Episode 6 of 50 Years of Iron Maiden (and episode 93 of Grab A Stack of Rock) was a learning experience as Harrison schooled us on the Beast On the Road Tour.
A fabulous live album recorded in 1982 but not released until 2002, Beast Over Hammersmith rivals Live After Death in metal mastery. The lively comments section anticipated all of our praise for this album, which you can get on vinyl, but probably not on CD without buying the Eddie’s Archive box set.
Harrison Kopp was the master of ceremonies, and this episode was all his. Hear about the unusual opener, the instrumental, the guitar solo, the B-side, and much more. Several things came up multiple times in this episode: 1) Bruce Dickinson’s voice at this point in 1982. 2) Clive Burr’s masterful performances of these songs. 3) The band’s fresh take on the songs that would later be played hundreds of times.
This is episode is certain to go down as a favourite. Join us next week with Melissa Nee, for Piece of Mind!
Past episodes:
- Episode one: 1975-1980
- Episode 2: Iron Maiden & “Women In Uniform”
- Episode 3: Killers
- Episode 4: Maiden Japan, Live + One!!, Live at the Rainbow
- Episode 5: The Number of the Beast
Show notes:
Recorded 20 March 1982 – 2 days before album was out, released 2 November 2002.
Never released in full on video as the band were unhappy with the quality, but you can see part on the 2004 Early Days DVD.
Opener: Murders in the Rue Morgue! Starts slow, showcasing Steve’s bass harmonics. Then goes breakneck! What a strange opener!
Wrathchild is another great Steve bass opener. This one is more along the lines of the album version, but with Bruce singing.
New song Run to the Hills is 3rd in the set! Not as breakneck speed as some versions.
Another new song, Children of the Damned. Bruce announces the album will be out March 22. Tour de force vocals and some nice guitar harmonics added in.
Crowd is very quiet except for a few pockets of cheers to open Number of the Beast. Bruce mentions the “problems” they had in the studio.
Great version of “Another Life”, with Clive absolutely on fire on the snares and cymbols. Bruce’s vocals make the lyrics more clear: “As I lay here lying on my bed.” Amazing Davey soloing here.
Screaming version of Killers next. Bruce at peak voice tackling this song. Otherwise pretty faithful to album cut, especially the guitars and guitar tone. We also learn Adrian had some bruised up ribs that night.
22 Acacia is introduced as an Adrian co-write. Another perfect performance. Bruce’s vocals are biting and growly during the intro.
Bruce says Total Eclipse isn’t really a B-side, but it is. “Didn’t have enough room on the album.” This song and Run to the Hills were on a vinyl single already. The vocals are a little haggard toward the challenging ending high notes.
Leads into instrumental Transylvania, played as it should be by Clive.
Crowd is silent during the Prisoner opening. Great hearing it like with Clive on drums. The drums are fast, frenetic and flawless. Tempo seems a bit faster in the latter part than the album.
Hallowed comes in with no intro from Bruce. Better live version than Live After Death, as Bruce sings the opening a little more true to album. Passionate singing from Bruce.
Phantom – Top performance from Bruce, expressive and soaring! Tempo feels a little faster than album.
Iron Maiden – Breakneck version!
Sanctuary – Same with Sanctuary!
Drifter – Songs tend to flow one into another. I don’t like when Bruce refers to some in the audience as a “fucking women,” but that was the 80s. I doubt he’d say this today.
Running Free – A top Bruce version, with impassioned and wild vocals.
Prowler – Crazy to hear this album opener as a closer.
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