Josh Freese

#798: Chinese Democracy

A sequel to Record Store Tales Part 285: Chinese Democracy

GETTING MORE TALE #798: Chinese Democracy

I met Thussy back in 2007.  He joined the team at work and we became friends immediately.  We liked the same stuff.  Trailer Park Boys, Guns N’ Roses, comedy.  He is responsible for getting me into Super Troopers, which admittedly took a couple tries.  We were also both getting married around the same time, so we had similar complaints and gripes to talk about.  Drama with bridesmaids and seating plans, egads.

Thuss is a gamer, and we enjoyed chatting games.  Axl Rose did a voice (a radio DJ) in the video game Grand Theft Auto: San Andreas.  You could switch between stations, and if you chose the rock station you got Axl.  It was one of the few things Axl did that was released during that long dry spell between albums.  Of course, this led to ample discussions of Chinese Democracy.

“It’s never coming out,” Chris insisted.  I hated to say he was right, but it sure seemed that way.  He refused to back down on his position.  We’d been fucked with by this band for so long.  Guns had missed several release dates, so many that it had become a joke.  Axl chewed up managers and spat them out like stale bubblegum.  Then the Dr. Pepper soda company offered to buy a Dr. Pepper for everyone in America if Axl managed to make his 2008 release date.  Axl seemed good-naturedly amused by the idea, offering to share his Dr. Pepper with Buckethead when the album comes out.  (This because Dr. Pepper said the only Americans exempt from this offer were former Guns members Buckethead and Slash!)

On October 22 2008, I was working at my desk, listening to the radio when the DJ, Carlos Benevides, announced that they would shortly be playing a brand new single by Guns N’ Roses.  It was the title track, a song both Thuss and I were already familiar with.  He had a disc of rough mixes for many of the tracks, and I had the Rock In Rio bootleg CD set.  We already knew half the new songs, and “Chinese Democracy” was a track I thought smoked.  I called Thuss and he listened in as it played.

It sounded like shit on our little mono telephone speakers, but we were listening to brand new Guns!  The overall listener reaction was mixed to negative, but I already loved it.  “The album’s never coming out,” said Thuss.

“It has to, now.  There’s a single out.  It’s definitely coming.”

“No.”  Thuss was insistent.  “It’s never coming out.”

“But Dr. Pepper…” I began before being cut off.

“No.  Not coming out.  Never.”

The funny thing was, “Chinese Democracy” wasn’t actually the first song released from the album.  A month earlier, “Shackler’s Revenge” became the first new Guns song in nine years, when it was released as part of the Rock Band 2 video game, which neither of us had.

A new release date of November 23 was announced.  “Nope,” said Thuss.  “Nothing is coming out on November 23.”  It was, strangely, a Sunday.  Generally, nothing came out on Sundays.  It was absolutely an odd move that did throw the whole release into question for some.

I asked ye olde Record Store to hold a copy for me.  “Do you want vinyl?” he asked.  “No, just CD.”  It was something I’d regret, when he sold out of the vinyl a week later.  I emailed to ask if he had any left.  “Do you remember me asking you if you wanted vinyl?” he scolded.  “Yeah,” I sulked.

When I walked into the store on November 23 and was handed my precious copy of Chinese Democracy, it was so anticlimactic.  There it is.  It’s in your hands, the culmination of a decade and a half’s work.  You’ve been waiting all this time for this album, and there it sits.  An album that had “release dates” going back to 1995 and every single year since.  Then, you witness Guns return to the live stage from their cocoon, different but recognizable.  You watch them struggle to establish a lineup, and you hear rumour after rumour about song titles and release dates.  Then you’re holding a CD in your hands, a pitiful little plastic case with a little paper cover inside.  You hand the guy your debit card, he rings it in.  Transaction approved, you are handed your receipt.  Chinese Democracy goes into a little plastic bag.  Even though it’s probably the most expensive and longest gestating album of all time, your little plastic bag weighs the same as if you bought Sex Pistols.

At least I’d be able to show it to Thuss.  Monday the 24th rolled around.

“It came out.  I have it,” I told him as I strolled into his office.

“No it didn’t.  It never came out.  It’s never coming out.” He was sticking to his story come hell or high water!

“Yes it did! It’s in my car right now!  I’ll show it to you.”

“You have nothing,” he responded, refusing to come and look.

In the years since, Thuss has stubbornly stuck to his guns and his believe that Chinese Democracy has never come out.  “I have the unreleased mixes,” he says.  “That’s all there is.”

I emailed him to tell him I was writing this story, our tale of the time Chinese Democracy was released.

“So you are going to take a crack at some fictional writing…nice.”

I will never win this one!

So now I have two stories both titled “Chinese Democracy”.  I say, why not?  Peter Gabriel has three self-titled albums.

REVIEW: Avril Lavigne – Under My Skin (2004 w/ bonus track)

Yesterday, you read all about why I own this (and many others).  Will I still like it today?  Let’s find out.

AVRIL LAVIGNE – Under My Skin (2004 Arista)

Let’s get on with it.  The version of Under My Skin that I have comprises 13 songs, so let’s put the headphones on.   “Take Me Away” opens strongly with sparse, polished guitars and keyboards.  It sounds like Evanescence, actually.  It was written by Avril and her guitarist Evan Taubenfeld.  At this point, Avril wasn’t singing with any annoying contrivances in her voice.  She was just blasting away (most likely in autotune).  Given that this song is very produced and plasticized, it’s still a good song.  So far we’re 1/1.

AVRIL_0004“Together” is a bit too melodramatic for Mike 2014, but damn, I still love that fucking chorus. I’m singing along with my fist in the air.  Shit!  2/2.

One of several hit singles was the ballady “Don’t Tell Me”.  This one makes me want to vomit in my mouth a little bit.  I’m uncomfortable with this kind of teenybop rock now.  But that fucking chorus hits and…ahh fuck!  Still, the chorus can’t save the song, it’s shite.  2/3.

Avril returns to her so-called punk roots with “He Wasn’t”.  Phil X on guitar here, but he doesn’t get to solo (a damn shame).  As much as I want to hate the song, I can’t.  It seems pretty sincere, and it ain’t bad.  It’s snarky but not annoyingly so.  3/4 now.  “How Does It Feel” is a ballad, not a bad one either.  The instrumental production on this one (by Raine Maida) is excellent, although the vocals still sound autotuned.  Phil X again on guitar.  The score is now 4/5.

I’m a total sucker for the single “My Happy Ending”.  Butch Walker wrote a pretty cool song, and the chorus is one of those Avril bellows that she is known for.  The lyrics, like most of ’em, are about some dude.  I can’t really sing along to “He was everything, everything that I wanted,” sincerely, you know?  Still, the score is now 5/6.  And it’s going to go up to 6/7, because I remember liking the song “Nobody’s Home” a lot.  I’m not sure what the lyrics are exactly about, but Avril sounds like she’s trying to get serious, so that’s better than words about some dude.  Ben Moody from Evanescence itself co-wrote this one, so you can guess who it naturally reminds me of.  Still, I’ll maintain that 6/7 because the chorus is still great.

“Forgotten” starts out crap.  You sure can tell this one was written by Chantal Kreviazuk as that is who it sounds like.  The track doesn’t improve on the chorus.  Pass.  The board reads 6/8.   A good song called “Who Knows” is up next, and even though it wasn’t one of the single, I think it’s one of the best songs.  This one kind of sounds like a pop metal anthem, you could imagine a band like Warrant having a song like this.  It has mellow acoustic verses with a shout-y fun singalong chorus.  7/9 now!  “Fall To Pieces”, written with Raine Maida sounds like an Our Lady Peace outtake.    A pretty good outtake, with a great bridge.  Good enough for 8/10.

I have always liked “Freak Out”.  It’s just fun.  This one too sounds like a Raine Maida construction, but it is not.  It’s written by Butch Walker and Avril’s drummer Matt Brann.  It’s easier to listen to than most Our Lady Pea(ee-yai-ee-aye-ee)ce, so the score is now 9/11.  As my buddy Craig might say, it’s looking like it’s time to hand in my Man Card.

Maybe not!  “Slipped Away” is utter shite that I cannot listen to.  It sounds like Chantal…guess who wrote it?  The chorus is not too bad, but this song is crap.  Can’t take it.  If I could deduct 2 points, I would.  9/12.  It’s down to the “bonus track” now.  “I Always Get What I Want” originally came from a UK edition, but I bought this CD from my nearest Walmart.  There’s something on the fine print about Sony BMG Music Entertainment (UK) Ltd, so maybe that’s something to do with it.  “I Always Get What I Want” is another “punky” Avril, but like “Slipped Away”, it too is crap.  Sounds like Avril’s trying to be her heroes, Green Day.  No thank you.

The final score for Avril Lavigne’s Under My Skin is 9/13.  Did I like it as much now as I did in 2004?  Not quite.  It might have been that I liked a couple more of those sappy songs.  However, I’ve already said far too much here.  I’m going to cut my losses and get out now.

3.5/5 stars

#321: That Crush on Avril (RSTs Mk II: Getting More Tale)

NEW SERIES

Welcome to the first of my new continuing series; the “Post-Record Store Tales” I’ve been talking about.  Here are the RECORD STORE TALES MkII:  Getting More Tale.  Featuring my Simon Pegg action figure as the new “Mini-LeBrain”! Title suggested by Aaron!

To quote David St. Hubbins, “Hope you like our new direction!”

LEBRAIN AND AVRIL

RECORD STORE TALES Mk II:  Getting More Tale

#321:  That Crush on Avril

One of those lingering points left after the conclusion of Record Store Tales was this: my unexplained, unusually large Avril Lavigne CD collection.  This is that tale.

When Avril’s first album arrived in 2002, I was encouraged to listen to it by a new hire at the Record Store.  “I hear that this album has some of the best pop songwriting that has come out in years,” he said.  “From a technical point of view.  I read that the album is just mathematically perfect, from a songwriting perspective.  Mind if we listen to it?”

“Sure,” I said.  “Throw it on.”  I scanned the credits.  Each song was co-written by big name mega-writers with more gold records than I have socks.  There were big name producers on every song, and some familiar names from my metal collection:  Josh Freese might be best known as the drummer in the Vandals (among many others) but I first heard his name in regards to Guns N’ Roses who he was with for a short time.  Another guy, Alessandro Elena, was the drummer in Bruce Dickinson’s Skunkworks.  (He’s the subject of their song, “I’m In a Band with an Italian Drummer.”)

I know that the album was mostly pre-fab, but I didn’t mind it.  Since I was limited in what I could usually listen to in-store, and Avril was fairly safe, I played it a lot.  I always recommended it to customers who were looking for new music for their kids, who thought Britney was getting too skanky.  As a bonus, punk kids seemed to hate her.  Eventually I bought a copy myself.

I probably annoyed the shit out of my co-workers.

AVRILAvril released her heavier second album (Under My Skin) in 2004, and this is where my crush really began. Avril had a new image and a new sound.  I don’t like thinking about that crush anymore; I have been mocked enough.  Hell, Craig Fee mocked me for it on the air just this past Wednesday!  It is true that I had a crush on Avril.  The new grown-up Avril had gothed out and turned up on the cover of Maxim.  Maxim agreed with me, just look at that headline!

Today, the thoughts of “Chavril”, that unholy union between Avril and Horse-man, makes me feel ill.  It’s like finding out your ex-girlfriend is now seeing that jock in school you just fucking hated.  We recently heard that Chavril was splitting.  If so, I say good for her!

So anyway, the second album: It had more names from my metal shelves.  In addition to Josh Freese, the legendary Kenny Aranoff and the astounding Brooks Wackerman played drums.  Phil X of Bon Jovi and Triumph was on axe.  Finally the Canadian duo of Chantal Kreviazuk and Raine Maida were playing and co-writing on most songs too.  This is accompanied by an overall darker and harder approach.

I liked the album a lot in 2004.  Will I like it in 2014?  Let’s find out tomorrow, for a full review.

To be continued…

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REVIEW: Guns N’ Roses – Chinese Democracy (2008)

By request of reader Johnny Sixx: A review of Guns N’ Roses’ Chinese Democracy so long that I split it into two installments. For the first part, click here.

GUNS N’ ROSES – Chinese Democracy (2008 Geffen)

Chinese Democracy, over a decade in the making, became both the biggest joke in rock and the most anticipated album of all time. It polarized music fans as expected. Was it worth the wait? That’s a pretty hard question to quantify. Ultimately it’s up to the individual. Did I expect more, personally?

No. I didn’t expect more. I got what I expected. I did hope for more, but by and large I was very happy with Chinese Democracy.

My first exposure to these songs came in 2001, after the Rock In Rio concert. I downloaded all the new tunes from Limewire. (Remember Limewire?) My favourite of the new tunes was “The Blues” (later renamed “Street of Dreams”) but I also loved “Chinese Democracy”, “Madagascar” and a track called “Silkworms”. Those of us who had heard the songs in advance of the album release were much more likely to enjoy the new GN’R for what it is: Axl attempting to keep the GN’R name going, and stay current. For better or for worse.

For Axl, staying current meant incorporating more electronics. It also meant replacing feel-based guitar players like Slash with shredders.  No, this does not sound like the dirty, blues-based majesty of Appetite. Yet, it does rock. Hard. Add in some samples, lush ballads and some cool lyrics and we have a modern followup to Use Your Illusion I and II. It has the same diversity and experimental bent, even if it sounds nothing like those two albums.

I won’t sit here and defend Axl’s decision to keep going with the name, that’s a dead horse that’s been flogged over and over again. It is what it is, and at least Axl has chosen musicians that are at the top of their fields. The Rock In Rio lineup was already long gone by the time of this album release, but all those guys contributed to Chinese Democracy. That means you will hear guitar solos by ex-members Robin Finck (an underrated player) and the incredible Buckethead. You will also hear drums by Brain, and Frank Ferrer too. You will have contributions from everybody. Hell, you will even get one song that dates back to the Slash n’ Duff years called “This I Love”, another epic ballad. It was written way back in 1993; it’s most likely the oldest song here.

The album is chock full of riffage. The title track itself (written by Axl and ex-drummer Josh Freese, yes that Josh Freese) is a monster. That riff is infectious, as are the verses. Axl loads the whole album full of vocal hooks, piano hooks, guitar hooks — this album may pack more hooks per minute than any other in history, who knows? He certainly had time to come up with and perfect them.

This is an even more dramatic Guns N’ Roses than anything before. Some might say over-dramatic. You thought “Estranged” was epic? This is even more so. Yet, boiled down, “Street of Dreams”, “Madagascar”, and “Better” are all emotion-drenched tunes and extremely well written and executed. The production, as expected, is thick and sweet. Maybe too sweet. A tune like “If The World” for example might have been better served with more basic guitar oriented production? Who knows? I’m sure Axl has done a thousand mixes of each of these songs, before selecting these final versions.

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Highlights: “Better” for its angry, awesome riffage. “Street of Dreams” as the natural successor to “November Rain”. The title track, for anger and aggression. “Madagascar” as the next “Civil War”.

Lowlights: Wasn’t much into “Scraped”, “If The World”, and the overly-techno “Shackler’s Revenge”. Illusions had filler too, y’know.

Most of all I love the playing. These are some of the best players in the world, bar none. Plus a guy like Tommy Stinson is a rock veteran with a history longer than Axl’s. With these kinds of experienced rockers on board, Chinese Democracy was bound to be impressive. What Chinese Democracy lacks are two things:

1. Band chemistry. You can’t fake it.

2. A suitable predecessor. If Guns had even one interim album to bridge the sounds and introduce new members gradually, Chinese Democracy wouldn’t sound like such a shock to the old-time fans.

It may turn out that Chinese Democracy is as close to a “bridge” record as we will get. Axl claims the next two albums that he’s written are even more extreme departure from the Guns sound.

Hopefully, those next two Guns N’ Roses records will eventually materialize.  They should include “Silkworms” a great punky synth-rocker, and a song that Sebastian Bach raves about called “The General”. Whenever Axl feels motivated enough to finish them.

4/5 stars

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