Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

REVIEW: Glenn Tipton – Baptizm Of Fire (1997, 2006 reissue)

GLENN TIPTON – Baptizm Of Fire (1997, 2006 reissue)

One cool thing about working in a record store:  I actually bought this album 3 times.  Essentially, I bought it once and the other two times were upgrades!  When it first came out in 1997, I ordered in three copies — one for myself, and one each for my regular customers Len and Shane.  Then another regular, Conrad, traded in the Japanese version.  I upgraded mine, trading it in and paying the slight difference.  Then in 2006 when the remastered edition came out (with the addition of the bonus track “New Breed”), I traded up once more, this time getting some money back for my Japanese printing.  All for an album I don’t even like that much! 

In fact, if this album came out today, without my staff discounts, most likely I would have skipped it. Back then though, things were very different.  Priest was seemingly on ice since 1991.  There wasn’t a new Priest album to look forward to. Halford’s most recent solo material (Fight’s A Small Deadly Space) had failed to excite me the way his debut album had.  Now it was now up to Glenn to carry the Priest flag for me, and I eagerly ordered three copies of his debut solo CD from our distributor, for me and my customers.

The problem with Baptizm of Fire is, sadly, Glenn’s voice. Glenn’s always sung backup vocals with Priest, but as a lead…sorry. I don’t think so. Sounding like an out-of-breath Dave Mustaine, Glenn definitely gives it his all, which just isn’t enough.  Not for metal this powerful.  You need a soaring vocal to give you a melody to sing along to, not to whisper.

The songs are good enough though. I really liked “Fuel Me Up”, “Hard Core”, and “Extinct”. Back then, mainstream magazines like Rolling Stone treated rockers like Tipton as dinosaurs, better off extinct!  Well today, things have changed and they are considered living legends. Such was the 90’s! Tiptop furiously refutes the claim that he was a dinosaur in “Extinct”, one of the best songs on Baptizm Of Fire.

The original Japanese bonus track, “Himalaya” is included on the remaster, a tribute to the Japanese people according to the liner notes on that version of the CD. Well, Glenn, I am really sorry to be the one to break this to you. Japan is nowhere near the Himalayas. I’m not sure I get it.  The other bonus track is included, “New Breed” is of unknown origin but I assume from the album sessions.

In fact so much was recorded that there’s a companion album available:  Edge of the World, consisting of tracks recorded with the late John Entwistle and Cozy Powell.  More outtakes, they were released under the name Tipton, Enwistle & Powell. 

Glenn generated some pre-release hype by loading up this album with guests. Besides the aformentioned Entwistle and Powell, there’s also the devastating Billy Sheehan, Rob Trujillo, Neil Murray on bass! Cozy Powell on drums! Don Airey on keys! And Ugly Kid Joe drummer, the excellent Shannon Larkin!  There’s absolutely nothing wrong with the performances.

Production-wise, this is a little over-processed sounding, a bit like the soon to come Jugulator album by Judas Priest.  Tipton had a hand in producing both. 

I’m sorry Glenn. I really wanted to love your solo album, but today it sits on a shelf, seldomly played. Sorry man.

2/5 stars

  1. “Hard Core” – 4:39
  2. “Paint It Black” – 2:56 (yup…Stones cover…and not that good) 
  3. “Enter the Storm” – 5:56
  4. “Fuel Me Up” – 3:02
  5. “Extinct” – 5:33
  6. “Baptizm of Fire” (Instrumental) – 5:16 (one of the best tracks if not the best!)
  7. “The Healer” – 4:56
  8. “Cruise Control” – 4:08
  9. “Kill or Be Killed” – 3:21
  10. “Voodoo Brother” – 5:36
  11. “Left for Dead” – 3:45
  12. “Himalaya” (Bonus track on Japanese and remastered editions)
  13. “New Breed” (Bonus track on remastered edition)

REVIEW: Judas Priest – Rising In The East (DVD, 2005)
 
JUDAS PRIEST – Rising In The East (2005 DVD, live in Japan)
 
Two things I am sick of:
  1. The moaning and whining you read on Amazon reviews about Halford’s voice.
  2. The amount of live material that Priest have released since 1998 (too much).
 
In regards to point #2, most of that live material was released with Tim “Ripper” Owens on vocals. Rising In The East represents the first “real” live release since the return of Rob Halford (not counting the brief live DVD that came with Angel Of Retribution). So, this release is forgiveable. Even Priest fans who owned the live stuff with Ripper will be eager to get their hands on some brand new live visuals with Halford, with new songs, the first such release since 1987’s Priest…Live!
 
In regards to point #1, it is true that Rob Halford cannot hit all the high notes anymore, and he has stated as much in interviews.  It is what it is.  He’s 61 years old!  The man still has a fantastic voice.  If I could only sing that well!  He changes the keys on some songs, sometimes sings different notes, in order to do the challenging songs. Some, like “Painkiller”, he does his best at screaming, even though it’s not 1990 anymore. On other songs, like “Hellrider”, he lets loose a powerful piercing scream or two that seem to come out of nowhere! The cool thing about it is, when he does let loose, it’s so unexpected and so powerful that it just blows you away!  In fact, this version of “Hellrider” is my preferred version, over the album.

The song selection is interesting and varied if nothing else. All the staples are here: “Metal Gods”, “A Touch Of Evil”, “Painkiller”, “Hellbent”, “Another Thing Coming”, “Living After Midnight”, “Breaking The Law”. There are also lots of older Priest classics that, for some parts of the 80’s, were seldom played (if ever): “The Ripper”, “Victim Of Changes”, “Exciter”, “Diamonds & Rust” (the acoustic version too). There is a generous helping of new songs from Angel Of Retribution, and a couple odd ducks as well: “Turbo Lover”, “Hot Rockin'”, and “I’m A Rocker”. “I’m A Rocker” is definitely the biggest surprise, as Ram It Down-era material hasn’t been played live since that tour! It’s not the track I would have chosen (give me “Blood Red Skies”!) but I give them credit for being adventurous. The only missing link really is, I would have loved something from Defenders, or maybe “Sinner”.

My only real beef is with Halford’s stage presence. I haven’t seen Halford perform live at all recently, but his stage presence here really baffled and stunned me.  For 90% of the show, he is standing in one place on stage, hunched over, staring at the floor, looking like some strange leather-and-studs hunchback. He rocks back and forth holding onto his half-sized mic stand, eyes closed, wailing away. Every once in a while, he stands straight up and walks around, proving he’s not suffering from ankylosing spondylitis.

He barely speaks to the crowd at all. A sample song intro? “Angel of Retribution? Revolution!” That’s it! He speaks a little more before “Turbo Lover”, reciting the same song intro that he used back in 1986, but quickly and robotically.

Considering that Glenn Tipton, KK Downing, and (yes) even Ian Hill give their all on stage while Scott Travis plays seemingly impossible drum parts, Halford’s stage presence was shockingly dull. He’s always had a flair for the theatrical, and his choice of leather and metal costumes show he’s still that guy. I just don’t get what he’s trying to do with the hunching over. I am sure there is a method to his madness, and he’s not waiting on a double hip replacement, but it’s lost on me.  Anybody who can add insight, please leave a comment.   Maybe you saw him on this tour — I have never seen Priest live.

Song-wise, production-wise, and performance-wise, this is a must-purchase for any Priest fan (I only wish it was released on CD too, although some songs are available on 2009’s A Touch Of Evil Live). Visually, Halford’s performance is puzzling — but even so, it’s actually grown on me since I first watched this.

4/5 stars

REVIEW: Iron Maiden – Piece Of Mind (1983, 1996 bonus disc)

Part 6 of my series of Iron Maiden reviews!

IRON MAIDEN – Piece Of Mind (1983, 1996 bonus disc)

Exit Clive Burr.  Enter that hilarious crazed drum dynamo Nicko McBrain!  Surely one of the most beloved characters to ever grace an Iron Maiden album, the band decided to kick off Nicko’s first album with a drum flurry.  Like machine guns strafing the sky, Nicko opened “Where Eagles Dare” with a decidedly skillful salvo.

Piece Of Mind is one of Steve Harris’ favourite albums, and one of mine too.  Each of its nine songs is worthy of the album; no filler.  The subject matter is increasingly more interesting to me as well, as Steve punders history, literature and movies.  “Where Eagles Dare” was based on the classic Clint Eastwood film of the same name, and does not disappoint.  It is over six minutes of soaring vocals and solos, with the band riffing steadily behind it.

This is followed by one of Maiden’s epic slow tunes, and first ever Bruce Dickinson writing credit on a Maiden album, “Revelations”.  Almost seven minutes long, “Revelations” is lyrically complex and melodically incredible.  I recall one of my old highschool buddies, Andy Kandic, sang “Revelations” at a highschool audition because he wanted something that would blow the judges away.  This is one of Bruce’s best vocal performances ever, but not the last of his writing contributions.

The first of Bruce’s many collaborations with Adrian Smith is next.  The hit single “Flight of Icarus” is a shorter number, the type of hard rock song that Maiden occasionally pull out for use as a single.  Its chorus soars like the title character, without that annoying crash at the end!  This is certainly one of Maiden’s most memorable songs.

As if that wasn’t enough to exhaust you, Bruce and Adrian teamed up with Steve to pen “Die With Your Boots On”.  Right from first listen, this was one of my favourite Maiden tunes.  Loosely based on Nostradamus, the lyrics are great!  “In thirteen the Beast is rising, The Frenchman did surmise, Through earthquakes and starvation, The warlord will arise.”  But the bottom line according to Maiden is “The truth of all predictions is always in your hands!”  If you’re gonna die, die with your boots on.  Great song, great singalong chorus.

Side two is kicked off by one of the greatest Maiden songs of all time:  “The Trooper”.  This is one that has steadfastly remained in setlists, even through the Blaze Bayley years.  It’s a great example of the trademark Maiden gallop.  Lyrically this one is about the Charge of the Light Brigade, and the Crimean War.  This is where I think Maiden deserves some credit from the educational field.  Sure, a five-minute song is not going to sum up the Crimean War, but it got many, many kids into history.  My father was always impressed that I had interest and knowledge in history, partly thanks to Maiden songs.  He always encouraged me to listen to songs like “The Trooper”, and then follow it with some reading.


Dave Murray’s “Still Life” slows the pace, introduced by Nicko’s backwards Idi Amin impression!  Then it picks up, big time.  This haunting number is a story of possession, perhaps along the lyrical lines of “The Number of the Beast” and the later “Dance of Death”.  I love this song.  It was rarely played live, but can be found in live version on a later B-side.

“Still Life” is followed by two lesser known cuts.  Slightly less impressive than the rest of the album, “Quest For Fire” and “Sun and Steel” both blow away many songs by the average metal bands out there.  Both are short hard rockers, under four minutes in length, anchored by memorable choruses.  “Quest For Fire” is not surprisingly based on the film of the same name, but isn’t quite as exciting as the previous stories on this album. “Sun and Steel” though is a fencing number, of course written by Bruce with Adrian.  The protangonist killed his first man at 13, and goes on to live a life of battle with the blade.  This would not be Bruce’s last foray into fencing with his lyrics.

Finally, another long Steve Harris epic ends this album:  “To Tame A Land”.  Musically and lyrically very complex, it is based on Dune by Frank Herbert.  It is very, very difficult to sing along to this labyrinth of lyrics:  “He is the Kwisatz Haderach, he was born of Caledon, and will take the Gom Jabbar.”  Without reading the books, you’ll be lost.  After reading the books however, I thoroughly enjoyed this one.  Today this is one of my favourite Maiden classics.  It’s certainly hard to get into instantly, but once those tricky melodies and riffs burrow their way into your head, they are there to stay!

They couldn’t get permission from Herbert to use the name “Dune” as the title of the song.  Reportedly, when asked, his people responded, “Mr. Herbert does not like rock bands, especially heavy metal bands, and especially heavy metal bands like Iron Maiden!”  A shame that was, as “To Tame A Land” was the gateway drug for many to discover the delights of planet Dune.

On Derek Riggs’ cover art, Eddie has been lobotomized, chained up in a padded cell.  An open window and a disembodied hand tease him on the back cover.  This would have made a great gatefold sleeve!  I always imagined that Derek was sequentially trying to tell a story.  Previously, we saw that Eddie was pulling the Devil’s strings on The Number of the Beast.  But if you looked carefully, you would see that the Devil was really pulling Eddie’s.  Now Eddie’s been captured and lobotomized.  Further albums covers show Eddie’s burial, resurrection, cybernetic enhancement, and his offspring.  I like to think that there was a hidden narrative going on with the artwork.

The bonus CD contains the two B-sides from this album’s sessions, both covers:  Montrose’s “I’ve Got The Fire” and Jethro Tull’s “Cross Eyed Mary”.  “I’ve Got The Fire” was previously covered by the Di’Anno-led version of Maiden, but this version’s even better.  The solos and Bruce’s vocal brings the song to a whole new level, although it does lose some of Di’Anno’s punk-like reckless abandon.  “Cross Eyed Mary” is not my favourite Tull song of all time, but I’m not surprised that Maiden are fans!  This was probably a good choice, and Maiden do a solid job on it.

Not to overstate the obvious, but Piece of Mind is one of Maiden’s all time best.  5/5 stars

BREAKING: Nightwish split with Anette Olzon

Wow!  That sure didn’t last long!

http://www.bravewords.com/news/191115

I guess there’s been the odd hint that all was not well with this union, but hey, I liked that Dark Passion Play CD.  It’s cool.  Wasn’t so much into the old stuff with Tarja.

Best of luck to the boys & girls, I wonder what kind of direction they’ll want to seek vocally now.

Part 120: T-Rev Appreciation Day!

I was sitting here, trying to think of some new content to write.  Then it hit me:  T-Rev Appreciation Day!  

RECORD STORE TALES PART 120:  T-Rev Appreciation Day!

T-Rev, a past contributor here at LeBrain’s Blog, is a man whom I owe a lot.  Not only is he one of the best buds I’ve ever had (sniff) but he’s also responsible for getting me so damn many of my treasures.  Directly responsible.  Like, I’m not talking about stuff like, “Mike, you really need to buy some Oasis, Max Webster, and Steve Earle.  Oh, and while you’re at it, the second Four Horsemen album is awesome!” 

He did, in fact, turn me onto all four of those things.  But I’m talking more about the kind of situation where a combination of his eagle eyes, musical knowledge, and friendship scored me some discs!

Here’s two:

QUEENSRYCHE – Road To Promised Land aka ARRIVED!

This 1995  promo CD is a neat little greatest hits, going chronologically from the first EP to the Promised Land album!  The only exclusive track is a radio edit of “Damaged” but Trevor saw this one and gave me a call.  He knew I loved Queensryche, especially since I was going to see them with Tom that summer.

DIAMOND HEAD – Lightning To The Nations (original mix!)

T-Rev and I were both Metallica fans, and were both aware that they had covered numerous Diamond Head songs.  This, like the Queensryche disc, came into Trevor’s store.  While I wouldn’t fault him for snagging this one for himself, he deemed it slightly out of the scope of his core collection.  I’m glad he did, because this disc rocks!  And this is the original “Lars Ulrich approved” mix of the album, ripped straight from the LP.  Most CD editions were remixed, and the master tapes are now lost.  So this is a real treat and hopefully I’ll get around to reviewing it.   15 tracks, from the album itself plus B-sides and so on. 

I raise a glass to Trevor, surely one of the finest Record Store Dudes to ever grace a cash register!  My memories, and my collection, would be poorer without you.

   

REVIEW: Iron Maiden – The Number Of The Beast (1982, 1996 bonus disc)

Part 5 in my series of Iron Maiden reviews!

IRON MAIDEN – The Number Of The Beast (1982, 1996 bonus disc)

One of Maiden’s greatest album covers happened to house a great album inside.  There was a segment of Maiden fans that were very much against the replacement of Paul Di’Anno, but Bruce Dickinson was undeniably the right man for Iron Maiden.  Formerly known as the ridiculously monikered “Bruce Bruce” of rival band Samson, Dickinson fit in quickly and triumphantly.

From the first song, “Invaders” (a history lesson on the Norman invasion), The Number Of The Beast does not disappoint.  “Invaders” is a storming opening, but not nearly the quality of the next number:  “Children of the Damned”.  Along the lines of the older “Remember Tomorrow”, this song proved why Bruce was the man for the job.  The dramatically powerful music is only enhanced by Bruce’s wail.  They nicknamed this man “Air Raid Siren” for a reason.  “Children of the Damned” still sends shivers up my spine…

Another classic, “The Prisoner”, follows.  Significantly, this is the first Adrian Smith co-write on the album, and in Iron Maiden.  He has three co-writes on the record, and Adrian’s writing lent a melodic hard rock side to the band.  His composition style is unique from the other members of the band, and identifiable.  “The Prisoner” starts with that famous intro:  “We want information… information… information!”  The band had McGoohan’s permission to use it, and effective it is!  It’s a catchy, singalong Maiden song, the kind of thing that worked great live.  And Bruce really delivers on that chorus.

Charlotte the Harlot makes her return on “22 Acacia Avenue”.  The lyrics boast, “You can tell her that you know me, you might even get in free.”  But it’s not as simple and straightforward as that anymore, as Maiden have grown musically, so have they lyrically.  Another character, perhaps a family member, turns up and asks Charlotte, “isn’t it time you stopped this mad life?”  But if you’re not paying attention to that because the song rocks so hard, I understand.  This one too bears the stamp of Adrian Smith who was no doubt responsible for those terrific riffs.

With the addition of Smith and Dickinson, the band had obviously grown and intensified.  But the next two songs, opening side two, blew the doors off.  “The Number of the Beast” and “Run To the Hills” were a double whammy:  two awesome singles in a row that would help send the band off into immortality.  I’m not saying that with a shred of hyperbole.  If you’re reading this and don’t know these two songs, then I don’t know what’s wrong with the world!

I won’t dwell on either song.  Yes, “Run To the Hills” is one that I never need to hear again, but I’m sure glad I heard it the first time.  It’s the song that got me into the band.  I absolutely loved the video for “The Number of the Beast”, and those chiming opening guitars.  Then Bruce screams, and we’re off to the races.  Great song, awesome video, funny too.  This is the kind of image that people have of Maiden, that persists forever:  Bruce, long red hair flowing like a precursor to Axl, that fringe of his in front, and those spiked armbands. Classic!

“Gangland”, the only unremarkable song on the album, is a co-write between Adrian and drummer Clive Burr!  My understanding is that with 20/20 hindsight, Steve would have preferred to have “Total Eclipse” on the album instead.  “Gangland” does have a good bridge, but is otherwise pretty stock.

Finally, “Hallowed Be Thy Name”.  I remember this was misspelled “Hallowed By Thy Name” on the old cassette that my buddy Bob had, so I thought that really was the name.  “Hallowed” was to be Steve’s new 7 minute epic, something he’d become known for.  “Hallowed” is one of the best epics, and something that absolutely required the vocals of Bruce Dickinson to bring to complete fruition.  Bruce nails that mournful slow opening, and then absolutely lets rip with some pretty intricate words.  Seriously, do you ever try to sing along at album speed?  I always trip up words somewhere.

“Mark my words, believe my soul lives on don’t worry now that I have gone, I’ve gone beyond to seek the truth.”

And to sing it at his volume with that much emotion?  Unbelievable.

And that’s the album.  The 1998 remasters tacked on “Total Eclipse” as a bonus track, and it’s here on my bonus disc.  This was the B-side to “Run To the Hills”.  My younger sister actually had this single and I don’t know why.  (Kathryn, comment below please!)  “Total Eclipse” was actually performed live, and can be found on the Eddie’s Archive box set.  It’s a mid-tempo rocker with a fast breakdown in the middle, come solo time.  It’s catchier than “Gangland”, and is also co-written by Clive Burr, with Dave Murray and Steve Harris!

The bonus CD this time only has two tracks.  That’s all they released at the time, two singles, two B-sides.  The second B-side is a stunning live version of “Remember Tomorrow” with the new guy singing.  I always prefer Di’Anno, because he co-wrote the song, for his voice, and made it legendary to start with.  But Bruce is no slouch.  Much like Dio used to sing Ozzy’s stuff with more skill and range, so does Bruce in this case.

You’ll notice one guy is absent in the writing credits:  Bruce Dickinson.   Due to lawyers and rigamarole with his old band, Samson, he wasn’t legally able to write with Maiden.  Don’t worry though, he’ll make up for it on the next album!

I don’t want to give Beast a perfect 5/5 score for two reasons.  One, “Gangland”.  Two, better things were still to come.  There has to be room for improvement.  Therefore:

4.7/5 stars

Part 119: Judas Is Rising In Hamilton, Ontario

RECORD STORE TALES PART 119: Judas Is Rising In Hamilton, Ontario

Feburary, 2005.  The week before Judas Priest’s new Angel of Retribution comeback album was about to drop.
 
I was on the road again, this time working in Hamilton Ontario.  I don’t remember the circumstances anymore.  Store after store, they all blended together.  I’m sure it was another staffing crisis, again.  I dutifully hit the road to Hamilton and helped put out whatever fire was happening.  I do remember that in the chaos I had forgotten to do something at my home store, where I was also pulling double duty.  I remember catching shit for whatever it was, while unwrapping those shiny new awesome Priest discs.

The burden of sin echoes the prophecy
Ascending from Hell, forever despising
Judas is rising

 
I remember that the store was really bad shape, really badly organized.  Albums were everywhere, just filed carelessly, and a lot had gotten lost somewhere in the netherworld of obscure genres.  Cases had gone missing, but so had ther actual CD’s behind the counter.  So to keep me busy, there was a list of missing discs and sections to organize. 

There was plenty of time to do this.  I don’t know how that store stayed in business, because the days that I spent there were really slow.  I remember playing almost an entire CD of the Mr. Bergis prank phone calls while I organized sections, because over an hour had passed before the last soul walked through my doors!  Not including me, as I went out to my car to get the CD.

Lunch time wasn’t too bad, as a lot of surprisingly polite highschool kids frequented the store at lunch.  They didn’t buy a lot, but they were pleasant enough and it was better than picking my nose.  That was refreshing, most highschool kids at my home store were pricks.

 
White bolts of lightning
Came out of nowhere
Blinded the darkness
Created the storm

It was pretty much just the kids that were tolerable.  The adults, not so much!  I remember opening up one morning and the first people in were selling a large box of discs.  They were a pain in the ass.  Everything I did was, “Oh, the regular person does it another way,” or “The regular person pays more for that one,” or “The regular person doesn’t ask me for ID.” 

It sucked being an irregular person!
 
There was also this one fellow looking for a Christmas song by the Eagles.  I knew this was on their recent box set, which I verified on Allmusic and told him.  I didn’t have a copy of the box set, since we were a used CD store and nobody had traded one in, which I explained to him.
 
“No problem, I don’t want to buy it.  I just want to hear it.  Can you play it?”
 
Unfortunately in 2005 that wasn’t possible, not with the computers we had, and any websites that would have allowed me to play music were blocked anyway.  Upper management was more worried about staff sitting there mucking around on the internet, than being able to play a song sample for customers.
 
“You can’t play it for me?  Seriously?  That’s useless!” said the nice man, as he walked out.

Forged out of flame from chaos to destiny
Bringer of pain, forever undying
Judas is rising

All told, Hamilton was another “fun” and “exciting” road trip for me.  The only good thing that happened was the chance to play the new Priest in store.  Not only was there no upper management to tell me to turn it off, but it wasn’t even out yet.  Sneak preview for my ears only, in an empty store, private audience of one!  Judas is rising indeed!

REVIEW: Spinal Tap – Back From The Dead (2009 CD/DVD)

SPINAL TAP – Back From The Dead (2009 CD/DVD)

It seems like ages since Nigel Tufnel, David St. Hubbins and Derek Smalls have graced the metal masses with new music. 17 years ago came Break Like The Wind, an album which sounded just as great as it smelled. Now, finally, after the odd show and a couple internet singles, The Tap has returned with the aptly titled Back From The Dead. However, I do want you to understand that nobody has actually died (this time).

The not-dead Causasian Jeffery Vanston has returned on keyboards, still filling in for the very dead Viv Savage. Gregg Bisonette (David Lee Roth), also gratefully still alive, is the drummer on these recordings. Other living souls guesting on the album include Phil Collen, Keith Emerson, Steve Vai, and John Mayer.

All songs are studio recordings, as opposed to the “live” versions as heard on the soundtrack to This Is Spinal Tap. As such they all sound a little more sterile. Nothing here is really superior to the versions we all know and love from that piece of character assassination on celeloid. They all sound a little more stuffy, a little flat in comparison. However, these being classic songs, they are still an enjoyable listen, and performed remarkably well.

There are some new songs and some new arrangements, as well as some oldies finally seeing the light of day! These include:

“Back From The Dead” — an older internet single finally released on CD. Tufnel’s backing vocals are a bit shrill and weak, but otherwise the song rocks proudly and strongly.

“(Funky) Sex Farm” — sadly, not the funky version from the Return Of Spinal Tap TV special, this is a slower less funky version. Still funky though.

“Jazz Oddyssey” (parts I, II, and III) — Wisely breaking up this tedious, yet historic recording into three parts!

“Rock N’ Roll Nightmare” — St. Hubbins growls his way through this stomper, something that truly lives up to and maybe even exceeds the heady Tap legacy. The premier release of an oldie but goodie, this is the best “new” song.

“(Listen to The) Flower People (Reggae Stylee)” — As the title suggests, Tap have finally conquered Reggae. But fear not, a more authentic version is also available (more on that later).

“Celtic Blues” — A very brief song (1:25) that actually sounds quite like their opening act, The Folksmen. Strange coincidence, I can’t figure out why they sound so similar.

“Warmer Than Hell” — Another internet single finally released on CD. Tap want to stop Global Warming, and this is their attempt. Yes, Tap have heard of Global Warming!

“Short And Sweet” — Actually quite long (6:35), this is another rocker sung by St. Hubbins.

The rest of the album is rounded out by the classic songs that we know and love from the movie. But wait! There’s more! Three more to be exact! But you have to get these elsewhere on your own.

Bonus tracks:

“Saucy Jack” — Finally, St. Hubbins’ long unreleased song from his Jack The Ripper musical has seen the light of day. It is a delightful, jaunty track and available for free on their website.

“Sex Farm (2009)” — A more authentic version of the classic song about a farm of fornication, as opposed to the funky version. This is available for download on the iTunes version.

“(Listen to the) Flower People (2009)” — A more authentic version than the reggae one on the CD proper. This one, perhaps, almost exceeds the original 1967 version!  Unfortunately you can only get this from Amazon digital downloads, and there’s no such thing in Canada.  I still managed to get this song from my longtime friend Dan Slessor who writes for Kerrang!

DVD

Finally, Tap have given the loyal, faithful (but not Ian Faith-ful) fans a DVD. This DVD offers the band’s commentary on the tracks. Absolutely essential if you want to understand just what the band was thinking (or not thinking) at the time.

Packaging

And, also finally, the packaging: Tap have outdone themselves. How can you top a black album cover when you can simply get none-more-black? Tap are not content with 2 dimensions, so they have entered a 3rd. The cover unfolds into a stage, complete with Stonehenge monument, and miniature St. Hubbins, Tufnel, and Smalls figures. A little small Smalls! How quaint! The drawback is that it is very difficult to wedge the discs in and out of the case when it is all folded up in case form — but perhaps this was the idea all along.

spinal tap - back from the dead

photo from metalsucks.net

[According to metalsucks.net, the case takes 20 minutes to assemble, and I’ve never tried, preferring to keep mine original.]

4/5 stars. Not a perfect return from the dead, but This Is Spinal Tap.

Part 118: Famous Persons

RECORD STORE TALES PART 118:  Famous Persons

People sometimes ask me, “LeBrain, did you ever meet anybody famous through your store?”  I wish that happened more often.  As it stands my list is pretty meager.  I met Dave McDonald, the local weather man.  He wanted in the store early one day.

My meager list:

1. London, Ontario’s “Snake the Tattoo Man”, whose biggest claim to fame was appearing on Phil Donahue, and in a Helix video (“Running Wild in the 21st Century”).  He thought he deserved a discount on CD’s because, as per his words:  “I’m the Tattoo Man”.

2. Country singer Beverley Mahood, a little bit after the initial fame.  She’d worked with David Foster in the past.  She was a regular.  One time she came in and held up her CD.  “That’s me!” she said.  I felt like saying, “Yup…and that’s you in the bargain bin at $4.99, too!”

3. Grammy Award winning Polka King Walter Ostenek, who I’m told is a bit of a pompous ass.  I talked about him in a previous installment.

4. Former Helix and Saga drummer Brian Doerner, who was a super nice guy that didn’t buy anything on that visit.  However I got some drum sticks and autographs out of him later on!

5. The dad of ex-Helix and Brighton Rock guitarist Greg “Shredder” Fraser.  Nice, chatty guy.  Very proud of his son.

6. Blue Rodeo slide guitarist Bob Egan, who never said much of anything.  Just looked around.  I wasn’t sure it was him until I heard that he lived in town, and sure enough, it was Bob Egan.  I believe today he occassionally collaborates with one of our store managers.

That’s about it.  This isn’t exactly a booming metropolis, and we attracted the bare minimum of people with any sort of fame.  During my 20’s, I used to fantasize that singer songwriter Dayna Manning who lived in Stratford would pop in, and we’d meet.  That never happened.

Instead, I had Snake the Tattoo Man coming in.  Good ol’ T-Rev ran into him first.  He said to Snake, “If you wanna talk to a huge Helix fan, talk to Mike.”  So he made a trip specifically to talk to me.  What Trevor failed to get through Snake’s head is that I was a huge Helix fan, not a huge Snake the Tattoo Man fan.  So Snake walked in trying to sell me Snake merch!  I disappointed him by not buying one of his autographed glossy photos.

“Do you want to buy a picture of me with Phil Donahue?  I signed it for you.  $10.  Me and Donahue.  I also have me and Helix.  I’ll give you a deal if you buy five.”

Thanks Trev.  That was such a wonderful experience!