I was honoured to be back on Geoff Stephen’s excellent show, the 1002nd album, to talk this time about a special song instead of an album. I don’t know why I’m drawn to acoustic-based music when I’m with Geoff, but I know he loves a lot of those old Blue Rodeo songs. I instinctively chose “Hasn’t Hit Me Yet” from Five Days in July, a remarkable song from a spontaneously recorded album. It captures the cold and loneliness of a Canadian winter, yet with the warmth that only acoustic guitars and electric bass can nullify. But don’t let me spoil it for you. Here’s Geoff and yours truly with our chat on “Hasn’t Hit Me Yet” by Blue Rodeo. My favourite.
RECORD STORE TALES #1065: Even the Best Weekends Can Turn to Crap
It started great!
Thursday night, the music on the trip up to the lake was amazing. We began with The Cult’s Fire Woman EP, and moved on to Michigan Left by the Arkells. Jen fell asleep in the car and I was left to sing along by myself. Never a problem!
We came packed with lots of Lego, and plenty of new music to unbox live on Grab A Stack of Rock. We arrived with coffee, treats and tunes! Immediately I set up on the front porch and started playing mellow music. Jim Cuddy’s All In Time is one of the best cottage front porch albums for dancing that I have ever heard. From rockers to tear-jerking ballads, what an album! I used to consider it “just a Blue Rodeo album without Greg” but it’s actually far more than that. Articulating it is hard, but the album evoked emotions and dance moves that Blue Rodeo didn’t. We also played some of Alice Cooper’s more emotional, cinematic tunes that night. It was a magical start.
Friday was a wonderful day! I commenced with some more porch music, and then we hit The Beef Way for our weekend meat! We chose two T-bone steaks, a turkey breast fillet (for Jen) and a beautiful duck breast (for me). It was my first duck breast. I seasoned heavily with salt, pepper and garlic powder to offset that gamey taste. I scored the fat, cooked it skin side down in a frying pan for 10 minutes to get it cripsy, and finished it in the BBQ. When finished, you could have mistaken it for steak, it was that good. The skin was the best part, and I’ll get duck breast from The Beef Way again. Just an awesome lunch!
Of course, Friday night was Grab A Stack of Rock, and an excellent show was had, almost two hours long! I’m calling it the “No More Heels Tour of 2023”. This was my first cottage weekend since August 2022 where I wasn’t making videos and taking pictures for my friend, the California Girl. With me putting our friendship on a break, it was hard to be motivated to produce fun nature images. I miss her. I focused on music instead, and Grab A Stack really did rock this time! Lots of new music revealed, to be reviewed in the coming weeks/months, including Journey Through Time.
First thing Saturday morning, I taped an excellent Tim’s Vinyl Confessions, reviewing the new Def Leppard Drastic Symphonies. I cannot wait until this airs! Although we were both kind but critical, I’m sure the Fanboy trolls will be out when it’s released on YouTube. I will of course be posting it here for ease of viewing. It was possibly my favourite Tim’s Vinyl Confessions that I’ve been involved with to date!
We did “Jazz Saturday” morning with Herbie Hancock’s Quartet. By recommendation of Robert Lawson, next Jazz Saturday will be to Pat Metheny’s Bright Size Life. It’s ordered and on its way. Then we switched to the back yard, and built Lego all afternoon. We are both enjoying the Lego “Speed Champions” series of licensed car models. They are all roughly the same scale and although they are similar in design, very few of them use the exact same design techniques. Jen also build a New York City skyline, while I finally finished my knockoff Titanic set. I’ll never buy knockoff Lego again. It looks cool complete, but it was very hard to build with confusing instructions and bags. The final fitting pieces were not up to Lego’s standards. It does look good, but never again.
It was Saturday evening that turned everything to shit.
I made the steaks, damn perfect if you asked me, and Jen proclaimed “I’m gonna eat the whole thing!” I was already half full from snacking on chips so I knew I was keeping leftovers. As she took a mid-meal break, Jen had a seizure.
The coffee spilled. The Coke spilled. I could stop neither because I was busy keeping her from falling off her chair. Eventually I got her safely down, where she soaked herself in spilled coffee. It took some work to get her into bed. More seizures later that night. She fell off the bed, and once again Mike managed to pull off a save. I’ve lost track of the rest of the seizures that night but we figured it was four or five total. Not the most restful night, and I was completely exhausted from cleaning up the spills. I went to bed early and slept in late. Not the way I usually do things at the cottage. I like to stay up late and enjoy the creatures of the night. That didn’t happen this weekend.
I came home Sunday completely exhausted and Jen slept the entire way. Music on the way home was also mellow: Ward One: Along the Way and When the Bough Breaks by Bill Ward. Really good and felt appropriate to my mood.
We will have more Lego to build next time. My Jazz Quartet set looks challenging and interesting. Hopefully the next trip will be less eventful!
The original title for this chapter was “My Sister, Age, and How Things Change”. It was originally Chapter 8.
RECORD STORE TALES #1045: The Lost Chapters: Doctor Kathryn
My sister had some distinct musical phases. Early on, she decided that she was going to like most of the music that I liked. At first that meant Quiet Riot, Kiss, and Motley Crue. Motley Crue was her favourite, but not for the right reasons. They were her favourite because a) Nikki and Tommy were really tall, and b) they both had spikey hair.
There was further evidence that my sister was bordering on wimp territory. One was that she didn’t like W.A.S.P. In fact she hated W.A.S.P. I’m not sure if it was Blackie Lawless’ voice, or if it was the fact that he drank “blood” from a “human skull”. Either way, I liked W.A.S.P. a lot, and if she didn’t like them too, this demonstrated an unhealthy streak of independence.
Then, the proverbial shit hit the fan. (We didn’t have air conditioning back then, just fans.) One day in 1985, she decided that she liked The Pointer Sisters. And Cyndi Lauper. And Corey Hart. She always liked Bryan Adams, but I forgave her this. Bryan wore jeans and T-shirts, so he was still firmly in rock territory, even if he wasn’t heavy metal. (I didn’t find out for a while yet that Bryan did in fact have some metallic roots. He wrote several songs with Kiss, including the heaviest material on the Creatures Of The Night album.) The music that Kathryn liked was incorrectly labelled by us as “New Wave”. We didn’t know that New Wave was a term usually used for bands like Blondie, Devo, or the Talking Heads. We just assumed all crappy pop music with synthesizers was New Wave. And New Wave was bad. Very very bad.
Back then, life was simple. Life was black and white. Whatever MuchMusic’s “Power Hour” played was good. Everything else was bad. The only exceptions to that that rule were Kim Mitchell and Bryan Adams. I’m not sure why Kim was an exception, except that he and long hair, and that I liked him, and so did the next door neighbour. If you wanted to boil it down further, stuff with guitars was good. Stuff with keyboards was bad. And the stuff Kathryn listened to didn’t have any guitars, just lots of keyboards, fake synth drums and people with really silly clothes and hair.
There were a few exceptions. I had never known a Van Halen without keyboards, so I accepted them. They were clearly a heavy metal band. The Power Hour played them all the time, David Lee Roth had wicked hair, and everybody was talking about that guitar player. Even if I didn’t know the difference between a guitar and a bass, and thought that Michael Anthony was in fact Eddie Van Halen, I decided that Van Halen were cool. You were allowed to like them. Eventually I sneaked ZZ Top into the list of music that was allowed as well, because one of the neighbours said they were like Van Halen.
So if the music Kathryn liked was bad, and the music I liked was good, you can imagine the arguments. They were glorious and often ended in physical injury and/or destruction of property, and not just by me.
Her awful taste in music even held back my own progress. She liked Bon Jovi first, therefore I had to dislike Bon Jovi—until they released that damned “Wanted: Dead Or Alive” song. The song was so good, so undeniable, I had to let Bon Jovi into my life. I still think it’s a fantastic song, well written, well played, with some beautiful 12 string guitar. (Another reason Bon Jovi didn’t make the grade at first was due to their keyboards. This does not explain why Europe did make the grade. There were many inconsistencies.)
Kathryn’s rebellion worsened. Her taste in music declined. I won’t even begin to list some of the awful music she listened to, but I will say that she bottomed out in 1990 with New Kids On The Block, MC Hammer, and Vanilla Ice. Obviously, this was a person who had no clear idea about integrity within music. However, like a junkie who hits rock bottom, she eventually started to rise up again, with a little encouragement from Her Loving Brother.
The turning point was when Vanilla Ice cancelled his Kitchener tour date in early 1991. His reason stated was that he was too big a star to play a town like Kitchener. There was an instant hatred for the man all over town. Kathryn sold her Vanilla Ice tape immediately.
There were some other clear signs of improvement. A newfound obsession with Cheap Trick was good. Sure, they weren’t metal, but they were definitely rock! Hell, they even worshipped Kiss within their song lyrics. I happily encouraged this love of Cheap Trick, and even bought her Cheap Trick tapes. I think most of her Cheap Trick collection was courtesy of moi.
Rod Stewart came next. I feel that perhaps Rod snuck in the door due to his enormous hair, but I didn’t care. Rod still had a rock pedigree. I encouraged her love of Rod. I asked her questions about him and his music. It was like carefully manipulating a mentally ill person back to health, and I was succeeding in a marginal way. I felt that she’d never come all the way back to metal, even though she owned tapes by Bon Jovi, Def Leppard and Poison. Yet I was satisfied with the progress we were making.
Now, 15 years later, I own Rod Stewart, Cheap Trick, Bryan Adams, The Payola$…all music that she introduced me to. She got the last laugh. I’ll never admit that she was always the smarter one (I can’t, since she never understood any movies we watched) but I’ll admit that she got the better of me on this one. We even attended concerts together. It started with Blue Rodeo, then we saw Jann Arden and Amanda Marshall. While I still won’t own any albums by Arden or Marshall, they both put on excellent shows. Blue Rodeo blew us both away and now they’re one of my favourites. I’ve never seen any band more often than Blue Rodeo, and I’ll argue that they’re Canada’s best band, with Rush as a close second.
Even my parents get points. They sure hated “Big Balls” by AC/DC, but now I own more Johnny Cash and Gordon Lightfoot than they do.
Now, I certainly can’t allow Kathryn to come off as the winner in this chapter. So here’s a punch in the arm for you. There, now we’re even.
BLUE RODEO – Daze In America (1995 Discovery Records promo CD)
Blue Rodeo have a number of promo-only releases of great value to fans. There’s the The Live CFNY Concert for one. “Diamonds in the Rough” / Demos and Other Stuff….. is another. Perhaps the most superb of them was 1995’s Daze In America CD, including five live songs but never released to retail on any Blue Rodeo album or single.
The sextet were riding high with the triumphant Five Days In July album, a surprise hit recorded spontaneously in…well, five days. An utter masterpiece, Five Days in July produced numerous classics that endured in setlists for decades. “Head Over Heels” was one such track, an upbeat Jim Cuddy stomper with harmonica, mandolin, and the kitchen sink. It’s the kind of Blue Rodeo track that gets people off their seats. The version here is the studio cut, which is logical since it was one of the big singles they were promoting at the time.
“Hasn’t Hit Me Yet” is live in Omaha, and it emanates energy from the crowd. “This ain’t nothing new to me, it’s just like going home,” sings Greg Keelor. “It’s kinda like those sunsets that leave you feeling so stoned…” Crowd roars. Live, Jim Cuddy’s harmony line is more prominent. Blue Rodeo’s best song, hands down. And check out Bazil Donovan’s lyrical walking basslines and tell me he isn’t one of the best bass players in this great nation of ours! Yes, “Hasn’t Hit Me Yet” is a freakin’ gem, where every facet matters, and elevates the song further.
Jim’s bluest ballad, “Bad Timing” is received by quiet punctuated with screams. If you see Blue Rodeo live, then you know this is a common reaction to Cuddy’s crooning, a country heartthrob if there ever was one. “Bad Timing” is sentimental, beautiful, and soothing in its own pain. The ultimate breakup song. It’s just bad timing, that’s all.
Casino‘s “Til I Am Myself Again” brings us back to one of those upbeat Jim songs that people love to dance to. Being seated during this song at a Blue Rodeo concert is not optional. Often a set opener, this one kicks! Laying back a bit, “Rain Down on Me” was another big hit, this time from Lost Together. The size of the chorus, a big huge cumulus, is one reason why it is so beloved. The pedal steel guitar solo by Kim Deschamps is outstanding. Then “Last To Know” is another Jim ballad, but with a monolithic chorus.
Ex-Andy Curran drummer Glenn Milchem is all over “Trust Yourself”, a real bolder-buster of a tune. It was always a bit of a jam, but live it just explodes from all its bounds. Then it descends in a two minute outro of solos and jamming. Blue Rodeo are one of the best live bands you’ll ever see, and this track shows why.
A great promo EP, somewhat rare, but worth the extra few bucks for these rare recordings.
“Hey Jen, if you’re up early enough, let’s go to Walmart tomorrow morning. I want to look for that new Coke,” I said stupidly, not thinking about what weekend it was.
“Sure,” she agreed, and that’s how it ended up that we left for Walmart at 9:45 on Easter Saturday morning.
The “new Coke” I was referring to is “Coca Cola with Coffee”, available in three different brews: Caramel, Dark, and Vanilla. I want to try all three. I was a big fan of Coca Cola Blaq about 15 years ago, their first attempt to mass market a coffee/Coke hybrid. Coke Blaq was delicious, like regular Coke but with the extra note of coffee bean. I’m eager to try these new ones. Coke Blaq came in a small black bottle in these come in cans, which makes me wonder if they are similar to those creamy coffee beverages, with a Coke taste? Or something more like Coca Cola Blaq? Inquiring minds wanted to do, and I had heard that these were showing up in Walmart stores.
Walmart was already pretty busy and then I smacked myself and realized, “Of it is.” Ah well.
I wore an N95 mask this time; my first time. Easy breathing but hard on the ears. If I’m wearing one long term I’ll have to do something about the ears. About 75% of Walmart shoppers were masked, and 100% of the staff. This is good since virtually everybody I know has Covid, or has had a recent close brush. I can’t believe this is my third Covid Easter.
First I made my way to the entertainment section where I picked up the newest Blue Rodeo album, Many A Mile. On slide guitar, The Sheepdogs’ own Jimmy Bowskill, once a child prodigy discovered by Jeff Healey at age 11. Blue Rodeo are one of those bands where I just want to own all the albums, and stay current, even if the last five or six albums have been good but not memorable. There’s never anything wrong with ’em. Many A Mile is as good as any. In some regards, it’s a throwback to the classic first three Blue Rodeo albums. Lots of awesome guitar work and hooks. Just gets hard to remember the songs, record after record after record.
Also found in the music department were the new albums by Slash and Greta Van Fleet, but I found myself staring indifferently at them. I didn’t even know Greta had a new album out. Have they already dropped off the radar that badly?
Come on, where are you Spiderman: No Way Home? Not in stock – sold out! They had a three-fer with all three MCU Spidey films in one, but I wanted something with the bonus features that I crave. Ah well, next time, I’ll get you Spiderman!
Finally a trip to the toy section. No Marvel Legends figures at all, and only a couple Star Wars Black Series. They were well stocked in Transformers and I noticed they had some reissue Beast Wars toys. Hard to believe Beast Wars was 25 years ago. I never bought an original Beast Wars toy, and wanted to give one of these reissues a shot. They only had Optimus Primal and Megatron, so obviously I chose the dinosaur. Beast Wars has always been an enigma to me. When it was new, the toys seemed to barely transform. The cartoon was very primitive in terms of computer animation. But Beast Wars appealed to kids worldwide and it saved the Transformers franchise. Curiosity got the better of me and now I am the happy owner of a reissue purple dino Megatron.
Finally, the Coke. I scoured the racks but they did not have the coffee beverages that I require. I shall have to try convenience stores and gas stations next. I love Coke. I try every variety that I can get my hands on. I have no problem with Pepsi, but it’s Coke that I want to catch ’em all.
Walmart did have two sweet looking consolation Cokes: Quebec Maple, and British Columbia Raspberry. Only having enough hands for one case, I chose Quebec Maple. Upon paying, I realized that someone swapped out one bottle of Maple and replaced it with a Raspberry. Win! I get to try both.
I only had one panic attack while waiting to pay, and I managed to breathe my way out of it.
Walmart had run out of plastic bags and only had the more expensive cloth ones. I could feel the tension as word spread among the customers. I hate standing in line at grocery stores and Walmarts. Everybody does, but I get tense. It passed; my glasses fell off because of the way the N95 pulls on my ears, but I paid for my stuff and got out. Didn’t need a bag. Didn’t have the energy to look at Sunrise Records or Toys R Us. Just came home.
Put the Coke in the fridge, pulled up a chair and started listening to the Blue Rodeo. They’re usually pretty good for reducing the anxiety. I feel a lot better already! Happy Easter everyone, and stay away from places like Walmart if you can!
Please enjoy one of Canada’s greatest bands, live or in the studio: Blue Rodeo! Pay special attention to master bassist Bazil Donovan, the elegantly complex slide work of Kim Deschamps, and ex-Andy Curran dynamo Glenn “Stumpy Joe” Milchem on drums!
Hosting the Juno Awards on this night was Roch Voisine. Though they were nominated for three awards including Group of the Year (which they lost to the Rankins), Blue Rodeo went home empty-handed.
This was, in my humble opinion, the best lineup the band has ever had. I was fortunate enough to see them in this incarnation on the Tremelo tour in ’98.
Jim Cuddy – vocals/guitars/mandolin Greg Keelor – vocals/guitars Bazil Donovan – bass Glenn Milchem – drums Kim Deschamps – pedal steel James Gray (RIP) – keyboards
BLUE RODEO – “Day After Day (Rose-Coloured Glasses)” (Remix) (1987 Warner 7″ single)
Blue Rodeo were off to a hell of a start. With a debut LP produced by Terry Brown (Rush), the uncategorizable band eventually went four times platinum in Our Home and Native Land. Their first single, “Outskirts” didn’t do much, but the followup singles sure did. Because of its unforgettable chorus, “Rose-Coloured Glasses” was renamed “Day After Day”, with the original title in parentheses. It was also remixed for the 7″ format. The 7″ remix remains exclusive to the single, despite a massive Blue Rodeo box set released not that long ago.
Purchased for 99 cents by Dr. Kathryn Ladano somewhere out in the boonies (possibly Radio Shack in Port Elgin), this copy looks like it was marked for clearance. There is a telltale burn mark on the inner ring of the record. Anything with non-album tracks or versions was on our radar for collecting and we didn’t care about little burn marks if the record was 99 cents!
The remix isn’t drastically different; some minor changes. The song didn’t need any help. As one of Blue Rodeo’s best from the early days, it’s still pure delight. Greg Keelor’s lyrics are that of a lovestruck poet, something he does very well. He often finds himself entranced by new love. “But there’s something in those eyes that keeps me hanging on, I’m hypnotised.” Still he’s always grounded in his own reality. “See a world that’s tired and scared from living on the edge too long. Where does she get off telling me that love could save us all?” I love everything about it. The music is full of joy and hope just like the object of Greg’s affection.
The B-side, “Floating”, is an unlisted edit version. Cut down from 7:53, this version runs at 7:28. There’s about 7 seconds of noise missing from the opening, and the rest seems to be taken off of the end. That’s means you’re not getting all of Bob Wiseman’s nutty organ soloing, but who are we kidding, you already have the album anyway. In contrast to the A-side, this is one of Greg’s more nocturnal explorations. Are those waves crashing that I hear? Blue Rodeo jam on this long bomber, the title of which is descriptive of the music. “And I feel like William Holden floating in a pool,” goes the line that gives the song its name.
This is a band that has it all: writing, playing, and singing. They don’t use outside writers and their live shows feature jams that go on for days. I’m going to get a little preachy here. If you’re going to jump on the Blue Rodeo train, may as well start at the beginning with songs like “Rebel”, “Try” and of course “Day After Day”…or “Rose-Coloured Glasses”. It doesn’t matter as long as you get it in your ears. Hell, Bob Wiseman on his own is a brilliant and entertaining artist. Throw in the rest of the original lineup and you have a formidable contender for Canada’s greatest band. Greg Keelor’s guitar playing has always been underappreciated, though Jim Cuddy’s golden voice gets all the praise it earns. Basil Donovan’s bass is in-demand due to his innate sense of rhythm and melody. And Cleave Anderson, the former punk drummer who went country, just has a “sound”. It’s simple and it’s his, just like Johnny Fay. Though the band today is larger and more versatile, original Blue Rodeo was a special thing.
Happy Canada Day from LeBrain HQ to you. I know this is rough one, a weird one, and a difficult one. I’m going to ignore the current goings-on and everything else that has to do with Canada Day, and present to you Eleven Canadian Songs You Need to Hear Right Now. Enjoy!
1. Helix – “Billy Oxygen”
2. Arkells – “Leather Jacket”
3. July Talk – “Picturing Love”
4. The Guess Who – “Albert Flasher”
5. Blue Rodeo – “Side of the Road”
6. Harem Scarem – “Slowly Slipping Away”
7. Rush – “Vital Signs”
8. Gordon Lightfoot – “Canadian Railroad Trilogy” (re-recorded version)
GREG KEELOR – “Pine Ridge” (1996, from Pine Ridge: Songs for Leonard Peltier)
Blue Rodeo are taking some heat these days for their stance on indigenous rights. A small group of fans are abandoning the band for (quote-unquote) “going political”, but politics is nothing new for this Canadian institution. In 2015, they recorded “Stealin’ All My Dreams” just in time for the 2015 Canadian election. (The mp3 file had a tag reminding fans to vote!) It was pretty clear from the song where they stood on the issues. Further back, in 1996, they participated in Pine Ridge, a benefit CD for Leonard Peltier. It’s a long story that has resulted in at least three movies, a U2 song, and support from Rage Against the Machine. Greg Keeler’s contribution to the Pine Ridge CD is one of the strongest songs of his entire career.
The track may be credited solely to Greg Keelor, but if you look at the players, it’s actually Blue Rodeo. Jim Cuddy, Bazil Donovan, Glenn Milchem, James Gray, Kim Deschamps…the gang’s all there, the classic Five Days in July lineup. So it’s a Blue Rodeo song in every way but in name. At 10 minutes in length, it is unprecedented in complexity for this great band. And they wore their politics directly on their sleeves.
The government man hate the colour of your skin and your dogshined reservation, No reasons why those two FBI were on Oglala land chasing that red van, And the FBI admit Leonard Peltier did not commit the killings that have Kept him 20 years in prison.
The track runs the gamut from quiet, contemplative picking to soulful and dramatic choruses, to a funky mid-section, and a huge ending. It’s as epic as Blue Rodeo get. It tugs at the soul, and stimulates the mind. It’s a protest song in the grandest tradition, right out of 1969. And nobody can flat-out play like Blue Rodeo. Pedal steel, dobro, organ…it’s all here. And it’s massive.
Stay political, Greg. Regardless of where you fall on the current situation in Canada (it ain’t pretty), we can all agree that the world is richer for all the great protest songs of the past. Here is another one, now an oldie itself.
5/5 stars
The Pine Ridge CD also features performances by The Tragically Hip, Blue Rodeo’s Jim Cuddy, ex-Blue Rodeo keyboardist Bob Wiseman, Jane Sibbery, Michael Ondaatje, Ashley MacIsaac, Sarah McLachlan, the Skydiggers and many more. Worth the investment.
BLUE RODEO – “Diamonds in the Rough” / Demos and Other Stuff….. (1989 Atlantic promo EP)
Here’s the funny thing about “Holy Grail” records. Most of the time, you don’t even know they exist until you find one!
Blue Rodeo is one of those bands for whom I collect “everything”. Their box set filled a lot of gaps, but I am still missing a few things. To the Discogs!
I was searching for one of the Blue Rodeo Live in Stratford albums. There are two; I only have one, and it’s excellent. While searching for that live album, I found this promo EP instead, at a good price and in great condition. Upon reading the tracklist, it contained four Blue Rodeo tracks I didn’t have and didn’t know existed!
1989’s Diamond Mine is still considered one of the band’s greatest albums today, if not #1. The “God and Country” demo that leads off Diamonds in the Rough is an acoustic rendering of one of its best songs. “How Long” is a fully arranged demo, sounding live off the floor. Since this record was cut for radio stations to play, it’s quite possible that you heard these versions at some point in early 1989. I hadn’t, and neither is included in the box set. Of course they don’t have the production value of the full album, but that’s part of the appeal of collecting rarities like this.
Side one closes with a live version of “Outskirts”, also not on any Blue Rodeo album. However this version of “Outskirts” is from another “Holy Grail” promo, The Live CFNY Concert. That record is a double and still out my reach, so this energetic live cut will have to do for now. (I mean, I could buy it right now…but the copy in the condition I want is almost $100.)
Side two has the single edit of their big hit “Diamond Mine”. The album cut is 8:18, full of psychedelic organ solos and Doors-like jamming. A shorter single edit of this song is always handy, and you can’t get it on their Greatest Hits CD. It’s similar if not identical to the music video version.
As if all of the above wasn’t enough to make this promo a worthy “Holy Grail” item, there are two unreleased demos for songs that never made it onto the Diamond Mine album! “Galveston” is a cover of the Jimmy Webb song made famous by Glen Campbell. Blue Rodeo’s version is manically fast, with Jim Cuddy’s sweet voice maintaining what made the song special. Finally it’s “Jig”, an acoustic instrumental with Bobby Wiseman on concertina. This is little more than an idea of a song rather than something fully written. Regardless, these two unreleased goodies go to prove what a band of musicians Blue Rodeo is, particularly Wiseman and bassist Bazil Donovan, possibly the country’s greatest bass player on this side of Geddy Lee.
If this record only had “Galveston” as its sole rarity, it would be still be a Holy Grail item. As it turns out, none of these tracks can be found on a Blue Rodeo CD today, so it really justifies its own purchase!
mikeladano.com 