Nikola Tesla

REVIEW: Blaze Bayley – War Within Me (2021)

BLAZE BAYLEY – War Within Me (2021

In 2021, Blaze Bayley released one of his finest solo albums, War Within Me.  It was his 10th studio album and somehow it was also his best, rivaling his work with the inimitable Iron Maiden.  It is also his most Maiden-esque, though heavier.  Blaze fails to fall into lyrical cliches and presents a series of cutting riffs, elevating this album to apex predator status.

Opening with a blitzkrieg of battering drums and lightning fast riffing, the title track “War Within Me” is exactly what it sounds like.  It is a battle for the mind!  “Never give up, I won’t back down!” howls Blaze, singing as strongly as he did 30 years ago.  “War within me, every day I fight!”  What an opening!  A mission statement from Blaze, with ribbons of guitars ensnared with cannon-blasts of beats.

Blaze takes us from the battle of the mind to the Battle of Britain of World War II.  The RAF No. 303 squadron is the subject of “303”.  Of course, this is a subject Blaze is familiar with, since Iron Maiden targeted the Battle of Britain with their own “Aces High”, one of Blaze’s top ten Maiden songs that he didn’t sing on.  Like the opening track, this one too blasts forth with the throttle locked on full.  Importantly, Blaze maintains a firm lock on vocal melodies and guitar harmonies.  It’s very Maiden-esque, but cranked.

Blaze wisely slows things down on the third track, “Warrior”, one of the man’s very best songs of his whole career, before he speeds up once again.  The guitar breaks are very Maiden-esque, perhaps even more like Bruce Dickinson’s latter-day solo work with Roy Z.  This is tasty metal, sprinkled with explosive guitar spark.  “I can be a warrior, with courage to rise up again!” growls Blaze like he means it.  Along similar inspirational lines is “Pull Yourself Up”, a grinder that takes the tempo back a notch or two.  The chorus on this one will eventually work its way into your skull like a drill.  One of the riffs is very much like present day Maiden.  The lyrics are obviously very personal to Blaze, with lines like “They said I could not sing.”  This is something you see from those who don’t know.

Stop doubting yourself,
Questioning yourself,
Stop hating yourself,
To believe in yourself.
Control my own thoughts,
Control my own mind,
They said I could not sing,
Come and sing with me!

“Witches Night” is one that takes a few listens to sink in.  Once it does, the chorus sticks.  The acoustic guitar segments add texture to the album, and again there’s a late Maiden quality to it.  Then, “18 Nights” also takes a listen or three to hit properly.  This is a simple tale of a South American tour – flights and earthquakes, oh my!  “Evacuate to higher ground!” warns Blaze.  “Stop the show!”  A blazing winner – pardon the pun.

War Within Me has a semi-conceptual segment that I call the “scientist trilogy”.  There are three parts:  “The Dream of Alan Turing” about AI, “The Power of Nikola Tesla” about free energy, and “The Unstoppable Stephen Hawking” regarding his survival against the odds.  “They only gave him three years to live, but Hawking defied them!”  This track is all about not listening to those who say there is no hope.  “They don’t know everything!” bellows Blaze.  All three songs are excellent, each one different, but all three possessing a mighty Maiden-esque strength, heavier than that band but with similar flavours.  Brilliant choruses on all three.

Appropriately, the album concludes with a ballad called “Every Storm Ends”.  It’s about overcoming, which Blaze has certainly done.  With War Within Me, Blaze has topped everything he released before under his own name.  Not bad after 35 years making music.

4.5/5 stars

REVIEW: Tesla – “Edison’s Medicine” CD single

Here’s a leftover from THE WEEK OF SINGLES!  Each day from November 18-22 we looked at recent single acquisitions.   This review didn’t make the series as intended, but it’s still pretty rare with cool exclusives!

Monday:  Van Halen – “Best of Both Worlds” 7″ single
Tuesday:  Deep Purple – “Above and Beyond” CD and 7″ singles
Wednesday:  Aerosmith – “Dude (Looks Like A Lady)” 12″ single
Thursday:  David Lee Roth – “Stand Up” 12″ promo remix single
Friday:  Alice Cooper – For Britain Only EP

TESLA – “Edison’s Medicine” (1991 Geffen CD single)

It wasn’t that long ago that we had a look at Tesla’s damn good Psychotic Supper CD.  We also reviewed the CD single for “Call It What You Want” and its non-album B-sides.  I recently acquired the first single from Psychotic Supper, “Edison’s Medicine”.  This one has two album tracks and two non-album covers.  What makes this single a little more special than “Call It What You Want” is that these two B-sides have never been re-released on anything else, to my knowledge.

The A-side itself is one of the best tunes Tesla’s recorded to date.  In my own review for the album, I stated that Tesla were “taking their love of Nikola Tesla to the Nth degree…What an incredible song. I still remember seeing the music video, and being blown away by the solos. Not only are there guitar solos, but Frank Hannon torments the theremin, before he slips on a bass and plays a bass solo too!”

“Had Enough”, the other album track on this single is equally heavy to “Edison’s Medicine”.  It’s not as riveting melodically, but it burns rubber pretty hot.  I’m quite fond of the song myself, even though in the grand scheme of things it wouldn’t make my own Tesla road CD.  It’s just bubbling under, but it does cook!

Covers are always a tricky thing.  You have to pick the right song, and you have to pull it off.  Tesla chose the Montrose classic “Rock the Nation”.  They definitely picked an appropriate song, as it fits in with the overall Tesla sound.  They did a solid, workmanlike version of “Rock the Nation”, but it lacks the piercing, instantaneous charisma of the original.  The drums are a tad too thuddy for my tastes, and as good a singer as Jeff Keith is, Sammy Hagar owns this one.  Still, there’s nothing really wrong with it, it’s just not as special as it could have been.  It sounds like it was knocked off as a quick B-side to record, and I’m sure that was the case.

I won’t act all cool as if I knew who Jo Jo Gunne are.  I have never heard of Jo Jo Gunne.  Apparently they were ex-members of Spirit, which also spawned Randy California.  “Run Run Run” was a hit for them in 1972.  I gave the original song a listen, and I can say that Tesla’s version is pretty authentic if a little bit harder.  Who doesn’t love some great “Oooh, oooh, oooh” vocals?  I sure do.  That, and the catchy dual guitar melody (straight out of the Lizzy cookbook) make this one a keeper.

I paid £2.00 for this on Discogs. I consider that a good buy.

4/5 stars

REVIEW: Tesla – “Call It What You Want” (single)

TESLA – “Call It What You Want” (1991 Geffen UK single)

Yesterday, I reviewed Tesla’s damn fine third album, Psychotic Supper.  As part of that, I wanted to talk about this single, the album’s second.  It’s an excellent companion to the album proper.

“Call It What You Want” isn’t a bad song.  It has a great chorus even if I find the verses sub-par.  Where Tesla have always excelled is in their rootsy but eloquent musicianship.  Not only are there Lizzy-esque dual guitar harmonies, but there are other things that border on country style.

I also dig the lyric, dated although they may be:

“Heavy metal, hard-core, punk, pop, or thrash,
You can call it anything, it don’t matter to me,
Call it what you want,
It’s all music to me.”

I think Tesla more than most hard rock bands around in 1991 were about breaking down boundaries between genres, and I’m sure this lyric was sincere to them.  I know guitarist Tommy Skeoch had a thrash side project going at the time called Thrash Tandoori.

I hate when bands use a regular album track as a B-side!  Nonetheless, “Freedom Slaves” is one of the best (if not the best) song from Psychotic Supper.  This is the hard rock/heavy metal side of Tesla shining through.  A Leppardy riff accompanies a song that boasts an anthemic chorus and dark verses.

The next two tracks are both previously unreleased, and both are covers.  “Children’s Heritage” is what I’d call an obscure cover!  I’ve never heard this, nor the band that wrote it, Bloodrock a 70’s band from Texas.  It’s a good song, straight ahead riff based hard rock.  It’s also self produced by Tesla, and is a lot looser than the album material.

More familiar is the old blues classic “Cotton Fields”, rocked up and slowed down from its CCR incarnation.  It bares almost no resemblance to the classic Leadbelly version, but it does rock.  Dirty slide guitars and wah-wah solos render this version almost as if Zeppelin were covering it.  That’s the overall vibe anyway, and few hard rock artists were sounding this raw and authentic in 1991!

In a rare  (I assure you) lapse of memory, I’ve forgotten where I got this CD.  I think Trevor got it in used, at his store, and sent it to me.  This would make sense, since one of his customers, Gord Taylor, used to sell him metal CD singles that he bought in Europe.  So that piece fits the puzzle.  Either way, whoever originally bought it paid £4.50 at HMV.

Tesla singles are rare in these parts, but thankfully both of these B-sides are now available on the compilation Tesla Gold.

4/5 stars

OMG MORE TESLA_0003

REVIEW: Tesla – Psychotic Supper (1991)

“We’re just children of the 60’s, watched the 70’s go by.  Now we made it through the 80’s, my my how time does fly!” – Jeff Keith

Full unfolded cover art
Cover as it appears in case

TESLA – Psychotic Supper (Geffen, 1991)

Psychotic Supper, the 3rd studio album by Tesla, is thus far their most adventurous and experimental. Is is neither as immediate as Mechanical Resonance nor as focused as The Great Radio Controversy, instead focusing on longer song structures and diverse influences.  It is difficult to penetrate, and even once you do finally dig in, there are some songs that simply refuse to stick to the memory. However one must applaud Tesla for sheer musical ability and refusal to do the commercial thing and sell out for the long awaited third album.

Taking their love of Nikola Tesla to the nth degree, they present a history lesson in the smokin’ “Man Out Of Time Edison’s Medicine”. What an incredible song. I still remember seeing the music video and being blown away by the solos. Not only are there guitar solos, but Tommy Skeoch torments the theremin, before Frank Hannon slipps on a bass and plays a bass solo too!

Great rock tunes include: “Change In The Weather”, the groovin’ “Freedom Slaves”, the jokey but smokin’ “Toke About It”, the aforementioned “Edison’s Medicine”, and the thrash-like “Don’t De-Rock Me”. Y’see children, back in the 80’s when Al Gore’s wife Tipper was a founder of a pro-censorship group called the PMRC, there really were places called de-rock centers. You could send your kids to detox them off rock music and turn them onto safe alternatives. No lie. (Is it any wonder that bands like Nine Inch Nails and Nirvana came along during this period?)

There are also a series of long, exploratory songs such as the mournful “Song And Emotion”, dedicated to Steve “Steamin'” Clarke of Def Leppard who passed away in January of that year. Skeoch paid tribute to Clarke’s “Gods of War” parts with his E-bow solo, listen for it.  Tommy Skeoch was a devoted Def Leppard fan, and Tesla had also opened for the Leppard because they shared management.

There are ballads too. I don’t think any are particularly standouts in the way “Love Song” was, but “What You Give” was a respectable hit.  I don’t check out Tesla so much for the ballads (even though they are excellent at them) but for the rockers.  Jeff Keith’s raspy but powerful voice can excel at either.  The man is one of the most underrated singers in rock.

If grunge didn’t hit, I could have imagined this album spawning multiple hit singles and videos for at least a year.

4/5 stars

I only own one single from this album, which is “Call It What You Want”.  It has some interesting B-sides, so tomorrow, we’ll take a look at that one!  Hope to see you then.

What IS Jeff smoking?