Quiet Riot

#777: Road Rage

GETTING MORE TALE #777: Road Rage

On 19 September 2010, a Wikipedia user posted the following on the talk page for the rock band Quiet Riot’s entry on the site.

Hello,
This is the official Quiet Riot band and management. We are slowly and steadily attempting to clean up the vast array of inaccuracies on this page and post a historically correct bio. Please be patent [sic] and please do not come behind us and vandalize or attempt to “correct” this page. Thank you.

This note and a number of edits were allegedly made by Regina Russell, now the wife of current Quiet Riot drummer Frankie Banali.  This raised a number of red flags, notably conflict of interest.  Nobody may edit their own Wikipedia article, or one they have a vested interest in.*  The edits were made using an account called Pinkmermaid.  Going down the rabbit hole, you could see Pinkmermaid also made a number of contested edits to the Regina Russell Wikipedia article.  But the Quiet Riot wiki became a constant battleground.  For example Pinkmermaid objected to people like Tracii Guns being listed as members, even though he was confirmed as one by Frankie Banali (for a single rehearsal) in an interview with the late C.C. Banana.

There are a few people listed as members that were not. As for me or the band editing the page or “allowing” this person or that person to be listed. That is a joke. Anything that the band camp has edited just gets deleted. I barely began deleting lies and false members (it would be a big job) when the trolls took over so this page is now abandoned by anyone who could verify actual facts. This page is largely inaccurate. Siting [sic] “references” that are nothing more than blogs or interviews that are not truthful. If anyone is coming to this page for info about this band they are just getting a mish mosh of myths & rumors anyway.

The Quiet Riot camp and the Wikipedia community went back and forth over the edits.  At that time, I was writing reviews, and editing Wikipedia articles on the side for fun.  I’m personally responsible for all the Helix articles created on Wikipedia from 2009-2010, and I’m very proud of doing so with proper references.  Obviously, this Quiet Riot drama was as fascinating as a car crash.  I couldn’t look away.  I followed the digital breadcrumbs left by the Pinkmermaid account and attempted to make some fixes, all over Wikipedia.

Things came to a head over the Metal Health article.  Pinkmermaid made an edit to the article claiming that Metal Health was Quiet Riot’s debut.  I changed it back, as it is actually their third LP after two that were released in Japan only.  This sparked an “edit war” between the two of us.  On 7 October, I posted the below on the Metal Health talk page in order to settle the matter once and for all.

This section is to resolve a dispute between Quiet Riot’s manager and the article as it stands, whether Metal Health is the first, or the third, Quiet Riot album.

My feeling is that management is trying to re-write history to make it look like the current Quiet Riot, which contains no members from the album Quiet Riot I, does in fact have original members. I have never in 27 years of being a collector, nor 12 years of running my record store, have ever heard of Metal Health being referred to as Quiet Riot’s debut album. North American debut, yes. But I strongly resist the band’s manager making this change as I believe it is self serving to their agenda, which is legitimizing the current lineup which in actuality has no original members.

The band has posted an interview with DuBrow where he refers to it as their first, however I think this is questionable as many bands like to rewrite their own history. Helix for example are going around saying they are touring with the “original lineup”. When in reality their only original member is the singer. Just because a band says something doesn’t make it so. There are also intefviews [sic] with DuBrow where he refers to QRI as the first album, such as Guitar For the Practicing Musician.

Management are arguing that the original Quiet Riot broke up, and then they started a new band (with two members from the first QR, DuBrow and Sarzo) also called Quiet Riot, and Metal Health is their debut album. I cannot see a single example on Wikipedia of any band whose discography is split between two phases of the band and considered separate entities. Deep Purple, for example.

Please discuss. I think is where a serious conflict of interest comes into play.

Things got nasty.  From Pinkmermaid:  “That IS a DEBUT. I know you are some fan and you have feelings about the subject. You don’t really know much about it though.”  When I asked her if we could agree to disagree and let Wikipedia decide, she answered “I don’t agree with you in any way. I’m just busier than you doing other things. Stalking wiki pages can’t be a full time obsession for me.”

Ouch!  She said “stalking” because I made the mistake of going down the rabbit hole and fixing more of her conflict-of-interest edits.  Big mistake.  Should not have poked the bear.  She did get the “obsession” word right, at least.  My OCD is a stickler for details.   I advised her to review the Wikipedia code of conduct.  She accused me of “stalking” more than once, I guess not realizing that Wikipedia has thousands of people constantly editing articles, including hers.  One day she even turned up on my Amazon reviews.  She didn’t like the part of my Quiet Riot Rehab review where I complained about the reunited Quiet Riot having no original members.  Apparently writing that review was “stalking”.  I hope she never sees my Quiet Riot 10 review….

Ultimately Wikipedia agreed that Metal Health is the third Quiet Riot album, and Pinkmermaid left it alone.

In January 2017, Wikipedia investigated her edit activity and blocked her indefinitely, for “advertising or self-promotion”.  This was in regards to the movie she directed, Quiet Riot’s critically acclaimed Well Now You’re Here, There’s No Way Back.

I wasn’t planning on telling this story.  In 2012, I said all I had to say with “Cum On Feel the Disgrace – A Quiet Riot Rant”.  But a strange thing happened in 2017.  Quiet Riot acquired James Durbin on vocals and made a really, really good album.  I reviewed it, rated it 3.75/5 stars, calling it “Easily their best album since 1993’s Terrified or even before”.  I gave Live in Milan 4/5 stars.  Any beefs I had with Quiet Riot’s trajectory were assuaged.   Until now.  James Durbin is out, and Jizzy Pearl is back in as lead singer.  And strangely enough, I seem to be blocked on Facebook by Frankie “ALL CAPS” Banali.  I’ve never interacted with Banali.  I smell a Pinkmermaid.

That’s why I’ve decided to finally talk about what happened between Quiet Riot and myself.  The backups are all on Wikipedia, can’t be erased, and are available for you to read.  Just browse the talk pages and edit histories and see for yourselves.  As usual, I will continue to judge Quiet Riot by the merits of their music.  If their next album, Hollywood Cowboys is good, you can count on an honest review.  Same if it sucks.  For now, I’m going back to the beginning and playing Quiet Riot I.

“It’s not so funny,
Just a kid, nobody listens to me,
Ain’t got no money to do what I want,
Somethin’s got to set me free.”

* In the interests of full disclosure, I’m no saint and I have broken the Wikipedia rules on Conflict of Interest.  Though I have not touched it since 2010, I did make a small number of edits to the Kathryn Ladano Wikipedia.  

 

HOLD THE PRESS!

Check out Sleaze Roxx for more drama.  Frankie Banali is attacking fans who are questioning why he’s been missing gigs unannounced.  

NEWS: Durbin Out, Jizzy Pearl Back in QUIET RIOT

Just as QUIET RIOT had built some credibility back up with the excellent Road Rage album (and the following Live in Milan), lead singer James Durbin has quit the band.  Back on the microphone is Jizzy Pearl (ex-Love/Hate, ex-Ratt) who previously recorded half of the questionable Quiet Riot 10 album.  Durbin has left in order “to concentrate his time and efforts on his solo career.‬”

This comes during a time when drummer and longest serving member Frankie Banali has been missing shows with no explanation.

Rock Talk With Mitch Lafon broke the news.  Here’s the statement from Quiet Riot:

“We wish James every great success for his future and are grateful for his time with QUIET RIOT.‬ Welcome back Mr. Jizzy Pearl!”

Quiet Riot has a new album, Hollywood Cowboys, due in November.  They will not re-record the vocals, and James Durbin will be singing on it.

This certainly puts a damper on the band, who had made a decent album with the Durbin lineup.  Stay tuned for further developments.

 

#766: The Blue Tape (1991)

GETTING MORE TALE #766: The Blue Tape (1991)

This blue Scotch tape has seen a lot of use over the years.  It was my first blank tape, 120 minutes.  This cassette was well loved.  Back in ’83, it contained open-air recordings of songs like “Dirty Deeds Done Dirt Cheap” and “The Mighty Quinn”.  At some point in history (early 1991) I must have recorded over it.  Let’s have a listen.

Play ►

I have a feeling I know what it is now.  Sounds like something I recorded for a girl!  It would have been for my long distance crush Tammy.

This tape was never anything more than a cheap cassette, and it sounds awfully horrendous today.  The contents, however, are still identifiable.  The reason I never sent it to her was that it didn’t pass the sound quality test when I played it back.  That was the shitty thing about cassettes.  You could pour hours into making something, and then abandon the entire project.

I’m writing this in real time as I listen.  If I’m right about my original intentions with this cassette, then I know that I’m going to find a specific song buried somewhere in the track list.  Let’s find out.

Side 1

1. Tesla – “Love Song”

The acoustic intro to the song made a perfect run-in for this lovey-dovey tape.  I’ll spare the identity of the poor girl who this was made for, but she knows!  This Tesla ballad is still utterly perfect.  Off to a good start.

2. Kiss – “Shout It Out Loud”

Whew, I sure am glad it’s not all ballads.  This track took me by surprise.  I’m glad I used a classic Kiss rocker as the second track, instead of pandering for romance with “Reason to Live”.  Good for me!

3. Cheap Trick – “The Flame”

I read a lot of hate for this song today.  In the 80s, it was my favourite Cheap Trick and it’s still in my top five.  It may be a ballad but like the Tesla one, it’s utterly perfect.  This tape is now clearly made for a girl.  I’d never do 2/3 ballads for my opening trio otherwise.

4. Warrant – “Thin Disguise”

Here I go again with the rarities!  She loved Warrant but there is no way she had this song unless she had the cassette single for “Cherry Pie”.  I did — I collected that stuff even back then.  Turns out the B-side “Thin Disguise” is one of the best Warrant tracks, even today.  It’s an acoustic/electric killer.  Jani wrote some incredible songs in his time.  This is one.

5. Warrant – “I Saw Red (Acoustic version)”

Another rarity, this time from the “I Saw Red” cassette single.  I think this simple acoustic track (just Jani and a guitar) is better than the bombastic A-side version.  Even then, I was trying to impress a girl with my music collection — how comical is that?

6. Kiss – “Reason to Live”

Ahh shit, there it is!  That is hilarious.

7. Cinderella – “Nobody’s Fool”

OK, I’m getting a little sick of the power ballads now.  The cool thing is, I know for a fact that I taped this off a cassette that she gave me for Christmas called Rulers of Rock.  I wanted to show that I appreciated the gift by including this song.  Kind of like when your favourite aunt gave you a sweater and you had to wear it when she was over to visit.

Enough with the ballads though.  Let’s get a rocker next.  Let’s hope for a rocker.

8. Kim Mitchell – “Easy to Tame”

Well, it’s not a ballad, but it ain’t a rocker either.  Kim Mitchell was a good way into a girl’s heart in the late 80s and early 90s.  Everybody loved “Patio Lanterns”.  “Easy to Tame” was kind of like it’s cooler, lesser known cousin.

9. Paul Stanley – “Hold Me, Touch Me (Think Of Me When We’re Apart)”

Jesus fuck!  I went full ballad.  This was probably my favourite ballad of all time back then.  Stanley’s guitar solo is flawlessly written and executed.  And I got three Kiss songs right there on side one.

10.  Kiss – “I’ll Be Back”

Four!  Four Kiss songs!  What a wild inclusion, too.  This is a brief, very quick, Beatles tune done a-cappella for Kiss eXposed on VHS.  I dubbed this from the video for a “soundtrack tape” that I made, and then recorded it here tape to tape.  Just a filler between two other songs, but fuck…that’s cool.

11. Killer Dwarfs – “Doesn’t Matter”

At least this ballad has balls.  We played this song a lot the previous summer.  Bob had the cassette for Dirty Weapons, and he loved this song.  A couple years later it was still good enough to include on their next album Method to the Madness.  It’s still great.

12. Triumph – “Let the Light (Shine on Me)”

I’m getting steadily more and more disgusted with myself as the ballads play on.  This one was recorded from the 7″ single, but at this point I don’t care and I just want the side to be over so I can flip the tape.

13. Quiet Riot – “Don’t Wanna Let You Go”

I’ll let myself off with a warning here, because this electric song is still pretty great.  Truthfully, I included it hoping she’d like it, as Quiet Riot wasn’t really her thing.  I was feeling nostalgic for the early 80s, the simplicity and quality of the Metal Health era.  You didn’t need a ballad to have a hit then, and indeed “Don’t Wanna Let You Go” isn’t a single.  Even in this shitty tape, Carlos’ guitar sound incredible.

14. Slaughter – “Fly to the Angels (Acoustic version)”

I put this on because she loved Slaughter but didn’t have a CD player, and this was a CD bonus track.

Side 2

I need a break from all the balladeering, but I have a feeling the mush will be just as relentless.  On the whole of side 1, there was only one track that you could call a rocker!

1. Judas Priest – “Out in the Cold”

Here it is!  Yes, I sure do remember making this tape.  The main motivation was — get this — to trick her into liking Judas Priest.

She hated Priest.  Meanwhile, we were in the Painkiller era and I was riding a Priest high.  I planned to write this song on the cover as:

1. Exciter – “Out in the Cold”

I used an alias (disregarding the thrash band with the same name because I know she wouldn’t recognize it) because I wanted her to hear this awesome Priest song with no preconceived notions.  I wanted her to love it.  I never found out since the cassette sounds so terribly bad and I never sent it, but this proves that I remembered my intentions correctly.

This sheds a new light on all the balladry.  I was trying to really lull her in.  I figured I needed a tape with nothing but the best soft songs in the world to really get her with the mighty Priest.  It’s all coming back to me now.

2. Frehley’s Comet – “It’s Over Now”

I didn’t think she would know this one, but I hoped she’d like it.  I was a big proponent of the second Frehley disc, appropriately called Second Sighting.  I always thought this song should have been a huge, huge hit.  I was hoping she would agree.  Unusually for a Frehley song (but wiser from a commercial ballad point of view), it has both lead vocals and lead guitar by Tod Howarth.

3. Frozen Ghost – “Promises”

This one takes me completely by surprises.  It’s a great song, but I didn’t have it back then.  My sister did — I must have poached it from her collection for this tape.  Bob played this a lot in the car over the last couple summers, so our whole gang would remember it fondly.  She would have been in the car when we were rocking Frozen Ghost.  Lead singer Arnold Lanni later went on to become quite a successful producer.  Guitarist Phil X made it even bigger, now touring the world with Bon Jovi!

4. Lee Aaron – “Only Human”

I don’t think this is one of Lee’s finer moments, but I thought she’d like it, so on it went.

5. Winger – “Miles Away”

Putrid.  Just awful.  Fast forwarding.

6. AC/DC – “Moneytalks”

Holy shit!  Finally a rock song.  AC/DC were huge in ’90-’91.  I couldn’t have gone wrong with AC/DC.  Then why the fuck didn’t I include more?  “Who Made Who”.  “You Shook Me All Night Long”.  Everybody likes those songs.  Holy shitballs.

7. Motley Crue – “Home Sweet Home”

Tammy had Dr. Feelgood before I did, but I don’t know if she would have Theater of Pain back then.  There was no such thing as a Motley greatest hits (can you imagine such a world?) so I thought this would be nice for her to have.

8. Van Halen – “Dreams”

OK, probably not a ballad.  Very keyboard-heavy.  Very easy to enjoy, and Van Hagar were still cool as fuck.

9. Van Halen – “Dancing in the Streets”

Some folks that are not necessarily Van Halen fans really like their version of “Dancing in the Streets”.  It’s probably better than Bowie/Jagger, at least.  I’m pleased with myself for including both Sammy and Dave on this tape, and one after the other no less!

10. REZ – “Shadows”

Woah!  Deep cut.  This was a tape, of a tape, of a tape, of a tape.  You can imagine what it sounds like today.  Bob and I loved this song by the Christian rock band REZ, formerly Resurrection Band.  You can see that I snuck in a few unfamiliar songs like this, hoping she’d get into them.  This one is pretty easy to like.  Total shock to find it here.

11. Kiss – “Hard Luck Woman”

Kiss Count:  five.

12. Brighton Rock – “One More Try”

This also comes as a surprise.  Then I think to myself that my music collection wasn’t very large back then and I would have to pull a few obscure ones out.  If I remember the details clearly, Tammy had MTV and so didn’t necessarily hear as much Canadian content like Brighton Rock.

13. AC/DC – “You Shook Me All Night Long”

Ah, good.  What’s interesting to me about this is that at this point of the tape, the right channel is completely inaudible.  So all I get is Angus (no Malcolm), Brian, and maybe half of Phil Rudd.

To my surprise, that is the last song.  Usually I snuck something short and goofy at the end of a tape.  “You Shook Me All Night Long” does make a good final song….

Wait!

I didn’t erase the tape to the end!  There is something left at the tail.  Older contents; older than 1991.

It’s “On the Road to Rock” by Kick Axe!  It is a mystery how that song got on this tape in the first place, as I didn’t own it back then and don’t even own it now.  I must have recorded it off someone.  Who, I have no idea.  Perhaps my next door neighbour George had it.  It was him or Bob, but I’ll never know for sure.  George is gone now and Bob wouldn’t remember.

Knowing when I made this tape, and all the motivations behind it doesn’t forgive it for being a piece of shit. I did a shitty job here folks! Too many ballads, not enough variety. It’s a real slog to listen to without a fast forward button. At least half of those ballads could be axed, and replaced with something else that I had in my collection at that time.

Usually when you make a tape for someone, you give it away and never hear it again. In this case I had the rare chance to play back a mix tape that I made 28 years ago and never sent. It’s just as bad as I feared though not without some surprises and the odd cool inclusion.

That blue Scotch tape, an ancient C-120, goes back to at least 1983 making it 36 years old at minimum.  120 minute tapes are never any good, and this one was always particularly cheap.  Now that I’ve satisfied my curiosity, I will never play this tape again.

#756: Japanese Attack!

Anybody who has spent 10 seconds glancing at this site knows one thing:  I love Japanese imports!

Every music collector has his or her own priorities.  Today, many fans prioritise vinyl, be it original pressings, reissues or both.  Some like elaborate packaging; the bigger and bolder the better!  My needs are pretty simple.  I want all the songs, and I’ll buy however many physical editions it takes to get them all.  That means that, over the years, I have purchased hundreds of Japanese CDs.  They almost always have bonus tracks, and some of those bonus tracks never see the light of day again on any other releases.  Those are the best kind!

There are two great sources for Japanese imports.

  1. CD Japan, my main store for new releases.  I have Whitesnake incoming!
  2. Discogs.

It is Discogs that is responsible for today’s content.  If you’re a music collector unfamiliar with Discogs, you need to change that right away.

A few weeks ago, one of my favourite lesser known metal bands called Leatherwolf was celebrating the 30th anniversary of their third album, 1989’s Street Ready.  (Probably their best album, but that’s unimportant.)  Someone on social media was showing off their most prized Leatherwolf collectible:  A Japanese import CD of Street Ready, with a bonus track unreleased anywhere else!  Out of print for almost 30 years, that’s a rarity if I ever saw one.  Plus it has that feature that is like catnip to me:  an unreleased bonus track.  In this case, it was a track called “Alone in the Night”, and I wanted it.  It’s rare that I go 30 years without even knowing about a song.

After a few weeks of researching, I decided to pull the trigger.  A Discogs seller had a copy in excellent condition for about $50, which I realized was about the cheapest it gets in the condition I want.  Its only flaw was a missing obi strip (the little piece of paper along the spine) which you sometimes have to accept you’ll never get.  The main thing was that bonus track.  I was happy with the seller’s 100% rating so I put it in my cart.

That’s when Discogs showed its evil side.

A message popped up, telling me that just in case I wanted to combine shipping, this seller had 81 other items from my wishlist.

81 items.  All Japanese CDs.

Click.

I spent the next few minutes frantically adding items to my cart, deleting them, adding them again, and then finally deciding on dollar amount I was willing to splurge.  I even gave it another few days to clear my head before I clicked “buy”.  This is what I ended up with.


LEATHERWOLF – Street Ready.  Bonus track: “Alone in the Night”.

Now some lucky soul can be gifted my original US compact disc, because this is my new treasure.  I loved this album as a teenager, and I still like it today.  There is some well written metal here, and now I have 11 tracks instead of 10.  I still can’t believe I didn’t know about “Alone in the Night” all this time.  If I knew that back in 1989, this CD would have been on my holy grail list long ago.

EXTREME – “Hip Today” CD single.  Bonus track “Kid Ego” (live).

I screwed up.  I already had a UK single for “Hip Today”; one of those “part one of a two disc set sold separately” deals.  However, for whatever reason, I never ripped it to my computer. I never even played it!  When I did a quick search, I couldn’t find “Kid Ego” in my files so I assumed I needed it.  I do not, but that’s OK.  This CD was only $11 because the seller listed it with no obi strip.  Turns out the obi strip is tucked inside, so that’s a win.

TENACIOUS D – The Pick of Destiny.  Bonus tracks “Kong”, “Training Medley”.

Two extra songs to be found here.  This album had more bonus tracks elsewhere, on non-physical (download only) versions.  Now I have all the physical tracks, at least.  “Training Medley” was already in the collection on a CD single for “P.O.D.”, but “Kong” was completely unknown until now.  Even our resident Tenacious D expert, Uncle Meat, has never heard it before.  (For the record, the other two bonus tracks are “Rock Your Socks” from the iTunes pre-order, and “It’s Late” which you can download if you buy the vinyl.  Vinyl wishlisted.)  Tenacious D collectables are usually very expensive.  Their single “Jazz” (which I am missing) goes for roughly $100.  I paid $26 for The Pick of Destiny.

QUIET RIOT – Alive and Well.  Bonus track:  “The Wait”.

20 years ago, the classic Metal Health lineup of Quiet Riot reunited for a new album.  Alive and Well was a mix of new songs and re-recordings, but they could have just released a 10 song CD instead, had they included “The Wait”.  It’s puzzling how songs are chosen to be obscure bonus tracks on rare editions.  “The Wait” is a ballad, very much like old Quiet Riot, and a frickin’ great one too.  Had it been included, Alive and Well could have been a well balanced 10 song album, and “The Wait” might have been the best one.  At one point Amazon were asking $100 for this CD.  I was delighted to score it for just $22.  Perhaps it was cheap because it was listed as missing the obi strip.  It’s there and looks great!   Now my Quiet Riot collection is one song closer to being complete.

THE SWORD – Apocryphon.  Bonus tracks:  the same five from the deluxe edition, plus “Hammer of Heaven”.

This album has been frustrating for me.  There are two versions, one with 10 tracks and one with 15.  Because there’s no track listing on the back cover, I’ve never taken a chance on it.  I didn’t want to bring it home only to find it’s the 10 track version.  I’ve wanted this album ever since “Cloak of Feathers” made it to number 15 on the 2017 Sausagefest countdown.  The only thing better than a confirmed 15 track edition?  A CD with 16 tracks!  Japan received “Hammer of Heaven”, which was a standalone single in 2012.  It’s a boogie as heavy as plutonium!  This would be its only CD release!  Obi is intact, for just $25.  (I’m still going to want the single for “Hammer of Heaven” since it had a live B-side of “Ebethron” not included here.)


Not a bad little spending spree.  Most of these Japanese imports were pretty affordable.  It seems like I spent a lot of money for just a handful of songs, but such is the quest.

 

REVIEW: Quiet Riot – Cum On Feel the Noize (1989 CBS cassette)

QUIET RIOT – Cum On Feel the Noize (1989 CBS cassette)

From the same line as the previously reviewed Trouble Shooters by Judas Priest, here’s a tape-only Quiet Riot compilation.  Like the Priest tape, Cum On Feel the Noize has nothing more recent than five years.  For Quiet Riot, that unfortunately means you’re only hearing songs from two albums!  (Nothing from the first two which were only released in Japan.)

The title track (and Slade cover) “Cum On Feel the Noize” goes first, muddy tape hiss and all:  this cassette has seen better days!  It’s an edited version (roughly 3:10), so perhaps something you don’t have in your collection.  The speedy album track “Run For Cover” then delivers the scalding hot metal.  Two more big hit singles follow:  “Mama Weer All Crazee Now (another Slade cover) and “Metal Health” (sometimes subtitled “Bang Your Head” in case you didn’t know the name).  These two hits will keep the party flowing, and that’s it for side one.

Proving they had more than just a passing interest in mental health, “Let’s Go Crazy” kicks off side two with a bang.  Frankie Banali is the man — his drums really sell this one.  “(We Were) Born to Rock” is another solid number, all rock no schlock.  “Slick Black Cadillac” is a shrewd inclusion.  Gotta have a car song for the road.  Then “Party All Night” finishes it off with a pretty clear message.

As a party tape, Cum On Feel the Noize would have done the trick.  You should probably just own Metal Health and Conditional Critical instead, but this is a fun tape and would have been enough Quiet Riot for most folks.

3/5 stars

#747.5: Girls With Guns and Friends With Records

GETTING MORE TALE #747.5: Girls With Guns and Friends With Records

If you’re keeping up on things, you know I’ve been downsizing.  When it’s stuff that I care about, I like to make sure it goes to a good home.  I gave Iron Tom his signed Iron Maiden poster back.  Some of my Lego made its way to a friend at work who has four kids.  The rest of my junk just went to Goodwill.

What to do with my rock magazines?  Ages ago, when I first got married, I gave my rock mags to an old buddy named Len.  I decided to do the same again.  Len is a massive Kiss fan, and most of my remaining magazines were Kiss.  I had some Kiss comics from the 90s in there too.  I knew he’d appreciate them.  I also had a stack of CDs to give to him; CDs that I replaced with updated versions, like Shaw-Blades.

Len popped over to pick up the magazines, bearing gifts in return!  Records, in fact.  Not just any run of the mill records either.  Rare ones.  Two of these records were on my “Holy Grail” list, once upon a time.  Wanna see what he brought?

“I know you’ve been really into Styx,” said Len.  He presented me with Tommy Shaw’s first solo album Girls With Guns!  Seven months ago, I got my first CD copy.  Now I have the LP, too.  When it rains it pours!  I’m looking forward to spinning it on vinyl, as it was originally intended.

Next:  something I’ve never even seen before.  An LP copy of 1977’s Quiet Riot I!  This is a somewhat puzzling record.  It’s definitely not an original Japanese LP, or the cover would be in colour and there wouldn’t be the notation “featuring Randy Rhoads”.  On the inner label, you’ll find the 1983 Quiet Riot logo used from Metal Health on.  Most likely, this is a bootleg LP.  The back cover has the song lyrics laid out the same as my bootleg CD.  There’s no CBS/Sony logo anywhere on the package.  Therefore, this has to be a bootleg.  Does that bother me?  No way!  This is just as interesting to me.  It will be fun to spin this one on vinyl for a change.  The first two Quiet Riot albums were the very definition of “Holy Grail” items for me, for many years!

Lastly, something I’ve never seen before:  a Judas Priest 12″ maxi-single from 1981!  This record is an official release on CBS, from Holland.  The song choices are perplexing:  older tracks from 1978 and 1979, nothing from British Steel.  “Rock Forever” and “Hell Bent for Leather” occupy side one, while the epic “Beyond the Realms of Death” takes up all of side two.

According to Discogs, this record was originally included as a bonus single with early copies of Unleashed in the East, but my copy is not one of those.  On the back it says 1981 CBS, so there is no way it was packed with Unleashed when it came out in 1979.  This copy is a later version re-released in the Netherlands, but it’s unclear why.  Anybody know?

Some cool stuff and head-scratchers here for sure!  These will be well loved in my collection.  Thanks Len!

 

REVIEW: Quiet Riot – One Night in Milan (2019 CD/DVD)

QUIET RIOT – One Night in Milan (2019 Frontiers Deluxe Edition CD/DVD)

James Durbin made me a believer.

On paper, the current Quiet Riot shouldn’t be my thing.  A band with no original members and a frontman from one of those singing contest shows?  No thanks.  Except it’s actually good.  After years of flailing around with different replacement singers, Frankie Banali finally hit gold when he got James Durbin.  Wisely, Frankie chose to do a live album with him.

One Night in Milan is a terrific live CD/DVD set, aided and abetted by a singer who is 100% into it.  Durbin has charisma and the frontman chops, but importantly, he’s not trying to be Kevin DuBrow.  He still uses the striped mike stand, but otherwise Durbin is his own person.  His range is out of this world, and though his voice may grate on some ears, he sounds terrific to this listener.  The whole lineup, including Alex Grossi on guitar and veteran Chuck Wright on bass, has gelled.

Quiet Riot get points for doing the opposite of what most bands do.  They didn’t ignore their 1990’s albums!  “Whatever It Takes” (from Down to the Bone) and “Terrified” (from “reunion” album Terrified) sound awesome live.  “Terrified” in particular has been a long time coming, a true hidden classic from a forgotten era.  On the other hand, there are only two songs (“Freak Flag” and “Can’t Get Enough”) from their newest album Road Rage.  There’s only so much room on a live CD, and it’s otherwise stuffed with stone cold Quiet Riot classics.  It’s cool to hear deeper cuts like “Condition Critical”, “Thunderbird” and “Let’s Get Crazy” live.

The DVD, featuring all the songs from the CD, is even more convincing.  Banali continues to thunder like no other drummer, a true phenomenon.  There’s more stage talk included, and Banali introduces “Thunderbird” performed live for the first time ever with piano.  Durbin is always the focus on stage, although Wright and Grossi are both mobile, entertaining performers.

If you’re just not into Quiet Riot without Kevin DuBrow, that’s fine and you should stick to what you like.  However it’s safe to say that James Durbin has saved Quiet Riot from becoming a pointless parody of itself.  With James center stage, this band has a future again.

4/5 stars

 

 

VHS Archives #2: Hear N’ Aid Special – Pepsi Power Hour (1986)

The one VHS tape I’m working on currently spans a period of recordings from about July 1986 to September 1987. This Hear N’ Aid special features a MuchMusic interview conducted by J.D. (John) Roberts. There’s lots of exclusive information in this valuable video, including a tidbit on bands who refused to be in the same project as Spinal Tap!

REVIEW: QUIET RIOT – Live at the US Festival (2012 CD/DVD)

QUIET RIOT – Live at the US Festival (2012 Shout! CD/DVD set)

This was a long awaited release, since the US Festival was way back in 1983!  The Holy Grail would be an official Van Halen release of their legendary performance, but I digress.  There aren’t a lot of really great live Quiet Riot albums out there, with one called Extended Versions being the best package.  Live at the US Festival is brief at just seven songs (plus a 4:38 guitar solo that also includes a sneak preview of a song called “Scream and Shout”).  It does capture Quiet Riot at their peak, at a critical gig, and includes a DVD of the whole thing for the complete package.  (Come on, Van Halen…)

Let’s have a look at the DVD first.  The crowd is vast, the costumes ridiculous, but there’s some kind of fire in the air.  The atmosphere is electric and the band are absolutely great visually, particularly Rudy Sarzo.   DuBrow is the consummate glam frontman, and an underrated one at that. Have a giggle at the old style giant screens displaying the band logo.

The CD itself sounds good, no complaints there, and the recording sounds untampered (evidenced by a messy Carlos Cavazo guitar solo in “Cum On Feel the Noize”).  Sarzo’s bass is mixed nice and audibly.  It would have been better if more of a booklet was included, but it’s just a simple fold-out with no liner notes.  This set is sparse and just over 40 minutes long.  A lot of that time is taken up by talking.  You get the big hits though, and the non-album track “Danger Zone”.

Live at the US Festival is a pretty easy Quiet Riot purchase to justify because of the included DVD.

3.5/5 stars

REVIEW: Quiet Riot – Road Rage (2017 Japanese version)

QUIET RIOT – Road Rage (2017 Frontiers Japanese version)

We’ve always been honest but truthful Quiet Riot fans here at LeBrain HQ.  We’ve been banging our heads for almost 35 years now, and they included some ups and some downs.  The death of Kevin DuBrow was heartbreaking.  Some of our Quiet Riot reviews haven’t been the most popular, but we have always maintained an open mind.  Frankie Banali’s resurrected Quiet Riot with no original members left a bad taste in the mouth, especially after management attempted to re-write the band’s history on WikipediaPages were edited to indicate that the Metal Health album was Quiet Riot’s debut, seemingly in order to qualify Banali as an original member.  Ugly and undignified; but music talks and bullshit walks.  Quiet Riot’s first post-DuBrow always was 2014’s 10, with Love/Hate singer Jizzy Pearl taking over as the band’s sixth lead singer.  It wasn’t that good and it’s conceivable that the band know it.  No physical edition was ever released, and you can’t even buy a download anymore.

So, it’s delightful to be able to say that the new 2017 Quiet Riot album called Road Rage is…not bad at all!  Actually quite good!

It’s even been rocky since 10.  Jizzy Pearl left amicably, to be replaced by ex-Steven Adler singer Seann Nichols.  They recorded a new album, even released one full song online…and then suddenly Nichols was out!  American Idol alumnus James Durbin was hired in short order, and re-wrote and re-recorded the entire album.

Skeptics, be silent.  Our fair and balanced take on Quiet Riot in the past should speak volumes for the review you are about to read.  It would be far easier to mock Quiet Riot for their choice of a TV show contestant as a frontman, but it would be grossly inaccurate.

Durbin’s youthful enthusiasm will either win you over, or leave you complaining that he’s “not enough like DuBrow” and it “doesn’t sound like Quiet Riot”.  Here’s the truth — that’s good.  We’ve endured one soundalike singer after another.  Durbin has a fresh spin, and there’s little question the guy is just pleased as hell to be fronting this band!  he gives it all on “Can’t Get Enough”, a new uptempo Quiet Riot party tune.  Co-writer Neil Citron must have written the riff with a classic Quiet Riot vibe in mind.

Then it’s down weird street a little bit with the Indian-flavoured intro to “Get Away”.  It takes a moment, but once you realize “Hey, this isn’t the same old Quiet Riot”, you will be able to realize that “Get Away” is a damn good song.  It’s actually quite melodic rock, but with a Zeppelin groove.  Then it’s the pro-weed “Roll This Joint”, which has a seriously decent Zep vibe too.  The lyrics are pretty cheesey (“I’m with Cheech and Chong and Willie and Marley!”) but you gotta cut Durbin some slack.  He’s young and it’ll connect with some of that crowd.

The thing is, you just can’t dislike Durbin.  He wins you over, especially on the lead single “Freak Flag”.  This is the most Quiet Riot sounding track of the disc, but with Durbin it’s no carbon copy.  “Freak Flag” kicks ass and you can imagine it working great live.  Same with “Wasted”.  That chorus (“Take a shot!”) grows fast.  Even the ballad “The Road” doesn’t suck.  Through the 11 tracks, it’s clear who the star on this album is.  The new frontman rose to the challenge.  In the back, Frankie Banali’s providing the Quiet Riot backbeat; the linkage between past and present.  Guitarist Alex Grossi also turns in a worthy performance, and Chuck Wright (bass) has a co-write on the slippy-slidey “Still Wild”.  Despite the circumstances in the making of the album, Quiet Riot sound more focused than they have in decades.

Frankie’s revival of Quiet Riot has been going seven years straight, through five singers before getting James Durbin on board.  Only the singer has changed; Grossi and Wright have stood by through thick and thin.  No matter what, Quiet Riot will continue.  Fans should be advise that the first album with Durbin has turned out great, and let’s hope this is a long-term lineup.  He’s got the necessary range to sing vintage DuBrow, but in his own voice.  And that voice is growing quite compelling.  Not every song is killer, but the majority of the album gets the job done.  Enough to justify putting your money down.

The Japanese version of Road Rage has an exclusive bonus track.  It is an acoustic version of “Make A Way”, one of the heavy album tracks.  This isn’t a crappy remix, but an entirely new recording of the song in acoustic arrangement.  It’s different enough that it actually seems like a new song.  Bonus track:  win!*  

As Durbin sings, “Take a shot!”  Give Road Rage a road test.  Just don’t “Knock ‘Em Down”, or you will have to “Get Away”.  The quality of this album in terms of sound and songs gives the new Quiet Riot a level of credibility they didn’t have before.  Easily their best album since 1993’s Terrified or even before.  Let your “Freak Flag” fly, James Durbin!

3.75/5 stars

*  Former singer Seann Nichols made a comment in an interview that implied the version of Road Rage with his vocals was released in Japan; this is unfortunately not the case.  If you have any Seann Nichols versions of the Road Rage songs, please contact us here.  We are dying to review them in contrast to the final album!