3D

MOVIE REVIEW: Avatar: The Way of Water (2022)

AVATAR:  THE WAY OF WATER (2022)

Directed by James Cameron

For those who will tell me “Yeah, but you need to see it in 3D for the whole experience”:

I know.  But I didn’t.  A movie still has to hold my attention in 2D, and based on that, I’m writing this movie review.

I like James Cameron, and I liked the first Avatar well enough, even though it was a derivative story we’ve all seen before in multiple films.  I am happy to revisit Pandora in all its splendor, with new biomes and new lifeforms — including intelligent whale-like cetaceans.  The allegories are unsubtle.  Perhaps they have to be, in order to have an impact on a dumbed-down modern audience.  For the rest of us, these parallels are a little too on-the-nose.

Was Avatar: The Way of Water a good film?  Sure!  It wasn’t a bad one.  But it certainly was not great.

Too many characters, too hard to distinguish.  Zoe Saldana disappeared in this film.  Sam Worthington is almost second fiddle to Navi: The Next Generation.  The kids are the center stage this time:  Jake and Netiri’s kids, and a human named “Spider” that you will tire of watching run around barefoot in his Tarzan clothes.  Who is “Spider”?  He is the son of Stephen Lang’s character from the first film.  Yes, he had a son he didn’t know about.  But he will, because now dead humans can be sent back to Pandora in new avatar bodies.  Now Stephen Lang’s all blue, but still just as intense.  This time he wants revenge on Jake Sully.  Good thing that happens to line up with Earth’s plan to pretty much do to Pandora what they already did to Earth!

Jake and family must move, so they choose a water clan to join.  They are somewhat welcomed, but of course do not fit in, and the kids have to endure the kind of things that kids endure when they move to a new town in movies.

Because nobody on Pandora dies permanently, apparently, Sigourney Weaver returns as her own CG daughter, which actually works.  She’s the highlight of the film.  Others, like Kate Winslet and Edie Falco, just disappear into this very crowded movie.  Plenty more characters from the original make quick, token cameos.

The first two hours were fine enough.  A lot of world building, showing, and telling.  There’s a lot to see.  Every corner of the screen bleeds beauty.  Too much.  Eventually it becomes numbing.  So much colour, so much water, so much life.  Perhaps this is where the 3D aspect would come as a relief.  You can just…look.

The last hour’s worth of Titanic ripoffs and kid rescues was tiring and I barely finished.

Bring an extra large popcorn.

3/5 stars

#1028: Sounds of Liberation

RECORD STORE TALES #1028: Sounds of Liberation

I had a pretty good weekend.  I made some videos, and I wrote some fiction.  I went to go see Black Panther: Wakanda Forever in 3D.  I even almost missed writing reviews.  Almost!

I feel liberated.  Liberated from what?  Myself – my own obsessions and hangups when it comes to music and writing.  For example, in the past when I’ve seen a new movie (such as Eternals last year), I raced home and wrote it all up while the film was still fresh in my head.  This time, I came home and had a nap!  Who cares what I have to say about Black Panther anyway?  You’re either going to see it or not see it the same as you would have with or without me.

I will say this.  The 3D was unnecessary and blurry.  A movie that was designed in 3D like Avatar is a completely different beast.  Something like Black Panther is usually converted to 3D afterwards.  It could have been used more effectively.  I did not need to see it in 3D.  Little was added to the experience.  I did need to see it in the V.I.P. theater because damn, those parmesan truffle fries were the star of the show.  I reclined in my chair and nearly fell asleep, I was so full and so comfortable!  The film itself was very emotional.  The whole thing was a love letter to Chadwick Boseman, and that added layer of meaning really hits you.

So there you go, that’s all you get for a review.

Instead of coming home from work and listening to something that I am playing just to review, sometimes twice in a row, now I’m coming home and listening to things that I want to listen to.  Tonight it’s the Black Sabbath Technical Ecstasy remix CD.  And I’m not listening with studious intent, picking apart the details.  I don’t have five browser windows open, looking for credits and release information for research purposes.  I’m just…writing what I’m thinking right here right now!  And it’s awesome!  Or to quote Bill Ward on the song playing right now, “It’s Alright”.

There’s so much more.  I don’t feel competitive, like I’m trying to get as much exposure as possible on Instagram, Twitter and Facebook.  I’m free from promoting myself.  I’m free from giving a crap.  I realize that giving a crap in the first place was my own fault, but habits are hard to break.  Freedom is a hell of a drug.

I do love doing the Friday night show.  Writing fiction is a blast.  Since Harrison can only do art for one Tee Bone Man episode per month, and we wouldn’t want to do an episode without his art, I’ve branched out.  I’ve now written two spinoff chapters called the Writer’s Room that is tremendous fun and easy to do.  Harrison calls it the “Extended LeBrainiverse” and it keeps growing.  Any time I feel like writing fiction, I have an outlet without having to put more pressure on Harrison.  Fiction, or at least short stories, are so much easier than writing reviews.  And just as rewarding, if not more so.

Less than a year ago, as a way to thank Tee Bone (the real guy) for all his help with my show (he refused all offers of gifts), I created Tee Bone Man.  And I wanted to share that creation with the community.  Today five different authors write Tee Bone Man which is exactly what I wanted to happen!  It has turned out better than I hoped!   Having all these creative outlets is a wonderful thing!

That’s it, that’s the story for today.  As I finish up this incredible Black Sabbath album, I get ready to go and watch last night’s American Dad and chill on the couch.  Not a bad life.

MOVIE REVIEW: Man Of Steel (IMAX 3D)

MAN OF STEEL

Directed by Zack Snyder, 2013 Warner Bros.

I’m a child of the 70’s, therefore a long time Superman fan.  I’m also a fan of Zack Snyder’s The Watchmen.  I wasn’t sure if those two worlds should ever meet, and to be honest, after seeing a preview screening of Man of Steel, I’m still not sure.

The Good:

Michael Shannon as General Zod.  Rather than copy Terrance Stamp’s Zod, Shannon’s is grittier, more passionate.  His motivations are different.  Rather than revenge, this version of Zod seeks only what is best for the Kryptonian people.  As a general, he was born, bred, and trained for nothing but the betterment of his people.  Unfortunately, this is at odds with the interests of Earth.

Also great was Henry Cavill as Kal-El.  Nobody will ever forget Christopher Reeve, but Cavill’s talent, chiseled looks and physique will certainly have people forgetting Brandon Routh.  Cavill’s Superman was 100% flawless.

And finally, Russell Crowe as Jor-El.  I’m a not a Russell Crowe fan, not in the slightest, but he was great.  His Jor-El had a much larger role than the Marlon Brando incarnation had.  Jor-El is the architect of everything that unfolds.

The Bad:

I have problems with the wanton destruction.  Kal-El’s prime motivation is always the safety of others.  Yet he, Zod, and Zod’s henchmen pretty much destroy all of Metropolis and reduce it to dust.  Even though Zod seeks and needs Kal-El, our hero doesn’t use this to his advantage.  He doesn’t, say, fly to the Pacific Ocean to battle Zod.  Or Antarctica.  He stays right in the middle of Metropolis and is a party to damn near every building coming down!

I also didn’t like the look of the Kryptonian technology.  It was too monochrome and Cybertronian for my tastes.  (Yet, somehow Kal-El ends up with the only blue, red and gold suit on the planet?)

The Ugly:

I left the theater with a booming headache.  I don’t know if it was the 3D or the overly loud sound mix, but my head hurts.  To sum up the experience, the last hour of the film had too many missiles, airplanes, spaceships and carnage flying around.  The brain can’t process that much information.  I didn’t feel that the 3D really enhanced my experience.  (My brother in law Martin said the movie felt like a Michael Bay film, with all that crap blowing up.)

Man_of_Steel_37095Man of Steel had a decent story, that begins where Superman and Superman II did, but then goes in its own direction.  In many regards this movie is Superman:  First Contact.  It’s funny how often we forget that perhaps the most remarkable thing about Superman, is that he’s an alien!  Living among us!  Plotwise, the McGuffin here is something called the Codex, which contains the genetic blueprints for an entire generation of new Kryptonians.  As Krypton’s last defender, Zod wants it.  But his interests and Kal-El’s are at odds, since Zod plans to exterminate humanity and move in here!

I have to admit I’m surprised that Snyder got such great performances out of this cast.  Not that the cast are a bunch of hacks; they’re not.  Amy Adams was fine, and so was Diane Lane.  But let’s face it…we’ve seen other directors in the past get wooden performances out of Lawrence Fishburn and Kevin Costner.  Fishburn amounts to little more than a background character, but Costner’s role as Jonathan Kent is much more important than the version in Superman.  He filled the role appropriately.  My mother always said that Costner is best when he’s playing a farmer.

Much like The Watchmen, Snyder tells stories in multiple timelines simultaneously via flashbacks.  In Man of Steel, these flashbacks are all critical moments of character development.  This was done very well, with Cavill playing Clark Kent’s evolution perfectly.  At the same time, I’m surprised Snyder didn’t use more popular and classic rock music.  He did use a little bit, but certainly not on the scale of The Watchmen or even Suckerpunch.

I noticed two Battlestar Galactica alumni:  Tahmoh Penikett had probably 1 second screen time, but Alessandro Juliani had a bit more.  Why were they in it?  Because Man of Steel was partly filmed in Canada!

Although I will probably buy Man of Steel on blu-ray to “have the whole collection”, I don’t have an immediate craving to see it again.

Man of Steel opens today.  Time for an Advil.

3.5/5 stars

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