steve smith

REVIEW: Journey – Live in Houston: Escape Tour 1981 (CD/DVD set)

Christmas gift review!  This one came from my sister and husband Melvin.

JOURNEY – Live in Houston: Escape Tour 1981 (2006 Columbia CD/DVD set)

Released in 2006, the Live in Houston CD/DVD set by Journey chronicles the band at their peak.  This is a vintage MTV concert finally released for sale. Opening with the brand new title track from the brand new album Escape was a good idea.  Its fast paced pyrotechnics fire up the crowd appropriately.  Steve Perry is resplendent in his tuxedo jacket, jeans, and animal-print T-shirt.  Now this is a fucking concert.  If the guy couldn’t sing like the angels, then he couldn’t get away with that shit, but it’s Steve Fucking Perry.  At his peak.  A great frontman with the classic voice.  His vocal acrobatics rival the furious fretwork of his bandmate Neal Schon.  Personally, I think Bon Jovi owes a lot to Steve Perry’s schtick.

Not letting up, the opening salvo is concluded with “Line of Fire” before it’s time for the ballads.  It’s a great little rock boogie that gives the band a chance to play hard.  Perry then informs the band that they are recording a live MTV special (as if you couldn’t tell by Schon’s MTV T-shirt).  If that can’t get a crowd screaming for “Lights”, nothing will.  This kind of song isn’t my thing really, but it is always a pleasure listening to Steve sing.  Live, he’s that much more entrancing.  Superhuman, really.  “Lights” merges with the ballad “Stay Awhile”, which I think is the better song.  Listen to that fucker sing!  Then it’s time for a new ballad, “Open Arms”.  This is where I step out to pee.

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Neal Schon’s favourite new song from Escape was “Mother, Father”, a dramatic heavy ballad.  Perry kicks this song in the ass, but it’s the anthemic chorus that you can’t forget.  And people — Steve Perry hits every single one of the high notes at the end.  Every. Single. One.

New kid Jon Cain takes a moment for a piano solo, while Steve Perry no doubt drinks something cold and soothing!  I like that Jon tucked his sleeveless animal print shirt into his jeans.  Gotta look presentable, of course.  New ballad “Who’s Cryin’ Now” is greeted by high pitched screams, indicating the crowd really know this one.  Perry has lost the tux jacket, revealing that he is not a T-shirt tucker.  Schon’s solo is epic, in how it builds from one simple melody into something completely different and blazingly fast.

The crowd goes nuts for the rocker “Where Were You”, on which drummer Steve Smith absolutely blows the doors off.  I love watching him play with classic grip.  He’s the next member to get a solo, and I can’t help but notice he has tucked his T-shirt into his jeans.  Interesting.  I didn’t expect that from the drummer.  The solo is a scorcher, leading directly into the new rocker “Dead Or Alive”.  Steve Perry looks a lot more awkward dancing to this one, but his voice leaves no doubt.  Nobody else could sing the song the way Perry did.  Nobody.

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Steve announces from the stage that Escape just went #1 in the US a mere three weeks before.  The crowd then goes insane for the opening keys of “Don’t Stop Believin'”.  As on the album, I love Steve Smith’s cymbal work; it’s just overpowered by the live sound of the band.  You can tell that the sound wasn’t tampered with, as Neal hits a bum note in the solo and it was left in.  The lush backing vocals seem to be provided live by Schon, Valory and Cain.  Then it’s time for “Stone In Love”, another newbie.  This hard rock classic features Jonathan Cain abandoning the keyboards and joining the frontline on guitar.  This allows Schon the ability to throw in more solos and licks; meanwhile when piano is needed, Steve Perry jumps behind the keys!  Then it’s time for “Keep On Runnin'”, again with Cain up front on guitar.  It’s another solid rock song, although a bit of a throw-away compared to the rest of Escape.  Schon then gets his chance to solo, as a lead in to “Wheel in the Sky”.  It’s a note-perfect live version, and full of energy.

For encores, it’s the annoying “Lovin’, Touchin’, Squeezin'” and “Anyway You Want It”.  The only good thing about “Lovin’, Touchin'” is the guitar solo with some tasty slide for added flavor.  “Anyway You Want It” is ragged.  It’s a hard song to sing to begin with, but Perry is running around so much that it’s bound to fall apart at times.   It’s a magnificent finish.

The CD version has a bonus track: “The Party’s Over (Hopelessly in Love)”.  I don’t know why it’s not on the DVD version.  I think it’s one of Journey’s best also-rans.  Maybe the film had deteriorated too much to use for that one song?  Who knows.  Anyway (you want it), you can get it on CD.

It’s also worth pointing out that three songs (“Don’t Stop Believin'”, “Open Arms”, and “Who’s Cryin’ Now”) were all re-released on the remastered Escape CD.  So if you’re browsing at the store thinking, “Hey, look, it’s Escape with bonus tracks, I need that,”…no you don’t.  Just get this.  Always better to have the full concert!

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The bonus interviews are pretty neat.  Members discuss how they found their way into Journey via manager Herbie Herbert.  Neal Schon is almost hilariously young looking.  Perry sports the shadow of a moustache, appearing as if he would have had trouble growing a full one.  Bassist Ross Valory speaks of the band’s earlier preference for instrumental music, supplanted by a switch to vocal songs.  The interviews are broken up topically and are made up from a variety of sources. In the section about touring, Steve Perry reveals that after being driven around everywhere in a limo, when he gets home from the road he feels like he’s forgotten how to drive!  It’s worth it, though: all their best songs were written on the road.

The DVD also includes a photo slide show that nobody will watch.  It’s only a minute or two long.  Some of these pics, I’ve seen before.  Neal Schon does make great “guitar faces”, possibly the best ever.  The original TV ad for the Escape album is hilarious in its 80’s cheesiness.

4/5 stars

REVIEW: Journey – Trial By Fire (Japanese import, 1996)

JOURNEY – Trial By Fire (1996, Japanese import with bonus track)

The classic Journey lineup (Steve Perry, Neal Schon, Ross Valory, Jonathan Cain, and Steve Smith) were back however briefly in 1996 with this triumphant reunion album.  I remember in the store in 1996, nobody was buying it.  How sad.  This is among the very best Journey albums.  In fact with Steve Perry’s voice showing a little more weathering and character, and the band having a more mature sound, I think it is the best.

It’s a mellow journey, very much suited to Perry’s incredible pipes.  The opening track, “Message of Love” storms across the speakers with Perry singing as powerfully as ever with Schon’s patented guitar melodies behind him.  Cain tinkles at the ivories at precisely the right moments, while Smith demonstrates the timing and style that makes him a top jazz fusion drummer today.

And that’s just the first song!  The slower but equally powerful “One More” follows, and then we’re onto the first signature Perry ballad.  “When You Love A Woman” was the single, but to me it’s filler.  Much better is the ballad that follows it, “If He Should Break Your Heart”.

“Don’t Be Down On Me Baby” demonstrates Perry’s soul roots.  Whether on the ballads or the rockers, Perry nails every song perfect.  If anybody else was singing on this Journey album, it wouldn’t have half the impact.  As great as the songs are (and I believe they are a collection of Journey’s strongest ever), it is Perry that drives them home with his ballsy, epic delivery.

I don’t want to bother listing all my favourite tunes.  Basically all of them, with the exception of “When You Love A Woman” and the mid tempo rocker “Castles Burning”.  Everything else is great, and distinct from one another.  Each song inhabits its own space, style and sound.  Yet it sounds like a cohesive whole, thanks to expert producer Kevin Shirley.  And Steve Smith makes the ballads as smooth as butter.  Just listen to “Still She Cries”.

The Japanese bonus track is called “I Can See It In Your Eyes”, and is sequenced in the body of the album.  This is a straightforward rocker, perhaps compensating for the lack thereof on the rest of the album.  While not one of the better songs, it does have its place in appeasing those who think Trial By Fire is too soft.

4.75/5 stars.  They should have toured.