The Best Of

#1151: An Egg of a Deal: End of August Scores

RECORD STORE TALES #1151: An Egg of a Day: End of August Scores

I have a coworker whose parents recently passed.  This is always sad, but the time came for my coworker to purge her mom’s music collection.  Periodically when this happens, people come to me to ask my opinion.  Essentially, she wanted to know:  “is there anything here that I shouldn’t take to the local Beat Goes On because it might be worth more?”  She didn’t think much of her chances, but wanted to be sure.

“Sure, I’ll pop over and have a look,” I said.  “I can’t promise you anything but I can at least have a look.”

That was good enough for her.

“I bet I find a bunch of Lawrence Welk!” I joked to Tim Durling and Jex Russell.  You know the kind of record collection I mean.

Indeed, I did find Lawrence Welk in the very first box of vinyl.  I had a laugh and kept digging.  To everyone’s surprise, I found things that might indeed have been valuable, and they had no idea how it got into that collection.

First of all, she had a really nice stack of 78s.  Big Crosby was the first one I saw.  I have no idea on value of 78s, but this were stored well and all seemed in good condition.  It might have been my first time handling a stack of 78’s like that.  They are thicker than an LP, and much heavier.  They require a special stylus as well as a turntable that can go up to 78.  I used to have that equipment.  She even had a cylinder, whether Edison or a competing brand, that was out for professional appraisal.  So, this collection I was looking at had these formats:

  • LPs
  • 45s
  • 78s
  • Cassettes
  • 8-tracks
  • CDs
  • and one cylinder

Pretty wild scope.  The genres were all over the place, from easy listening and country (the usual suspects) to disco, jazz, oldies, and even progressive rock and heavy metal, as you’ll see.  This, I did not expect.

Then I spied an album called Egg.  Something about it jumped out at me.  I flipped it around and there were black and white photos of long haired guys jamming.  That struck me as out of place in this collection, so I set it aside.  Somebody looked it up, and it can sell for easily over $100.  Everyone seemed really impressed by my ability to sniff this out.  I am no expert, folks.  Not at all.  But it looked out of place, which is why I took a second glance.  It turns out Egg were an English progressive rock band, and the album was released in 1970.  Very surprising, but they felt that this one find justified me coming over and looking at their records, so I was happy.

Original price:  $6.99

I found some things I wanted for myself and made an offer.  I left with the following titles:

  • Guns N’ Roses – “You Could Be Mine” 1991 Geffen cassette single.  I own it on CD, but never on cassette.  Why not?  In this day and age of owning everything on every format, why not?
  • The Best Of ZZ Top 1977 Wea Music cassette.  A staple, but one that I somehow have never owned before on any format.  Stone cold classic compilation.
  • John Williams and the Boston Pops – Pops In Space 1980, Philips, made in Holland.  This contains music from some of Williams science fiction classics:  Superman, The Empire Strikes Back (which was brand new in 1980), Star Wars, and Close Encounters.  I haven’t seen this one before.
  • Oscar Peterson – The Trio – Live from Chicago 1961 Verve/1986 Polygram CD.  My second Oscar Peterson score this summer.  You rarely find Oscar in the wild, and never this one.
  • Johnny Cash – His Greatest Hits, Volume II 1971 Columbia 8-track.   This was the Cash album I grew up with in the car with my dad, albeit on cassette.  This cartridge is in great shape, and resides in a bright red shell.  This is my first red shell 8-track tape.

When I called my dad to tell him of my musical scores, he was surprised at the 8-track.  While he clearly remembers that Cash album, he asked me “Do you have anything that plays an 8-track?”  This is a common question that we collectors get.  No I do not.  I don’t have a way to play a Minidisc, a DAT, or a DCC either but I would love to have some in my collection.  My collecting desires are no longer strictly just to have music to play.  Now I collect music I can’t even play too!  Just to have a piece of history.

After we completely examined the collection and left some advice, I departed with my treasures.  Since we were in the neighbourhood, I decided to visit the old Toys R Us/HMV store.  There, I finally decided to pick up Iron Maiden’s Powerslave on vinyl, edging me closer to completing the 1980s collection.  Now, all I should need are the first two Di’Anno albums (I think).  Powerslave was $36 and hard to pull the trigger on, since I can distinctly remember a time when Sam the Record Man was swinning in new copies for $6.99 each, and that sticks with you.  I finally have it now.

A successful Saturday.  Time to listen to some music!

REVIEW: Sword – The Best Of (2009)

SWORD – The Best Of (2009 Unidisc reissue)

There are two versions of this CD:  a 2006 release on Aquarius, and a 2009 reissue on Unidisc.  Don’t waste your time on the 2006 CD, which is made up of previously released material.  Go for the 2009 disc, with three unreleased bonus tracks!

Sword (not The Sword) are a Canadian band from Quebec who released an impressive heavy metal debut album in 1986.  They gained the attention of Motorhead who took them out on tour.  They followed it in ’88 with Sweet Dreams, just as good as the first, but commercial success eluded the band.   They toiled away on a third album, but eventually the band dissolved leaving only singer Rick Hughes.   He returned in 1992 with Saints & Sinners, and a new hard rock sound, but that was fated to sell poorly too.  It was inevitable after grunge hit.

Rick Hughes remained active as a singer in Quebec and in 2016, he released a Sword live album, Live Hammersmith, recorded in ’87 on the Motorhead tour.   Then, unexpectedly in 2018, the original lineup reunited!  They have already played live gigs and are recording a new Sword album.  If you plan on catching up (and you should!) then check out the 2009 Best of Sword disc.  Besides the three unreleased demos, you’ll get a dozen rockers and thrashers that will melt skin.

The first salvo of “Stoned Again” and “F.T.W.” are a pair of killers.  They were the singles from the first album, well loved by Canadian fans of the Pepsi Power Hour.  “F.T.W.” is a smokeshow, with a blistering gallop and brain-burning chorus.  On the other hand, groove is all about “Stoned Again”, a surprisingly catchy number that is hard to forget.  Strangely, their final single “The Trouble Is” (from Sweet Dreams) isn’t on here.  “Life on the Sharp Edge” is also missing.

Omissions aside, The Best of Sword showcases the sound of the band with a lot of their best material.  More serious and topical songs like “Land of the Brave” will appeal to the thinking metal head.  Meanwhile “State of Shock” will rip skulls right off — be careful you don’t play it too loud!

The first of the bonus tracks, a song called “Get It While You Can”, might be a demo from the third album, before they transitioned into Saints & Sinners.  It’s the most “hard rock” Sword song of all of them.  It definitely sounds like a stepping stone to what would become the Saints & Sinners album.  The other two tracks are demos of “Runaway” and “Stuck in Rock” from the first LP, with different lyrics.

Because the first two albums are out of print, The Best of Sword is an easy way to sample their tunes before that third album comes.  Go for it — but only the full 15 track version.

4/5 stars

REVIEW: White Lion – The Best Of (1992)

WHITE LION – The Best Of (1992 Atlantic)

I’m going to keep it short and sweet this time, and defer to a 1992 review by M.E.A.T Magazine’s Drew Masters (issue 38, Nov. 92):

BEST OF WHITE LION_0001

He’s right.  I don’t agree with the single M rating though; these are mostly good tunes.  They’re sequenced awkwardly as fuck though.  The flow on this disc is just completely fucked.  The songs don’t work in the sequence they’re in.  And Drew is correct in inferring that many of White Lion’s prouder, heavier moments are missing.   Vito smokes on the live tracks, but Tramp can’t hit the notes.  Buy Pride, not this.

2/5 stars