strange World – Sounds unfinished compared to the other songs, a prototype of the skeleton without the atmosphere.  Slow bluesy solo (Paul Cairns?)
– BBC Archives (four-song radio rock show)
Iron Maiden, Running Free, Transylvania, Sanctuary.
Tony Parsons on second guitar.
Strange to think they bothered with an instrumental for this recording session.
Really well recorded versions, with vocal overdubs.  The drums really cut through and the guitars sound great.   Of all the versions heard so far, these are closest to the final album.
Iron Maiden has really energetic, frantic drums lending it an extra punch.  Vocals are nicely layered as on album.
Running Free is missing that pick scratching sound effect.
– Metal for Muthas (Sanctuary & Wrathchild)
Also with Tony Parsons.
Sanctuary – Very close to final version.  Guitar solo is very different – similar to BBC Archives version.  Tony Parsons lead – a little on the simpler side but very fast and catchy.
Wrathchild – Slower, more “heavy metal” groove.  Vocal is double-tracked throughout.  Nice impactful version, if less powerful.
– Axe Attack Running Free Demo – A really different sounding version.  Doug Sampson on drums, a different feel.  Guitars sound sharper.  The middle section with the pick scratching is much better – a solid chug.  Just overall more groovy.  A little clean.  Vocal harmonies intact.  I love when Paul yelps.  Snare drum could use more beef but it’s a demo.

 

10 comments

  1. Great start to the series, Mike and Harrison. I learned a lot about the early years from the show. Will look forward to the next episode. Henry. 

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