Arkells

REVIEW: Arkells – Morning Report (2016 CD)

“Hey, Nurse Kat!” I asked on Twitter one summery afternoon. “I already have and love High Noon and Michigan Left by the Arkells. What album should I buy next?”

“Morning Report,” answered Nurse Kat.

“Morning Report,” answered Nurse Kat’s friend.

“Ordered!” I responded.

In sum:  Nurse Kat and her friend were right.

4.5/5 stars

Wait wait wait…that’s not how we do reviews around here!  OK folks, let’s get ready to dive deep.  Coffee:  heated.  Let’s go.

ARKELLS – Morning Report (2016 Last Gang)

First of all I will preface all of this by saying that this album and this band has recently helped me get through a rough patch, so there is a certain attachment that I have made with Morning Report that colours everything I will say about it.  The fact that it made that connection is the important part.  An album that connects, that’s special.  That’s for life!

Here’s the interesting thing.  For an album I love so much, I don’t particularly care for the first two tracks!  I also find the closer underwhelming, but that leaves nine tracks of pure awesome to gush over.  But first, let’s get the opening pair out of the way.

I don’t particularly like when the Arkells get too much into modern mainstream pop, because I do not care for modern mainstream pop.  The opening pair “Drake’s Dad” and “Private School” would fall in this category for me.  Having said this, both songs have awesome choruses.  “Drake’s Dad” has a powerful soul/gospel chorus of “I just wanna hold you, so high!” that raises the roof.  It also has a lush arrangement with strings and samples.  “Private School” has a fun hook of “Ah, fuck off, don’t say I’d do the same!”  Silly fun.

The serious stuff starts with track #3, “My Heart’s Always Yours”.  This suave pop rock ballad just hits all the feels.  Max Kerman has a way with words and I’m certain that the ladies love him for it.  Though keyboards are the prominent hook-delivering instrument, the pure passion and panache of this song just elevates it to the clouds.  A brilliant song, made indelible in the brain and heart!

Things get even better on “Savannah”, the fast acoustic-based song with killer lyrics.  “She was named after, she was named after her dad’s favourite city.  I was named after, I was named after the fact…”  How does Max come up with this stuff?!  He paints a picture of characters, often female, coming in and our his life.  He tells their stories, often depicting musty old apartments, messy beds, and empty refrigerators.  Musically, “Savannah” is even better.  It’s powerful and it has a trumpet solo, so what more could you want?  The chorus is probably the most immediate one on the album.

Then…get ready for chills, for it is time for “Passenger Seat”, the most haunting song on the album and easily one of the most chill-inducing I’ve ever heard.   But then the chorus comes, with Max in a high falsetto, accompanied by sparse piano and keyboard effects.  “Driving on the highway home, this time alone, doesn’t mean the same without you.  I turn on the radio, to something slow, just to let it fuck with my mood…but songs don’t sound the same without you in the passenger seat.”  Who can’t relate to that?  (People without driver’s licenses I suppose.)

Brightness returns on “Making Due”, the song that really means something to Nurse Kat.  I can see why.  The music is pure uplifting magic, and the lyrics cut clean through.  A sunny guitar hook opens the track, and then Max delivers some of his best melodies and words to date.  That falsetto really nails the hooks home.  Favourite lines:  “I thought we made a deal, you were crossin’ your fingers!”  Or  “Got a pulse, but there’s a few beats missin’.”

Acoustics come to the fore on “Round and Round”, a folksy number (at first) that serves to bridge two very upbeat pop songs.  The band comes in partway and it becomes a little more late Beatles-y in a weird way.  Horns come blastin’ through, then synth, and it becomes something else entirely: something birthed in the early 80s, but talking about MuchMusic’s Electric Circus TV show circa 1999.  An interesting track that is more than meets the ear.

“Hung Up” is impossible not to dance to.  “The gatekeepers are keepin’ me out, let me in!  Who made you the president, well fucker?”  The horns also return, along with the synth, creating a modern pop rock classic.  And I just love Max Kerman’s trio of “Well fucker?” at the end of the song.  (Also listen carefully for a reference to “Fake Money” from the prior album High Noon.)  No folks, he may be no Axl Rose, but Max Kerman is not afraid of dropping F-bombs right and left.  Fortunately I’m easily entertained and I find his use of the word (usually) effective and not overdone.

The beautiful “Come Back Home” is a quieter, slow ballad, with a thrumming bassline that provides a dreamy foundation, like a pillow.  “All would be forgiven if you’d come back home,” begs Max.  “‘Cause I just wanna be yours again.”  Filled with regret, Max is looking for reconciliation.  Morning Report could in fact be a concept album about shattered relationships and our reactions to them.  “And I thought about all the ways I could hurt you, to even the score of feelin’ deserted.”

The upbeat moods return on “A Little Rain (A Song for Pete)”.  Max has indicated he’s probably an atheist in past lyrics, but here he says “I stumbled in St. Peter’s Cathedral, there I was.  I never tried religion but man, I’ll try anything once.”  I can’t tell if this song is about someone name Pete, or if Max is singing as if he’s having conversations with St. Pete himself.  It means whatever you want it to!  This incredibly catchy tune has a fun, bouncy beat and a suitable synth riff to go with it.  Drummer Tim Oxford is definitely an underrated percussionist who doesn’t play it simple and always has catchy fills.

A slower but powerful song called “And Then Some”  is next to last.  The romantic dreamer is so good!  “And I love every inch of you, and then some and then some.”  Beautiful song and I can’t help but think of Tom Cochrane on the chorus.  Something about Max’s delivery sounds like the Red Rider frontman.

Strangely, after all this power, all these hooks, and thick arrangements, the final song is very different from anything else.  Quiet, understated and short, “Hangs the Moon” is like a coda.  The arrangement is very bare, and Max’s voice is the main feature.  The Arkells occasionally choose interesting, unconventional closing songs, and this is one.  It works, but it’s not among my favourite songs on the album.

For me, Morning Report is 9/12 awesome songs, with 3 that are not bad but not my bag.

Morning Report is an album that I have listened to intensely for the last couple months, and has made a permanent impression on my soul.  With Max’s lyrics tattooed on my heart, my score will come as no surprise.

4.5/5 stars

Thanks Nurse Kat and friend for the recommend.

 

A Triumphant Arkells Appreciation Friday with Mr. Books and Nurse Kat

A massive thank you to Nurse Kat for spending her Friday night with Aaron and I, talking Arkells!  Though none of us could be called hardcore Arkells veterans, our passion certainly came through.  Since falling in love with the band roughly 18 months ago, Kat has seen Arkells 13 times.  From New York to LA to Glasgow, she had a lot of cool stories to tell.  Meanwhile, Aaron filled us in on the early years, as he saw them even before the Jackson Square debut album was out.

A common theme for this show was the power of music to connect with the human heart.  Kat and I both had some pretty emotional experiences to an Arkells soundtrack.  This is a band that really seems to have a direct line to the mind and soul.

I presented my Nigel Tufnel Top Ten Arkells songs (from the albums I own) and Kat provided some cool live clips and photos.  We hope you enjoy!

 

 

Mike’s Nigel Tufnel Top Ten Arkells tunes:

 

11. “Savannah” from Morning Report – acoustic anthemic awesomeness.

10. “Passenger Seat” from Morning Report – what a falsetto!  So much passion!

9. “Hung Up” from Morning Report – “The gatekeepers are keepin’ me out!” – what a hook!

8. “Coffee” from Michigan Left – Powerful lyrics with personal meaning.

7. “On Paper” from Michigan Left – killer chorus, powerful rock.

6. “Whistleblower” from Michigan Left – as hard as Arkells songs get, based on that riff.

5. “Michigan Left” from Michigan Left – “Decorations won’t be wasted” – one of their best choruses!  And that percussion!  Oh man.

4. “Come to Light” from High Noon – channeling 80’s Bowie?  You be the judge.

3. “Leather Jacket” from High Noon – the song that got me to buy the album in the first place.

2. “11:11” from High Noon – so hard to narrow things down to only four songs from High Noon, but this one is just hook laden and nostalgic.

1. “Fake Money” from High Noon – This song is pure hooks, from start to finish, with an angry bent.

Honorable mentions – “Cynical Bastards”, “Crawling Through the Window”, “Book Club”, “Drake’s Dad”

Jen’s #1 – “Leather Jacket”

BONUS

Tune in 9:00 AM Saturday morning for an extra weekend live stream with Jex Russell!  Cassette fans, don’t miss this bonus episode!

Arkells Appreciation Friday with Mr. Books and Nurse Kat

GRAB A STACK OF ROCK With Mike, Aaron and Nurse Kat

Episode 25:  Arkells Appreciation

25 episodes!  We’ve had ups, downs and cancelled episodes, but we finally made it to 25.  This week we celebrate with a band I’ve recently fallen in love with:  Hamilton’s Arkells!  Just what is it about this band that resonates with people?  The music, lyrics, Canadiana, or something else?  The natural charisma of Max Kerman is a big factor.  I’ll be talking about all this and more with fan Nurse Kat.  She’s seen them THIRTEEN times in a year, and has some merch to show.  I will be listing my Nigel Tufnel Top Ten Arkells tunes.

Joining Kat and I tonight will be Mr. Books from the KMA, who saw the band once, leaving me as the only one who hasn’t!

 

Friday June 23 at 7:00 P.M. E.S.T.  Enjoy on YouTube or on Facebook!

REVIEW: Arkells – Michigan Left (2011)

ARKELLS – Michigan Left (2011 Universal)

The Arkells smashed the radiowaves on their excellent second album, Michigan Left.  “Whistleblower” raged, with that guitar riff and cutting vocals, cementing the band into the minds of Canadians from coast to coast.  Aggressive and intelligent, it’s a tune that can’t be topped.  “Just a little bit of faith is what I want, it’s what I need in my institutions.”   Singer Max Kerman, a B.A. in Political Science, pours on all the passion that he is known for on this excellent track.  And that’s just one of ten excellent tracks.

Dig deeper into the album and you’ll find many tracks just as great as “Whistleblower”.

One of the band’s many strengths are the backing vocals.  Opening track “Book Club” has rich backing shouts, helping Max focus on the main message.  What a track!  The band’s home town of Hamilton is mentioned, and turns up elsewhere on the album.  The upbeat “Where U Goin” has plenty of the pop goodness that would increase on the band’s next album High Noon.  This is followed by the title track, a brilliant rock tune with unbeatable melodies.  The chorus soars overhead while the band jams and “whoah-ohs!” along.  Cool percussion and accoutrements on this amazing tune.

“Coffee” is a great Canadian song title, don’t you think?  “No no really, this one’s on me, I’ll let you get the next time we go out for coffee.”  Mixing acoustics with electric, Arkells make things a little more contemplative, and it works.  Certain lines here really hit home.  Specifically:  “Does he hit you?”  Sadly I think many of us know someone like the person who is the subject of this song.  Things get slamming again with “On Paper”, a fast tune with a punk-like energy to the choruses, even though it’s just radio rock.  There’s a brilliant riff change and a “Woo!” at about 2:25 that just kills!

The band slow it down a bit for “Kiss Cam”, a romantic single you can dance to.  And the lyrics?  “This campfire won’t last forever, the Hip have only wrote so many songs.”  How’s that for you?  These guys know how to write unforgettable words.  Always have.

“One Foot Out the Door” is different, quiet and tense.  The plucking of an electric guitar becomes the pulse of the song, but as always Kerman is the focus.  A false ending gives way to a deliciously chaotic blast of piano and guitars.  Awesome song.  A poppy riff then introduces “Bloodlines”, the one with the reference to the escarpment in Hamilton.  It’s about walking on eggshells in a relationship, something we can all relate to.

Album closer “Agent Zero” is hard to categorise.   It doesn’t feel like an album closer, but it does manage the job by ending it abruptly.  Perhaps another song would have ended the record with more drama, but “Agent Zero” isn’t a bad song at all.

You could tell these guys were only going up.  And go up they did!  One of Canada’s most popular bands today.

4/5 stars

 

Tune in this Friday for Arkells talk on Grab A Stack of Rock!

Just Listening to…Arkells – High Noon (2014)

When I reviewed this album six years ago, I rated it 4.5/5 stars.  For whatever reason, I’ve been playing this a lot over the last two weeks.  Like a lot lot.  Today I’d give it a solid 5/5.  High Noon by the Arkells has reached that upper echelon of albums that somehow, someway, have become so important to me that losing this album would be like losing an arm.  It’s in my soul now.  It’s part of me.  That’s not easy to do, especially for newer music.

I love the spirit.  The defiance.  The anger!  “Oh you’re just a boy, a little banker boy, everything’s a game and everyone’s your toy…”  A pretty scathing indictment of the wealthy who prey on the vulnerable, a practice which singer Max Kerman refers to as “Fake Money”.  It’s so upbeat that you don’t pick up on the anger until you actually listen to the words.  But when you do?  Hooboy!  Though the song sounds like a celebration, the lyrics cut like razors.

Then there’s the very-80’s “Come To Light”, a brilliant rock song with a Bowie beat.  There’s a tension built from synth and drums.  Then the piano delivers those hooks!  Kerman’s vocals are as impassioned as ever (“Impassioned” being his middle name, according to some reports).   Virtually every song could be a single, and this one was the first of four.  Another simply superior upbeat celebration follows, called “Cynical Bastards”.  You have to love that title!  Once again the keys are the dominant hook-deliverer, though the chorus itself is pretty damn awesome.  Even the lyrics are catchy!  “If the 80s were tough, the 90s were mean!”

Another serious favourite is track #4:  “11:11”.  You ever heard about that superstition that you’re supposed to make a wish when the clock shows 11:11?  A slower, more contemplative song, this beauty is all about meeting a sweetie at a bar.  “You made a wish at 11:11, I held your hips at 12:34,” goes the fabulous chorus.  “There was a kiss just waiting to happen, a cab was waiting just outside the door.”  A slower but still bright number called “Never Thought That This Would Happen” is one of most poetic yet colloquial songs about a one-nighter that I’ve ever heard.  “And I never thought that this would happen, and you got all weird after the weekend.  Sometimes you make out with an old friend, and I’m rounding first and I’m sliding into second…”  It’s also the only song on the album that exceeds four minutes.

Sometimes I wonder if these girls that Kerman is singing about know the songs are about them.

“Dirty Blonde” is another very 80s upbeat rocker, very much like 80s Elton John, but harder.  Just as many hooks though!  “What Are You Holding On To?” has a completely different vibe, happy and danceable.  This is followed by the uber-catchy “Hey Kids!” and the single “Leather Jacket”.  “Leather Jacket” is one that strikes home lyrically in many ways.  “You call me up from a pay phone, I say hang tight I can drive you home.”  Been there done that!  But my favourite line?  “You call me up from a pay phone, and I said, ‘Who the fuck uses a pay phone?'”  Regardless, “Leather Jacket” is instantaneous, flawless and passionate.

Just two more songs remain in this journey.  “Crawling Through the Window” slows things down to a strong digital pulse, with dark chords backing it.  Brilliant lyrics here describing a shitty old apartment.  “There were carpets in the bathroom, man, what the fuck’s a vacuum?”  Again it sounds like there’s a real story here.  Finally the dance rock of “Systematic” ends the album on a surprising, but no less catchy note.

Mastering engineer – Harry Hess!  By all means, get this album.  Get it.  Play it.  Play it again.  Fall in love.  I did.

 

#841: Happy Canada Day! 11 Tunes

Happy Canada Day from LeBrain HQ to you.  I know this is rough one, a weird one, and a difficult one.  I’m going to ignore the current goings-on and everything else that has to do with Canada Day, and present to you Eleven Canadian Songs You Need to Hear Right Now.  Enjoy!

1. Helix – “Billy Oxygen”

2. Arkells – “Leather Jacket”

3. July Talk – “Picturing Love”

4. The Guess Who – “Albert Flasher”

5. Blue Rodeo – “Side of the Road”

6. Harem Scarem – “Slowly Slipping Away”

7. Rush – “Vital Signs”

8. Gordon Lightfoot – “Canadian Railroad Trilogy” (re-recorded version)

9. Monster Truck – “Don’t Tell Me How to Live”

10. Kim Mitchell – “Rumour Has It”

11. Thor – “Keep the Dogs Away”

REVIEW: Arkells – High Noon (2014)

ARKELLS – High Noon (2014 Universal)

Thank rock and roll for new bands like the Arkells!  I’ve been happily enjoying their singles for years.  I really fell in love when I saw the Hamilton band open the 2017 NHL Awards.  A starstruck Max Kerman (vocals) gleefully fist-bumped with Wayne Gretzky.  I knew I had to get one of their albums.  On vinyl!  I chose their 2014 release High Noon to be my first Arkells, for its unforgettable single “Leather Jacket”.

Kerman managing to keep his shit together on national TV with The Great One

High Noon was a sound choice.  “Leather Jacket” has been an earworm for a long time.  High Noon also has another sterling single, “Come to Light”.  Its basis is similar to Bowie’s “Modern Love”.  While there is no mistaking the year, the Arkells put a slick 80s slant on these songs.  Whether it’s in the beats or the keyboards, there is a love of 1980s rock here on High Noon.

There are numerous highlights and few forgettable ones.  Album opener “Fake Money” has a strong piano riff, a classic U2 vibe, and an anti-corporate attitude.  One of the catchiest, more summer-y fun tracks is ironically “Cynical Bastards”.  Good time upbeat rock with solid beats to shake your butt to!  “11:11” is primed for dancing .  Everyone will pick out their own favourites, because there aren’t any poor songs on this wax.  Check out “Crawling Through the Window” for a slower tune with all the integrity intact, or the strange Disco hop of “Systematic”.

A band can make or break based on the lead singer.  I really like the expressive and sincere singing style of Max Kerman.  He stands out from first listen.  It’s hard to say exactly what makes him stand out, but he certainly does.  A band to watch.

4.5/5 stars