GETTING MORE TALE #827: Freestylin’ 5 – Brave New World
Oh, how so much has changed in such a short time. The conveniences I once took for granted are now dearly missed. I feel as if I am living in the early chapters of an old undiscovered dystopian fiction novel. Then there is the paranoia I feel when we get such mixed signals from all around. Don’t go out! But this store is offering pickups. Wear a mask! But only if you’re not able to be more than 2 metres away from the next person. Or not. And what kind of masks? It’s a surreal day that ends with a phone call with your mother about what kind of mask she’s wearing these days.
Look at classic science fiction. There are very few that feature gloves as part of regular daily attire that are not dystopias!
Because I feel it’s appropriate, I’m listening to Kilroy Was Here by Styx for inspiration while I write.
“We all need control. I need control. We all need control.”
And to think we were led to believe that the future dystopia would involve robots and rock & roll rebels.
On the other hand, I feel like I’ve been rehearsing for this my whole life. In spite of losing hundreds of books and movies in a recent purge (to be discussed in full in another chapter), I still have dozens unwatched and unread here to enjoy. I was saving them for the proverbial “rainy day”. Who was to know it was going to be three months of rain?
As a classic introvert, I tended to spend most of my time indoors anyway, nose buried in a laptop, headphones on. I never particularly sought busy weekends of going out and being social. I left that to Jen while I did my own thing. She’s managing as well as anyone else. What I really miss are the luxuries. Dropping in at the parents house
to steal groceries from their fridge for a visit. Going out for a medium rare steak when you’re craving it. Wandering the aisles at the record store. Even ordering from Amazon.
I am a creature of habit, but with more emphasis on spending locally in social media, a thought occurred to me. Why am I relying on Amazon for music? We have Encore Records here in town, and they have been advertising that they ship. The other day, John at 2loud2oldmusic mentioned that there was a new Joe Satriani coming out. I liked the track he posted, so I checked and Encore had it in stock.
I don’t believe in ordering “just one” of anything so I browsed a bit and quickly filled my cart. I searched for “Coverdale” (hey, you never know if something previously unheard will pop up) and their very smart search engine returned me a hit for all his stuff plus some related albums like Vandenberg. Good ol’ Dekes has long asserted their brilliance so why not? It looked like it’s probably one of those sweet Rock Candy reissues. Love/Hate’s Blackout in the Red Room is an album I’ve wanted for 30 years but never pulled the trigger on until now. It has three bonus tracks thanks to Rock Candy’s fine series of reprints. Finally, King Kobra’s second CD Thrill of a Lifetime made it an even four.
I picked my shipping, hit the Paypal button and later the next day they had my order processed. I’m going to have new music this week! And plenty of it too!
New music helps keep up the illusion that things are still “normal”, while they are actually anything but. You can pretend for a while. I’ll sanitize the parcel when it arrives, a stark foreshadow of what the “new” normal will be like. I’ll wash my hands when I’ve removed and discarded the cellophane. Only then will I allow myself to enjoy the CDs without the reminders.
A wise person recently told me that now is the time to spread kindness. I’m trying to remember that. Part of that includes being kind to yourself. I bought myself some CDs. Don’t be afraid to treat yourself if you can. I know we’re not all in a situation where we are financially able to do that. I’m part of an essential service. As much as I resented that at first, I’m really grateful for it.
As I try to be kind to myself, a dark side of me whispers in my ear. “You’re being careless. Everything you let enter the house is a threat. You already suffer asthma. You’re not paying attention to the statistics. You should be working from home.”
We are all facing our own personal struggles right now. I know a few people who have it bad, real bad, and I can’t do a damn thing to help them except be here to listen. It’s a small gesture, but can be a huge one in some circumstances. Don’t underestimate your own personal value as a human being that can listen.
My hopes are high that we will get through this together. Together, separately. Humans have a remarkable capacity to work together when we want to. I don’t dare put a timeline on this in my mind. I try to take it one day and one week at a time. We have made it through another week, and all we have to do now is keep on keepin’ on.
So keep on keepin’ on, my friends.
Although the recordings were not released until 1986, it makes sense to talk about “Hunger” and “Nothing’s Gonna Stand In Our Way” now, in terms of storytelling. After the Vices album was completed in 1984, Kick Axe were tasked to contribute to another project. And it wasn’t a movie soundtrack.
Producer Spencer Proffer was scheduled to go into the studio with Black Sabbath — a Black Sabbath still fronted by Ian Gillan, though not for long. Proffer felt that Sabbath needed fresh ideas and recruited Kick Axe to write some. Though details are murky, we do know that Gillan left Black Sabbath abruptly to record Perfect Strangers with Deep Purple. Kick Axe frontman George Criston was one of the singers that Tony Iommi was interested in as his replacement. Whatever happened, no recordings of Sabbath with Criston have surfaced, but we do have the songs Kick Axe wrote for the sessions.
In a strange coincidence, they all first came out on November 9 1985, on two separate albums. W.A.S.P.’s The Last Command (produced by Proffer) featured the Quiet Riot-like “Running Wild in the Streets”, though without proper writing credit. Another album produced by Proffer was released the same day: Ready to Strike by King Kobra. “Piece of the Rock” and hit single “Hunger” were written by Kick Axe for the Sabbath project.
Ultimately, “Hunger” by Kick Axe did finally come out in the summer of 1986. Too late, perhaps, considering people assumed it was a generic cover of a King Kobra song. Especially since no one had ever heard of…Spectre General?
Who the hell is Spectre General?!
For reasons unknown but said to be contractual, Kick Axe couldn’t release their own song under their own name, so Proffer invented Spectre General, and that’s how they’re credited in Transformers: The Movie. The band didn’t even know about it. They had two songs on the original 10 track album: “Hunger”, and a new song called “Nothing’s Gonna Stand In Our Way”, written for their next record Welcome to the Club.
Perhaps it’s the familiarity of the King Kobra recording, but this version of “Hunger” does stand in its shadow. Both Mark (Marcie) Free and George Criston are stellar vocalists, and the Free version just had more…weight. Kick Axe’s original is heavier and chunkier, so perhaps in that way it’s actually superior. “Nothing’s Gonna Stand in Our Way” is an upbeat number, hook-laden, with the trademark Kick Axe “chug” and backing vocals. It’s pretty essential to have both these tracks to augment a Kick Axe collection.
Besides not getting their real name in the album, other contributions by Weird Al Yankovic and Stan Bush were featured more prominently in the movie than the two “Spectre General” songs. The band Lion got to do the movie theme song. Those were some memorable movie moments to any kid in the theater, particularly the Stan Bush selections.
It’s pretty amazing that Kick Axe came up with “Hunger” but were never really recognized for it. It’s a great song and their original version of it is the proof. Also strong, “Nothing’s Gonna Stand in Our Way” would have made a fine addition to the next album. Clearly, the Canadian quintet had big league talent the whole time.
What happened to the good ship King Kobra? Hilarious misspelled name, silly coordinated hair colours (all but veteran drummer Carmine Appice, who complimented their red and blonde with his red and black), and production by the guy who brought you Quiet Riot — what could possibly go wrong? They even had their own “kobra” signature hand gesture, and weird complementary stage moves in an expensive music video.
When you have lyrics like, “I’m ready to strike, I’m cocked and loaded tonight,” but you’re not David Lee Roth or Gene Simmons, you’re already fighting an uphill battle. Carmine saw the sudden success of bands like Quiet Riot, and decided “why the hell not”? He picked up some great players for this project. Bassist Johnny Rod ended up in W.A.S.P. later on. David Michael-Phillips played with Lizzy Borden after Kobra. Mick Sweda formed BulletBoys. Mark Free formed Unruly Child, and ultimately became Marcie Free. She still fronts Unruly Child today. Meanwhile Carmine Appice reformed this lineup of King Kobra, substituting in Paul Shortino for Free, and getting good reviews for it.
So talent aside, there’s no worries there. There are two major issues with this record. One: the muddy Spencer Proffer production which lays a muffly blanket over the band. All but Appice of course, who bears a very Frankie Banali-like sound on this album. The guitars are empty transistor radio renditions of what guitars should sound like. Two: filler material kept Ready To Strike from fulfilling its potential.
It’s not all filler of course — much of it is damn good. The first three tracks in a row (“Ready to Strike”, “Hunger”, and “Shadow Rider”) are all really good, actually. Famously, “Hunger” became a minor hit, although it was actually written by Canada’s Kick Axe, and recorded by them under the name Spectre General, for Transformers: The Movie in 1986! I prefer the King Kobra version, because Mark Free really nailed that vocal.
Other decent tunes include “Shake Up”…I mean, it’s OK. It has a good pre-chorus, “And the beat goes on and on and on…”, but the lines about home work and yard work were pretty goofy even back then. Like that one, “Tough Guys” is also a good tune (mid-tempo mellow rocker) sunk by a bad lyric. “The world’s greatest lie, is that all of us tough guys don’t cry.” No thanks, not cranking that one with the windows down.
Crummy tunes: “Attention”, “Piece of the Rock”, “Breakin’ Out” and “Dancing With Desire”. Stinky. I can’t decide how I feel about the overwrought “Second Thoughts”.
Overall: Middle of the road album that neither astounds nor repulses. It has enough good tunes to warrant a place in my collection. How about you?