Part 8 of a 9 part series on Ace Frehley. Â So close to the end now! Â Â Did you miss any?
- Part 7.5:  A World With Heroes – A KISS Tribute for Cancer Care – A 40th Anniversary Celebration
- Part 7:Â Â 12 Picks
- Part 6: Â Return of the Comet – A Tribute to Ace Frehley
- Part 5.5: Â “Cherokee Boogie”
- Part 5: Â Spacewalk – A Salute to Ace Frehley
- Part 4: Â Trouble Walkin’
- Part 3: Â Second Sighting
- Part 2: Â Live + 1
- Part 1: Â Frehley’s Comet
- Part 0: Â Ace Frehley
ACE FREHLEYÂ – Loaded Deck (1998 Megaforce Worldwide)
So then an other odds n’ sods disc from John Regan of Frehley’s Comet arrived. Â Like 12 Picks, this one also came with an Ace guitar pick. Â The most appealing songs in this collection are the unreleased tracks “One Plus One” and “Give It To Me Anyway”. Â Both are complete Frehley’s Comet songs, produced by Eddie Kramer. Â My respected reviewer friend Jon holds these songs above many that made it onto the actual albums.
“One Plus One” is an excellent commercial rocker with that Ace “quirk” to it. Â This one might have been cut from 1987’s Frehley’s Comet album because it was considered too pop. Â That’s a shame because it’s great. Â Tod Howarth’s high backing vocal complements Ace’s lead for maximum hooks. Â I love it. Â This song is addictive.
“Give It To Me Anyway” is one of the oldest Comet songs, dating back to 1985, recorded for 1989’s Trouble Walkin’, and left unreleased. Â This is a tough, funky rocker, musically ambitious. Â Anton Fig’s avalanches of drum fills are always soothing, but Richie Scarlet’s raspy vocals are the real hook. Â Not that the chorus is bad either!
After these two valuable now-classics, Regan throws on three Frehley also-rans that didn’t make it onto the prior 12 Picks compilation. Â They are Ace’s excellent cover of The Move/ELO’s “Do Ya”, Tod Howarth’s ballad “It’s Over Now”, and “Shot Full Of Rock” from Trouble Walkin’. Â I like all three songs, but I question the wisdom of including “It’s Over Now” on this compilation. Â Ace didn’t write it, didn’t sing on it, didn’t play the guitar solo…
A smattering of live tracks makes up the next section of the CD. Â Some of these are from the Live + 4 VHS release, others are from the same gig that the Live + 1 EP was recorded at. Â “Stranger In A Strange Land” (from Frehley’s Comet) is from this show, and has Anton Fig on drums. Â Not the greatest song but you can actually hear where it would fit into Live + 1 (right before “Something Moved”). Â Up next is “Separate” which Ace introduced as “Separate the Men from the Boys”. Â I’ve admitted to liking the song, but this is especially cool as this is the very first performance of it. Â I dig the vocal and Ace’s chugging guitar and I think it actually works live, surprisingly.
Tod Howarth…I’m sorry dude…you suck at introducing songs. Â I wish you said nothing in front of “New York Groove”. Â You’re no Paul Stanley, believe me. Â I ain’t gonna “clap those hands”. Â Thankfully the performance of the song is great, even if Jamie Oldaker butchers the drum part. Â “Rock Soldiers” is once again back to the Anton Fig lineup, and this time Ace does the intro himself. Â You can immediately tell it’s a different drummer, it’s like night and day. Â “Remember Me” is the last of the live tracks, and though it’s presented live, it’s the same version that is on Trouble Walkin’.
The final two songs are parts 2 and 3 of the “Fractured” tetralogy (though in 1998 still a trilogy). Â Part one, of course, was on Ace’s 1978 solo album, which is considered part of the Kiss catalog. Â Therefore, John Regan wouldn’t have been able to use it on Loaded Deck. Â It’s fine…a bit of a cop out way to end a compilation album I think. Â To me, it feels like, “We’re all out of good songs so here’s two instrumentals.” Â For the casual fan, it’s a “blah” ending. Â For the die-hards, well, we already have these songs…part one included…and could make our own tapes with all of them, should we desire to experience them like that. Â I’ve never had that compulsion. Â They were all individual album closers, that felt right ending the albums in that context. Â Together, it doesn’t work for me.
Sometimes a compilation leaves a bad taste in my mouth. Â If it’s a disjointed listening experience, I’m less likely to return to that compilation. Â Loaded Deck gets fewer plays in my collection than 12 Picks does. Â Even though they are meant to complement each other, like two discs of a double anthology, I think 12 Picks is a better album experience.
What Regan should have done is make an album of just the unreleased studio and live songs, without the stuff we already had on the studio albums. Â Megaforce figured that out, and in 2006 issued Greatest Hits Live, a compilation of these two compilations. Â After we already bought said compilations. Â Awesome.
2/5 stars for the album, just go ahead and get Greatest Hits Live instead.

