journey

“You Got the Best of Me” by Journey on the Sunday Song Spotlight

Journey is back!  Their new album Freedom will be out this summer (July 8) and one of the new tunes, “You Got the Best of Me”, is pure hot summer fun.  Built for the car, so hit the highway with the windows down.

It’s unclear who played on everything as yet.  Narada Michael Walden played some drums, as did Deen Castronovo.  There are two keyboard players in Journey now (Jason Derlatka and Jonathan Cain), and though Randy Jackson played bass on the album, he’s no longer in the band.  We know that Neal Schon sounds Halen-wailin’ on that stuttery main riff.  Arnel Pineda is strong as ever, the longest-lasting Journey singer ever, now surpassing Steve Perry himself in tenure.

“You Got the Best of Me” isn’t overly heavy, but is the kind of hard rocker that the band is known for.  The keyboard accents soften it up a bit, and you can clearly hear two keyboard parts simultaneously.  The star of the song is really Arnel Pineda, who delivers the endless hooks.

Sunday Screening: Stranger Things 4 trailer featuring the music of Journey

Those of us addicted to the Netflix original series Stranger Things generally agree:  the soundtracks kick ass.  Taking place in the 1980s, the series is nostalgia-heavy.  Intentionally evoking classic 80s Steven and Stephen (Spielberg & King), the series has pulled the right strings.  Season 4 appears to be no different, with that haunting version of “Separate Ways (Worlds Apart)” by Journey taking center stage.

The song is not just a cool tune for the show, but important to the themes of this season.  Our characters are indeed worlds apart, separated for the first time.

Joining the cast this year is the original Freddie Krueger, Robert England himself.  According to creators the Duffer brothers, this is the classic horror season of the show.  Expect that Nightmare on Elm Street vibe.

Tim’s Vinyl Confessions Ep. 353: Journey Talk with Mike LeBrain

I did another taping with Tim Durling on early Saturday morning, my favourite time on my favourite day.  The subject:  a band that just announced the title and tracklisting of their new album Freedom:  Journey!

It’s been a crazy time for Journey, with plenty of lineup upheaval and uncertainty. Tim and I address all this while going through our favourite Journey rarities from the catalogue. We discuss every Journey lead singer: Greg Rolie, Robert Fleischmann, Steve Perry, Steve Augeri, Jeff Scott Soto, and Arnel Pineda. Enjoy this chat as we gear up for the next chapter of Journey!

“Remember Me” by Journey on the Sunday Song Spotlight

It was a little shocking when Steve Perry left Journey in 1997 after a very brief reunion. Even more shocking was his swift replacement by Steve Augeri of the little-known Tall Stories. It did not take long for them to release new music with the fresh-faced singer. “Remember Me” came in the summer of ’98 on the back of the hit movie soundtrack for Armageddon.

The new track sounded exactly like Journey!  A little bit harder than much of the recent Trial By Fire music.  Notably (and noticeably), “Remember Me” also features their new drummer, Deen Castronovo.  The lead singer change was the bigger news of course, but with Augeri, Journey cut a hot first track.  The classic Journey hard rock anthem sound was recaptured.

“Remember Me” begins with the chyme of an acoustic guitar but soon bursts into life with the rest of the band.  Jonathan Cain’s tinkling keyboards create a melodic undertone, but Augeri is front and center of the track.  He can hit the notes with the right amount of power, and fooled a few people into thinking he actually was Steve Perry!  Not a bad debut.

 

Remember me
Find myself all alone
In darkness without you
Now I can’t turn away
From what I must do
You know I’d give my life for you
More than words can say
I’ve shown you how to love someone
I know you’ll find a way
Say goodbye
Close your eyes
Remember me
Walk away
The sun remains
Remember me
I’ll live on somewhere in your heart
You must believe
Remember me
No way I can change my mind
I don’t have the answers
If you could see through my eyes
You’d let go of your fears
And though I have to leave you now
With the thought of each other
I miss your touch
You call my name
I am with you forever
Say goodbye
Close your eyes
Remember me
Walk away
The sun remains
Remember me
With the change we can’t explain
Remember me
I’ll live on somewhere in your heart
You must believe
Remember me
You know I’d give my life for you
More than words can say
I showed you how to love someone
I know you’ll find a way
Say goodbye
Close your eyes
Remember me
Walk away
The sun remains
Remember me
Be there to watch over you
Remember me
Feel I’m gone
My heart lives on
Remember me
Don’t you think of this as the end
I’ll come into your dreams
Remember me
Close your eyes…
Say goodbye…
Remember me
Say you will

Happy Birthday Steve Perry, from Tim’s Vinyl Confessions

Thank you Tim Durling for asking me to sit with you on this special Steve Perry episode of Tim’s Vinyl Confessions!

Happy birthday Steve Perry!

REVIEW: Journey – Greatest Hits (1988, 2008)

JOURNEY – Greatest Hits (Originally 1988, 2008 expanded reissue)

It’s OK if your first album by anybody was a “greatest hits” of some sort.  Over 15 million people bought Journey’s Greatest Hits in the US alone, and you can be guaranteed that several of those millions were buying Journey for the first time.  Hundreds of thousands more copies still sell annually.  This has to be considered one of the most successful hits compilations by a rock band.

Even if you were a Journey diehard back in 1988, you still wanted Greatest Hits.  It had two huge Journey hits from movie soundtracks:  “Only the Young” (Vision Quest) and “Ask the Lonely” (Two of a Kind).  These songs were not meant to be obscurities; both were slated for the Frontiers album.  These are two awesome songs with insanely catchy choruses, one a rocker and one a soft burner.  Two gigantic peaks of the Jonathan Cain era of Journey, who co-wrote both songs.

“Don’t Stop Believin'” doesn’t need any additional commentary, except this:  listen to the drums.  That’s Steve Smith, the wizard of tempo.  There is a reason that Smith can often be found filed in the Jazz section.  Listen to his creative hits, cymbal work, and timing.  Yet not a lot of snare.  Same with “Separate Ways (Worlds Apart)”.  This is not typical rock drumming, and this is something that his replacements have had to recreate as faithfully as they could.

Greatest Hits ignores the first three Journey albums (pre-Steve Perry), and justifiably so.  Those first three progressive rock albums, as fascinating as they are, bore no hits.  “To Play Some Music” peaked at #138.  The earliest tracks are the radio staples “Lights” and “Wheel in the Sky” from 1978’s Infinity.  Incidentally these are the only tracks without Steve Smith, featuring his predecessor Aynsley Dunbar.

In 2008, Sony a series of budget-priced reissues including Journey’s Greatest Hits.  This version has one additional bonus track from Journey’s reunion album Trial By Fire from 1996.  This is a fantastic album, but the ballad chosen (“When You Love a Woman”) tips the album too far on the scales to ballads.

Through all the hits you know, and maybe a couple you don’t (“Girl Can’t Help It”? “Send Her My Love”?) you will get a clear picture of some of Journey’s facets.  But only some.  Little of their instrumental wizardry, which continued into the Steve Perry era with songs like “Dixie Highway”.  You also will not hear many hard edged moments, like “Stone in Love”.  You will however get a taste of Steve Perry’s soul, and the excellent hooks that he concocted with Neal Schon and Jon Cain.  You will absorb some awesome Schon tone.  On the later tracks, like “I’ll Be Alright Without You” and “Be Good To Yourself”, you will hear the slickness and groove of Raised on Radio.  But there are so many more key Journey tracks, as good if not better than these.

4/5 stars

REVIEW: Minoru Niihara – One (1989)

MINORU NIIHARA – One (1989 Triad)

Original Loudness vocalist Minoru Niihara was let go in 1988 so they could have a stab at a success with an American singer.  While they went their way (and did not cross over onto the charts as they hoped), Niihara recorded his first solo album appropriately titled One.  He worked at Cherokee studios in Hollywood, where there must have been a lot of rock stars hanging out.  The credits on One include:  Mark Slaughter, Reb Beach, Doug Aldrich, the rhythm section from Journey (Steve Smith and Ross Valory), Kal Swan, David Glen Eisley, and the Tower of Power horns!

That being said, you might expect a straightforward hard rock album right out of 1989 like so many you remember from that year.  You’d be partly right.  However the lyrics are mostly in Japanese, and while the intent might have been to make a straight-ahead commercial rock record, it goes a bit sideways on some tracks.

It sounds like some of the same opening sounds as on Alice Cooper’s Trash album (also 1989) are used on first instrumental “Overture”.  Then it goes soft rock, with guitar strings tinkling like a fragile piece of glass, backed by heavenly keyboards.  In a jarring shift, the first proper song “Let’s Get Together” doesn’t meld well with this intro.  It also sounds a bit out of time, a relic from a couple years prior.  But Minoru is on top of it.  “Let’s get together! Have fun tonight!” goes the boppin’ English chorus, with plenty of the expected thick backing vocals from the Hollywood cast and crew.  Although it already sounded dated for 1989, “Let’s Get Together” is a fun track clearly aiming for a party concert vibe.  Not bad — production is clunky, and there are a couple key changes that sound off, but it’s otherwise a fun song that does what it’s there to do.

American rock vibes dominate “Stand Up to the Danger”, sounding a bit like “Loud and Clear” by Autograph.  That could be Reb Beach just rippin’ it up on the solo, but the track is very standard for the genre.  A neat ballad follows, the Journey-like…ahem…it’s a case of a language barrier, I’m sure, but the song is called “Come Over Me”.  Very much like a Journey ballad, and it’s probably Valory and Smith on bass and drums respectively.  Maxine and Julia Waters on backing vocals.

A cool 80s bass groove sets the tone on “I Can’t Wait”.  This mid-tempo car-cruiser is an album highlight, and a track worth getting in your ears.  Great solo too (Doug?).  Coincidentally, Minoru’s replacement in Loudness was a fellow named Mike Vescera, and he later recorded a different song called “I Can’t Wait” with Yngwie J. Malmsteen.  One of Minbru’s weaknesses (and it probably comes down to English as a second language) is a reliance on cliche song titles.  “I Can’t Wait”, “Stayin’ Alive”, “Dynamite”, and “Fool For You” are all song titles you’ve heard before.

Speaking of “Dynamite”, the next track on the disc — it’s a little more unique.  With a bluesy opening, it soon lets loose with a blast of saxophone.  The chorus is full-on pop.  A little clunky in construction and production, but different and still cool.

A soft keyboard ballad called “You Can Do It” sits right in the middle of the album.  Even though vinyl, and  especially cassettes were big in 1989, One only saw release on CD.  No “side one” or “side two” with this album.  Once more the ballad would sound appropriate on a Steve Perry album, and the guitar solo is really smooth.  Good song; Minoru’s style of singing is a bit overblown for a soulful ballad, but you can certainly tell he loves singing this way.

“Bluest Sky” is cool, acoustic and stripped back but “Stayin’ Alive” really scorches.  It’s the closest thing to classic Loudness.  It is the only clearly heavy metal track on the album.  Probably Reb Beach ripping up his fretboard and whammy bar on the solo.  Definitely Mark Slaughter on the chorus.  The horn section returns on “Fool For You”, but Minoru’s over-the-top singing does not suit the funky metal stylings.  He does well on “Too Long Away to Reach”, a little more restrained.  But it is the third ballad that really does sound like Journey.  So much that you’d assume it was Neal Schon on guitar.

Finally Minoru closes his solo debut on one more ballad, “I’ll Never Hide My Love Again”.  This time it’s a big power ballad with a massive chorus, and because it’s dramatically different from the earlier ballads, it works.  Definite vibes of King Kobra’s “Dancing With Desire” (1985).

See what I mean when I say that One sounds dated already even for 1989?  That doesn’t make it bad, but not all pieces fit.  There are some obtrusive keyboard overdubs, some of the ingredients just don’t mix.  While Minoru is a fine vocalist, and he gives 110% here, some of the songs sound like they would work better if he laid back a bit.  Then again, that could be the language barrier; the words he is singing might be totally appropriate to his vocal output.  Everything in music is subjective anyway.  Regardless of interpretation, Minoru Niihara’s effort is no less than his whole heart, and you have to give credit for that.

3/5 stars

 

 

REVIEW: Steve Perry – Traces (2018 deluxe edition)

STEVE PERRY – Traces (2018 Fantasy Records deluxe edition)

So what’s the story?  Does Steve Perry still “got it”?

He does.  We just might not agree on what exactly “it” is.

Traces is Perry’s first solo album since 1994’s For the Love of Strange Medicine.  He’s been keeping a low profile since leaving Journey after 1996’s Trial By Fire.  If you were worried that Steve Perry has gone “soft” and his voice has changed in that time…then you were right!

But that’s not a bad thing.  Steve Perry’s voice is one of a kind.  The soul cannot be copied; it’s just raspier now.  If you want the youthful range, go listen to Journey instead.   Or buy Arnel Pineda’s forthcoming solo album.  If you want an older, wiser but still the same Steve Perry, he is here on Traces.  He’s collected 10 slower songs, some more upbeat than others like the lead single “No Erasin'”.  Each one still retains Perry’s ability to compose memorable material.  These songs are honed, short, and to the point.  Even the ballads are pretty basic: quiet and contemplative, but with soft hooks.  All fat has been trimmed.  “We’re Still Here”, “No More Cryin'” and “We Fly” are among the best tracks, but “No Erasin'” is the clear highlight.

The deluxe edition, a Sunrise exclusive in Canada and Target for the US, has five more songs of varying styles.  “October in New York” sounds like a quiet piece from a stage musical.  “Angel Eyes” goes more for soul, while “Call on Me” has the tropical flavours you might remember from Journey’s “Baby I’m Leaving You”.  The fabulous “Could We Be Something Again” has a choir on it.  The good thing about the bonus tracks is you can tell the reason they were cut was not quality.  It was simply that they don’t fit in with the direction of the main album.

Traces is not for Journey fans who wanna rawk.  This is for fans of classy pop rock, soft rock, and the ballads on Trial By Fire.  If that’s you, get Traces (the deluxe of course) and take some time to dig a little deeper.

4/5 stars

 

#673: Message of Love

GETTING MORE TALE #673: Message of Love

The old saying goes “Better late than never”.  This is often true, especially in music.  It is never too late to discover an old band.  Be it Led Zeppelin, Thin Lizzy, or Queen, it has been pretty easy for me to catch up.  As is my modus operandi, when I discover a band I tend to jump in headfirst and not look back.

I took a similar path with Journey.  Journey were never considered “heavy metal”, and although metal magazines did cover them, I was never exposed to their music as a kid.  If they were not on the Pepsi Power Hour in the 1980s, then chances are, I didn’t hear them until later on.

Prior to official “discovery”, I think I only knew two Journey songs.  “Any Way You Want It” was used on the Simpsons in a memorable scene.  I also remember hearing “Wheel in the Sky” on the radio while eating out with my sister and my grandmother.  “Who is this?” I kept asking.  The song was incredible!

I didn’t find out for many years that it was Journey, although I did form an idea of what Journey sounded like otherwise.  Dream Theater covered “Lovin’ Touchin’ Squeezin'” on their Change of Seasons EP.  “I hate that song!” said T-Rev upon seeing the EP.  I didn’t care for it either.  But I was still curious why Joey Belladonna from Anthrax counted Journey as one of his favourite bands.  Something to do with the singer?

I really had no idea who Steve Perry was.  I heard of him.  I didn’t know he was one of the most influential singers of the 70s and 80s!  In 1994, his solo album For Love of Strange Medicine was released.  It was my first year at the Record Store and I still didn’t really know who he was.  I remember stocking the CD, but I kind of blew it when I sold my first copy to a customer.

“This is supposed to be great,” said the lady buying the Steve Perry CD.

“Yeah,” I said, trying to make conversation where I shouldn’t have.  “He’s a great guitar player.”  Wrong guess.

“He’s also an amazing singer!” said the lady with class, trying not to embarrass me.

I will never forget calling Steve Perry a great guitar player.  What a clueless poser I was!

My moment of discovery finally came in 1998.  T-Rev, Tom and I were in a mall in Burlington, as I recall.  The new Journey song came on:  “Remember Me”.  This was one a one-off track from the Armageddon soundtrack.  It was credited as “Journey (featuring lead vocals by Steve Augeri)”.  As I would later find out, Steve Perry quit the band and was replaced by a similar sounding Steve.  I didn’t care about that, because the song was incredible!  I looked forward to eventually getting the CD, which I would have been buying anyway for new Aerosmith and Our Lady Peace.

That was my gateway:  a soundtrack song with a replacement singer, from a shitty Michael Bay movie.  Embarrassing yes, but the truth it is.

My bosses and co-workers cringed as I jumped right into my new favourite band.  First up:  Greatest Hits, remastered of course.  Bought it, loved it.  It was a little light, with all those ballads, but I expected that.  It was songs like “Only the Young” and “Separate Ways” that slayed me.  To me it sounded as if Bon Jovi ripped off every trick he had right from Journey.  Early Bon Jovi, for sure.  Not everyone agreed with me on that, particularly Bon Jovi fans, but I don’t think it’s a stretch.

Next I acquired their Time3 box set, at which point I finally got a proper Journey education.   From their progressive jam band beginnings to a bitter ending at the close of the 80s, the Time3 box set got me up to speed.  Almost.

One thing was missing:  Journey’s 1996 reunion album with none other than Steve Perry.  Fortunately for me, one of my regular customers (whom the bosses hated because he chewed gum when he spoke) brought me a mint condition Japanese version of Trial By Fire, complete with bonus track.  Something about the album clicked with me, and to do this day — do I dare say it? — I think it’s my favourite Journey.  Trial By Fire is exceptional.  It is diverse, perhaps even more so than prior Journeys.  It is passionate, and Steve Perry’s seasoned voice is the real journey.

Of course all this new Journey love meant I was playing them in store, constantly.  One kid named Matty K absolutely loathed every time Steve Perry sang “Whoa-oh-oh oh” in any form.  Everybody else probably thought I lost my shit.  What can I say?  Journey’s music actually made me feel good.  Of course I wanted to play it often, and I’m sorry the others hated it.  And hate it they did!

Steve Perry didn’t want to tour after Trial By Fire and so was replaced by Steve Augeri for a couple releases…who was then replaced by Jeff Scott Soto in a killer lineup that didn’t last…and Soto was replaced by current singer Arnel Pineda.  His remarkable story is the stuff for a whole other article, but I still love Journey.

Since I missed out the first two times around, I would love to hear a Journey reunited with Steve Perry once again.  It doesn’t matter that his voice has changed.  There is nothing quite like hearing him sing.  Or play guitar?  I can’t remember!

#536: Obligatory Christmas Post 2016

This Christmas has been tinged with sadness.  Rick Parfitt, George Michael…and a man you haven’t heard of named Peter Cavan Sr.  I grew up with his son Peter Cavan Jr.  Pete was the best man at my wedding, and his dad Peter Sr. always treated me well.  The Cavans made me feel like part of the family.  In my first year of university, I decided to stay home from the cottage on Thanksgiving weekend, so I could study for my first exam undistracted.  Alone that Thanksgiving, Pete’s family had me over for dinner.  I’ll never forget their kindness.  I always enjoyed Peter Sr.’s stories, of growing up in Germany during the Second World War.  Those are tales you don’t hear every day.  And he was funny.  Peter Sr. was truly funny.  Whether intentionally or not, I knew his stories entertained us for many hours over the years.  I received the sad message on Christmas morning that Peter Sr. passed after a short battle with cancer, peacefully at home that morning.

So it is with profound sadness that I give you this year’s annual post-Christmas commentary.  My entire family knows and loves the Cavans, and we hope Pete and Joanne know we are there for them.


As it does every year, Christmas began early for me, at our office Christmas luncheon on November 25.  Just look at that food.  When you like the people you work with, an office Christmas party is a very rare and special chance to unwind with them.

My sister hosted Christmas Eve at her new place.  What a spread she put out!  Cheesey good appetizers, steak fondue, cheese fondue (the surprise winner), and chocolate fondue to boot.  The guests had a spirited debate on the merits of CD versus vinyl, with myself being the only holdout who still prefers CD.  (I know I’m not alone, just ask rock journalist Mitch Lafon which format he prefers.)  My sister did a great job of decorating her tree.  Have a gander.

And now, on to the good stuff.  Broken down into categories, let’s give’r!

Stuff You Listen To:

I have only played the Rik Emmett so far, given to me by Mrs. LeBrain who met Rik back in highschool as part of her guitar class.  Pretty cool!  It features a Triumph reunion on the bonus track, “Grand Parade”.  The Queen set is six discs of radio recordings.  The Rush set I am both grateful for and bitter about.  This is the third time I’ve received Rush 2112 as a gift in the last five years!  First as part of the Sector 1 box set, then the “deluxe edition“, and now this 40th anniversary edition which has some tracks not included on the deluxe (and a slew of artists covering Rush including Jacob Moon, Alice in Chains and Foo Fighters).  However, the 40th anniversary edition doesn’t include the 5.1 surround mix of the album, meaning…you kinda need both.  It’s sad that Rush reissues have become so exploitive.

The Keel reissue of The Right to Rock has a bonus track, a remix of “Easier Said Than Done”.  And this is my first time owning any version of Jethro Tull’s first album, This Was.

Stuff You Read:

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Stuff You Play With:

The Force Is With This Stuff:

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Stuff You Watch:

The Sopranos set I orchestrated myself.  Sometimes-contributor Thussy and I both always said:  “If the blu-ray set drops below $100, we’ll buy it.”  A few weeks ago he texted me that Amazon has it on for 24 hours only at just $80!  So this Christmas holiday, we will be enjoying some Sopranos and Italian food.

Stuff That Transforms From Stuff Into Robots:

Pictured below are the official Transformers Titans Return Astrotrain figure and a couple very interesting third party figs.  These are Masterpiece scale and heavy as fuck with plenty of die-cast parts.  Please meet Generation 1 Decepticon Reflector, incarnated here as KFC’s Eavi Metal series “Opticlones”.  Representing the Autobots is Dinobot Snarl, produced by the excellent Fans Toys in their Iron Dibots line as “Sever”.  I long ran out of room for more Masterpiece figures (especially Dinobots)…but who cares.

And finally…

Stuff That Flies:

I always wanted to try flying a drone.  My mom and dad surprised me with this starter drone, and is it ever a lot of fun.  I can almost get it to hover!  Getting it to fly in the direction I want is still a challenge.  So far there are no serious injuries.  Jen has a couple bruises.  I think my mistake was calling her into the room when I got it into the air, rather than when I figured out how the controls worked.  That was a lesson there.

 

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That’s another Christmas for the books!  I hope each and every one of you had a safe and happy holiday.  As I think of my friends the Cavan family, I ask you to remember that life is short.  Tell the people who matter that you love them.  Let’s try and make the world a better place in 2017.

LeBrain