Shannon Tweed

REVIEW: Gene Simmons – The Vault – Disk 6 (2018)

Previous Reading: 

Record Store Tales #600:  The Vault
Disk 1 Review
Disk 2 Review
Disk 3 Review
Disk 4 Review
Disk 5 Review

 

 

 

 

 

 

 

Rough waters ahead, as more demos for the Asshole album are up.  For those keeping score at home, this CD contains tracks 76-90 in the Vault box set.


GENE SIMMONS – The Vault – Disk 6 (2018 Rhino)

As if we didn’t get enough on the last disc, we’re back on Disk 6 with another version of “Waiting For the Morning Light” by Dylan/Simmons.   This is close to final.  The instruments were played by Gene’s protege called “Bag” (just Bag) who somehow never became the next big thing.  Gene says he beefed up this demo for the final album.  That’s exactly what it sounds like.  The keyboards are a little more prominent, and it goes on a bit longer.  Gene notes in the book that he wanted Bob Dylan to write the lyrics, but Bob told him to finish the song.  I can’t help but get the impression that Bob was disinterested.  3.5/5

“Is It Real” is one of the newer songs, recorded in 2009 with Gene on acoustic guitar.  The lyrics were inspired by dreams.  Gene calls out the chords as he records, doubtless to help him remember how to play the song.  There are similarities to “See You Tonite” from his solo album.  This is just a quick one-minute idea.  2/5 

“Is It Real” goes directly into the demo for “Are You Real”, the completed song with Eric Singer and Tommy Thayer.  Is the similarity to “See You Tonite” intentional?  Gene doesn’t say, but it doesn’t sound accidental.  This could never have been a Kiss song, but as a solo track, it’s not bad.  Once again it is very Beatles-esque.  Gene is very good at writing those kinds of songs.  It’s also fun to hear Tommy Thayer play more like himself.  3.5/5

“Something Seems to Happen at Night” is a song written and played by Adam Mitchell and sung by Gene.  Simmons was so enamoured with the demo, that he didn’t want anything added or subtracted from it.  He liked the mood and atmosphere.  It sounds very early-80s, so it might date back to 1981 or 82 given Mitchell’s role.  It doesn’t have the fidelity of a final song, and would not have fit on a Kiss album as-is.  That’s why we’re hearing these songs now, and it’s not because they’re bad songs.  3.5/5

Simmons cites Lennon as an influence on “I Believe”, performed with Erich Lenning of Nick Simmons’ band.  There are scratch lyrics and scatting, but melody and song structure hints at something pretty good in the making.  If only these songs were more complete!  If Gene ever puts out another solo album, he should consider finishing some of these songs.  3/5

The electronic “Beautiful”, which ended up on Gene’s solo album, is written and performed by some guys who submitted their music to Simmons Records looking for a deal.  For whatever reason, “Beautiful” jumped out at Gene and he recorded it with the guys.  One wonders why, since it’s crap.  1/5

“Guilty Pleasures” was written on a Martin acoustic guitar at Shannon Tweed’s place in Whistler, BC.  The included demo is electric, with Tommy Thayer and Eric Singer.  Now this is cool.  It’s Gene in a Neil Young state of mind, with these big huge chords and a roomy arrangement.  It’s a slow epic kind of song, similar to “Goin’ Blind”.  Eric’s drums are huge.  He adds so much to a song.  Tommy adds in another solo that shows he’s not just a Frehley clone.  One could hope this will get finished one day.  There’s something here.  3/5

Gene gushes over “I Dream 1000 Dreams”, a song which ended up on his solo album.  He describes how the song came to him, fully formed, and he just had to record it.  This demo is the template on which the final version was based.  And it’s crap mish-mash of this, that and the other thing.  1/5

“I Am Yours #1” is one of Gene’s demos with Silent Rage as his backing band.  That dates it back to the early 90s.  He compares this to “All The Young Dudes”, and you can hear the exact guitar melody he’s referring to when he says that.  There is a little bit of “God Gave Rock And Roll To You” in it as well.  This is a pretty good song, but it would not have fit on Revenge.  Though it is heavy, you can hear the Beatles influences coming through.  Beatles influences work so well in heavier songs!  3.5/5

“I Am Yours #2” is a second version, but Gene doesn’t have too much to say about its origins in the notes.  Could be Eric Singer on drums, hard to say.  It is rougher sonically speaking.   It’s less compelling.  3/5

Gene says “Love Is Blind #1” is a little like the Eagles.  It could be, but to me it’s more like Gene’s first solo album in 1978.  This demo is just Gene with acoustic guitar and bass.  It’s a pretty song and actually sounds pretty good as-is.  Gene overdubbed nice harmony vocals to beef it up.  All it needs is some percussion instead of a click track.  3.5/5

The fully-formed “Love Is Blind #2” might be less appealing because it lacks that folksy sound.  On the other hand, it’s a pretty cool pop rock song like this.  The acoustic version might be a little more special.  3/5

I actually liked “Whatever Turns You On” from the Asshole album.  The song was a submission that Gene made some additions and edits to.  It’s definitely different, and features the Tweed sisters on laughs and backing vocals.  This demo is rougher, has more emphasis on the organ, and is generally more authentic than the album version.  A few demos are like that.  This is the best version.  4/5

The funny story about “Hold On” is why it was written.  Gene was up in freezing cold Saskatoon with Shannon Tweed, and everyone was outside having fun in the snow.  Not being the winter type, Gene stayed in and wrote “Hold On”.  This is another 90’s Silent Rage demo.  Again, its acoustic nature really hearkens back to Gene’s 1978 solo album, and that’s not a bad thing.  That “Beatles” word seems to recur when discussing many of these demos.  Gene is good at those kinds of songs.  Interestingly, there are similarities in the chorus to the unrelated “Waiting For the Morning Light”.  4/5

Finally, “First Love” was written on piano in the late 70s.  It’s the first song Gene ever wrote on piano.  Unfortunately, it’s pretty dreadful.  A Beatles-y misfire this time.  They wouldn’t have even given this song to Ringo to sing.  1/5

Average score by song:  2.83/5 stars

 

 


Disk 6 Track length and songwriters (from Wikipedia)

1. Waiting for the Morning Light (3:56) Dylan / Simmons
2. Is It Real (0:59) Simmons
3. Are You Real (2:56) Simmons
4. Something Seems to Happen at Night (2:37) Mitchell
5. I Believe (2:36) Simmons
6. Beautiful (4:06) Addison / Singh
7. Guilty Pleasures (2:56) Simmons
8. I Dream 1000 Dreams (3:40) Simmons
9. I Am Yours #1 (4:32) Simmons
10. I Am Yours #2 (2:57) Simmons
11. Love is Blind #1 (2:57) Simmons
12. Love is Blind #2 (2:53) Simmons
13. Whatever Turns You On (3:03) Williams / Simmons
14. Hold On (2:53) Simmons
15. First Love (2:14) Simmons

REVIEW: KISS – Alive 35: Live at Credit Union Centre, Saskatoon SK, Nov 10 2009

ALIVE 35_0001KISS – Alive 35: Live at Credit Union Centre, Saskatoon SK, Nov 10 2009 (Concert Online)

I would buy any “instant live” type CD by Kiss — that’s a given. The sheer quantity available means I will never own a complete collection of them. What I chose to do was buy a handful, selectively. I was most interested in Canadian shows, and of course concerts where new songs from Sonic Boom were performed.

Kiss’ concert in Saskatoon on November 10 2009 fit the bill perfectly.* Something about Paul Stanley shouting, “SASKATOON!” The new songs performed that night were “Modern Day Delilah” and “Say Yeah”, both personal favourites. As a bonus to me, there’s also a version of “Shock Me” with Tommy Thayer singing. Some Kiss fans have taken exception to Tommy singing this song in addition to wearing Ace’s costume. I’m not going to get into that. All I will say on the matter is that I would rather hear “Shock Me” live than not.

ALIVE 35_0003The concert opens with four 1974 Kiss classics in a row: “Deuce”, “Strutter”, “Let Me Go Rock ‘N’ Roll” and “Hotter Than Hell”. “Let Me Go” seems to fall apart, giving the show a raucous flavour.  It doesn’t get any more retro than that.  That’s four of my favourite Kiss songs in a row; four songs I never tire of. Paul’s voice is sore, cracking in several places.  The job still gets done with the backing vocals of Eric Singer, Gene Simmons and Tommy Thayer. Eric definitely pulls a lot of weight vocally. As much as I wanted to hear new songs, “Say Yeah” suffers a bit vocally.

Highlight: Undoubtedly, a 16 minute version of “100,000 Years”. Eric Singer does his drum thing, and then Paul and Tommy both pick up their guitars and do a call-and-response jam, throwing in a few Zeppelin licks.  You don’t think of Kiss as the kind of band that executes 16 minute extended jams, but it works in a primitive, primordial way.

Paul Stanley’s stage raps are absolutely classic. Paul knows Canada. He knows that all he has to do is say “Montreal” and he gets the crowd going. Just before “Rock all Roll all Nite”, Paul informs the crowd that Shannon Tweed is in the house! The fellow Canadian is greeted warmly by the people of Saskatoon. However my favourite rap is this:

“There’s so much trouble in the world. If you came here tonight to hear some band tell you how to end global warming…if you came here tonight to hear some band tell you how to end world hunger…you are in the wrooong place tonight! I’ll tell you something, we all came here tonight to escape from the world! Tomorrow morning when we get up it’ll be just as screwed up as it is today. We might as well have a little fun! And you know if somebody says to you…’You outta be a little more socially conscious, you outta be doing what you can to help save the world.’ You say to them, ‘Listen to me. Tonight’s my night off and I wanna Rock and Roll all Nite and party every day!'”

Hard to argue with that, Paul!

4/5 stars

 *I still want a CD from a European show where they performed “I’m An Animal”, however.

REVIEW: Gene Simmons – Speaking In Tongues (CD)

GENE SIMMONS – Speaking in Tongues (2004 Sanctuary – spoken word)

How I came to own this turd of a CD:  I got this one used, from my old store’s web order service.  It was like $9, free shipping if you spend $30, or whatever.  So I picked a couple discs and added this one to my cart.  Imagine my surprise when it arrived and I took the CD out of the case — somebody had written, in big black magic marker, “MARILLION SUCKS”, on the artwork under the clear CD tray!  This was clearly an intended for me, my love of Marillion being well on record.  I don’t know who wrote it on there, nobody would own up to defacing the Simmons CD!  I brought it back to my buddy Joe who was a little surprised himself.  It took a few months, but they finally got in a replacement copy later on.

Thing is, that first copy I got, I was so flabbergasted about the defaced artwork that I returned it before even playing it.  If I had played it…I probably wouldn’t have replaced it with the same item.  I think I would have picked something else.

This.  Sucks!

There’s a reason Gene Simmons isn’t a standup comedian or a motivational speaker. It’s because he’s not very good. As a speaker, he’s a great bass player. Put it that way.

Recorded at two engagements and consisting of Simmons’ well-known philosophy of life, this is beyond tedious. If you want to hear Gene plug his merchandise, or tell you never to get married or trust a woman with your money, then go for it. Vulgar, unfunny, and dull, this is time you won’t get back. Another thing you won’t enjoy is that the CD is formatted with just one track, so it’s impossible to skip around.  So even if there were the odd funny bit that he goes on about, I couldn’t skip to it in the car.  Useless!

Besides, it’s just an audio of the DVD version — so while it sounds like there are visuals to go with what you’re hearing, there aren’t.  Useless!

No stars, crappy careless release, for the Kiss fans who have to have everything (like Big Idiot Me) and nobody else. Take Gene’s own advice, and save your money.

0/5 stars

The final kicker — in 2011, Gene Simmons and Shannon Tweed got (GASP) married!

SPEAKING IN SIMMONS_0003

REVIEW: Gene Simmons – Family Jewels Season One (with bonus CD)

Purchased in February 2013, at the same store in which Uncle Meat used to work.  I paid $9.99, used.

GENE SIMMONS FAMILY JEWELS – The Complete Season One (2004 A&E with bonus CD)

Since my primary interest in adding this to my collection is the music rather than the TV show, I’ll discuss the CD first.  The bonus CD is apparently an Amazon.com (not .ca) exclusive, currently selling for about $13 plus shipping.  The CD comprises just two songs:  ”Rain Keeps Falling” (sounds like a possible Crazy Nights/Hot in the Shade outtake) and “You’re My Reason For Living” (sounds much more recent).  These are from the “forthcoming” Gene Simmons box set called Monster.  (I’m guessing he won’t be using that title now eh?)  Considering that Amazon.com still advertises the Gene Simmons Monster box set as “coming in 2007”, I wonder how much longer it’ll be!

With demos of this nature it’s fairly usual for Gene to play all instruments himself and have a drum machine behind him, and that’s how “Rain Keeps Falling” comes across.  The guitar work is basic but it gets the idea across, but I do hate the sound of a drum machine!  It’s a pretty decent song.  The verses could use some work  but I think the choruses are pretty good!

SAM_2299“You’re My Reason For Living” is a ballad, and sounds like it could have been demoed for the Asshole album.  It’s too bad it’s not on there, as it would have been the classiest song on the album.  It was actually written long ago, pre-Kiss, but it’s obvious that this is a much more recent rendition.  This is a very basic soul song, as interpreted by Gene.  Although his voice is pretty limited, the intentions behind it sounds sincere.  It wouldn’t be a hit unless Gene gave it away to a more appropriate artist, but as a bonus track on a box set it’s a bit of alright!

[Note:  In my post-review proof reading and fact verifying, I discovered that “You’re My Reason For Living” was in fact included on Asshole…the Japanese version.  Along with another unreleased track called “Everybody Knows”.]

As for the DVDs:  when this show first started I was skeptical.  Ozzy had made a bit of a clown of himself on The Osbournes, and count on Gene Simmons to see an opportunity to promote himself.  So the formula’s basically the same, a rock star family in humourous situations, a funny dad, etc.  I preferred season one of Gene Simmons Family Jewels to Ozzy’s show, and although I didn’t keep up with the show regularly afterwards, I still think this set is pretty entertaining.

I like that, compared to The Osbournes, there’s hardly any cussing. Very rarely do you hear the “beeps” (and yes, it’s all beeps, no actual cussing).  I also found the family/”characters” to be more likeable. Nick Simmons is a bright, funny young guy, and who doesn’t love Shannon Tweed?  (Loved you back in the 80’s version of The Liar’s Club, Shannon!). Third, you can understand what Gene is saying, unlike the Ozzman (although that is certainly part of Ozzy’s charm).

I think my favourite episode was “Fan…tastic”, during which an awkward Gene Simmons spent his day with a mega mega mega FAN.  And Shannon loves every second.  She invited the mega-fan home to have dinner with Gene and the fam.  And isn’t Gene just thrilled.  Another episode, the “unaired pilot”, depicts Gene grilling the boy who is about to take young Sophie Simmons out to the dance. Just a priceless moment. I felt very sorry for that poor young man who had to sit across a very large desk from Mr. Simmons, and be grilled about dating his young daughter.

For Kiss fans and probably non-Kiss fans as well, I think this season is:

4/5 stars