motorhead

REVIEW: ECW Extreme Music – Various Artists (1998)

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ECW Extreme Music (1998 CMC)

There are way too many CDs in my collection that I don’t like, but I own for one or two rarities.  ECW Extreme Music is one of those many.  I have never watched an ECW wrestling match in my life.  I only know one of the wrestlers pictured inside, Bam Bam Bigelow, because he was in the WWF when I was a kid.  I don’t like the 90s version of wrestling with the blood and barbed wire.  And I don’t like much of the music they used.

First is the generic riff/loop combo of Harry Slash and the Slashtones, whoever that is.  Skip that repetitive crap to get to a White Zombie remix. “El Phantasmo and the Chicken-Run Blast-O-Rama” was a great groove from Astro-Creep: 2000.  The “Wine, Women & Song” mix by Charlie Clouser is from their remix CD Supersexy Swingin’ Sounds.  It’s an enjoyable remix, which is something best appreciated on its own rather than on a remix album.

Somebody named Kilgore did a carbon copy cover of “Walk” by Pantera, presumably because using the original would have cost more?  It’s embarrassingly copycat.  Your friends who don’t know will assume it’s Pantera.  Fortunately a great Megadeth tune is next.  Cryptic Writings is an underrated album, and “Trust” was probably the second best track on it (right after “A Secret Place”).   This instrumental mix is an exclusive and has emphasis on Marty Friedman’s lead guitar which replaces the vocals.

Bruce Dickinson (and Roy Z) is next with a lacklustre cover of “The Zoo” by the Scorpions.  There’s nothing particularly wrong with it, it’s just a cover, but it’s also a non-album track that collectors will want.  Too bad it’s not exceptional like most of Bruce’s output.  It’s just good not great.  Another cover follows:  Motorhead doing “Enter Sandman”!  It’s as bizarre and weirdly perfect as you’d expect it to be.  Grinspoon are next with their fairly stinky version of Prong’s “Snap Your Fingers, Snap Your Neck”, robbed of all its snarl.  John Bush-era Anthrax are more impressive with Metallica’s “Phantom Lord” from Kill ‘Em All.  It’s breakneck, and also very cool to hear a Big Four thrash band covering another Big Four group.

Pantera, minus Phil Anselmo, are here for their cover of ZZ Top’s “Heard it on the X”.  It’s both ZZ Top and Pantera at the same time, and that’s kind of remarkable.  That’s it for this album though — nothing worthwhile from here out. What’s the point of having a cover of “Kick Out the Jams” (courtesy of Monster Magnet) but then beep out the naughty words?  Somebody named Muscadine decided to do “Big Balls” by AC/DC, a pretty obvious bad idea.  Just awful.  Then it’s more of Harry Slash to end the CD with some more pure filler.

CMC International released a lot of low budget crap over the years, and this CD is pretty poor.  There are five pages of merch advertising inside, including one for a ECW Extreme Music 2.  I skipped that one.  This CD is collectable for the Bruce Dickinson, Anthrax and Motorhead tracks.  But these are cover tunes we’re talking about, so tread wisely.

1.5/5 stars

 

 

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DVD REVIEW: Superbad (2007)

SUPERBAD (2007 Columbia unrated extended edition)

Directed by Greg Mottola

While the Apatow Company’s best films are behind them now, in 2007 they were coming off the dual hits 40 Year old Virgin, and Knocked Up.  Those films featured a core of recurring actors, including Bill Hader, Seth Rogen, Jonah Hill, James Franco and the whole gang that we are all familiar with today.  Then, this kind of comedy was fresh.  Today, Superbad is the only Apatow I can still watch regularly and laugh like it’s the first time.

I love a movie with a great rock soundtrack, and Superbad features Van Halen (“Panama”), Motorhead (“Ace of Spades”), and Ted Nugent (“Stranglehold”).  There’s even The Roots! Even better, and incorporated into the comedy, is the Guess Who’s “These Eyes” as performed by Michael Cera.  It is a case 0f mistaken identity and Cera’s character Evan is in a spot.  I’m cracking up thinking about it. “He’s Jimmy’s brother, the guy! The singer! He’s the guy with the beautiful voice that I was telling you about!” And then, “My brother came all the way from Scottsdale Arizona to be here tonight. And you’re not going to sing for him? You sing, and sing good!” The last song I would have chosen to sing under such circumstances would have been “These Eyes”, but that’s why this is a comedy movie.

Seth (Jonah Hill) and Evan (Michael Cera) are highschool versions of Seth Rogen and Evan Goldberg, who wrote this movie, but were too old to play the parts. It’s the end of highschool, and together with their friend Fogell aka “McLovin” (Christopher Mintz-Plasse, who absolutely nails it in his film debut), they aim to score some liquor for a party. Once they have booze, they will be like heroes to Jules (Emma Stone) and Becca (Martha MacIsaac) at the party, and possibly score some coitus. McLovin has the fake ID, but acquiring the alcohol is only the first of many stumbling blocks.

Seth Rogen and Bill Hader play incompetent cops, but their intentionally stupid scenes will make you groan rather than laugh. Bad decisions by all the characters may have you shaking your head asking “why?”, but you have to put your mind in the hormones of a highschool kid aiming to get his first touchy feely. Guys do stupid things not unlike the people in this movie. I know guys who’ve done things like this when they were kids. I’ve made plenty of stupid decisions while chasing someone of the fairer sex. Granted, I’ve never been hit by a car and then talked into not calling the cops in exchange for going to a badass party where I can steal some booze. That exact situation has never happened to me or anyone I know. But it’s fucking hilarious.

The most enjoyable comedy usually comes from the banter between Hill and Cera. Their blunt vulgarity has a certain art to it. I can still quote lines from this movie, and people know which ones I’m talking about. “Something like 8% of kids do it, but whatever.”

In this film, Seth and Evan are going to different colleges and there is a tension between the two characters over this.  Both of them feel differently about it, and this is the most relateable part of the movie.  The end of highschool feels like the top of the world for a brief moment, but then in the fall friendships split up, sometimes forever (until Facebook came along anyway).  Superbad  is basically a movie about two guys trying to get some, but the tension in the friendship is ultimately what drives the story to its conclusion.  Cera and Hill are funny indeed, but the friendship they portray seems real.

The unrated edition is loaded to the gills with bonus features, and honestly a good chunk of them are worth checking out. You can skip the “Cop Car Confessions”, but definitely watch “Everyone Hates Michael Cera – The Unfortunate True Story”. And of course, don’t miss “The Music of Superbad” either. Bootsy Collins and Lyle Workman put together an unexpectedly cool soundtrack.

4/5 stars

RIP Lemmy Kilmister

LEMMY

Aww, fuck.

RIP Ian “Lemmy” Kilmister (24 December 1945 – 28 December 2015)

Killed By Death.

#328: Slowly Going Deaf? (RSTs Mk II: Getting More Tale)

RECORD STORE TALES Mk II: Getting More Tale
#328: Slowly Going Deaf?

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I’ve been listening to music for as long as I can remember.  I’ve been listening to rock music — and I’ve been told to turn it down — since I was 11 years old.  That’s 30 years ago.  Remember all those times your parents said, “Turn it down, or you’ll be deaf by the time you’re 40!”  Let’s see if that’s true.

I’m not the concert-goer that a lot of you are.  I’ve always had a thing about crowds, but I’ve definitely seen my share of loud shows: Black Sabbath & Motorhead, Helix and Deep Purple are not the kind of bands that turn it down.  In 1972 Deep Purple were declared by Guinness to be the world’s loudest band!  But I don’t enjoy the sheer earthquake noise levels you can get at a concert like that, so I’ve been using earplugs much of the time for almost 20 years.  I started wearing them shortly after seeing Kiss in ’96.  I find this cuts a lot of the noise, and renders the concert to a volume more akin to a loud home stereo.

Where I’m most guilty of playing it too loud is the car.  Sometimes I don’t realize just how loud it is in there until I start the car in the morning, having left the stereo on at full blast.  I seem to turn it up, turn it up, turn it up…and get used to it.  Like a frog in cold water that you begin to slowly heat to boil, I become accommodated to the volume of the rock.  So that would concern me, where hearing loss is concerned.

How much hearing have I lost?  I completed a hearing test at work a short while ago, and have received the results.  Using a 2009 baseline as the comparison, it looks like it’s barely changed at all!

Here’s how the exam worked.  A mobile hearing test truck pulls into the parking lot and we take the hearing tests six people at a time.  Each one of us enters a soundproof booth, which look like we’re sitting in the escape pods of a spaceship, especially after we don our special noise-cancelling headphones.  Unfortunately it’s not a perfect setup.  I and several others could hear the beeping of forklifts and tow motors in the yard, through the booth and headphones.  This doesn’t help when you’re supposed to push a little button at the sound of a beep in your ears.  The test took about five minutes to complete and the results came back about two weeks later.  And here they are.  I don’t know what half this stuff means, but I’m told I have no major loss.  Alright!

TEST

REVIEW: Ronnie James Dio – This Is Your Life (Tribute)

NEW RELEASE

“I’m letting them pick what songs they wanna do in the way they wanna do it.” Wendy Dio

THIS IS YOUR LIFE_0001VARIOUS ARTISTS:  Ronnie James Dio – THIS IS YOUR LIFE (2014 tribute CD)

No preable from me: we all know how great Dio was.  Let’s get to the tracks.

Anthrax kick off the festivities with a slamming “Neon Nights”.  The storming opener couldn’t have been in a better slot.  Not only is Charlie Benate heavy as shit, but the guitar solos are mental.  Joe Belladonna handles the powerful vocal ably.  Rob Caggiano is still in the lineup indicating this isn’t brand new.  I suspect it was recorded at the same time as last year’s Anthems EP.

The guys that never get respect, Tenacious D, tackle the difficult second slot.  No worries there; they chose “The Last In Line” which Jack Black sings with no difficulty.  Uncle Meat has said it before:  Jack Black is one of the best singers he’s seen live.  “The Last In Line” proves his pipes, although some may not like his exaggerated, humorous vocal enunciation.  Kyle Gass plays a cute recorder solo in lieu of guitar, but there’s not enough K.G. on this track.  Brooks Wackerman kicks the drums in the ass.

And speaking of drums, Mike Portnoy is next with Adrenaline  Mob.  They demolish “Mob Rules”, although singer Russell Allen is certainly no Dio.  He is completely overshadowed by Portnoy and the shredding of Mike Orlando.

Corey Taylor, Satchel (Russ Parish) and friends  chose “Rainbow In the Dark” as their tribute to Ronnie.  This has always been such a fan favourite, and a personal one as well.  It is difficult to imagine anyone but Ronnie singing it.  While Corey Taylor is not at all like Ronnie James Dio, you can tell he loves this song.  It bleeds out of his performance.  He does it in his own rasp, and it works.

The incredible Lzzy Hale and Halestorm are up next with another Dio classic, “Straight Through the Heart”.  There is no denying the talents of Lzzy Hale, but her powerful pipes are almost too much.  Perhaps she overpowers the song, rather than simply fueling it.  Halestorm fans will love it, but I think Lzzy maybe should have reeled it in a bit.  Or, maybe I just need to get used to it.  “Straight From the Heart” does sound better after a few listens.

Biff Byford (Saxon) joins Motorhead on lead vocals for Rainbow’s “Starstruck”.  There’s a bit of that Motor-slam in it, but if I didn’t know who it was, I never would have guessed Motorhead.  You can hear Lemmy on backing vocals, but weirdly, he’s not credited on bass.  Nobody is, but you can hear the bass clearly and it sounds like Lem.

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I’m a little sick of the Scorpions doing ballads, but I admit that “Temple of the King” (another Rainbow classic) is stunningly good.  One might almost mistake it for a Scorpions original.  It has that regal Scorpions bombast to is, but Matthias Jabs’ lead work is just sublime.  He’s an underrated player, absolutely.  You can tell he’s a Blackmore fan.

An oldie from 1999, Doro’s cover of “Egypt (The Chains are On)” is excellent.  It’s cool to hear female singers like Doro and Lzzy Hale sing Dio.  Doro’s impressive pipes have always been astounding.  Her version of “Egypt” is a little over the top compared to Dio’s, but that’s cool by me.

Killswitch Engage…hmm.  “Holy Diver” starts great, super heavy, with some perfectly acceptable, melodic vocals.  Then it all goes down the toilet at the bridge.  That’s when it turns into hardcore shouting and blast beats…sorry, not on this song, thanks.  I can listen to that stuff in moderation, but don’t sully “Holy Diver” with it.  Fortunately the guitar solos are great, sounding like an Iron Maiden outtake from Powerslave.  Shame about the growling and shouting.  Skip.

“Catch the Rainbow” is a great song, and Craig Goldy plays guitar on this cover.  He’s ex-Dio himself, and he’s backed by his former Dio-mates Rudy Sarzo, Scott Warren and Simon Wright.  (Hey, that’s also 1/3 of Tateryche!)  Glenn Hughes sings, but this song sounds out of his scope.  His bluesy slant doesn’t work for me.  Sorry Glenn, you’re still awesome!

I find it strange that two more ex-Dio members (Jimmy Bain and Rowan Robertson) chose to cover Black Sabbath.  But who cares!  They covered “I”, perhaps the greatest song from Dehumanizer (1992)!  On drums is Brian Tichy, with Oni Logan (Lynch Mob, Dio Disciples) singing.  It’s a perfectly authentic version and I love it.  It’s absolutely thunderous, and I love Jimmy Bain’s bass sound.  Always have.  Of all the vocalists on This Is Your Life, it is Oni Logan that comes closest to nailing Dio’s vibe.  Considering he’s in Dio Diciples, I shouldn’t have been surprised.  I didn’t expect it though, based on what I knew of Logan from Lynch Mob.  He fits “I” like a glove!

I was disappointed in Rob Halford’s version of “Man On the Silver Mountain”.  It’s true that Halford did replace Dio in Black Sabbath for two shows in 1992.  However, having owned a bootleg video of that show since that time, I knew that Halford’s and Dio’s styles didn’t really mesh.  This is no different; I don’t think his voice works with the song and it unfortunately shows off the places where Rob’s voice has weakened.  What is cool though is that the band (all ex-Dio:  Doug Aldrich, Vinnie Appice, Jeff Pilson and Scott Warren) take it to a swampy bluesy Whitesnake-y place for the intro.  You can definitely hear Pilson covering the high notes in the chorus.

Finally we arrive at the mighty Metallica.  Snicker if you like.  If Metallica do one thing really well, it’s covers.  If they do two right, it’s covers and medleys.  The “Ronnie Rising Medley” is entirely made up of parts of Rainbow songs.  “A Light In the Black” bleeds into “Tarot Woman,” where the vocals begin.  It’s safe to say if you don’t like Metallica, you won’t like this.  If the opposite is true, I think you’re in for a treat.  Metallica do these classics in their own style, just as they have in the past when covering Maiden, or Mercyful Fate, or Thin Lizzy.  Simply add Lars’ thuds, James’ growl, and some standard Metalli-licks, and you’ve got a medley that is enjoyable through its near-10 minute run time.  Having said that, the weak point is definitely “Stargazer”, which is gutted of all its majesty.  They do much better with “Kill the King” which is fucking perfect.  They include the entire song in their medley!

Fittingly, the album ends on a ballad:  Dio’s own somber “This Is Your Life”, performed by the man himself in 1996.  I did not like the Angry Machines album, but if there was one song I would have picked as a highlight it would be “This Is Your Life”.  Performed only by Dio and Scott Warren on piano, it is unlike anything else in Dio’s canon.  The lyrics speak of mortality:

This is your life
This is your time
What if the flame
Won’t last forever?

This is your here
This is your now
Let it be magical

What a way to end a great album.  As much as you can “miss” a person you have never met, I do miss Ronnie James Dio.  In many ways he’s been my friend for 30 years.

4.5/5 stars

As a nice added touch, the liner notes include photos of just about every performer on this CD with Ronnie!

Of  note:  the Japanese edition has a bonus track by Dio Diciples:  “Stand Up and Shout.”  It also has Stryper’s version of “Heaven and Hell” from their 2011 album The Covering, which I reviewed here.

Part 244: Diary of a Mad Record Store Man

JAMIE MIKE

Friend with LeBrain, Phil’s, Waterloo

RECORD STORE TALES Part 244:  Diary of a Mad Record Store Man

I’d like to share with you a selection of entries, verbatim from my journal in 2005.  Here’s a snapshot of Record Store Life, November 2005, one month before quitting the store.

Date: 2005/11/04 10:35

PLAYING IN CAR:
Fu Manchu – King Of The Road

I was just thinking today how much I hate bars. I haven’t been to a bar in a year. Last time I went, a bunch of jocks wanted to kick my ass because they thought I looked “gay”. (With my Motörhead shirt on?)

Also thinking about how rude some customers can be. Like it is MY fault that they have to pawn their shit to buy crack.

Date: 2005/11/04 11:59

Today has been very annoying thus far.

People are idiots sometimes, and people rarely seem to listen. And while I’m working away here among the idiots, the Hives are singing, “Walk Idiot Walk”. Very nice.

Oakville tomorrow…yeah…not hyped for that, either.

Date: 2005/11/15 07:29

I have 3 hours to clean my apartment before my parents arrive.

Date: 2005/11/22 19:51

What goes up must come down.

– I spilled candle wax all over my brand new rug (only 6 days old).
– The trunk of my car has a leak, water has ruined a few items inside.
– I have no money.
– I have a total of three days off in the entire month of December

 Date: 2005/11/24 19:39

With this new beard, people have taken to calling me either “Ewen” or “Señor Speilbergo”. I’m fine with either name.

Date: 2005/11/25 11:05

Just because you are spending hundreds of dollars in my store does NOT make me your bitch.

Date: 2005/11/26 17:56

There’s this dude in my store that looks exactly like a short Sean Astin.

Except I’m not really sure, maybe Sean Astin is short anyways? I mean, he’s a hobbit, right?

REVIEW: Slash – Slash (Deluxe edition)

SLASH – Slash (2010 Universal Deluxe edition)

This album was a revelation to me.  Truth be told, I didn’t expect too much.  I didn’t consider Slash to be among the best songwriters in Guns N’ Roses (Izzy and Duff for that honor).  So, a couple things about Slash struck me right away. One, every track on this album is strong, almost every one would make a great single. Two, I was surprised how these songs kind of chameleon themselves to resemble the bands that the singers come from. Almost every guest does a co-write, which might explain this.

I’ll discuss my favourite tracks. I have always been a Cult fan, so Ian Astbury’s “Ghost” kicked off the album with a bang. It doesn’t quite sound like the Cult, but at first it didn’t sound like Slash either. Astbury’s voice, deep and low, is almost as strong as ever. Ozzy’s track is next, and my immediate feeling was, “This song could have been a Sabbath number with a little tweaking.” I very much enjoyed this song.

I’m not a Black Eyed Peas fan; at all!    All I really know about Fergie is “Big Girls Don’t Cry”. To my surprise, she is capable of the rock. Her vocal is highly stylized (as are many on this CD) and she just rips it up on “Dangerous Beautiful”! Of all the singers on this CD, Fergie is the most similar in attitude to Axl. Every once in a while she does a squeal or two that sound positively Axl. This is a decent song made memorable by Fergie’s vocal, although I think the lyrics leave something to be desired.

I wasn’t at all familiar with Alter Bridge, but Myles Kennedy blew me away. I guess there must have been a reason that the Led Zeppelin guys were jamming with him as a potential replacement for Robert Plant. I get that, but although he has a powerful voice with great range, he has his own sound. My new favourite singer! His two songs, “Back To Cali” and “Starlight” couldn’t be less alike. However they both boast one thing in common, and that is a chorus to raise the roof. These two choruses are among the strongest moments on Slash.

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Chris Cornell is up next with “Promise”, a good song which struck me as more similar to Cornell’s early solo work than Soundgarden. Let it be remembered that Chris opened for Guns N’ Roses on their 1992 European tour. The first single “By The Sword” featuring Wolfmother’s Andrew Stockdale is another one that blew me away. It struck me as very “metal” with the kind of lead vocal that is high and powerful, like Wolfmother itself. Great song, and bears similarities to “Beggars and Hangers-On” from the first Slash’s Snakepit album.

I’m especially not a Maroon 5 fan.  I burned out on them in the record store, and the person responsible knows who she is, I do like Adam Levine’s stylized vocal on the ballad “Gotten”.  This guy is smooth like butter. My only wish is that there was more of his music with Slash. The way his vocal and Slash’s guitar melodies intertwine is quite beautiful.

Lemmy’s tune sounds like some sort of Motorhead outtake (don’t forget Slash appeared on Motorhead’s March Or Die CD). Anything Lemmy touches automatically sounds like Motorhead. Up next is an instrumental featuring Dave Grohl on drums and Duff McKagan on bass. Immediately, that familiar Dave Grohl drum sound kicks you in the face, on this rocker that is pure groove, with Slash playing a low grinding riff.

I didn’t mind Kid Rock’s “I Hold On”, and I found his vocal quite appealing. Another one that surprised me was M Shadows’ “Nothing To Say”. I’ve never listened to Avenged Sevenfold but this guy’s voice has enough melody to carry the tune. The song itself was riffy, like late 90’s Megadeth or black album era Metallica. Good song. Very similar to “Chains and Shackles” (more on that song later). I have to listen to both back to back, but it’s possible they are both based on the same music.

I have no idea who Rocco DeLuca was, but his tune is another winner. The final track of the regular album songs is the immortal Iggy Pop’s “We’re All Gonna Die”. One of the most fun tunes on the album with great lyrics, Pop and Slash have an obvious chemistry. What a great tune with which to close the regular edition!

Oh, and three ex-GN’R members appear: Duff, Izzy, and Josh Freese (who was in the band after Slash).

Among the bonus stuff, an English version of “Sahara” featuring a singer I never heard of called Koshi Inaba. Good song, but is is followed by Alice Cooper’s track with…someone I never heard of apparently from Pussycat Dolls. This actually sounds a lot like an Alice Cooper song, say circa The Eyes of Alice Cooper. Another good song, and we all know how big a fan Slash is. Lastly there is Fergie and Cypress Hill’s “Paradise City” remake. Good choice for the very Axl-ish Fergie to sing, and Cypress Hill add their sound to the verses. Great version, a guilty pleasure. There is also a Japanese version of “Sahara”, and a song with Beth Hart called “Mother Maria” which is a really nice one featuring her strong bluesy voice. I’m telling you, Beth Hart can really sing, she is a the real deal. I just wish they didn’t add distortion to her voice…she does not need it.

The new acoustic live material with Myles Kennedy is sheer awesome. Kennedy’s got an incredible voice and you can tell this is really live. The backing guitar player makes a few mistakes during Slash’s solo in “Sweet Child” and it’s right there, unfixed. I like that. It’s like a guarantee. It’s like the Stones and Henry Rollins say — “The only way to know for sure.”

I’m disappointed that Nick Oliveri’s “Chains & Shackles”, the best song in my opinion, is not present on this edition. It remains exclusive to the Australian iTunes. However, by my reckoning every other bonus track from every other format is on this disc. There are also two previously unheard demos. These demos are interesting jams and they show great interaction between Slash and his players. Also included are some live electric versions (also seemingly unpolished) and a bonus DVD. All of this is worth owning if you really love the album like I do.

IMG_00000702I made a bonus CD with the Oliveri track, and other “bonus tracks” that I found online, as well.  How official these downloaded tracks are I can’t say; Wikipedia is silent on the issue.

You may have noticed I didn’t comment on Slash’s presence too much. I dare say it, the only weakness to this album is that Slash is overshadowed by his guests. That happened to Santana on some of his records as well. Slash’s guitar playing is still unique and stylish, not hogging the spotlight but sharing it more than fairly. Slash himself explores more sounds on his Gibson than I’ve ever heard him play before. When he solos, it’s Slash; it’s the old GN’R sound, and it sure is cool.

5/5 stars

Sausagefest XII: The Complete Countdown!

There were some pretty awesome picks this year.  I have to give Scottie props for “Coming Home” by Iron Maiden, from the excellent Final Frontier album.  I found some things a bit surprising, such as the overplayed-on-radio “Black Betty” by Ram Jam, placing so high.

“Thick As A Brick” was the live version, so just over 10 minutes.  Other long bombers included all of “Supper’s Ready” by Genesis, which resulted in a tirade by Phil for just as long, about how much he thinks it sucks!  (And he’s an old-school Marillion fan…surprising.)  And of course there were several Maiden tunes that clock in well over 5 minutes.

For your edification, here is the official Sausagefest XII Countdown:  75 tracks, plus 35 tributes.  One tribute for each person that submitted a list!  110 songs over one weekend!  Awesome.

1 Toronto Tontos Max Webster
2 Long Cool Woman in a Red Dress The Hollies
3 The Grudge Tool
4 Rooster Alice in Chains
5 Supper’s Ready Genesis
6 Papa Was a Rolling Stone The Temptations
7 Mississippi Queen Mountain
8 Black Betty Ram Jam
9 Locomotive Breath Jethro Tull
10 I’m Your Captain Grand Funk Railroad
11 Wasted Years Iron Maiden
12 Low Hanging Fruit Tenacious D
13 Green Eyed Lady Sugarloaf
14 Hey Joe Jimi Hendrix
15 Headlong Flight Rush
16 Roadhouse Blues The Doors
17 Thick as a Brick Jethro Tull
18 Powerslave Iron Maiden
19 Bohemian Rhapsody Queen
20 Trapped Under Ice Metallica
21 Nautical Disaster Tragically Hip
22 No Quarter Led Zeppelin
23 Mr. Blue Sky Electric Light Orchestra
24 The Wizard Black Sabbath
25 Mama Told Me Not To Come Three Dog Night
26 Blackened Metallica
27 Jungle Boogie Kool and the Gang
28 Telegraph Road Dire Straits
29 Sanitarium Metallica
30 Renegade Styx
31 Eulogy of the Damned Orange Goblin
32 Throw Down the Sword Wishbone Ash
33 Electric Worry Clutch
34 The Alabama Song The Doors
35 Rise of the Fenix Tenacious D
36 Livin Thing Electric Light Orchestra
37 The Shape I’m In The Band
38 Mother Danzig
39 The Chain Fleetwood Mac
40 No One Knows Queens of the Stone Age
41 Die Young Black Sabbath
42 Bang Bang Terry Reid
43 Caught Somewhere in Time Iron Maiden
44 Buried Alive Avenged Sevenfold
45 Dream Police Cheap Trick
46 Would Alice in Chains
47 Don’t Fear the Reaper Blue Oyster Cult
48 Zero the Hero Black Sabbath
49 Pool of Booze Volbeat
50 Parabola Tool
51 Why Cant We Be Friends? War
52 Rock and Roll Led Zeppelin
53 While My Guitar Gently Weeps The Beatles
54 Breadfan Budgie
55 Strutter KISS
56 Holy Wars Megadeth
57 Old Man Neil Young
58 Southern Man Neil Young
59 The Pusher Steppenwolf
60 Tempus Fugit Yes
61 Fight Fire With Fire Metallica
62 Kielbasa Tenacious D
63 Green Onions Booker T and the MG’s
64 Weird Beard Fu Manchu
65 Tonight’s the Night Neil Young
66 BYOB System of a Down
67 The Zoo Scorpions
68 As the Years Go By Mashmakhan
69 Toxicity System of a Down
70 Deuce KISS
71 Space Truckin’ Deep Purple
72 South of Heaven Slayer
73 Rocky Mountain Way Joe Walsh
74 Roadie Tenacious D
75 Rock and Roll Motorhead
TRIBUTES
TOM Earache My Eye Cheech and Chong
ERIC Rosanna Toto
BUCKY A Day in the Life WAR
LAMB LORD The Wizard Uriah Heep
LEBRAIN Well You Needn`t Herbie Hancock Quartet
TROY Caught Up in You .38 Special
ERNIE Apocrophon The Sword
SCOTTIE Coming Home Iron Maiden
RYAN Still Counting VolBeat
SEB Demiurge Meshuggah
PHIL Under Black Flags We March Arch Enemy
CHUCK New Fang Them Crooked Vultures
TYLER G. Come on in my Kitchen Robert Johnson
C Time After Time Savage Steel
CHAD She`s a Rainbow The Rolling Stones
DR DAVE Ogre Battle Queen
LOGAN Cowboys From Hell Pantera
GRANT Around the World Red Hot Chili Peppers
WAYNE Inside Looking Out Grand Funk Railroad
CAM Red Hot Mama Funkadelic
AARON High Caliber Consecrator Clutch
JOHN B. I Stay Away Alice in Chains
TAL Dear God XTC
LAMB LAD Kick Out the Jams MC5
ALEX Chicken Strut The Meters
TREVER Volare Dean Martin
FRANK Whiskey in the Jar Metallica
JAGGER Frozen Love Buckingham/Nicks
MARK E. Are You Mine? The Arctic Monkeys
JON K. Stone Deaf Forever Motorhead/Metallica
TYLER W. We Are All on Drugs Weezer
MARK S. People are Strange The Doors
JUSTIN Monsters Blue Oyster Cult
MIKE Monarchy of Roses Red Hot Chili Peppers

The official video

REVIEW: Anthrax – Anthems (2013)

ANTHEMS COVER

ANTHRAX – Anthems (2013 Megaforce Records)

Anthrax have recorded some of the most entertaining covers of the last 30 years.  Many of them have appeared as hard to find B-sides or bonus tracks.  Anthems is Anthrax’s new covers EP, readily available, and a welcome addition to a metal lover’s collection.

As if they needed to show off how well they could play, the EP kicks off with “Anthem” itself, a Rush cover, and a stunning one at that.  Joey Belladonna’s voice strains to reach the highest of notes, but he hits ’em.  This is one dead-on accurate Rush cover, not an easy thing to execute.  And it’s heavy as balls.

“T.N.T.” is a blast.  Again, this is not an easy song to cover, because it is so indelibly linked to AC/DC and Bon Scott.  Incredibly, Anthrax do so with as much accuracy as they did Rush.  Joey sounds perfectly in his element paying tribute to Bon.  Up next is “Smokin'” as performed by Boston.  Like a chameleon, suddenly Joey is in Brad Delp’s shoes.  As great as the entire band is on Anthems, at this point, it is Joey that is blowing me away the most!  What’s also cool about “Smokin'” is that the lengthy organ solo is intact, performed by Canadian Fred Mandel (ex-Alice Cooper).  An extended keyboard solo with Anthrax?  Smokin’!  (No kidding though, it’s great.  Like it or lump it!)

We all know Joey Belladonna is a huge Steve Perry fan.  It is a joy to hear him having a chance to pay tribute to his hero on “Keep On Runnin'”.  Scott Ian proclaims in the liner notes that “On paper, Anthrax covering Journey may seem weird,” but he reminds us that “the song just fucking rocks”.  Charlie Benate ensures this with surgically inserted blasts of drum fury.

“Big Eyes” is a Cheap Trick song I had somewhat forgotten about.  It has a monster groove and yet another fantastic lead vocal.  Anthrax bring the song to its knees.

“Thin Lizzy is arguably the most underrated and under appreciated band of our time,” says Scott in the liner notes.  Amen brother!  But he also points out their paradoxical great importance and influence.  Scott reveals he’d like to do an entire record of Lizzy covers.  Phil Campbell of Motorhead plays the solo, as per the Live and Dangerous version.  I love hearing Joey do the “Hey you, good lookin’ female! Com’ere!” line.  So much more menacing than Phil Lynott!

From Anthrax’s most recent record, Worship Music, comes “Crawl”.  I am on the fence with this song, as all I can think of is Soundgarden.  “Fell On Black Days”.  Can you hear it, there in the first minute of the song?  (Maybe it’s their Soundgarden cover, eh?)  Also on the EP is the remix of “Crawl”, which was previously only available on the Japanese version of Worship Music.  So this purchase worked out well for me.  I had been putting off buying Worship Music until I could find a reasonably priced Japanese import.  I prefer to get all the bonus tracks, so with Anthems now in hand, I can just pick up the domestic Worship Music and be done with it!

As a nice touch to collectors, Anthrax released this EP with six different covers.  I pre-ordered this thing from Amazon, so I didn’t get the luxury of picking my cover art.  If I did, I might have chosen the Rush or Journey versions.  What I got was the Cheap Trick cover, but I think I like it best anyway.

5/5 stars

REVIEW: Newsted – Metal (2013 EP, autographed CD)

Updated with photos of this cool limited edition autographed CD!

NEWSTED 1

NEWSTED – Metal (2013 EP, iTunes and Jasonic Music)

Oh man!  If this doesn’t kick off 2013 with a bang, I don’t know what will!

This four song EP is some of the coolest heavy metal tunage that these aged ears have heard in recent days.  Newsted (the band) consists of:  Jason Newsted, bass & lead vocals, with Jesus Mendez Jr. on drums and Jessie Farnsworth on guitar.  No, I never heard of those two guys either, but who cares?  This EP smokes from start to finish!

Jason’s vocals are reminiscent of his former bandmate’s, Snake, from Voivod.  Even musically, Newsted has more in common with Voivod than Metallica.  The first song, “Soldierhead”, rocks like a Motorhead outtake on rocket fuel, with those snakey Voivod vocals.  Then it really kicks into a Voivod vibe, accompanied by some thrashy soloing.

The second track, “Godsnake”, slows the pace to an ominous crawl.  Jason spits the words out like venom.  It’s an infectious groove, with a total Fu Manchu guitar solo.

“King of the Underdogs” starts with some slow, evil metal pickin’, but settles into a slammin’ groove in short order.  Jason’s bass is delicious, but once again, it’s the vocal I’m addicted to.  “I am the king…I am the king…I am the king of the underdogs, you know that’s my name!” snarls Jason.  The chorus is infectious, and the solo is eerie goodness.

“Skyscraper”, the final song, is not a David Lee Roth cover, thankfully, but in fact is a Sabbathy riff monster.   Once again, when the vocal kicks in, I can’t help but think of Voivod.  But that’s OK.  I like Voivod.  I’ve played this EP a number of times now, but I can’t pick a favourite tune.  All four are great, old school metal tunes with grit, groove, bite and melody.

Of interest:  the songs are (coincidentally?) in order from shortest to longest.

Initially this was an iTunes only release.  Then, after I bought that, Jason announced a limited autographed physical CD release.  Me being a lover of physical product (and autographs) I ordered that here:

https://tinmanmerchandising.com/merch/product_info.php?cPath=446_447&products_id=1479#merchTop

I love the vinyl look of the actual CD.  The packaging has photos and lyrics.  It’s a nice little cardboard sleeve with that bitchin’ Newsted logo.

Jason has also said that this is the first of three EPs.  Count me in for the next one.  Can Jason deliver more of this metal devastation?  Let’s find out.

5/5 stars