Limewire

#888: The Limewire Days

RECORD STORE TALES #888: The Limewire Days

I got into the downloading business later than everyone else. As a Record Store manager, I had zero interest in downloads. I’ve never used Napster and I sided with Lars Ulrich when it came down to it.  You might not have cared about Lars’ bottom line, but I cared about mine.  Downloading hurt us.  And we weren’t a corporate entity, we were just a small indy chain.  Eventually in the year 2001, I relented and began using WinMX and Limewire to download rare tracks. I bought so many CDs annually, I figured “why not”? I quickly discovered all the new Guns N’ Roses songs that they played in Rio.

I still remember the first time using WinMX. It was at an old girlfriend’s house and she was showing me how she downloaded music. Hey neighbour was using WinMX too, and gave her a mix CD of all the tracks she had downloaded. I’ll never forget putting on this mix CD, and suddenly from the speakers it’s “Who Let the Dogs Out”!   As the song went on, I remarked “I don’t think I’ve ever heard the verses to this song before. Just the chorus.” Do you know how the verses go?

I copied what the girlfriend showed me, downloaded WinMX, and before you know it, I was listening to “The Blues” by Guns N’ Roses.

After everything dried up on WinMX, we both switched to Limewire where I continued downloading the odd rarity. I accumulated a large music folder, and began burning all my new tracks to mix CDs. I have several volumes of mixes all with tracks downloaded during this period. But there were always odds and ends that I never fit onto a mix CD. I thought all those tracks had been lost, but I just dug up an old CD labelled “MP3 downloads”. It is here that I burned the stragglers, and then stuffed the CD in with some photo discs and forgot all about it.

The title “MP3 downloads” is misleading as there are video files here too (none of which work anymore). The downloads are also not exclusively from Limewire, as we’ll get to. Let’s have a look track by track at what mp3 files I still had in my music folder back in 2004.


This CD is only 303 mb (of 656).

First, the video files are a weird variety of stuff I downloaded and intended to keep.  I didn’t have cable back then, so “Gene Simmons on MTV Cribs” is one I wanted.  Then there’s a file called “Gene’s hair on fire”.  Then there’s a file called “some jackass tells a cop to fuck off”.  I remember that one.  I think I had been searching for Jackass videos, and came across this idiot getting beat by a cop after walking up and giving him the finger.  Some Star Wars videos include the Star Wars Kid vs Yoda, a deleted scene from A New Hope, and something called “Episode 3 Leaked Marketing Video”.  All the video files appear to be corrupt and won’t play on anything.

Onto the music.  I can see there are some tracks here from albums I didn’t own then, but do now.  From the compilation CD Spaced by William Shatner and Leonard Nimoy, it’s “Mr. Tambourine Man”, “The Ballad of Bilbo Baggins”, “I Walk the Line” and “When I Was Seventeen”.  These are strictly novelty covers, although Nimoy does give it a good effort.  All of these songs were originally released on separate Nimoy and Shatner albums in the late 1960s.  Related to these, I also have “Shaft” by Sammy Davis Jr.  I have long loved Sammy’s glittery version of the Shaft theme.  Who’s the black private dick who’s a sex machine with all the chicks?  Sammy Davis Jr. was!  The guitar work on this is great slippery fun.  I’ll have to get a copy for real.

A fun treat next:  A full hour Peter Criss interview show by Eddie Trunk.  This is with all the songs and music.  Peter was out of Kiss once again, and he spilled the full beans on his whole perspective.  Doing the Symphony show with Tommy Thayer, Peter complains “without Ace, it’s not Kiss”.  This interview is definitely a keeper.  According to the file name, this interview is from May 4, 2004.

Several of the files are really, really low quality Dokken.  These are tiny files, they are so poor.  Demos of “Back for the Attack”, “We’re Illegal”, “It’s Not Love”, “Unchain the Night”, “Upon Your Lips”, and “Sign of the Times”.  A live version of “Paris is Burning”.  Remixes of “Nothing Left to Say” and “I Feel”.  I could have burned all these to a Dokken rarities CD, but the sound quality is poor, I knew I’d never want to listen to it.

There is also a smattering of rare Leatherwolf, including some live stuff.  Some were downloads from their social media pages at the time.  “Tension” is definitely one such official track, an instrumental solo that isn’t on any albums.  (You can tell by the file size it’s official, compared to the low quality Limewire downloads.)  I also have “Black Knight” live with original singer Michael Olivieri, and a partial instrumental called “The Triple Axe Attack”.  I’m not 100% certain what these are, but they don’t seem to have originated on the rare Leatherwolf live album called Wide Open.  Best of all the finds are the three official demos they did with singer Jeff Martin:  “Burned”, Disconnect” and “Behind the Gun”.  Martin did not last, and was replaced by Wade Black of Crimson Glory on the album World Asylum.  Fortunately I had already burned these tracks (and “Tension”) to a bonus CD.

There is a smattering of Gene Simmons demos, varying in quality.  “Heart Throb” is almost unlistenable.  “Howling for Your Love” is OK but I can’t identify if it was later rewritten into something more recognizable.  “It’s Gonna Be Alright” is bright and poppy with a drum machine backing Gene.  Then there is “Jelly Roll”, a heavier track with a riff like “Tie Your Mother Down”.  “Rock and Rolls Royce” is the track that was rewritten into “Love ‘Em and Leave ‘Em” from Rock and Roll Over.  “Rotten to the Core” was recycled way later on 2009’s Sonic Boom as “Hot and Cold”.  Like the Dokken tracks, I never burned these to CD because of the poor audio that I knew I wouldn’t want to listen to.

Other miscellaneous rarities here include Faith No More, Motley Crue and Van Halen.  Faith No More were known to mess around with covers live, and here I have “Wicked Game” (Chris Isaak) and “We Will Rock You”.  Sound quality is awful and neither are full songs, just them messing around on stage.  The two unreleased Motley Tracks are “Black Widow” and something just labelled “unreleased track” which is actually “I Will Survive”.  Both of these are officially released now so I have no reason to keep them.  Onto Van Halen, not everything sounds shite, but “On Fire” is just a few seconds of a demo.  “Let’s Get Rockin'” is complete.  A good sounding track that later was reworked as “Outta Space” on A Different Kind of Truth.  Then I have 90 seconds of the sneak preview single for “It’s About Time” (2004).  And then just two seconds of shred on a track labelled “VANHwhee”.  So strange!

Other rarities include one Def Leppard treasure called “Burnout”, which was an official download from their site.  It was also available on the CD single for “Goodbye” and a Def Leppard boxed set.  I also have an audio rip of “Lick My Love Pump” from the movie This Is Spinal Tap.  I should really take this and add it to the soundtrack as a bonus track!

I downloaded some miscellaneous songs that I didn’t own the albums for, but intended to get later:

  • Blue Oyster Cult – “Don’t Fear the Reaper” (I was watching Stephen King’s The Stand that year!)
  • Budgie – “Breadfan”
  • Buckethead – “Nottingham Lace” (might be an official download)
  • Cat Stevens – “The Wind”
  • Creedence Clearwater Revival – “Down on the Corner” (mislabelled as “Willy and the Poor Boys”)
  • Fleetwood Mac – “Go Your Own Way”
  • Iced Earth – “Dracula”
  • Iced Earth – “Jack”
  • Kenny Rogers – “Just Dropped In (To See What Condition My Condition Was In)”
  • Marty Robbins – “El Paso”
  • Mojo Nixon & Skid Roper – “Elvis is Everywhere”
  • The Pursuit of Happiness – “I’m An Adult Now”
  • The Pursuit of Happiness – “Hard to Laugh”

Of these, there are some I still have not bought and some I have no intention of getting anymore.  I do own the B.O.C., Budgie, Cat Stevens, CCR, Kenny Rogers, Marty Robbins, and Fleetwood Mac.  I’d still like to get Mojo Nixon to be honest with you!

Finally, there are bits of pieces of funny things that I liked to have hanging around for making mix CDs.  Many are from a website that used to have mp3 files of movie quotes, and the rest are from Homestar Runner.  Does that take you back to the 2000s?  From Homestar, I have “Alright 4 2Night”, “Strongbadia National Anthem”, “Everybody Knows It”, “Ballad of the Sneak”, “Cheat Commandos”, “CGNU Fight Song”, and a computer voice saying “back off baby”!  I might have been using that as an MSN Messenger alert sound.  Any time someone messaged me, the computer would say “back off baby”!  If I didn’t, I should have.  From the movie Sexy Beast I grabbed a bunch of Ben Kingsley’s best lines.  Saying he’s going to put his cigarette out in somebody’s eye, calling someone “porky pig”, yelling “no!” repeatedly, and announcing he had to take a piss.  Because of course.

The last files I found on this CD are strange, but for the sake of a complete and thorough inventory, they are:

  • no_respect:  24 seconds of the pretty terrible “Rappin'” Rodney Dangerfield song from the 80s.
  • 50_10sec:  Actually 11 seconds of the “Smoke on the Water” riff.  I can tell it’s Blackmore.  Why did I keep this?
  • MM Jukebox Plus Upgrade:  18 second software ad that obviously got left there by something I downloaded.  This is probably the first time in my life that I actually played this track!
  • cant_holdon:  36 seconds long.  This took forever to identify.  Lyric searches told me nothing.  Then I figured it out by uploading to YouTube and waiting for the copyright block to tell me what it was!  “Can’t Hold On / Can’t Let Go” by a band called Thunder, but not the band Thunder that you know today.  Probably downloaded by mistake is my guess.  Sounds like something you’d hear in an 80s Bruce Willis flick.

I don’t know how interesting this will be for you to read, but I found it entertaining enough to do this complete inventory.  I had clearly not tried to listen to all the files before, or I would have weeded at least a few out.  It is likely that in 2004 I was getting a new hard drive put in my computer and hastily burned my mp3 files to CD, intending to eventually put them on mix discs like I did with the rest of my mp3 collection.

After a little further digging, I did find that I had burned some of these songs to a mix CD.  Not all, but some.  You can get an idea here of how I’d make use of weird stuff like this.  The rest of the tracks never made it to the mix CD stage, so finding the original mp3 disc is a fun reminder for me of just what I was doing in 2004.  And I’m going to keep that Peter Criss interview, and a few other worthwhile things too.! Productive morning spent, and I hope you enjoyed this look at the way we did things a decade and a half ago.

 

#799: Mix CD 10 – “I’m So Bad Baby I Don’t Care” (2003)

GETTING MORE TALE #799: Mix CD 10 – “I’m So Bad Baby I Don’t Care” (2003)

Welcome back to an informal series of stories on the subject of musical rediscovery!  It is a blast listening to mix CDs (or tapes) that you made ages ago. To get you caught up, you can check out the below if you so choose!

This is one I have been looking forward to, for a couple reasons.  One, I love the cover artwork.  I recently reconnected with an old friend from the UK named RooRaaah.  He drew this rabbit, “Rab C. Rabbit”, and I always thought the crude sketch was hilarious.  If I hadn’t used it on my 10th mix CD, I might have lost it forever.

The second reason is that I burned this CD in the aftermath of dating Elli, as told in Record Store Tales Part 15: Dating a Radio Station Girl.  I was seeking all sorts of music, from heavy and angry to soft and soothing.  There’s a healthy dose of nostalgia, as I knew I could always return there to fill the holes in my heart.  There are even some rarities here, the kind of things you found by browsing Limewire.

As usual, I opened with a comedy bit:  Trey Parker and Matt Stone yelling “Dude!” at each other, from the movie Baseketball.  “I guess you’ve got a point there.”  Then straight into the brand new Anthrax:  “Safe Home”.  We’ve Come For You All was fresh and this song captured part of how I felt.  “My whole world has moved on.”  It was a strong, albeit mainstream single for the thrash pioneers, and one that still holds up.

From there to full-on nostalgia:  “Mr. Roboto”!  Wow, she must have really done a number on my heart to make me go all the way back there, the first rock record I ever bought.  At this point in my history, I lost my original LP copy and hadn’t yet got one on CD since it was so hard to find.  Hence the Limewire download.  A co-worker picked up the Styx CD for me in Toronto a year or two later.    Then, first of three Motorhead tracks is a wakeup:  “I’m So Bad Baby I Don’t Care”.  I was definitely pissed off!  But then it’s onto the Faces classic “Ooh La La”, a taste for which was acquired by repeated viewings of Rushmore.

Albums and artists tend to repeat on this CD.  Even certain songs repeat!  Jellyfish’s excellent “The Ghost at Number One” is the first of two appearances.  I can taste the nostalgia, as I retreated to a simpler time, sitting in front of the TV watching music videos on Much.  I always appreciated the Beatles-esque track, which I haven’t heard in years.  Back to the 80s again, and the Gowan classic “A Criminal Mind”.  Comfortable MuchMusic memories in the basement.  A dark, plaintive song that spoke to me.  “And you will never break me, till the day I die.”

Motorhead’s “R.A.M.O.N.E.S.” reflects a fresh appreciation for punk rock in my post-Elli haze.  You could thrash out to it and just rock the frustrations till they were gone.  This song will lift you up no matter how deep the hole.  A real weird rarity follows this, a Limewire discovery:  Mike Patton & Dillinger Escape Plan covering Justin Timberlake’s “Like I Love You”.  And they fucking kill it, too!  Just a bootleg, but good enough for a mix CD.

Back to the movie Rushmore.  One of the most impressive tracks in that movie is the Live At Leeds version of “A Quick One (While He’s Away)” by The Who.  Once a co-worker told me exactly what that song was (from expanded edition of Live at Leeds), I grabbed it (before buying the CD later on) from Limewire.  The track is an utter marvel, and I maintain the live version is the superior one.  I couldn’t believe it was actually live!  It’s as clean as a studio cut with perfect harmonies, but with explosive live energy.  It’s my favourite Who song, hands down.  It’s the kind of song that made me feel smug, like “Yes, I have fucking great taste in music.”

The first repeat band (and song) is “The Ghost at Number One”, this time live.  Jellyfish’s immaculate live version is tight as a drum.  Then, a magnificent double repeat:  Styx, now with Lawrence Gowan on lead vocals, with “A Criminal Mind”!  And not just “A Criminal Mind”, no; live in Kitchener Ontario, this one!  It’s cool that James “JY” Young threw down that wicked guitar solo right across town.  So this one is special to me no matter how you slice it.  The centerpiece of the CD, perhaps.

Don’t read anything into “Crabsody” by AC/DC being on this CD.  It’s not on any of the US albums, so I downloaded it when I searched for “rare AC/DC” on Limewire.  (Strictly a novelty song, incidentally and not a lost AC/DC classic.)  You can definitely read “nostalgia” into the next track.  Back to 1981 (Jesus!) and “Believe It Or Not” by Joey Scarbury.  And I clearly went for the most mangled transition I could manage, since the very next song is “Chinese Arithmetic” by a Patton-fronted Faith No More (second appearance for Mike).  The track opens with Patton announcing, “The word of the day is…fuck.”  Which he then repeats a few times, before seguing into “Vogue” (as they often did).

Finally it’s back to Gowan again, and “Strange Animal” (featuring Tony Levin on the Chapman Stick).  The rhythm that Levin lays down is a beast!  Even in shitty Limewire quality, this song moves.  Motorhead make their final appearance on the war ballad “1916”, a song which I found real affecting at that time.  I got the album as soon as possible.

Ending the CD (sort of) is CKY, whose only real claim to fame is an attachment to the Jackass guys via Bam Margera’s brother Jess.  The details are lost to me now, but I would have heard this song either a) on a Margera DVD or b) on a mix CD played in store.  It’s a good little ballad circa the millenium, and it suited my grey heart.  It’s been years since I last played it, and I can hear what I liked in it.  Thank God I’m not that sad sack o’ shit anymore, though.

The real final track is just a coda, a preview of the new Metallica song “Frantic” via a show called MTV Icon.  Remember, when they paid tribute to Metallica and had Snoop up there doing his thang to “Sad But True”?  Well Metallica closed the show with their own song, and then I guess the credits must have rolled or something, because this thing just fades out before James can even deliver one “Fran-tic-tic-tic-tic-tock!”

I put some effort into typing out an interesting looking tracklist on the back, and Rab C. Rabbit looks fab on the front.  I even glued the two together to make the insert.  Here’s the funny thing though.  I guess I must have needed a case to put this CD in, so I swapped out one from a local band called Vacuity, and threw their CD in the trash.  The vacuity.net sticker is still on the back.  This is funny, because one of the guys from Vacuity worked at the Record Store, and, well, he really wanted me to like his band.  When he and store parted ways, I parted with the CD!  Dick move, I know, but he was kinda a dick.

I think this my mix deserves:

5/5 Rab C. Rabbits

 

 

 

 

#787: Mix CD 19 – “Green Album”

GETTING MORE TALE #787: Mix CD 19 – “The Green Album”

As we’ve done in the past, let’s have a look at a mix CD I dug up, from about a decade ago.  It’s an interesting mix, made mostly of stuff I found online.  Any time I’d gather at least 80 minutes worth of downloads, I’d burn them to a CD.  I considered that to be a much more permanent format.  This disc is really just an archive of things I downloaded during a certain period of time in 2008.  The title 19 suggests that it’s the 19th such archive CD that I burned.  More than that though, I made it a good listen.  As usual there are surprises and a few attempts at buffoonery.  Let’s dive in.

The first thing to notice:  There are 23 tracks on the CD, but 19 listed on the front sleeve.  That means I hid four comedic bits somewhere between the songs, to be discovered by surprise.  That’s why I left off the track numbers.

The opener “Big Yellow Joint” is a jingle from the TV show Arrested Development.  Remember the Banana Stand?  In the 60s it was a popular place to meet to buy and sell weed!  But that’s out of the way quickly and it’s “25 or 6 to 4” by Chicago from a very poor quality mp3.  “25 or 6 to 4” is the definitive rock song with a horn section.  Find me a better one.

Then, seamlessly, it’s an old childhood favourite:  “Bad to the Bone”!  When you make a mix CD, the software generally defaults to a three second gap between songs.  I liked a tighter flow than that, so I always used one second or even no gap.  This disc is almost 80 minutes long so I used every second I could find.  The transitions on my mix CDs are always top notch.  After George Thorogood, it’s Pat Travers with “Snortin’ Whiskey”.  I was probably hearing these tracks on the radio a lot at the time, so I downloaded ’em and burned ’em.

A really terrible sounding mp3 of “Sonic Reducer” by the Dead Boys reflects my love of the movie Hard Core Logo.  It started with the H.C.L. version of “Sonic Reducer”, and then Pearl Jam’s cover.  If I liked those, I figured I should download the original.  But all this proves to me is why you need to buy the CD.  Downloaded versions suck.  This is sonically not up to par and I’m surprised I was satisfied by this 10 years ago.

The first audio hoodwink follows the Dead Boys.  It’s a 30 second clip from the movie Walk Hard, starring John C. Reilly as Dewey Cox.  This clip features Jack Black as Paul McCartney, Paul Rudd as John Lennon, Justin Long as George Harrison, and Jason Schwartzman as Ringo Starr.

Having a chuckle at the Dewey Cox clip is a perfect way to transition over to a couple good reggae songs by Inner Circle: “Sweat” and (of course) “Bad Boys”! Have a laugh, then get down and dance. I like what I did here, if I do say so myself! Going from that back to rock and roll is tricky, but I think I pulled it off with the very poppy “Fire, Ice & Dynamite” by Deep Purple (Mk V). It’s an oddball rarity, only ever appearing on a Deep Purple DVD as a video slideshow.

One of my favourite 80s songs, the Grateful Dead’s “Touch of Grey” still pleases today. I can only handle the Dead in small doses, but this is my favourite of their songs. It’s probably 50% pop and 50% nostalgia. In keeping with the 80s, it’s Guns N’ Roses’ “Sweet Child O’ Mine”, a live version with the 1999 lineup supposedly intended for the Sandler flick Big Daddy.  Immediately following is a live version of “Dead Flowers” from an earlier time.  Ah, Limewire!  I remember regularly typing in searches like “Guns N’ Roses rare” or “Guns N’ Roses live” and downloading anything I could get my digital digits on.  It was also hit and miss in terms of quality.  These are bootleggy but not excessively so.

I remember watching Napoleon Dynamite a fuck of a lot back then.  I used the presentation Napoleon gave about the Loch Ness monster for the next unlisted comedy bit.  Then it’s another rarity, also only available as a bonus track on a DVD:  “Nobody Knows What It’s Like to Be Lonely” by Motley Crue.  The track is 7:05 long, and every fan of Too Fast For Love needs to hear it and have it.  “Song to Slit Your Wrist By”, which I used to think was by Motley Crue but is actually by Nikki Sixx’s 58, is a waste of time that I shouldn’t have included.  I thought I had downloaded a rare Japanese bonus track.  In a cruel twist, Motley included a 58 song on the Japanese edition of Generation Swine, forcing me to seek it out, not realizing it wasn’t actually Motley Crue.

In the very first instalment of Getting More Tale called That Crush on Avril, my not-so-secret affection for Avril Lavigne was revealed.  Let’s be honest, folks — her second album rocked.  I still like it.  She’s never rocked heavy like that since, and I’ve long since gotten off the train.  This CD has a rare acoustic version of “Complicated”, but far better then that is Weird Al’s parody “A Complicated Song”.

“Why’d you have to go and make me so constipated?
‘Cause right now I’d do anything to just get my bowels evacuated,
In the bathroom I sit and I wait and I strain,
And I sweat and I clench and I feel the pain,
Oh, should I take laxatives or have my colon irrigated?”

Keeping the comedy going, it’s a clip from Arrested Development with Jason Bateman and Michael Cera.  It’s a good show; you should watch it.

In 2008, Harem Scarem released a free official download:  a recent live version of “Hard To Love”.  This was intended as a final gift to fans, since the band were breaking up.  Temporarily, thank you very much!  The live version shows off the band’s impressive singing abilities, and of course being an official download, the sound quality is all but perfect.  I followed that with a live radio performance by ex-Tesla guitarist Tommy Skeoch, a song called “I Left the Circus”.  Well, I think technically he was kicked out of the circus.  It’s a jokey song about Tesla.  According to Skeoch in the intro, one of the guys from Tesla heard it and took it well.  “Although he’s kind of a pompous fuck and I don’t really like him.”  I’m glad I downloaded this; I don’t know how you’d find it today.  Who knows what radio show I downloaded it from.  The LeBrain Library is a storehouse for things like this.  I keep things that the record companies lose in massive fires.

Too soon?

In the late 80s, Robbie Robertson had a popular single called “Somewhere Down the Crazy River”, from his solo debut.  Some like it, some hate it, but it’s a remarkable song.  It sounds both retro and futuristic.  It featured a weird electronic instrument called the Omnichord, and an explosive chorus accompanied by Sammy BoDean.  A lot of this CD, scattershot as it is, features songs I enjoyed in my youth, but don’t own the albums.  I should fix that.

After a final sketch from the movie Superbad (“I’m gonna cry myself to sleep every night.  When I’m out partying”) it’s the ultimate rock comedy of all time.  Can you guess what that might be?  No, not Spinal Tap.  No, not Bad News either.  It’s Van Halen’s isolated vocal track of “Runnin With the Devil”!

Weird CD indeed, random but with a lot of effort to make it cohesive and listenable.  I’ll give myself:

4/5 stars