Alan Fitzgerland

REVIEW: Sammy Hagar – Musical Chairs (1977)

SAMMY HAGAR – Musical Chairs (1977 Capitol)

A second album in 1977 for Sammy Hagar!  Swiftly following his self-titled record, Sammy was back with another collection of originals and covers featuring Bill Church and Alan Fitzgerald.  New to the band this time out were drummer Denny Carmassi, and Gary Pihl on guitar.  With Denny on board, it’s Montrose without Ronnie.

This review is based on my notes for an excellent episode of Tim’s Vinyl Confessions, and so does not follow my usual review format.  By all means, check out his Sammy Hagar book Red On Black for more details.  Let’s take ’em all track by track.

1. “Turn Up the Music” (John Carter, Sammy Hagar 3:35)

One of the Sammy songs I have known for ages, being on a 1989 “special markets” compilation called Turn Up the Music!  Very cool intro guitar lick, one of Sammy’s catchiest solo tracks.  Cool lyrics referencing the working day, and shouting out to past rockers like “Johnny B Goode”.  An ode to music making you feel better, helping you get through the day.  “Heavy metal music, oh that feels alright.”

2. “It’s Gonna Be All Right” (Hagar 4:11)

Laid back with cool synth riff by Fitz, and great punchy horn section.  Catchy and fun.  Youthful.  “We may be young, but we are strong, we can’t be wrong.  We’ve only just begun to be right!”  I remember feeling that way!  The horn section really gives the song a unique flavour for hard rock, and it just blasts!

3. “You Make Me Crazy” (Hagar 2:47)

Lovely little ballad with great keyboards and female backing vocals.  Very mellow in a 70s sense.  I picture a wintry chalet with a fire roaring.  Tommy Bolin vibes, circa “Sweet Burgundy”.  While it doesn’t really fit the Hagar oeuvre (especially on an album featuring the lyric “heavy metal music”), I do like this song.  Maybe it would be called adult contemporary in some circles…but not mine.

4. “Reckless” (Hagar 3:32)

One of Sammy’s heaviest!  Smokes from start to finish.  Guitar/organ riff is killer.  Heavy metal music indeed!  A true head banger.  Primitive Hagar music, with all the punches intact.

5. “Try (Try to Fall in Love)” (Norman Des Rosiers 3:11)

A cover of a sappy piano ballad.  Full of strings and adornments, flutes, and woodwinds, but a bit too mushy.  No rock.  Very lush, and Sammy attempts a nice falsetto, but it’s not a favourite.  And that song title?  It reminds me of “Tonight I’m Gonna Rock You (Tonight)” by Spinal Tap.  Why “Try (Try)”?  Why?  Oh that’s too much now.

6. “Don’t Stop Me Now” (Carter, Hagar 3:12)

Back to form, thankfully!  Nice crunchy simple riff here, and catchy guitar licks.  Punchy, simple and crunchy.  Nice chorus.  Listen for “red” reference – “I’m turnin’ red.”  This one strikes me as Kiss outtake quality.  Think Simmons’ Vault.

7. “Straight from the Hip Kid” (Liar cover – Norman Tager, Paul Travis 3:09)

Funky clavinet is a nice touch; thanks Fitz!  This is a cover tune by Liar, a contemporary 70s band who put out their own version of the track two years earlier.  Hard rocking, but with a slight touch of funk.

8. “Hey Boys” (Hagar 2:50)

OK song.  Light but not particularly memorable.  Chorus feels like it doesn’t fit.  Good keyboard solo work, very atmospheric.  “We’re all playin’ musical chairs, of but a change is gonna come,” lyric comes from this song.  Nice light rock.  Yacht rock?

9. “Someone Out There” (Hagar 3:01)

Enjoy the upbeat rock stylings of this song.  Light background organ is very nice.

10. “Crack in the World” (Hagar 5:11)

Slow rocker.  Goes epic in a soft kind of way, but the chorus doesn’t quite fit, which is a problem plaguing this record.  Good keyboard and guitar solos for what it is.  Kind of ends prematurely.

Not a spectacular album, with only two real serious rockers.  There are a few good light rockers too, but fans expecting the “Heavy Metal” Hagar will be sorely left with something they won’t understand.

3/5 stars

 

 

 

REVIEW: Night Ranger – Big Life (1987)

NIGHT RANGER – Big Life (1987 MCA)

This CD was a gift from Tim Durling, and this review is simply a conversation with Tim Durling!

Tim:  Big Life might sound dated to you, it is very 1987 and possibly one of their mellowest albums. Of course I have a soft spot for it, but then I like the band.

Me:  That’s the one I’m popping in now actually.

Tim:  Your Big Life is a fancy 2009 remaster that I’d never seen before. The original was my very first CD back in 1990.

Me:  Oh jeez, it’s the album with “Secret Of My Success!”  Now I have two copies of that song…The booklet is nice, full lyrics.

Tim:  You can file that under guilty pleasure for me, I know it’s cheesy but “worlds collide, and hearts will be broken” damn it’s so catchy.

Me:  Wow, Blades’ name is on every single songwriting credit.

Tim:  Fun fact: there are two different covers, and I didn’t know that till I had Josh from Fans in Motion on my show.  Same band shot, but some copies have less stuff in the background. I love learning stuff like that.

Me:  Interesting. So somebody said “We need to add a spotlight and a wall” to some versions.

Me:  Wow this opening track is very…Umm…Faux-macho.  Sorry, not liking “Big Life” the track.  It’s like when Warrant tried to act tough on “We Will Rock You”.

Tim:  Doesn’t bode well, but I did say it will sound dated to you.  If you’re looking for a more typical catchy Night Ranger tune, I’d recommend “Carry On”, maybe my favourite on this album.

Me:  I’m gonna give it a fair shake.  This guitar solo is great. Gillis?

Tim:  Not always sure who does which solos, all I know is that if you hear crazy whammy bar, that’s Brad.

Me:  “Color of Your Smile” is better.  I like this one.  Very youthful lyric.

Tim:  Wow, I figured you’d hate it.

Me:  No,  there’s something here that reminds me of youthful summers.  Fuck, this is good. Didn’t see this dual solo coming.  OK, so we have a winner here on track 2, good tune.  If I had this as a kid, it would have been the song I played for girls to get them to like me.

Me:  “Love Is Standing Near” – starting well.

Tim:  That’s encouraging.

Me:  It’s the guitar that sets this band apart for me. Puts them a level up.

Tim:  Definitely one of their calling cards.

Me:  Now I’m on the David Foster produced song (“Secret Of My Success”) that we already know my opinion of.  I really hate it.

Tim:  I will accept that, frowning.  But I get it if you didn’t grow up with it.

Me:  It’s like they’re using the ZZ Top Afterburner book of samples

Tim:  With you there, way overboard on the bells and whistles.

Me:  “Carry On” is a little corny, but might grow on me.  Actually…love it…Very Bon Jovi to my ears, but better vocally.

Tim:  Probably why I like it, never made that connection.

Me:  “Better Let It Go” – I like the acoustic, don’t like the drum loops.

Tim:  “Better Let it Go” is a great faux-ballad, sabotaged by Fitz’s unfortunate decision to use the “French horn” patch similar to Don Henley’s “Sunset Grill”.

Me:  It was a thing. I never liked that kind of thing, but it was a thing.

Tim:  Get ready for the French horn patch.

Me:  Oh it’s like House of Lords French horn.  “Under Blue Skies”.   Yup, I hear it.

Tim:  Down at the sunset grill.

Me:  Marillion have some like this too.

Tim:  I have to say I was most apprehensive about your thoughts on this album, so not bad.

Me:  Well, I mean context is important, 1987 was peak synth.

Tim:  Yes.

Me:  Things got toned down in ’88, ’89, ’90 and then of course ’91 killed synth!  …This guitar solo is great.  Why are Gillis and Watson named more frequently on lists individually, rather than as a duo?  Just strikes me, these guys are absolutely up there with the great duos.

Me:  “I Know Tonight” is a little overwrought.

Tim:  Man, I can’t predict shit.

Me:  OK, now it’s kicking in.

Tim:  I thought you’d dig it.

Me:  Now it’s like “Turn On the Night” by Kiss.

Tim:  It is! Good comparison.

Me:  Yeah see this would have been kicking it in my stereo in 1987-88, IF ONLY MUCHMUSIC PLAYED THESE GUYS ON THE POWER HOUR. I never heard this music

Me:  Please tell me they’re not ending this album on a ballad.

Tim:  They’re ending this album on a ballad.

Me:  Ah damn.

3.5/5 stars