King Kobra

KICK AXE! Grant’s Rock Warehaus tackles one of the best Canadian bands with whom you’re not familiar enough! All albums ranked!

This weekend on Grant’s Rock Warehaus, we tackled a band that needs and deserves more attention:  Canada’s Kick Axe!

“Nobody’s talking about Kick Axe!” said Grant.  We aim to change that with this show.  Please give it a watch!  What are your favourite Kick Axe songs?

This is a show I am very proud of.  Our passion for these albums and songs comes through.  This might be the best Kick Axe content you’ll find on Youtube today!  Show notes are below, if you want the Cole’s Notes version, but you’ll have to watch the video to get our album rankings.

Formed 1976, Regina Saskatchewan as “Hobbit”.

Original lineup:

  • Victor Langen, bass, vocals
  • Gary Langen, drums
  • Larry Gilstrom, guitar

Ray Harvey added on guitar.

Moved to Vancouver BC, Gary Langen leaves band replaced by Brian Gillstrom, Charles McNary hired as vocalist.

1981 – Playboy Street Rock – live track called “Reality is the Nightmare”.

1981 – Weekend Ride / One More Time (Harvey on vocals).

Produced by Bill Henderson and Brian Too Loud McLeod of Chilliwack.

Wrote “Heavy Metal Shuffle” which opened Vices later on.  Attempted to record an album but never released it.

McNary replaced by George Criston, who brought in power, range and soul as well as a unique sound.

1984 – Signed to CBS in Canada, approached Spencer Proffer to produce because they wanted the same sound as Metal Health by Quiet Riot.  Proffer liked the band personally and thought highly of their musicianship.  Album Vices released on Pasha in the US.

Recorded existing material (2 songs re-written with Proffer) in Hollywood at S.I.R.  30 Days in the Hole – a cover, like Cum On Feel the Noize, but not intended to be a hit, just a showcase for their talents.  Released on the soundtrack to Up the Creek.

Ran into Tony Iommi and Geezer Butler – supposedly approached Criston to replace Ian Gillan in Black Sabbath.  Proffer was working with both bands.

Vices is their best album.  Proffer intended it to be a concept album about vices.  Not a bad song.  Bangin’ backing vocals.  Music video for On the Road to Rock made major impact in Canada, with the comedic video attracting attention.  The Vices mascot was one of my first “rock buttons”.

Vices did not perform to expectations, but Kick Axe wrote three songs for the next Black Sabbath album:  “Wild in the Streets”, “Hunger”, and “Piece of the Rock”, later recorded by W.A.S.P. and King Kobra.  Kick Axe did not want to lose Criston to Sabbath.  “Piece of the Rock” is one of the rarest Kick Axe tracks, only released on a 2005 issue of Rock the World.

1985 – Second album – Pasha wants band more streamlined for radio.  Brought in Pasha staffer Randy Bishop to help on lyrics.  Co-wrote 5 songs and co-produced Welcome to the Club.  Some of the heaviness is blunted, in favour of better song structure and melodies.  Recorded at Metalworks in Toronto.  Cover art by Hugh Syme, which the band never understood the meaning of.

Band brought in cover of Joe Cocker’s version of “With A Little Help From My Friends”.  Rik Emmett, Lee Aaron, Andy Curran, Alfie Zappacosta and more on backing vocals.  Very cool music video made of the recording session.

Pretty solid album, though not as banging throughout as the original.  The cover tune is completely different, but really excellent.

The band and Proffer blame lack of sales on parent label Epic.  No support.  Toured with Autograph, Krokus, Night Ranger, Helix and Triumph.

1986 – Ray Harvey returns home to deal with family matters.  Joins Rock & Hyde as touring guitarist (Bob Rock & Paul Hyde).

The Transformers soundtrack released.  Hunger, and Nothing’s Gonna Stand In Our Way released as Spectre General.  All done by Proffer, without knowledge of the band.  Due to pseudonym used, no benefit to band happened.

Still signed to CBS in Canada.  Next album picked up by Roadrunner in US.

Rock the World (initially “Fuck the World”) recorded as four piece.  Self-produced primarily by Larry due to lack of funds provided by CBS.  Recorded at Right Trak in Vancouver.  Also forced to mix the album themselves.  The cover tune this time is The Chain by Fleetwood Mac.

Band breaks up – sherrifs seize equipment due to unpaid debts.  Later immortalized in the song Rocking Daze on Kick Axe IV.

2002 – Kick Axe reunite with Gary Langen returning, this time on lead vocals.  George Criston remains active in country and more soulful music.  Has expressed no interest in returning to rock.  Has not participated with reissues.  Has worked as a guitar tech for Sarah McLachlan, Dido, Avril Lavigne, and k.d. lang.

2004 – Kick Axe IV self produced.  Best song Rockin Daze written by Brian Gillstrom.  Decent album but not memorable long-term except for Rockin Daze.  Gary Langen has a style of voice reminiscent of Phil Naro.

2008 – Gary Langen leaves band, replaced by Daniel Nargang.

2023 – Run to the Thunder, first new song in decades, to be followed by new album.

 

 

 

 

 

#1089: The Introvert Goes Out! (To Encore!)

“One does not simply walk into Encore. The back door is guarded by more than just books.  There is music there that does not sleep, and the big speakers are ever playing. It is a rich treasure trove, riddled with finds, and vinyl and accessories; the very air you breathe is bathed in music!”

RECORD STORE TALES #1089: The Introvert Goes Out! (To Encore!)

I have so much music in the house, still sealed, unplayed, that you could argue I never need to go to a record store again.

Some of that sealed music came from Encore, during the pandemic, by mail order.  I have two unopened John Norum Rock Candy remasters.

The reality of it is, I’m in an introvert who prefers staying home and ordering online, so I have to be in the right mood to go out, even record shopping.  However, one of my mental health goals this winter is to get out more, and Encore Records is an obvious easy choice.  Thanksgiving Sunday was cold, wet and winter-like, so we bundled up and drove to a deserted downtown Kitchener.  Encore’s rear parking lot was empty.

Jen found the stairs challenging, but front or back, Encore has stairs.  The challenge was met and we were greeted by old friend Al King, still slinging vinyl in downtown Kitchener, over three decades after I bought my early scores from him at Sam the Record Man.

There were plenty of new releases to decide upon, but I immediately chose the new Darkness Permission To Land…Again 20th anniversary box set.  20 years?  Can it be?  It has been 20 years since those bastards at the Record Store killed my soul.  The Darkness was one of the few bands that got me through that era of my life.  We talked about this with Al a bit.  There was a bit of a one-sided rivalry with Encore and the Record Store at which I used to work, back in the early 2000s.  One of our employees (that I trained on buying) left us and went to them.  My understanding is that a phone call was made, a tale that they still tell today….

Anyway, the Darkness 4 CD / 1 DVD box set has all the bonus tracks, demos, B-sides, single edits, and three live gigs (on two live CDs).  Very thorough.  It also has all the music videos, and even the 2004 remake “Get Your Hands Off My Woman…Again” which really falls into the One Way Ticket era better.

Even when I worked at the Store, there was always more at Encore that I wanted to buy.  They just got better stuff.  Prove me wrong.  I began to browse…

Even though this was a quick impromptu visit to pick up a new release or two, I ended up spending $200.

On the new release rack:  King Kobra – We Are Warriors!  Check out this lineup:  Carmine Appice and Johnny Rod, original members of the band, on drums and bass.  Paul Shortino of Quiet Riot and Rough Cutt on lead vocals, and still sounding strong!  Carlos Cavazo of Quiet Riot and Ratt on guitar!  Rowan Robertson of Dio on guitar!  That’s a lineup with some pedigree folks.  The album sounds good.  It rocks hard and it’s heavy.  The best song is the “bonus track” called “Side By Side”.  Just classic all around.

Also on the Encore front rack was the new Coney Hatch, Postcards From Germany.  Amazon fails again:  I cancelled my “pre-order” (now weeks late) right in front of Al and bought a copy from him instead.  It will be cool to hear their first new studio tracks since the Four album all those years back.  Not to mention there are songs on this live album that were not played at the El Mocambo for that prior live release.

One does not simply walk into Encore. The back door is guarded by more than just books.  There is music there that does not sleep, and the big speakers are ever playing. It is a rich treasure trove, riddled with finds, and vinyl and accessories; the very air you breathe is bathed in music!  Al was playing some Gentle Giant that really ticked my fancy.  That is a band I will need to investigate further down the road.  I found the musicianship challenging and strangely appealing.

I didn’t buy anything on vinyl, though Encore had a good chunk of the Kiss studio albums that I still need to add to my vinyl collection.  Vinyl is so expensive these days.  $36 for albums I used to buy for $10.  Especially considering I’m not going to play the record very often, and I already have the music many times over.  However, when I want them, Animalize, Asylum, Rock and Roll Over and the self-titled debut are all awaiting me.  There were also quite a few in the Arkells vinyl section that called my name.

The used CDs offered many temptations.  I could have filled up on Saga.  Frank Zappa beckoned me over, but I started in the A section and made my first questionable buy.  Why, after 25 years, am I finally buying Aerosmith’s Geffen-centric live album A Little South of Sanity?  Because I can’t justify spending $150 on the Japanese Greatest Hits with three exclusive live discs, and not patch up these glaring holes in my live Aerosmith collection.  I’ve played A Little South of Sanity a number of times at the Store when it was new, and I know I don’t like it.  Too many backing tapes.  You can hear two or three Tylers singing together at once.  Jen hears it too.  I’ll probably play this once for review, and never again.  Collecting!!

In the “G” section, I decided to finally start my Glass Tiger collection.  I wanted Diamond Sun on vinyl initially, but when CDs are right there for eight bucks, you can’t say no.  Diamond Sun is a wonderful album, I discovered, with a couple serious deep cuts such as the epic “It’s Love U Feel”.  Impressive musicianship, and a tad on the progressive side at times, even though this is ultimately a pop rock band.  I also picked up the compilation CD Then Now Next.  This includes a variety of single versions, unreleased songs and new stuff including a Beatles cover!

Over in Journey, I found the remastered version of Steve Perry’s 1994 solo album For the Love of Strange Medicine.  All these years, I’ve never played this album.  I’m sure it’ll be mellow, even though he has members of Winger and Hardline in his band.  In the liner notes, Perry is very bitter about his treatment by record label executives.  The remaster has five bonus tracks (some of which were on Greatest Hits + 5 Unreleased), two of which are exclusives.

I also snagged a CD that I thought I needed, that I didn’t, that I will gift to a friend.

The winter season is often commenced by Thanksgiving.  I would consider this a good start.  We plan to see more of Encore this season.  I look forward to it, in fact, which is not something I usually say about going out in the winter time.

Moderation, though.  Moderation.  Need to absorb all this new music, which will take time!  Until next time…

 

 

 

#827: Freestylin’ 5 – Brave New World

GETTING MORE TALE #827: Freestylin’ 5 – Brave New World

Oh, how so much has changed in such a short time. The conveniences I once took for granted are now dearly missed. I feel as if I am living in the early chapters of an old undiscovered dystopian fiction novel. Then there is the paranoia I feel when we get such mixed signals from all around. Don’t go out! But this store is offering pickups. Wear a mask! But only if you’re not able to be more than 2 metres away from the next person. Or not. And what kind of masks? It’s a surreal day that ends with a phone call with your mother about what kind of mask she’s wearing these days.

Look at classic science fiction.  There are very few that feature gloves as part of regular daily attire that are not dystopias!

Because I feel it’s appropriate, I’m listening to Kilroy Was Here by Styx for inspiration while I write.

“We all need control.  I need control.  We all need control.”

And to think we were led to believe that the future dystopia would involve robots and rock & roll rebels.

On the other hand, I feel like I’ve been rehearsing for this my whole life.  In spite of losing hundreds of books and movies in a recent purge (to be discussed in full in another chapter), I still have dozens unwatched and unread here to enjoy.  I was saving them for the proverbial “rainy day”.  Who was to know it was going to be three months of rain?

As a classic introvert, I tended to spend most of my time indoors anyway, nose buried in a laptop, headphones on.  I never particularly sought busy weekends of going out and being social.  I left that to Jen while I did my own thing.  She’s managing as well as anyone else.  What I really miss are the luxuries.  Dropping in at the parents house to steal groceries from their fridge for a visit.  Going out for a medium rare steak when you’re craving it.  Wandering the aisles at the record store.  Even ordering from Amazon.

I am a creature of habit, but with more emphasis on spending locally in social media, a thought occurred to me.  Why am I relying on Amazon for music?  We have Encore Records here in town, and they have been advertising that they ship.  The other day, John at 2loud2oldmusic mentioned that there was a new Joe Satriani coming out.  I liked the track he posted, so I checked and Encore had it in stock.

I don’t believe in ordering “just one” of anything so I browsed a bit and quickly filled my cart.  I searched for “Coverdale” (hey, you never know if something previously unheard will pop up) and their very smart search engine returned me a hit for all his stuff plus some related albums like Vandenberg.  Good ol’ Dekes has long asserted their brilliance so why not?  It looked like it’s probably one of those sweet Rock Candy reissues.  Love/Hate’s Blackout in the Red Room is an album I’ve wanted for 30 years but never pulled the trigger on until now.  It has three bonus tracks thanks to Rock Candy’s fine series of reprints.  Finally, King Kobra’s second CD Thrill of a Lifetime made it an even four.

I picked my shipping, hit the Paypal button and later the next day they had my order processed.  I’m going to have new music this week!  And plenty of it too!

New music helps keep up the illusion that things are still “normal”, while they are actually anything but.  You can pretend for a while.  I’ll sanitize the parcel when it arrives, a stark foreshadow of what the “new” normal will be like.  I’ll wash my hands when I’ve removed and discarded the cellophane.  Only then will I allow myself to enjoy the CDs without the reminders.

A wise person recently told me that now is the time to spread kindness.  I’m trying to remember that.  Part of that includes being kind to yourself.  I bought myself some CDs.  Don’t be afraid to treat yourself if you can.  I know we’re not all in a situation where we are financially able to do that.  I’m part of an essential service.  As much as I resented that at first, I’m really grateful for it.

As I try to be kind to myself, a dark side of me whispers in my ear.  “You’re being careless.  Everything you let enter the house is a threat.  You already suffer asthma.  You’re not paying attention to the statistics.  You should be working from home.”

We are all facing our own personal struggles right now.  I know a few people who have it bad, real bad, and I can’t do a damn thing to help them except be here to listen.  It’s a small gesture, but can be a huge one in some circumstances.  Don’t underestimate your own personal value as a human being that can listen.

My hopes are high that we will get through this together.  Together, separately.  Humans have a remarkable capacity to work together when we want to.  I don’t dare put a timeline on this in my mind.  I try to take it one day and one week at a time.  We have made it through another week, and all we have to do now is keep on keepin’ on.

So keep on keepin’ on, my friends.

REVIEW: Kick Axe as “Spectre General” – The Transformers soundtrack (1986) – Kick Axe series Part Four

KICK AXE as SPECTRE GENERAL – “Hunger” and “Nothing’s Gonna Stand In Our Way”
from Transformers: The Movie original motion picture soundtrack (1986 BMG)

Although the recordings were not released until 1986, it makes sense to talk about “Hunger” and “Nothing’s Gonna Stand In Our Way” now, in terms of storytelling.  After the Vices album was completed in 1984, Kick Axe were tasked to contribute to another project.  And it wasn’t a movie soundtrack.

Producer Spencer Proffer was scheduled to go into the studio with Black Sabbath — a Black Sabbath still fronted by Ian Gillan, though not for long.  Proffer felt that Sabbath needed fresh ideas and recruited Kick Axe to write some.  Though details are murky, we do know that Gillan left Black Sabbath abruptly to record Perfect Strangers with Deep Purple.  Kick Axe frontman George Criston was one of the singers that Tony Iommi was interested in as his replacement.  Whatever happened, no recordings of Sabbath with Criston have surfaced, but we do have the songs Kick Axe wrote for the sessions.

In a strange coincidence, they all first came out on November 9 1985, on two separate albums.  W.A.S.P.’s The Last Command (produced by Proffer) featured the Quiet Riot-like “Running Wild in the Streets”, though without proper writing credit.  Another album produced by Proffer was released the same day:  Ready to Strike by King Kobra.  “Piece of the Rock” and hit single “Hunger” were written by Kick Axe for the Sabbath project.

Ultimately, “Hunger” by Kick Axe did finally come out in the summer of 1986.  Too late, perhaps, considering people assumed it was a generic cover of a King Kobra song.  Especially since no one had ever heard of…Spectre General?

Who the hell is Spectre General?!

For reasons unknown but said to be contractual, Kick Axe couldn’t release their own song under their own name, so Proffer invented Spectre General, and that’s how they’re credited in Transformers: The Movie.  The band didn’t even know about it.  They had two songs on the original 10 track album:  “Hunger”, and a new song called “Nothing’s Gonna Stand In Our Way”, a cover version (John Farnham original) intended for the next record Welcome to the Club.

Perhaps it’s the familiarity of the King Kobra recording, but this version of “Hunger” does stand in its shadow.  Both Mark (Marcie) Free and George Criston are stellar vocalists, and the Free version just had more…weight.  Kick Axe’s original is heavier and chunkier, so perhaps in that way it’s actually superior.  “Nothing’s Gonna Stand in Our Way” is an upbeat number, hook-laden, with the trademark Kick Axe “chug” and backing vocals.  It’s pretty essential to have both these tracks to augment a Kick Axe collection.

Besides not getting their real name in the album, other contributions by Weird Al Yankovic and Stan Bush were featured more prominently in the movie than the two “Spectre General” songs.  The band Lion got to do the movie theme song.  Those were some memorable movie moments to any kid in the theater, particularly the Stan Bush selections.

It’s pretty amazing that Kick Axe came up with “Hunger” but were never really recognized for it.  It’s a great song and their original version of it is the proof.  Also strong, “Nothing’s Gonna Stand in Our Way” would have made a fine addition to the next album.  Clearly, the Canadian quintet had big league talent the whole time.

4.5/5 stars

REVIEW: King Kobra – Ready to Strike (1984)

IMG_20150607_142430KING KOBRA – Ready to Strike (1984 Capitol)

What happened to the good ship King Kobra? Hilarious misspelled name, silly coordinated hair colours (all but veteran drummer Carmine Appice, who complimented their red and blonde with his red and black), and production by the guy who brought you Quiet Riot — what could possibly go wrong? They even had their own “kobra” signature hand gesture, and weird complementary stage moves in an expensive music video.

When you have lyrics like, “I’m ready to strike, I’m cocked and loaded tonight,” but you’re not David Lee Roth or Gene Simmons, you’re already fighting an uphill battle.  Carmine saw the sudden success of bands like Quiet Riot, and decided “why the hell not”?  He picked up some great players for this project.  Bassist Johnny Rod ended up in W.A.S.P. later on.  David Michael-Phillips played with Lizzy Borden after Kobra.  Mick Sweda formed BulletBoys.  Mark Free formed Unruly Child, and ultimately became Marcie Free.  She still fronts Unruly Child today. Meanwhile Carmine Appice reformed this lineup of King Kobra, substituting in Paul Shortino for Free, and getting good reviews for it.

IMG_20150607_142053

So talent aside, there’s no worries there.  There are two major issues with this record.  One: the muddy Spencer Proffer production which lays a muffly blanket over the band.  All but Appice of course, who bears a very Frankie Banali-like sound on this album. The guitars are empty transistor radio renditions of what guitars should sound like. Two: filler material kept Ready To Strike from fulfilling its potential.

It’s not all filler of course — much of it is damn good.  The first three tracks in a row (“Ready to Strike”, “Hunger”, and “Shadow Rider”) are all really good, actually.  Famously, “Hunger” became a minor hit, although it was actually written by Canada’s Kick Axe, and recorded by them under the name Spectre General, for Transformers: The Movie in 1986!  I prefer the King Kobra version, because Mark Free really nailed that vocal.

Other decent tunes include “Shake Up”…I mean, it’s OK.  It has a good pre-chorus, “And the beat goes on and on and on…”, but the lines about home work and yard work were pretty goofy even back then. Like that one, “Tough Guys” is also a good tune (mid-tempo mellow rocker) sunk by a bad lyric. “The world’s greatest lie, is that all of us tough guys don’t cry.” No thanks, not cranking that one with the windows down.

Crummy tunes: “Attention”, “Piece of the Rock”, “Breakin’ Out” and “Dancing With Desire”. Stinky. I can’t decide how I feel about the overwrought “Second Thoughts”.

Overall: Middle of the road album that neither astounds nor repulses. It has enough good tunes to warrant a place in my collection. How about you?

3/5 stars