Mike Turner

REVIEW: Hess – Just Another Day (2003 Japanese import)

HESS – Just Another Day (2003 Marquee Japanese import)

Harry Hess of Harem Scarem focused on the softer side of his core sound on this excellent solo album, featuring his bandmates Pete Lesperance and Creighton Doane.  Just Another Day is a bit softer than Harem Scarem, but is not just a collection of ballads.  It’s a slice of the same pie, with more of an acoustic lean.

Just Another Day features nine new songs (ten in Japan) and one Harem Scarem cover.  And that’s for good reason!  Originally, “Sentimental Blvd.” was ably sung by drummer Darren Smith.  If you’ve ever wanted to know what this classic would have sounded like with Hess singing lead, now you can.  It’s very similar indeed, with Harry throwing a little extra rasp on top.  This remake might be better, if you happen to prefer the sound of Harry.  Smith even sings backing vocals on this track, and with four Harem members appearing on it, it very well could be called Harem Scarem.

As for the original tunes, Harry opens with a poppy upbeat number called “Look Right Through Me”, featuring a nice tasty guitar lick as the introductory hook.  Sounds like a slide.  On backing vocals?  Eric Martin of Mr. Big!  The chorus hits all the bases – off to a great start!  “Wasted Away” is a nice sounding acoustic ballad with a stepped-up chorus.  Lush backing vocals here too.  Joining Harry on electric guitar is Mike Turner formerly of Our Lady Peace!

“Everybody” is pure pop joy.  There’s a Beatles-y vibe to the acoustic bop.  But then the passionate title ballad “Just Another Day” might take things a step too far by employing trendy drum programming in the verses.  The song is fine but the programming is dated.  Redemption comes on “Two Ways”, another acoustic tune with a serious case of melody!  Harry sings his ass off.

The electric guitars come out for “Undone”, another fine pop rock tune with a Beatle-bent.  Big Harem-style chorus though.  By contrast, “My Way” has a pop-punk vibe circa the start of the millennium.  In a good way.  There were a lot of good pop-punk songs and Harem were not afraid of that sound.  Simply put, Harry doesn’t get enough credit for his songwriting chops.  He’s well versed in melody, guitar hooks, and even progressive facets.  “Miles Away” is a fantastic ballad, touching all those bases.  The verses and chorus are top notch.

The Japanese bonus track “Up Hill Climb” is one of the most mellow of the songs.  Once again the vocals (lead and backing) are outstanding.

Harem Scarem fans already like ballads and don’t mind a little bit of pop in their rock.  They’ll dig this solo album too.  It is a pleasant, but not bland, record of largely songs that might have been too soft for Harem.  Definitely worth a listen if you can find one at a decent price.

3.5/5 stars

REVIEW: Crash Karma – Crash Karma (2010)

CRASH KARMA – Crash Karma (2010 E1 Entertainment)

I wrote a review for this album back in 2010, not so glowing.  For me, the album just sat there.  Even though Crash Karma are made up of members of some of my favourite Canadian bands from the 90’s wave of alterna-hard rock, nothing happened.  I did the review, gave it a middling review and forgot about it.

About six months later, I’ll be damned if the whole thing didn’t just suddenly “click” with me. Rethinking my position, I had to re-write my review.  I think Crash Karma works best after a few listens.

Crash Karma consist of Edwin (ex-I Mother Earth) on lead vocals, guitarist Mike Turner (ex-Our Lady Peace), drummer Jeff Burrows (The Tea Party), and someone named Amir Epstein on bass.  They combine some of the best elements of the bands that spawned them. At first I saw a another faceless post-grunge band rocking past their prime, but now I’m getting it a little more. To the contrary, it sounds like these guys have some ideas to get off their chests. Wracked with Mike Turner’s angular guitar riffage and some mature and pensive lyrics by Edwin, this album rocks. Edwin is singing better than he has in years, pushing the voice to the limits we remember from the heady I Mother Earth prime. Turner is rocking much harder than Our Lady Peace, and much more straightforwardly. Burrows, freed of The Tea Party’s exotic leanings, lays down hard fast fills, recorded expertly by Turner. The result is a collection of songs that combines some of the best elements from the original bands, mixed in with some latter-day Rush.  (Edwin is a veteran of Alex Lifeson’s Victor album.)

Best songs include IME-like “Like A Wave” (the opener), “Awake”, and the furious “Fight”. Another track I begrundingly like is “Lost”, a slow one that sounds a bit too close to Edwin’s solo hit “Alive”. The melodies and vibe are suspiciously alike. However there is no filler on this album. It works better as an album, a single piece, than individual songs. Rather than make a road CD with your favourites on it, this one works as a front-to-back listen.

I still don’t like the cover.  The punk dude makes it look like I’m buying something from fucking Simple Plan or Theory Of a Dead Man.  It’s not like the guys’ faces are all that recognizable, even in Canada. It’s a shame because this album just disappeared. I never heard the tracks on the radio and back in the early 90’s, these guys were the kings of radio. I rarely saw it in the stores, I never saw ads for these guys on tour. It seems that this album will appeal to dudes from the post grunge era, not so much for younger kids.  They did release a second album in 2013, called Rock Musique Deluxe (co-produced by Terry Brown) — but I have not heard it yet.  (Send me a copy, E1, and I’ll be happy to review it!)

Crash Karma:  great musicianship, great songs, very good album.   Check it out.

3.5/5 stars
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