Evil Christmas? Unboxing a Care Package from Evil Elvis!

A huge thank you to K.C. of Evil Elvis fame, for this care package.

One thing I am passionate about is doing my small part to promote music I love.  I have always felt strongly about that, and now that I have a couple platforms to do it, I’m happy to tell the world about artists like Evil Elvis.  I recently reviewed the excellent Undead or Alive CD, and in gratitude, I was sent an early evil Christmas present.

Check ’em out at evilelvis.bandcamp.com and enjoy this fun unboxing video with a couple music clips for a taste of Evil Elvis.

REVIEW: Sven Gali – Bombs and Battlescars (2023)

SVEN GALI –  Bombs and Battlescars (2023 Music In Motion Entertainment)

Look at me, in the eyes! When I say “Sven Gali is back,” I’m meaning it! The Canadian Quintet revitalised themselves with the 3 EP in 2020, and took their time with their next full-length (their first since 1995).  They recruited Coney Hatch bassist/singer Andy Curran for some of the production duties, picked a Triumph song to cover, and hit the road playing well-received shows in 2023.  Bombs and Battlescars is the name of the record.  Of note, the late Dee Cernile is credited with co-writing several tracks, and the album includes some unreleased demos from the before-fore times.  Let’s have a listen.

One thing for certain:  don’t expect Sven Gali to suddenly revert back to the sound of their self-titled debut.  This is a much heavier, more pounding and frankly more satisfying Sven Gali.  Opener “One Gun” slams with a more viscous brutality, but singer Dave Wanless is still the same.  If I wanted to hear the sound of ’92 again, I’d play the original purple platter by Sven (recently reissued on coloured vinyl).  I want the sound that satisfies the “me” of today – and I’m as frustrated as Sven Gali sound on “One Gun”.  The snaky guitar solo is just icing on the cake.  “I’m losin’ faith!” proclaims Wanless, and I believe him.

A steady chunky groove introduces “Coming Home”, a headbanger with a dark Metallica vibe.  Dan Fila and Shawn Minden lay down this beat that just boils.  The lead guitars are like liquid adamantium, but beneath it all churns a volcanic pressure cooker.  This is possibly the highlight of the new songs, a memorable track that demands to be cranked.  Car test it for good measure.  (The band is rounded out by guitarists Andy Frank and Sean Williamson.)

The Triumph cover is, appropriately, third in line.  “Spellbound” suits Sven Gali surprisingly well, but they don’t play it straight.  They’ve thrown the track into the darkest night, but let the chorus light the way.  Guitar textures are added.  This song should make the longtime fans very happy.  It’s Triumph, but presented as heavy as possible.  Listen to Fila annihilate his drums!

Darkness dominates on “Life Inside”, a dusky dirge with some pretty cool guitar work.  The atmospheric “Monster” resists being called a “ballad” but it’s the slowest moment in the journey thus far.  “Monster” just kills, not straightforward or easy to categorize.  It’s moody and doesn’t let up.

“Hang Me Out” is the first of the unreleased demos, and there’s something nostalgic about that.  You can hear an audible shift in sound, and “Hang Me Out” definitely has a mid-90s vibe.  There are twists and turns in the music that bring you right back.  Then the wah-wah pedal comes out for the relentless guitars on “Hogs”.  The funky groove here definitely brews nostalgia, but this track should have been released long ago!  By the end of it, you’ll be shoutin’ “HOGS!”  The 8th track “All” goes for speed and groove while the guitars ring in chaotic perfection.

Finally, a record needle drops and the acoustic guitars come out for the closing ballad and classic in the making:  “Nothing New”.  As much as Sven are known for rocking, some of their big hits were ballads (like “Love Don’t Live Here Anymore”).  “Nothing New” is a lovely, stripped down ballad with sweet melodies and the purity of acoustic music.

Ultimately the demos are just as entertaining as the rest of the album.  They make you wish they’d come out ages ago.

Well done to Sven Gali on Bombs & Battlescars, a blazing comeback with a surprisingly tender ending.

4/5 stars

Get your copy on vinyl & CD, plain or signed!

 

#1102: My Favourite Hat – An Uncle Paul Story

Uncle Paul’s absence was felt this past weekend, as we gathered with Aunt Maria to celebrate Christmas.  It was an emptier space, but a warm one full of light and happy tears.

One of our Christmas traditions in past years was pizza.  In the olden days, Aunt Maria would bring a pair of big, square homemade pizzas to feed us for a busy Christmas lunch.  This time the pizza was round, and provided by Dominos, but that didn’t dull the experience.  It was delightful just to be having pizza together.

I have a lot of pizza memories with Uncle Paul and Aunt Maria.  The date would have been June 29, 2009.  The day I helped them move into their new home.  I remember the date, because unexpectedly and coincidentally, Michael Jackson died that day!  We all had pizza on their awesome back patio after moving about 20 boxes of Christmas ornaments!  Happy day, and so pizza is always an appropriate meal to share.

We went down into the basement to look at my uncle’s incredible collection of model and die-cast cars.  Hundreds and hundreds of cars, some boxed, some on loving display.  Some looked recently dusted, others not.  A dust mitt lay on a shelf, its job interrupted and unfinished.  I spotted two ancient vehicles from the 1950s, that were once passed down to me, and then passed back to my uncle:  a blue Meccano car-carrier, and an orange Meccano crane.  They were well loved and handled by me, but restored and displayed by my uncle.  It was bittersweet, but the memories were all good ones.

At the end of the night, with pizza consumed and hugs exchanged, Aunt Maria presented one final gift from Uncle Paul.  She brought out four of his favourite hats that he wore all the time.  My dad, my sister, and Jen and I all selected a hat.  You can see that some of them had a lot of sun, some were newer, and others were well loved.  I selected a black hat with a red Mopar logo and wore it the whole way home.

Thank you Uncle Paul and Aunt Maria.

The 1002nd Album – S2E3. Blue Rodeo – “Hasn’t Hit Me Yet” (Mike Ladano)

I was honoured to be back on Geoff Stephen’s excellent show, the 1002nd album, to talk this time about a special song instead of an album.  I don’t know why I’m drawn to acoustic-based music when I’m with Geoff, but I know he loves a lot of those old Blue Rodeo songs.  I instinctively chose “Hasn’t Hit Me Yet” from Five Days in July, a remarkable song from a spontaneously recorded album.  It captures the cold and loneliness of a Canadian winter, yet with the warmth that only acoustic guitars and electric bass can nullify.  But don’t let me spoil it for you.  Here’s Geoff and yours truly with our chat on “Hasn’t Hit Me Yet” by Blue Rodeo.  My favourite.

Merry Rockin’ Christmas: Our Top Five Favourite Christmas Tunes & More on Grab A Stack of Rock

A bright end to a crummy week!  Jen is a trooper once again.  She may have taken a spill again, but as always, she insists the show must go on.  If she didn’t, then we wouldn’t have had this wonderful Friday night to remember.  Thank you Jen.

I need to thank my special co-host and guests tonight.  They all brought the lists, with Roger cheating a little bit (taking a bit from the Harrison playbook) and everyone adding a unique spin.

  • Tim Durling of Tim’s Vinyl Confessions proved to be the expert on all things Bob & Doug McKenzie, which came in handy on my #5 pick.  We also took a look at Tim’s new Y&T book, Down for the Count!  Please, get yourself a copy on Amazon.ca or your local version.
  • Peter Kerr of Rock Daydream Nation provided an Australian pick and a number of familiar favourites.  Check out Peter’s channel for an interview with Mark Farner of Grand Funk Railroad, and many awesome videos.  He is also one of the contributor’s to Tim’s new book.
  • John Clauser of My Music Corner surprised us all with some great picks, some obscure ones, and one very special #1.  I did not see this one coming.
  • John the Music Nut, Clauser’s co-captain, also provided some brilliant and unique picks this evening.  John recently contributed to Tim’s Y&T book as well.
  • Metal Roger went outside the box on a number of picks, and also provided comedy relief for pretty much the entire night!
  • Additionally, we have some excellent lists from Harrison Kopp and Uncle Meat.  These provided some great discussion topics.

As far as physical product goes, we saw some mail-order-only Marillion and a very cool lenticular album cover that I must acquire somehow.

Merry Christmas one and all!  This is the last show before the big day, as the 22nd is a night off for Jen’s birthday.  Don’t worry though – we have a re-run scheduled, of a great show from the summer:  Arkells appreciation with Aaron and Nurse Kat.

Enjoy!

A very special Christmas to my “forever” friend @manda_runs_and_swims.  Write me!

Merry Rockin’ Christmas: Our Top Five Favourite Christmas Tunes & More on Grab A Stack of Rock

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 44:  Our Top Five Favourite Christmas Tunes

Are you ready for Christmas?  If not, our cast of characters will provide for you the Top Five best Christmas songs that you need to play this year.  We searched far and wide for the best of the best of the best, so please welcome our crew this week:

  • Special guest co-host:  Tim Durling of Tim’s Vinyl Confessions!  We will also be unboxing his latest book, Down For the Count, all about Y&T…who never recorded a Christmas song to my knowledge!
  • Peter Kerr of Rock Daydream Nation
  • John Clauser of My Music Corner
  • John the Music Nut, Clauser’s co-captain and first timer on Grab A Stack of Rock
  • Metal Roger

There will also be surprises afoot!

Grab your egg nog and get ready to party with us.  We’ll bring you a jolly good time tonight.

LIVE Friday Dec 15 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube or on Facebook!

#1101: In The Mix – An Uncle Paul Story

RECORD STORE TALES #1101: In The Mix – An Uncle Paul Story

At the dawn of the new millenium, technology was on the move!  I now had a CD burner on the family PC, and had just discovered this new thing called “Limewire“!  I was just starting to download all sorts of rare music, from out-of-print songs to live performances.  I had burned my first mix CD and was just starting to dip my toes into this new world, when Uncle Paul and Aunt Maria came over to visit one Sunday afternoon.

I was eager to show Uncle Paul what I could now do with a computer and an internet connection.  Making a custom CD was such a revelation back then.  It seems mundane now, but it truly was new and exciting in the year 2000.  For Uncle Paul, the wheels in his head started turning.

“Can you make me a CD?” he asked.  “With anything I want on it?”

“I can try!” I responded.  “What songs do you want?  Make a list…”

He only wanted two songs.  I wish I could remember what they were.  I know they were both car songs.  That’s all I can remember.  Two classic car songs from the golden age of rock and roll.

I searched for the two songs on Limewire, found decent copies, and began downloading.

“You still have about 70 minutes of blank space on this CD, what do you want to fill it up with?” I asked him.  I hated wasting valuable blank CD real estate.  Once you burned a CD, that was it.  You couldn’t go back and add to it.

“Can you repeat each song, twice?” he asked.

“Sure can.  But you’ll still have over an hour of blank space on the CD.”

“That’s OK,” he said.  “I just want each song, twice.  That’s all I need.”

“Really?  I can repeat them as many times as you want until the CD is full.  If you want me to,” I said, trying to convince him.

“Twice each is fine.  Can you do that?”  That’s all he wanted!

One the songs were downloaded, I started up the burning software.  Track 1…song 1.  Track 2…song 1 again!  Track 3, song 2, and track 4, song 2.  That was it.  It burned in no time, and we tested it.

“Thank you Michael!  This is exactly what I wanted.”

You’re welcome Uncle Paul.  A simple request that provided all the entertainment he needed.  A happy man, and a happy nephew to have done this one small thing for him, that he appreciated far more than it warranted.  He was a good uncle.

REVIEW: Elf – Carolina County Ball (1974)

ELF – Carolina County Ball (1974 Line Records)

Before the Rainbow there was Elf.  It was basically the same band – Ronnie James Dio on lead vocals, Mickey Lee Soule on keys, Gary Driscoll on drums, and Craig Gruber on bass.  The one and only difference was Steve Edwards on guitar, who would have no place when Richie Blackmore came knocking a year later.  Their second album, Carolina County Ball, was produced by Deep Purple’s Roger Glover.  It’s fair to say that Dio hadn’t found his niche yet.  With Mickey Lee Soule, Ronnie co-wrote every song, but was seeking a bouncier Guess Who direction at this point in time.

It sounds like Mardi Gras on the opening title track, with clarinets, trombones and trumpets accompanying the band on this “boogie-woogie Friday night”.  Soule shines, ticking the keys with delicate intent.  Heavy metal, this is not not!  Not even close.  There’s a guitar solo but it’s a secondary feature.  Only at the end does the song pick up the pace.  It’s actually a great tune, but anyone expecting dungeons and dragons had better head back to their gamesmaster for a new dice roll.  Expect boogie.

“L.A. 59” opens like an old bar room, with a piano taking up all the space.  The opening figure sounds like it’s emulating a train, which is probably a good guess.  “Get me back to L.A., 59!” sings Ronnie, sounding a bit more like the mighty mite he would become.  “Hello, hello sunshine!”  Upbeat, with the guitar taking up more of the song this time.  A great upbeat tune to start your day.

A little bit of a funky swing emerges on “Ain’t It All Amusing”, demonstrating the talents of the rhythm section in particular.  Driscoll was no slouch and Gruber had no issue filling the bottom end with interesting vibes.  This fun song really is about rhythm with a pinch of funk.  It sounds a lot like Deep Purple Mk I, especially with the long percussion break that ends it.

“Happy”, which is ironically anything but, is a bit filler-ish.  It’s Elf playing in a smokey nightclub and it’s all a bit repetitive.  “Annie New Orleans” picks it up, with another Elf piano boogie-woogie.  Whitesnake have also done songs of this nature in their early days.  Then the awkwardly titled “Rocking Chair Rock ‘N’ Roll Blues”, which is a ballad more or less.  It boasts a nice guitar solo and a laid back sound, but it’s going to have some reaching for the skip button.  They shouldn’t, because three minutes in, a new riff arrives and transforms the song into another rockin’ boogie-woogie.  Listen for some of Driscoll’s fun cowbell work on the back end too.

The one title that grabs everyone’s eye is “Rainbow”.  Don’t get too excited.  It doesn’t sound anything like Blackmore’s Rainbow; more like a a third rate tribute to The Band.  The boogie-woogie is starting to wear a little thin, and same-samey now.  “Do the Same Thing” is more like it.  It sounds like a prototype to Rainbow’s “If You Don’t Like Rock ‘N’ Roll”.  This allows the players to shine a bit more.

The album goes out on a cringey ballad called “Blanche”, with Dio singing about “Rainy days, rainy days” in a voice quite unlike the power he would later master.  This is little more than a silly album outro; nothing to be taken seriously.

Every album and every band will have its defenders, but Elf was the least of Dio’s four main bands over the decades (counting Black Sabbath and Heaven and Hell as one band).  Carolina County Ball lacks focus, and Glover doesn’t provide any punch in the stale production.  The album rests on the songs and performances alone.  Fortunately the band could play, though they seemed uncertain about who they wanted to be.

3/5 stars

 

REVIEW: Evil Elvis – Undead Or Alive (2015)

EVIL ELVIS – Undead Or Alive (2015)

This CD, Undead or Alive, is my first exposure to Evil Elvis.  I was aware of singer K.C. since the 90s, from his band Blackglama who were featured on Raw M.E.A.T Vol 1.  Unsure what to expect, I was delighted to find this album is both hard to describe, and excellent!  They call it psychobilly, and I get it.  It has elements of that familiar rockabilly sound, but there’s way more going on here.  It’s hard to distil down into words, but here we go.

Surprise #1:  Lush and vibrant backing vocals.  I expected something way more ragged, but these guys are all singing in complementary harmony.  Really well produced too.

Surprise #2:  Just how flat-out catchy each and every song is.

Surprise #3:  Singer K.C. has only gotten better in the three decades since I first heard him.

Perfect example, I love when he screams “GO!” on opener “The Dead Are Walking”.  This timeless ode to zombies has some nice theremin-like sounds, and a breakneck beat.  Even faster, “My Evil” has tasty organ over a shuffle beat.  If it had horns, it could have been the Bosstones.  K.C. is a commanding singer, throttling through several voices in just the opening verse alone.  Sometimes he’s like Elvis (obviously), but he seamlessly goes to a growl next, and then back again.  Then he’s in a Tom Waits rasp like on “Apocalypse”, one of the catchiest songs about zombies I’ve heard to date.  “Adrenaline pumping fear and lust, we’re hellbound to fight these zombie fucks!”  But the chorus!…top quality.  “Bodies piled to the sky, I want yours next to mine!”  Love it.

Each song has a slightly different direction, but all of them contain hooks galore, fast beats, and great singing from K.C.  Example:  “Backseat Love” is a duet with Sarah Beth for variety.  This album no shortage of variety, even within the confines of its psychobilly direction.  Each song has its own flavour, sometimes drawing from the wells of other genres, such as heavy metal, on bonus track “Sick of this Shit”.

Tremendously fun album, expertly executed for high voltage kicks.  Recommended.

4/5 stars

 

REVIEW: Arkells – “The Last Christmas (We Ever Spend Apart)” / “Pub Crawl” (2021 iTunes single)

ARKELLS – “The Last Christmas (We Ever Spend Apart)” / “Pub Crawl” (2021 single)

I usually prefer an original Christmas song to a traditional one.  We’ve all heard those standards a million times.  How about something new?  For Christmas of ’21, the Arkells put out a single with two originals:  “The Last Christmas (We Ever Spend Apart)” and fan favourite “Pub Crawl” (from 2020).

The Christmas tune doesn’t particular sound like a Christmas tune.  It sounds like an Arkells song.  The synth strings and Beatles-y guitar solo dominate the music.  It’s upbeat with singalong qualities, but the lyrics kind of nail the Christmas vibe of the last few years.  Reflecting on the pandemic and the holidays we didn’t spend together:  “Last Christmas, I didn’t get to hug you, last Christmas, it almost broke my heart.”  I really like this verse:  “Are we Catholic, are we Protestant? Jewish somewhere down the line? Got a cousin who’s Republican, I promise I won’t pick a fight.”  Once again, the Arkells tap into those real feelings.  It’s a good song, though it probably won’t usurp anything from your favourite seasonal playlist.

“Pub Crawl” sounds a lot more Christmas-y though the lyrics are only vaguely so.   “Maria’s dancin’ around, and she’s singing Mariah,” is a reference to Mariah Carey’s ever-popular Christmas album.  Instead of 12 days of Christmas, they have 12 pubs to crawl through.  It starts as a piano ballad, and then kicks up into a rocker complete with guitar solo and handclaps.  Max even references himself in the lyrics by name:  “And Max is about to cry (I’m about to cry)”.

Don’t cry, Max!  Merry Christmas, Arkells!

3.5/5 stars