Condition Human

REVIEW: Queensrÿche – Condition Hüman (2015 vinyl box set version)

As we gear up for this year’s release of the next Queensryche album The Verdict, let’s look back at a different edition of their last album Condition Hüman.  For our original 2015 review of Condition Hüman, click here!

QUEENSRŸCHE – Condition Hüman (2015 Century Media 2 LP, + 7″ single coloured vinyl box set)

It is almost customary now.  When a band comes out with a new album, there has to be a crazy deluxe edition with vinyl and CD.  The best of these editions are the ones that include exclusive music.  In the end, all the posters and booklets in the world add up to only paper.  Exclusive music is the thing of real value.

Queensryche did well with their Condition Hüman deluxe.  It was available in a variety of colours.  This one is yellow, number 659/1000.  There’s a cool turntable mat inside, and a double sided poster.  For music, the album is split onto two coloured 180 gram vinyl records, including the Japanese bonus track “Espiritu Muerto” on Side D.   (The D-side is also etched with the Queensryche logo in the empty space.)  For your convenience, the entire album including Japanese bonus track is duplicated on the CD inside.  Then for the diehards comes the true exclusive:  two more songs on a 7″ single, not on any other version of the album.  This is the real reward for spending the extra money on the deluxe.

“Espiritu Muerto” chugs heavily along, punishing the skulls of unbelievers.   On the 7″ record, the two exclusive songs are fairly non-descript. “46° North” is B-side-ish, like a leftover written for Empire but dropped in favour of something more commercial.  “Mercury Rising” is on the other side, with a vaguely psychedelic metal vibe and science fiction lyrics.

Condition Hüman itself is a strong metallic album, though with hindsight perhaps too “metal” for its own good.  There was a time, not so long ago, when fans would have begged and pleaded with Queensryche to write just one new song in the vein of Condition Hüman.  Now that we have two albums solidly back in the metal genre, it would be nice to hear real diversity in Queensryche again.

That said, Condition Hüman is a damn fine album for what it is.  The Queensryche of today, fronted by Todd La Torre, has been determined to retain trademark elements from Queensryche’s 80s heyday.  That includes strong riffs, dual harmony solos, and screamin’ vocals.  These are all delivered with gravy on top.

The vinyl experience of Condition Hüman is actually superior to that of CD.  It was always a long album, with the standard edition being 53 minutes of pretty relentless stomping.  On vinyl, you’re forced to pause and flip the record three times before even getting to the single.  These brief respites allow you to breath and absorb.  What I’ve absorbed is that Condition Hüman is still a damn fine collection of songs, if a bit too single-minded.  One gets the impression from this album that, though good, Queensryche can still do better.

4/5 stars

LP-A1 Arrow Of Time
LP-A2 Guardian
LP-A3 Hellfire
LP-A4 Toxic Remedy

LP-B1 Selfish Lives
LP-B2 Eye 9
LP-B3 Bulletproof
LP-B4 Hourglass

LP-C1 Just Us
LP-C2 All There Was
LP-C3 The Aftermath
LP-C4 Condition Hüman

LP-D1 Espiritu Muerto

7″-A 46° North
7″-B Mercury Rising

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#459.3: 2015 Year-End Lists, part 3 – LeBrain!

GETTING MORE TALE #459.3:
2015 Year-End Lists, part 3 – yours truly, LeBrain!

Unlike my companions in rock, Tom and Uncle Meat, I’m going to be a bit more verbose here with my top lists of 2015.

I thought I had my top five albums down.  I didn’t expect any changes, but then a couple respected writers started praising the new Def Leppard album.  I decided, against my better judgement to go ahead and buy it.  What can I say?  Those reviewers were right.  It’s a good album.  Def Leppard 2015 cracked my top five list, necessitating a top six.

LeBRAIN’S TOP SIX(!) ALBUMS of 2015

6. Def Leppard – Def Leppard
5. Stealth – …listen
4. Queensryche – Condition Hüman
3. The Darkness – Last of Our Kind
2. Faith No More – Sol Invictus
1. Iron Maiden – The Book of Souls

2015

LeBRAIN’S TOP FIVE TV SHOWS of 2015

I actually watched enough TV this year to make up a list!

5. Unbreakable Kimmy Schmidt
4. The Big Bang Theory
3. Star Wars: Rebels
2. Better Call Saul
1. American Dad!

BIG BANG

LeBRAIN’S TOP MOVIES of 2015

As far as I know, only one movie came out this year, right?

1. Star Wars: The Force Awakens

FORCE

2015 IN SUM

The high quality of new albums by returning bands continues to amaze me.  The last band I expected a quality album from this year was Def Leppard.  Of course, on the flip side of that, we have Bon Jovi who choked to death on pop dreck.  Given what was coming out this year, and what the stakes were (a possible final album from Iron Maiden, the first Faith No More CD in 18 years), you couldn’t have realistically hoped for better than we got.  Meanwhile on the new music front, it is hard to find a better debut than …listen, by Stealth.  Not rock in any way, but more mind-expanding than anything else I heard in 2015.

And talk about high stakes on the movie front!  The most anticipated movie of all time is going to be the most successful movie of all time, thanks to it pushing all the right buttons while moving the story into its next phase.  Because of my wife’s health condition (epilepsy) I don’t go out to movies very often, preferring to wait for the blu-ray.  Age of Ultron and Ant-Man pleased me immensely.  But worth more than just an honourable mention is Mad Mad: Fury Road.  Unlike Star Wars, Mad Max rebooted while going off into a startling new direction.  It was probably the most impressive film of the year…but even so, my 2015 was only about Star Wars.  Just trust me — see Mad Max: Fury Road.  See it many times.

Finally:  Rest in peace Lemmy Kilmister, Philthy Animal Taylor (that’s 2/3rds of the classic Motorhead lineup, wiped out), Scott Weiland, Chris Squire, Ornette Coleman, Ben E. King, Percy Sledge, A.J. Pero, Andy Fraser, and of course, B.B. King.

Happy New Year, everybody!

 

fnm

 

REVIEW: Queensrÿche – Condition Hüman (2015 Japanese edition)

NEW RELEASE

QUEENSRŸCHE – Condition Hüman (2015 Century Media Japanese edition)

As if it was not abundantly clear on their last album (2013’s self-titled), Queensryche seem to have no intentions of abandoning their heavy metal roots again.  Furthermore when you have a significant lineup change, such as a new lead singer, you can’t just stand still.  You have to keep progressing forward.  The ‘Ryche used their last album to re-ground their sound, but for a followup you need more than that.  Condition Hüman pushes the boundaries out once more, but not without keeping the metal intact.

Indeed, “Arrow of Time” sounds as if the quintet had been ingesting nothing but classic Iron Maiden for breakfast.  Swift and viscous, “Arrow of Time” gets the job done in the requisite four minutes but not without exploring the exotic side of metal riffing.  Imagine an alternate reality where Queensryche did not go in the highly technological direction of 1986’s Rage for Order album.  Envision instead a timeline in which they followed The Warning (1984) with an album that continued to progress, but also go heavier at the same time.  That album would have been Condition Hüman.  “Hellfire” demonstrates this as well; the song would have fit on a heavier version of Rage.

“Guardian” demonstrates this even more clearly.  With the vintage-style screams and vocalizations (Todd La Torre for MVP), metal riffing, but also Mindcrime-like progressive rock, Queensryche have hit upon a satisfying balance.  Songwriting credits are various combinations of all five band members; all but “Eye 9”, written solely by bassist Eddie Jackson (a first, I think).  The album has a cohesive sound, like five guys all pulling in the same direction.  The production, by Zeuss, is punchy.   Queensryche have always employed elements such as sound effects and programming, and Condition Hüman has these fixtures as well.  

Moving on, “Toxic Remedy” is Mindcrime-like, but denser and massive sounding.  Pay attention to the way Todd La Torre layers his vocals on “Toxic Remedy”.  He has arranged the vocals in his own way; this is not a carbon copy of something else.  “Selfish Lives” is the same.  Yes, there are hooks and melodies that sound very Queensryche, but Todd is showing off his own personality more than before.   And he’s not taking the easy way out on any of it!  Sounds like he is really pushing his own limits, especially on “Selfish Lives”.  It’s quite remarkable how lucky Queensryche were to find a compatible guy like Todd, who is also able to stretch it out.

Another album highlight is the rhythmic “Eye 9”, the aforementioned Jackson composition.  This Queensryche-meets-Queens of the Stone Age track blows the doors wide open in terms of direction by putting the rhythm first.  It sounds like Queensryche, yet nothing like any prior Queensryche, simultaneously.  “Bulletproof” puts a new slant on the Queensryche power ballad, keeping the emphasis on the power.   La Torre makes it his own — listen to the last note he sings.  Sends chills up the spine.  Speaking of chills, crossing the acoustics with the heavy chunky riffing on “The Hourglass” did exactly that.  There are Pink Floyd influences coming up to breathe from time to time on Condition Hüman. This is most obvious on “Just Us”, which is also very much like the slightly psychedelic acoustic side of Led Zeppelin. Queensryche have never done anything like “Just Us” before.  “Silent Lucidity” this is not.  The soulful singing at the close of the song is also unlike anything on a prior Queensryche song.

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For fans of the technical, fast side of Queensryche, “All There Was” will scratch that itch.  With that pulsing technological rhythm and “Needle Lies” tempo, you are in for a ride.  Don’t forget the blazing guitar histrionics.  The final album track is “Condition Hüman” itself, 7:48 of dramatic progressive metallic rock.  Check out the “Astronomy Domine” section after the fifth minute, just before it goes into that deliberate Mindcrime riff.  If I had to pigeonhole the sound of this album, it would be “progressive metallic rock”, but pigeonholes are lazy.  Still, as Commander Pavel Chekov once said, “If shoe fits…”

Holding out for the Japanese edition of the album, the bonus track “Espiritu Muerto” is the bonus track worth waiting for.  Going sludgy for 3:40, but topped with a soaring chorus, the bonus track is in the mold of the album but different just the same.  It’s a long album though, and adding more material (even if good) can sometimes push a CD just a bit too far in terms of attention span.  “Espiritu Muerto” is close to this line, but because it has enough personality of its own, it’s worth staying around for.

If any of these songs sound intriguing to you, check out Condition Hüman.  Fans who wonder where Queensryche could have gone had they adhered to heavier roads will find much to enjoy.  They have never taken the easy way with any of their albums, but it is hard to imagine a fan of early ‘Ryche who won’t find something here to love.

4/5 stars

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That’s dedication, pal!

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I’m hard at work on my next series of reviews:  King’s X.  How hard, you ask?   I have eight instalments completed, with plenty more to do.  In fact just to make sure I do an extra, extra good job, I ordered two albums I was missing:  Black Like Sunday and Ogre Tones.  That’s right.  I spent money on two more CDs, just so I could do a more complete series.  That’s dedication, pal!  I must like you all, or something.

Amazon delivered these two discs free of charge.  Way to go, Amazon.

Then, like a bolt right out of the blue, look what arrived from CD Japan?

That’s right.  New Queensrÿche, Condition Hüman baby! Waiting for the Japanese release always sucks, but I have it now. Bonus track: “Espiritu Muerto”.  Also in the parcel, one re-buy: Def Leppard’s live album Mirrorball, with bonus track:  a “different version” of “Kings of the World”.

Yes, I do work hard, but it’s all for the love of rock and roll.  And you!

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