A Savatage reunion gig has been announced for Wacken 2015!
SAVATAGE – Poets and Madman (2001 Steamhammer limited edition)
It is hard to believe that well over a decade have gone by since this, the final Sava-disc. Whether we’ll ever see another is unlikely, but this is a heck of a great album to go out on. Since the death of Criss Oliva, Savatage had become a much more operatic beast, culminating in the formation of Trans-Siberian Orchestra. Here, there are many changes afoot. Guitarist Al Pitrelli departed for Megadeth, although some of his work is herein. Co-lead vocalist Zach Stevens is also gone, having formed the excellent Circle II Circle. This leaves The Mountain King himself, Jon Oliva, to handle all lead vocals for the first time since 1991’s Streets: A Rock Opera. (A new co-lead vocalist named Damond Jineva was hired for the tour.)
This is another dramatic rock opera, and as soon as the needle hits wax (or in this case, the laser hits 1’s and 0’s) you hear Oliva’s piano flourishes dominate the opening song, “Stay With Me Awhile”. Much like “Streets”, this song is simply an intro to the story which is about to unfold. This time, Oliva and producer Paul O’Neill weave a tale about an abandoned insane asylum and the ghosts within its walls. On a whole it is a much less satisfying concept than some previous Sava-operas, but it backs up the music just fine. And to be honest, that’s why we’re here — the music.
From heavy rockers like “There In The Silence” (backed by a fat synth riff) to slow dramatic ballads like “Back To A Reason”, this is a well-rounded Sava-disc. It is comparable to previous in quality and direction to rock operas such as The Wake of Magellan or Dead Winter Dead, just without Zach.
As with the aforementioned rock operas, there is always a centerpiece on the album. There had to be a counterpoint-vocal-laden masterwork to make your jaw drop in awe and hit that “reverse” button to hear it all again. This time it is a 10 minute epic called “Morphine Child”. With Zach gone, Oliva sings with multiple backing vocalists but the song is no weaker for it. I’ll confess that even though I usually listen to albums from front to back, I usually play “Morphine Child” three times in a row. It’s that incredible.
Other standouts include the single “Commissar” which is loaded with guitar flash, keyboards and riffage. It also features Trans-Siberian-style backing vocals. “I Seek Power” sounds like classic Savatage circa Gutter Ballet. “Awaken” is another number that brings to mind that mid-period Savatage sound. If some fans thought they had strayed way too far into rock opera, then songs like “Awaken” will appeal to their tastes. I still like hearing Jon screaming a chorus.
I was underwhelmed a bit by the acoustic “Rumor”, but the song does take off fully electric after a few minutes. Then there’s “Surrender” which feels like an outtake from Streets, but I didn’t find it as memorable. So there are a couple duds, who cares?
This deluxe version comes with a sticker, a nice box, a bonus music video (1994’s “Handful of Rain” for some reason) and a bonus track (a live version of “Jesus Saves” with Zach singing…for some reason). There was also a poster, and little surprise that relates to the story that fell out of the booklet, but I won’t spoil it. Just a little extra to make the whole thing seem more real.
Poets and Madmen is an excellent album, and it fares well against the other rock operas that Savatage has done. Streets will always be the pinnacle, but Poets and Madmen can hold its own against The Wake of Magellan, and it easily out-does Dead Winter Dead.
Also available was a CD single for “Commissar”. The single contained two album tracks, as well as an exclusive instrumental called “Voyage”. This acoustic piece was written and recorded by Al Pitrelli before his departure and it has not been reissued anywhere else.