Woah-ho! Here comes the Priest with yet another live album! How many does this make it? Officially that’s six, not including live discs within deluxe editions, or live DVDs! Battle Cry is the newest, recorded last year at Wacken (August 1 2015).
Some fans like to moan and complain every time an older band like Priest or Maiden release a live album. You can see their point, but at the same time, how much longer will Priest be touring? Don’t you want a live album with all their newest songs? Priest’s last album, 2014’s Redeemer of Souls, was a triumphant return for the band, who had suffered a major lineup change. KK Downing was out, and new kid Richie Faulkner was surprisingly able to take his place on the stage, and in the songwriting. Rather than suffer from this blow, Priest simply kept going full speed ahead. A live album is compulsory after this much activity. Three of the new songs are included on the disc, in among a smattering of classics, but nothing from Nostradamus (2008) or Angel of Retribution (2005). Fear not; you can get some of those songs on the live CD A Touch of Evil.
Here is a handy-dandy chart to show you where these songs originated, not counting intros “Battle Cry” and “The Hellion”.
You’ll notice a huge 23 year gap in the music presented. This isn’t uncommon for rock bands of Priest’s age. There are so many classics, not to mention new songs to play, but not enough time. As such, albums from later periods, or “cult” songs, are often overlooked. The unfortunate effect of this is an unspoken implication that maybe the music between 1990 and 2014 wasn’t very good. Now granted, Priest did have a lineup change during that period. From 1997-2004, they were with singer Ripper Owens, and Priest have yet to revisit any of that material.
Proving that nothing has been lost with the departure of Downing, “Dragonaut” opens the show on a fast heavy note. Faulkner is a perfect fit, acting in unison with Glenn Tipton to produce the same kind of Priest guitarmonies that you’re used to hearing. “Halls of Valhalla”, another new track, rocks just as hard, but with the complexity of the Priest of yesteryear. The musical chops of this band often go overlooked, but just listen to them play. As for Halford? He ain’t no spring chicken, but his singing style has changed to suit. Within that framework, the man is a demon. He can still do things with his voice that few can. The final new song is “Redeemer of Souls”, a little stiff by comparison but certainly up to snuff.
A few lesser-played songs really spice up the set. “Devil’s Child” from Screaming For Vengeance is a treat, and “Jawbreaker” from Defenders of the Faith is a nice switch up from “Freewheel Burning”. Wacken probably would have rioted if songs like “Breaking the Law” and “Metal Gods” were not played, so of course you can count on the hits being represented. A long guitar solo and instrumental section during “Another Thing Coming” is another surprise. Halford used to do a long singalong at this point of the show, but that’s been shortened in favour of a pretty damn cool Richie Faulkner guitar solo. Way to give the spotlight to the new kid — that is really classy.
Because there’s not enough time on a single disc, “Living After Midnight”, the final encore of the show, was axed. Instead, “Painkiller” ends this CD, certainly an interesting choice for a closer. This is the only song during which Rob’s voice can’t keep up. The song is just insane; it always has been, and you can’t fault the guy for not quite getting there.
Battle Cry is yet another in a long string of great live Judas Priest albums. Shoulda woulda coulda been a double CD. The only two songs missing from this show are “Turbo Lover” and “Living After Midnight”, but wouldn’t you prefer having them?