drugs are bad

#1168: Christmas Crack

A sequel to #106:  My Favourite Aunt
and #287:  Closing Time

RECORD STORE TALES #1168: Christmas Crack

Closing time at the Beat Goes On wasn’t always easy.  At 8:45, we shut down all the customer listening station and began tidying up for cashout.  If people came in during the last 15 minutes, we reminded them that we were closing soon.  Some were respectful of that, and did their shopping within the allotted time frame.  Some brought in CDs to sell at the last minute, always an irritant.  Others purposely seemed to take their time, as if to put us in our place.  “How dare they tell me, the customer, that I only have 15 minutes to shop.  I’ll take as long as I want.”  Retail employees always have to put up with the worst behaved adults, so much so that we often forget the good ones.

December 23, probably 2002, I was closing up with a newer employee name Lori.  We were closing per normal procedure, getting ready for the big chaos on December 24.  Straightening the CDs on the shelves.  Filing things away.  Shutting down the customer listening stations.  Cleaning, counting the minutes.  Having a perfectly pleasant closing.

In came a mid-30s disheveled looking woman, lugging an absolutely huge black garbage bag.

“Hey guys!  Looking for some used CDs?” she asked with a huge smile on her face.

It was never a good sign when used CDs arrived inside a huge black garbage bag.  It didn’t speak well for the quality of the discs inside.

Had the bossman/owner been there that night, five minutes before closing on December 23, he would have seen dollar signs.  I know exactly what he would have done.  He would have told the woman to put the bag on the counter, called me over, and instructed me to race through the piles and check every disc for quality.  Then we would have had to check every once for pricing and current stock, so we could make an offer.  With a garbage bag the size she brought it, we’d probably be there until close to 10 that night, especially since we would have to log each disc.  It wouldn’t have been the first time he kept me that late after closing at Christmas time.  “We will need this stock after the annual Christmas blowout,” he would have thought to himself.  As a bonus, she looked desperate, so we could lowball her too.

Not feeling like a slave to the cash register on December 23, I took the initiative and turned her away.

“You’ll have to come back tomorrow,” I said as my part-timer continued to tidy up for closing.  “We’re done at nine.”

“But it’s not nine yet!” she protested.  “Where am I supposed to get the money?”

Ah I see.  Crackhead, as I suspected when she walked in with the garbage bag.  We had a lot of those.

“Well, we’re going home…it’s the day before Christmas Eve.  All the pawn shops are closed now.  You can leave the bag here for us to look at tomorrow morning if you want to.”  I gambled that she’d say “no” to that idea.  Crackheads were not the most trusting people.

“Well can you just look at a couple of them and give me a few bucks?”

I decided that I just didn’t want to.

“Sorry.  We’re cashing out.”

Should I have looked at her discs, at least until it was time to lock the doors?  Yes, I should have.  But then we’d have to ID her, log the dics, and pack them up.  Did she even have any ID?  And I just wanted to go home.  My boss called it “old dog syndrome”.  I called it “I don’t get paid enough to deal with crackheads at closing time” syndrome.

So the unhappy woman packed up her garbage bag and lugged it out the door, off to who-knows-where.  Not to buy crack though.

Merry Christmas.

REVIEW: Deep Purple – Come Taste the Band (35th Anniversary edition)

DEEP PURPLE – Come Taste the Band (35th Anniversary edition, 2010 originally 1975, EMI)

For those keeping score, now every single album from the original run of Deep Purple 1968-1976 has been remastered with some sort of deluxe edition. Come Taste The Band is the final album of this series. Deep Purple imploded shortly after and the band was no more until Perfect Strangers in 1983.

Personally I have always liked Come Taste The Band right from first listen. However, I never heard the album until 1996 so the idea of a great Purple album without Richie Blackmore was not foreign to me. With open ears you can really appreciate what Deep Purple were up to on this powerfully rocking album. It has a solid groove, a much harder sound than Stormbringer and some greasy unconventional guitar playing from Tommy Bolin. Everybody is playing amazingly, even the coked-out Glenn Hughes who just rips it to shreds on “Gettin’ Tighter”, my favourite track. Paicey is awesome on said breakneck track.

Really though there are no losers on Come Taste The Band. Every song is incredible right from the opener of the ferocious “Comin’ Home” to the philosophical “You Keep On Movin'”. Another personal favourite is the sliding groover “Dealer”, a tale of warning from David Coverdale to Glenn Hughes about his habit. Bolin takes his first and only studio Deep Purple lead vocal on the bridge.

IMG_00000713As with all previous special editions, the liner notes are excellent, revealing, and loaded with pictures. One fact I didn’t know: The band were going to kick out Hughes if he didn’t kick the coke.

Bonus material is present. The single edit of “You Keep On Movin'” is tacked on to the end of disc one, but this is previously available on such albums as Singles A’s and B’s. The second disc contains the entire album remixed by Kevin Shirley. Shirley is truly a great mixer. It’s hard to discern what he did differently here, except the songs are a bit more punchy. Some now continue on past their original fade points, revealing never before heard playing from the band, right to the end of the song. This was done on previous remasters such as Machine Head and I like this touch a lot.

Two previously unreleased tracks are included. These tracks will be worth the price of purchase alone to Purple collectors. “Same In L.A.” is a nearly complete song with lead vocals and lyrics. If it had been included on the original album, it would easily have been the most pop, it sounds more suited to Stormbringer material. “Bolin Paice Jam” is also unreleased — not even heard before on Days May Come and Days May Go or the limited edition 1420 Beachwood Drive albums. This is a massive, fiery jam capturing the best of both players. Difficult to understand why this was not included on the aforementioned two compilations, but it’s just awesome and I’m glad it’s out.

Once again, Simon Robinson has outdone himself with the final Deep Purple remaster of this series. These albums, while expensive and difficult to obtain (mine took almost two months to ship) are well worth it to the faithful.

5/5 stars