Geoff Tate’s QUEENSRYCHE – “Cold” (2013 single)
Oh, how I wanted to hate this.
I don’t hate it. Â It has a catchy riff, a good vocal from Geoff Tate, a shredding guitar solo, and it’s not about spitting on people or knives. It sounds modern while still featuring a guitar riff or two. Â I don’t hate it like I hated, say, Tribe. Â I’m disappointed that it’s a little faceless and generic sounding.
The problem is that it doesn’t sound like Queensryche. Â It sounds like a Geoff Tate solo track. Â Probably the best Geoff Tate solo track that there’s been so far. Â But just a Geoff Tate solo track.
The blockheaded drums do not sound like the textured complexity of Queensryche. Â (Sounds like Simon Wright though.)
The piano is distracting, I kept thinking a phone was ringing somewhere in my house. Â It sounds like, “Hey, we have a keyboard player in our band.”
I love the guitar solo. Â It’s so tasty and good. Â Who is this? Â Kelly? Â Robert? Â Neither? Â What will this sound like when performed live without guest stars?
I don’t know if the mix is worth the brew-ha-ha that’s being made of it. Â It’s not to my taste personally but it sounds like they had a vision of a heavier than fuck sound and just kind of overdid it.
This track confirms that Tate is still capable of writing good music. Â It does not confirm that Tate still is capable of writing good Queensryche music. Â This is his Chinese Democracy. Â It has a vibe of, “Let’s saturate the song with everything from the biggest sounding drums to the fastest solo to a guy playing piano.” Â Let’s try anything.
Where the real Queensryche’s song, “Redemption”, sounded unmistakably like Queensryche, Tate’s reeks of contrivances. Â Â In the Battle of the Ryches, Round One, the original band comes out on top. Â Tateryche will have their supporters, but it is clear now that Queensryche is a band sound, not merely a singer.
2.5/5 stars
More Queensryche:
Mike Ladano: Exclusive EDDIE JACKSON interview, part I
Mike Ladano: Exclusive EDDIE JACKSON interview, part II
Mike Ladano: Exclusive EDDIE JACKSON interview, part III

