RECORD STORE TALES #980: Uh! All Night
My final year of grade school, 1985-86 was momentous. I’ve written an entire 1986 saga about those times. I had mono which kept me home sick for much of the end of Grade 8. This meant plenty of music listening time while I recovered. Music and comic books. Discovering so many new songs and bands made it a uniquely special time. Being sick wasn’t so bad. It kept me away from the bullies while learning about Van Halen songs such as “Unchained” and “So This Is Love”. I sat in the basement and watched a lot of Pepsi Power Hours, during (arguably) the peak era of the show.
Additionally, it was the year I decided my favourite band was Kiss.
Kiss were hot on the TV with “Tears Are Falling”, the first single from their newest album Asylum. Kiss were one of those bands that just made me want to collect them all. Although I had acquired some used Kiss records in a trade, Asylum was my first brand-new Kiss purchase from a store. That’s a special thing, because it felt like a rite of passage. A year earlier I would have been walking up to the counter with an action figure in hand. In autumn of 1985 I approached the cash register with what was once forbidden fruit. Kiss used to seem dangerous, even disgusting when I was a kid. Here I was buying the new Kiss album, for the first of many times.
I like to think that I have a knack for picking the singles for albums today. It all started with Asylum and their little ditty called “Uh! All Night”. While “Tears Are Falling” was a really obvious choice for single #1, it seemed to me that album closer “Uh! All Night” should be second. A lot of albums I owned back then seemed to have a handful of good songs, and a lot of filler. Asylum has filler (mostly the Gene songs) but “Uh! All Night” was catchy from first listen. It was also far more upbeat than “Who Wants To Be Lonely”.
If Kiss were out to corrupt young minds, then they would have been happy to know that my sister and I jumped around the basement singing, “When you work all day you gotta UH! all night!”
I wasn’t 100% certain what “uh!” meant in this case. The Pepsi Power Hour was little help.
With VCR at the ready, I watched attentively as VJ Christopher Ward introduced the video on the Power Hour for the first time.
“What does it mean, ‘Uh! All Night’?” teased Ward. “Do your homework all night? I think it means do your homework all night.”
I figured “uh” had to be something naughty. Partying?
The video came on, and Paul Stanley descended a dark staircase wearing a white captain’s hat. He removed his overcoat revealing more sequins, reflectors and hair than I could take in. Dated looking by today’s standards. The epitome of cool for 1985. All of them looked cool, except for Gene who really struggled to find the right image, until the Revenge era. The stage set was cool, like a construction zone at night adorned with lights and speakers.
Kiss danced, and posed, and lipsynched up a storm. Kiss were designed for pubescent boys like me, who were giving up on action heroes and discovering rock and roll. And girls. The “Uh! All Night” video was criticised for, of course, objectifying scantily clad women.
Funny enough, this is where Kiss missed the mark with me. I liked girls, but not…not the ones in “Uh! All Night”.
I liked David Lee Roth’s “California Girls”. I ogled the ones in the video for “Blondes In Black Cars” by Autograph. I didn’t like the platinum blonde Dolly Parton lookalikes in “Uh! All Night”. Not at all. Their striptease with the white nylons did nothing for me. After Bruce Kulick whips out a wicked solo with tapping and guitar faces, the Partons beds turn into bed/car hybrids with headlights and grills. But the Partons couldn’t drive the car-beds; they had to push them. Dozens of Partons pushing the car-beds wearing fuzzy high heels and lingerie. It was ludicrous and completely un-hot.
At least Kiss looked cool, so I watched the video over and over, doing my best to ignore the Dolly Partons in their white beds.
David Mallet directed “Uh! All Night” and the other two singles from Asylum as well. They all share a similar look, but “Uh! All Night” stands out among them, and not for any good reasons. Considering the good stuff that Mallet did direct (Maiden, Bowie, Leppard, Queen, AC/DC and many more) it’s best if “Uh! All Night” just goes forgotten on a dusty shelf somewhere in the Kiss archives.