Reviews

REVIEW/VIDEO: Def Leppard – Drastic Symphonies (2023) – Tim’s Vinyl Confessions Ep. 425

This is my favourite TVC appearance to date. Thank you so much Tim for inviting me to do this. I hope it comes across in the video: we don’t enjoy bashing this album. We love this band. But we can be discerning, and that’s OK.  We encourage you to check out the music and decide for yourself.  It seems a few viewers agreed with us…

Consider this my official review of Drastic Symphonies by Def Leppard

2/5 stars

Additional notes:

  • Check out the squirrel at 22:52 of the video, over my left shoulder (screen right).
  • Beautiful Grab A Stack of Rock coffee mug available at teepublic.com (where you can also buy your own Tim’s Vinyl Confessions merch).
  • Cameo by Darth Sideous

Thanks again to Tim for making this episode happen!

 

 

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live
  27. Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
  28. X
  29. Best Of (UK)
  30. Rock Of Ages: The Definitive Collection
  31. Yeah!
  32. Yeah! Bonus CD With Backstage Interviews
  33. Yeah…Nah!  (Record Store Tales)
  34. Songs From the Sparkle Lounge
  35. “C’Mon C’Mon” (picture disc)
  36. Taylor Swift & Def Leppard – CMT Crossroads (DVD)
  37. B.Sides
  38. Yeah! II
  39. Yeah! Live
  40. Mirror Ball: Live & More (Japan bonus track)
  41. iTunes Re-recordings
  42. Viva! Hysteria (CD 1 & DVD)
  43. Viva! Hysteria (CD 2 & bonus features)
  44. Viva! Hysteria (Japanese bonus track)
  45. Slang (2014 deluxe edition bonus tracks)
  46. “Helen Wheels” (from The Art of McCartney)
  47. Def Leppard (2015 – all versions)

VIDEO/REVIEW: Tim’s Vinyl Confessions: Ep. 424: Neal Schon – Journey Through Time (2023)

At 45 minutes long, this is one of the best Tim’s Vinyl Confessions I’ve ever participated in. You can really pick up on our love of Journey, and perhaps our disappointment in recent events since their last album. Fortunately, Neal Schon heard us. Enjoy this episode!

 

REVIEW: The Max Rebo Band – “Jedi Rocks” (1997 CD single)

THE MAX REBO BAND – “Jedi Rocks” (1997 BMG CD single)

This is, in my humble fan opinion, one of the worst pieces of music ever included in a Star Wars movie, if not the very worst.

The 1997 Star Wars special editions are derided for many reason, but one that is not talked about nearly enough is the replacement of certain pieces of music.  In this case, “Lapti Nek” from the 1983 cut of Return of the Jedi was removed.  Why?  Because George Lucas loves to tinker.  He wasn’t happy that the singer in the band, Sy Snootles, didn’t have enough articulation and so thought to himself, “What could I do with a new song and a computer?”  The unfortunate results are called “Jedi Rocks”, by Jerry Hey.

The original song, “Lapti Nek”, plays in Jabba’s palace just before he feeds Oola the slave girl to his pet Rancor monster.  In universe, it is performed by the Max Rebo band, originally a trio featuring keyboardist Max, singer Sy and flautist Droopy McCool.  The band is expanded in the special edition to include more singers, including a really annoying big-mouthed Yuzzum named…uhg…Joh Yowza.  You can just tell that certain parts of the song were designed to show off what computers could make Yowza’s mouth do in the scene in question.

This is shit.  At least “Lapti Nek” sounded a little alien.  “Jedi Rocks” sounds like generic blues rock written by a highschool music teacher for his class to perform at the spring pageant.  And it sounds completely terrestrial, aside from the silly cartoonish vocals.  You can identify an Earthly harmonica, drum kit, organ, saxophones, guitars and bass.  That should never be the case when you’re talking about an alien band from a galaxy far, far away.  More than half the track is bland jamming that could have been on any soundtrack from virtually any Earth-bound movie with a bar and a band in it.

The only reason to buy this single, since you’ll never listen to it, is the clear picture disc.  The CD single released for The Empire Strikes Back was a shaped Vader-head disc, but they realized this were not good for the insides of your CD transport, which prefers a perfectly balanced disc.  Hence, they switched to clear picture discs that look shaped but are not.

Cool disc, bad song.

0.5/5 stars

 

REVIEW: Deep Purple – Bombay Calling – Live in ’95 (2022 CD/DVD reissue)

DEEP PURPLE – Bombay Calling – Live in ’95  (2022 – Edel CD/DVD reissue)

Years ago, I begged for a CD issue of Deep Purple’s live DVD Bombay Calling.  You could download the audio on iTunes and burn your own double live, which I did, but that just doesn’t do it for a physical product collector.   I’ve made my case for physical product here over the years many, many times.  Unfortunately, this physical release was pooched by Edel by excluding one song.  Like similar CD bootlegs of this 1995 concert, the new Edel CD is missing the opening track “Fireball”!  It’s still there on DVD, and it was always there on the iTunes edition, but it’s missing from CD 1.  That’s a real shame since it’s a good version of “Fireball” and it’s the damn opener!  (The original DVD of Bombay Calling was issued in 2000.  iTunes got it in 2003.)

When originally released on iTunes, this was promoted as an “official bootleg”.  Now it seems to be marketed as some kind of deluxe live album, limited and numbered to 10,000 CD/DVD sets.  The hype sticker calls it “the best rock show ever staged in India.”

This concert was recorded on April 18 1995, which eagle-eyed fans will realize is well before the Purpendicular album.  Bombay Calling was recorded not long after “the banjo player took a hike” and Purple ultimately carried on with Steve Morse for the next few decades.  Joe Satriani stepped in for a short while, but it was Dixie Dregs guitar maestro Morse that took the Man in Black’s place permanently.  This concert was recorded at the very start of Morse’s tenure, and features a few songs they would drop from the set a year or two later.  It also features a brand new tune they were working on called “Perpendicular Waltz”, later spelled “The Purpendicular Waltz” on the album.  The lineup was fresh, feeling each other out, but full of energy and the excitement of a band creatively reborn, both in the studio and on stage.

There is one earlier concert available from this period, which is Purple Sunshine in Ft. Lauderdale Florida, exactly two weeks prior.  That one is truly is an official bootleg, taken from audience sources and released on the 12 CD box set Collector’s Edition: The Bootleg Series 1984-2000.  The setlists are slightly different.  When they hit India for this concert, a new song called “Ken the Mechanic” (retitled “Ted the Mechanic”) was dropped, as was “Anyone’s Daughter”.  They were replaced by long time favourites “Maybe I’m a Leo” and “Space Truckin’” from Machine Head.

Special treats for the ears on Bombay Calling include Steve Morse’s incendiary soloing on “Anya” (which would be dropped from the set in 1996).  His feature solo leading into “Lazy” is also excellent, and of course very different from what Ritchie used to do.  Jon Lord’s keyboard solo is among the best I’ve heard, and even features a segue into “Soldier of Fortune” from Stormbringer.  The solo segments that Deep Purple did often allowed them to play snippets from songs from the David Coverdale period of the band, and this one was unexpected and brilliant.

Highlights:  “Fireball” (boo for excluding from the CD), “The Battle Rages On”, and “Anya”.

I love a good, raw live performance captured on tape, and Deep Purple don’t muck around.  This is special, coming from that transitional period when Steve Morse was just getting his feet wet.  Considering how different he is from Ritchie Blackmore, this smooth switcheroo is quite remarkable.

3/5 stars (subtracting half a star from iTunes edition, for losing a song)

 

Grabbing a Stack of Van Halen 4-LP LIVE: Right Here, Right Now vinyl RSD reissue

A spontaneous Grab A Stack of Rock on a chilly Wednesday afternoon!

Thanks to Dave Lizmi for watching me unbox this awesome new Van Halen – LIVE: Right here, right now vinyl RSD reissue. It’s gorgeous. Bonus track!!

REVIEW: Keel – The Right to Rock (Remaster/bonus track)

KEEL – The Right to Rock (1985, 2000 Metal Mayhem Music/bonus track)

From the Gene Simmons Song Factory, heeeeere’s Keel!

Let’s talk about the bonus track first.  Anybody could tell you that “Easier Said Than Done” was a Simmons song, just from one listen.  Surely enough, scan the liner notes, and it’s Gene and Mitch Weissman, whom fans know from 1984’s Animalize album.  Like many Gene Simmons productions, The Right to Rock bears his name on a few writing credits.  “Easier Said Than Done” is right down mid-80s Kiss alley.  What about the remix?  Structurally, it is unchanged.  The drums sound different, and on a whole the track sounds a little brighter.

That’s it for extras.  The booket is only a single fold-out, with no lyrics.  It has a note from Ron Keel, indicating that this is the first CD issue of the album outside Japan.

(The rest of this review was previously published in 2015)

 

The rest of the non-Simmons songs are basically reworkings of tracks from Keel’s first album Lay Down the Law. That album, like Ron Keel’s debut with Steeler (featuring one Yngwie J. Malmsteen) were on Shrapnel. For the A&M Records debut, they pulled out the big guns. They got Gene Simmons in all his wig-ness, and put out a very corny but tremendously fun music video.

It is “America 1989”, and rock and roll is outlawed. “Those who are apprehended suffer severe consequences.” Can our young teenage Keel lookalike get away from the rock police? Quiet Riot did something similar with their “The Wild and the Young” video a year later. It’s corny fun.

The song too is corny fun. I guess it’s a classic now. It has that stock heavy metal riff that you need: something Motley Crue or the Scorpions would be comfortable with. It has that rebellious rock theme that was so prominent in the 80’s. It has a shout-along chorus. “You got it! The Right to Rock!” Hey, I grew up in a Catholic school. I know what this is about. “Don’t let anyone tell you how to live your life!” I had a teacher call me out on the first day of school for wearing a Judas Priest T-shirt. I could relate to this song in a big way when I was 13.

It should be noted that Gene Simmons, as a producer, is not known for his sonics. The Right to Rock sounds pretty good for the period, but the drums ring shallow and weak. There’s not much presence for the bass guitar, and the backing vocals are the typical rock mush. That’s what you get with Gene behind the console.

“Back to the City” has a good Priest-like chug to it. I think Keel were going for something middle of the road with their music, like Priest-meets-Scorps-meets-Crue-meets-Kiss. If so, this hit the mark. Ron’s vocals are overwrought but that’s his style. If you don’t like that kind of vocal, you won’t like Keel.

Kinda stinky is “Let’s Spend the Night Together”. You know, I still gotta give the guys credit. They have made this into a pretty fine pop metal song. If you didn’t know the song, you’d assume it’s an original, in the pop metal genre. So from that perspective, I think it’s kinda cool. Stinky and cool — like good gorgonzola.

“Easier Said Than Done” was written by Simmons/Weissman, the same team responsible for much of the Animalize album. The lyrics even reference “Russian Roulette”, a song title Gene had been toying with for years. (A song called “Russian Roulette” was finally released on Sonic Boom.) So, guess who “Easier Said Than Done” sounds like? That’s right — it is a dead ringer for Simmons-style Kiss. And it’s actually a pretty good song. The problem is Ron’s Gene impression. I can’t help but chuckle at his dead-on Gene vocals. I dare you to refrain from a giggle yourself. Same deal with “So Many Girls, So Little Time”. Kiss fans will recognize that’s a line recycled from the Kiss song “Burn Bitch Burn”.

Onto side two, “Electric Love” is a Keel original, but you immediately notice that the song isn’t as immediate as the two previous Simmons tunes. “Speed Demon”, another original, sounds exactly as the title implies. Quality-wise, it’s only at “Priest outtake” level (Defenders of the Faith era). Then it’s back to Simmons outtakes, with “Get Down”, the weakest of the Simmons songs by a long shot. “You’re the Victim (I’m the Crime)” is a Gene-like title, but this too is a Keel tune. It’s in the same vein as “Speed Demon”, and the same level of quality.

It’s fun to revisit The Right To Rock periodically…but sparingly.

3/5 stars

REVIEW: Talas – If We Only Knew Then What We Know Now… (1998 Japanese/bonus track)

TALAS – If We Only Knew Then What We Know Now… (1998 Warner Music Japan)

The Japanese edition of this Talas live album is something to behold.  It comes with lots of extras:

  • Beefy cardboard slipcase to house the jewel case beneath, plus…
  • A beautiful bonus 22 page photo booklet,
  • Japanese lyric sheet,
  • Two bonus tracks!

The first bonus track is just a shorty, a message from Billy Sheehan.  He briefly explains the history of the band, as much as one can in 34 seconds anyway.  The second bonus track is more interesting and valuable.  It is a vintage studio track called “Doin’ It Right”.  Very pop, but also paradoxically pounding.  It’s not available anywhere else, and it’s not bad at all!  It recalls other early poppy rock tunes by metal bands, such as Quiet Riot and Kick Axe’s obscurities.  One of those Japanese bonus tracks that is worth shelling out for.  But that’s just Common Knowledge!

(The rest of this review was previously publish in 2016)

The Talas story did not end with the breakup of the band.  Of course not; bands both famous and obscure like to reunite for nostalgia shows.  Talas did that in 1997 with the original power trio lineup:  Billy Sheehan on bass, Paul Varga on drums, and Dave Constantino on electric guitar.  With classic material (from the first two Talas albums) and a few unreleased songs, they memorialized their reunion with a brand new live CD.  Billy even pulled his old platform boots out of the closet for this one.

As usual the set opens with “Sink Your Teeth Into That” and an enthusiastic home town crowd.  Talas only sounded better with age.  The original voices are there and just as strong as they were in 1982.  It actually sounds like everyone has improved over the years.  A speedy “High Speed on Ice” is in the second spot ensuring no loss of momentum.  Material from the first self-titled Talas album is included too (unlike the last live album Live Speed on Ice).  “Expert on Me” is very pop in construction, but clearly not as great as the songs from album #2, Sink Your Teeth Into That.  Speaking of which, the slow rumbler “Never See Me Cry” is brilliantly adapted to the stage.

“Power to Break Away” is one of the previously unrecorded songs, and it kicks it just as hot as anything from Sink Your Teeth Into That.  It’s taut with hooks and the prerequisite bass workouts.  “Tell Me True” is the second unreleased song, a slow non-descript dirge ballad that takes a while to get going.

Imagine Billy Sheehan plowing his bass right through a funky Led Zeppelin riff.  That’s “Thick Head”, an awesome track from Talas (1979).  “You” has a cool vibe, almost like an unheard Aerosmith demo from the Done With Mirrors era.  A few other tunes from the first Talas (“Most People”, “Any Other Day” and “See Saw”) are adequately entertaining.  Back to Sink Your Teeth Into That, “King of the World” is still one of the best Talas tunes, overshadowed by only a few like “Shy Boy”.  Here, “Shy Boy” is preceded by a Paul Varga drum solo.  The sheer velocity of “Shy Boy” itself makes me wonder how Varga did it.  It’s just pedal to the metal, blurring the lines and smoking the minds.

Nothing like a good cover to help draw a live album to a close.  Talas did two:  “21st Century Schizoid Man” and “Battle Scar”.  The King Crimson cover is a daring one to attempt.  They somehow manage to strip it down and pull it off with integrity.  As for “Battle Scar”?  Total surprise there!  Max Webster were just across the border from Buffalo, and Billy Sheehan nearly joined Max at one point late in their career.  Introduced by a Billy Sheehan bass solo, this Max/Rush cover is the set closer.  As a final addition, “Battle Scar” surely makes this one hell of an album for the history books.

Since this is a more recent release on a well known label (Metal Blade), it turns out that If We Knew Then What We Know Now is an easy CD to find in the shops.  Fortunately this is a good first Talas album to add to any collection.

4/5 battle scars

 

 

#1060: Max the Axe’s Garage Sale (Trillion Dollar Treats)

RECORD STORE TALES #1060: Max the Axe’s Garage Sale

A huge thank-you to my host Max the Axe today at a fantastic garage sale!  BEHOLD!

“9:00 AM!” he said.  “Serving shots and weed to my Facebook friends starting at 9 AM!”

There was no way I was missing this garage sale.

I only had four hours sleep, and a large Tim Horton’s coffee, to prepare me.  I didn’t think I could make it.  After the events of last night, which left me rocked (in a bad way), I didn’t think I was up for it.  But at 9:00 AM I said “to hell with it, let’s go,” and Jen and I were in the car off to the Trillion Dollar Treats that Max had on offer.

First up:  cassettes!  I picked up six:

  • Poison – Flesh & Blood
  • Metallica – Metallica
  • Van Halen – Diver Down
  • Extreme – II:  Pornograffitti
  • Ozzy Osbourne – No Rest for the Wicked
  • Van Halen – Women and Children First

You can blame Tim Durling for my sudden interest in buying Cassettes That I Already Own On Remastered CDs.  He did point out the Diver Down cassette was an unusual cover variant, with the image slanted taking up the whole cover.

Speaking of Tim Durling…

  • Led Zeppelin – Led Zeppelin IV

I’ve caught the 8-track bug, baby!  Tim remarked that my copy was in better condition than his.  Max had more 8-tracks but none from bands that I collected.

So that’s cassette and 8-track.  What about CD and vinyl?  Maxie has plenty of both, but my tab was starting to rack up.  I gave him $20 for this rare AC/DC longbox, still sealed.

It’s the live “Highway to Hell” single, with long box intact and not in terrible shape.  I used to have CD longboxes, but I foolishly tossed them when I moved, assuming their were worth next to nothing.  Just paper.  But now…

Next up:  Max has been trying to sell me a tape deck for years.  This one was $20, a Kenwood.  My old Sony has seen the better of days, and Max says this one runs perfectly.  I guess we’ll find out soon enough, to try out these new tapes I just bought, huh?

Finally, we have the magazine scores.  Some MAD, some Cracked, some Star Wars, and some music!  Even a M.E.A.T Magazine!  A little bit of everything, and…woah, that’s Lee Aaron!!

Max has so much stuff, and you still have time to get down there.  Kites, speakers, tape decks, collectables, magazines, all killer deals!  Blank media galore.

Am I ever glad I went to Trillion Dollar Treats to see Max the Axe on my Saturday morning.  My Friday was brutal – absolutely brutal.  I am sure you will eventually be reading about it in one way or another.  My real life has a habit of becoming public knowledge, because when I’m hurting inside, I need to get it out.  My only weakness.  Thank you to everyone who sent helpful messages and offered to talk.  I need to single out Boppin, Jex, Tim, James and especially Jen for talking to me last night and this morning.  I love you all.

 

REVIEW: Gordon Lightfoot – Summertime Dream (1976)

GORDON LIGHTFOOT – Summertime Dream (1976 Reprise)

Immediately after Gord’s Gold provided Lightfoot fans with a collection of old and re-recorded hits, Gord made another one:  “The Wreck of the Edmund Fitzgerald“.  This mighty song dominated the radiowaves for years over all over the Great White North, arguably granting Lightfoot his most memorable song in his history.  His earlier material from Gord’s Gold and before might be considered the pinnacle of his album-making career, but Summertime Dream isn’t too shabby.

Opening with the musically upbeat “Race Among the Ruins”, but lyrically there is warning here.  “If you plan to face tomorrow, do it soon.”  Don’t let time pass you by.

The nautical disaster song “Edmund Fitzgerald” is second, a mostly historically accurate accounting (within reason) of a great lakes shipwreck.  The great lakes shipwreck.  The stinging guitar lick repeats while the harrowing lyrics induce chills.  Guitarist Terry Clements performed that unmistakable, haunting guitar part, the one that little Canadian kids were dying to learn how to play in their youths.  Did they have any idea they were recording such a timeless song when they were laying down the tracks?  Every feeling, every emotion, every creak of steel and wood can be absorbed through the grooves.  The way Lightfoot paints a picture with words, you feel as if were there. Gene Martynec, who played synth on Lou Reed’s Berlin album, provided light keyboard accents here. You’d miss them if they were gone.

A tender ballad, “I’m Not Supposed to Care”, gently caresses the soul with its light backdrop of pedal steel guitar.  Then, edgier electric guitars back up “I’d Do It Again”, a laid back groove with a country foundation and a rock veneer.  “Never Too Close” also shines with shimmery guitar melodies and a stunning chorus.  Then the somber “Protocol” is a war ballad ranging from days past to the Vietnam War.  “The House You Live In” showcases more pedal steel tones with a warm tune and laid back tempo.  The single “Summertime Dream” is upbeat and bright, recalling hot happy youthful days.  “Spanish Moss” is another lovely song, painting pictures of landscapes we’d like to see. Finally, “Too Many Clues In This Room” closes the album on a dark note, with lyrics aluding to both space and sea exploration.

Not Gordon’s most captivating album, but one without any skips, and one absolute monster of a song.

3.5/5 stars