Eat the Rich

Sunday Chuckle: Eat the Rich

A show of hands:  who loves the Motörhead song “Eat the Rich”?  Granted, it is not one of their most recognised tunes.  It is however fun and hilarious.

I wanted to post the lyrics on Facebook recently, so I Googled them.  I think Google is a little mixed up.

Google confused Motorhead’s song with the completely different Aerosmith single.  At least they got the words mostly right…mostly!  Below, you’ll find the correct lyrics and credits, thanks to your buddy LeBrain.

 

 

They say music is the food of love,
Let’s see if you’re hungry enough,
Take a bite, take another, just like a good boy would.
Get a sweet thing on the side,
Home cooking, homicide,
Side order, could be your daughter,
Finger licking good.

Come on baby, eat the rich,
Put the bite on the son of a bitch,
Don’t mess up, don’t you give me no switch,
C’mon baby and eat the rich.
C’mon baby and eat the rich.

Sittin’ down in a restaurant,
Tell the waiter just what you want,
Is that the meat, you wanted to eat,
How would you ever know?
Hash browns and bacon strips,
I love the way that you lick your lips,
No fooling I can see you drooling,
Feel the hunger grow.

Come on baby, eat the rich,
Put the bite on the son of a bitch,
Don’t mess up, don’t you give me no switch,
C’mon baby and eat the rich.
C’mon baby and eat the rich.
C’mon honey, here’s your supper,
C’mon baby, bite that sucker!

I’ll eat you baby you eat me,
Eat two, maybe get one free,
Shetland pony extra pepperoni,
Just pick up the phone.
Eat Greek, or eat Chinese,
Eat salad, or scarf up grease,
You’re on the shelf, you eat yourself,
Come on and bite my bone.

Come on baby, eat the rich,
Bite down on the son of a bitch,
Don’t mess around, don’t you give me no switch,
C’mon baby and eat the rich.
C’mon baby and eat the rich.
Sittin’ here in a hired tuxedo,
You wanna see my bacon torpedo?

Eat it baby, eat the rich.
Eat it baby, eat the rich.
Eat it baby, eat the rich.

 

Songwriters: Kilmister, Burston, Campbell, Taylor.

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REVIEW: Aerosmith – Big Ones (1994)

AEROSMITH – Big Ones (1994 Geffen)

There is an informal rule that a band should have at least three albums out before they entertain the idea of a live or “greatest hits” release.  Aerosmith obviously had lots of albums out in 1994, but on two different labels:  Columbia, and Geffen.  Their 1994 best of, not-so-cleverly titled Big Ones, drew from only three Geffen albums.  Therein lies its weakness, though Aerosmith have often had issues trying to balance their classic and pop hit eras on compilations.  Big Ones is easily made redundant by later compilations, but how is it for a straight listen?

A long one:  73 minutes with lots of hits and perhaps a few too many ballads, although there is no denying their chart power.

Three songs were new to the majority of buyers.  “Deuces Are Wild” was a fine ballad, one of their best from this era.  It wasn’t entirely new; it was written for Pump and considered for Get A Grip before being released in 1993 on the Beavis and Butt-head Experience CD.  The other two were brand new recordings:  “Walk on Water” and “Blind Man”.  Fans who dug the heavy Aerosmith on tunes like “Eat the Rich” will enjoy “Walk on Water” as one of their harder rockers.  OK song, but long forgotten now.  Unfortunately “Blind Man” is just another ballad, this one similar to “What It Takes” from Pump.  It’s the better of the two new songs, but sadly another ballad is not what Big Ones needed.

Making this CD even less valuable to buyers, every single track is on the later album Young List: The Aerosmith Anthology (2001).   Even the three new songs!

Otherwise Big Ones plays much like a run-though of Aerosmith’s radio staples that you can hear on the FM dial just about everywhere.  Each and every big hit from the three massive Geffen albums is here.  How often do you need to hear “Crazy”, “Cryin'”, “Amazing”, “Janie”, “Rag Doll”, “Angel”, “Dude”, “Elevator” and the rest?  That is up to you.

Even the cover art is devoid of imagination.

2/5 stars

REVIEW: Aerosmith – Get A Grip (1993 “cow hide” cover)

Let the arrows fly!

COW

AEROSMITH – Get A Grip (1993 “cow hide” cover)

As an Aero-accolyte, I thought Pump was a great album. All killer no filler, just like they made in the early to mid 1970’s. Permanent Vacation, while laden with huge hits, also had a lot of filler. I think Get A Grip falls somewhere between those two albums. It’s heavier than Vacation, but suffers from filler syndrome.

Witness: “Gotta Love It”. “Shut Up And Dance”. “Boogie Man”. Crap, crap, and crap!

SAM_2554

I think Get A Grip has some of the best Aerosmith tunage of the past 20 years though: “Eat The Rich” is absolutely brilliant. “Fever” as well, musically and lyrically: “The high you be gettin’ from the crack don’t last, I’d rather be OD’ing on the crack of her ass.” That is the Steven Tyler I love! I could do without two of the ballads: “Cryin'” (which maybe is more of a blues?), and “Crazy” I could do without. Even if I liked those two songs, they’ve been so overplayed. “Amazing” on the other hand is string-laden Aero-brilliance, a worthy successor to tracks like “Angel” or even dare-I-say-it, “Dream On”. I also enjoyed “Line Up”, with Lenny Kravitz’ cameo. “Come on, Joe!”

The crown jewel of this album is the lengthy “Living On The Edge”. What a great song, and adventurous too. It wasn’t commercial but became a massive hit. Maybe the last time Aerosmith did a really adventurous single that really wasn’t very single-like.

I think production-wise, this album didn’t shine like Pump did.  Fairbairn produced both and Get A Grip was considered by the band to have a better sound, but I don’t know. I think Pump rocks harder and cleaner.  On the plus side, Get A Grip has good separation between Joe Perry and Brad Whitford, so you can really hear them playing and meshing. Same with Tom Hamilton’s rolling bass, you can pick it out and listen to the notes rather than just the groove. And, of course, Joey — Joey Kramer is one of the most underrated drummers in rock. His thrift is Bonham-esque and his groove is legendary.

I hate the standard album cover, it’s dated and stupid. It was even stupid in 1993, let alone now. Much better is the “cowhide” cover. There are no bonus tracks on that version, but it looks cool sitting in my collection (right next to my faux-leather edition of Pump).

There were numerous notable B-sides and other tracks available elsewhere, now all very easy to get on assorted Geffen compilations. Noteworthy, and worth tracking down, are “Deuces Are Wild”, and the two bonus tracks from the “Living on the Edge” single (“Don’t Stop” and “Can’t Stop Messin'”). There was also a good song called “Head First” that was an early attempt at digital distribution and song downloading!

3.5/5 stars. I wish it were better, but I think it’s too long and loaded with filler. I think it could have been 10 songs, like the Aero-classics of old.