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50 Years of IRON MAIDEN episode 7: Piece of Mind with Melissa Nee

50 Years of IRON MAIDEN episode 7:  Piece of Mind

With Melissa Nee

GRAB A STACK OF ROCK #94

Here comes Melissa Nee, dropping knowledge bombs all over Piece of Mind!  Melissa is a long time fan, having seen the band on this actual tour.  Her insight, appreciation and multitude of knowledge make this a must-watch episode!

Flying over the valley, to the Eagles’ Nest, we cover the album album track by track from “Where Eagles Dare” to “To Tame A Land”.  Special attention is paid to the lyrics.  Four songs on this album have accompanying books or movies, and this is covered as well.  Most importantly, this album is the debut of Nicko McBrain, replacing the beloved Clive Burr on drums.

As usual, we cover the artwork, both single B-sides, and the tour.  Harrison and Melissa go deep on the live show, setlist and stories.  (There is one important story that happened on this tour, that we will save for the Powerslave episode.)

Please join Harrison, Melissa and I for this mission behind enemy lines:  Piece of Mind!

Past episodes:

Friday March 7 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

Beast Over Hammersmith: Harrison Hosts and Mike Learns!

Episode 6 of 50 Years of Iron Maiden (and episode 93 of Grab A Stack of Rock) was a learning experience as Harrison schooled us on the Beast On the Road Tour.

A fabulous live album recorded in 1982 but not released until 2002, Beast Over Hammersmith rivals Live After Death in metal mastery.  The lively comments section anticipated all of our praise for this album, which you can get on vinyl, but probably not on CD without buying the Eddie’s Archive box set.

Harrison Kopp was the master of ceremonies, and this episode was all his.  Hear about the unusual opener, the instrumental, the guitar solo, the B-side, and much more.  Several things came up multiple times in this episode:  1) Bruce Dickinson’s voice at this point in 1982.  2) Clive Burr’s masterful performances of these songs.  3) The band’s fresh take on the songs that would later be played hundreds of times.

This is episode is certain to go down as a favourite.  Join us next week with Melissa Nee, for Piece of Mind!

 

Past episodes:

 

Show notes:

Recorded 20 March 1982 – 2 days before album was out, released 2 November 2002.

Never released in full on video as the band were unhappy with the quality, but you can see part on the 2004 Early Days DVD.

Opener:  Murders in the Rue Morgue!  Starts slow, showcasing Steve’s bass harmonics.  Then goes breakneck!  What a strange opener!

Wrathchild is another great Steve bass opener.  This one is more along the lines of the album version, but with Bruce singing.

New song Run to the Hills is 3rd in the set!  Not as breakneck speed as some versions.

Another new song, Children of the Damned.  Bruce announces the album will be out March 22.  Tour de force vocals and some nice guitar harmonics added in.

Crowd is very quiet except for a few pockets of cheers to open Number of the Beast.  Bruce mentions the “problems” they had in the studio.

Great version of “Another Life”, with Clive absolutely on fire on the snares and cymbols.  Bruce’s vocals make the lyrics more clear:  “As I lay here lying on my bed.”  Amazing Davey soloing here.

Screaming version of Killers next.  Bruce at peak voice tackling this song.  Otherwise pretty faithful to album cut, especially the guitars and guitar tone.  We also learn Adrian had some bruised up ribs that night.

22 Acacia is introduced as an Adrian co-write.  Another perfect performance.  Bruce’s vocals are biting and growly during the intro.

Bruce says Total Eclipse isn’t really a B-side, but it is.  “Didn’t have enough room on the album.”  This song and Run to the Hills were on a vinyl single already.  The vocals are a little haggard toward the challenging ending high notes.

Leads into instrumental Transylvania, played as it should be by Clive.

Crowd is silent during the Prisoner opening.  Great hearing it like with Clive on drums.  The drums are fast, frenetic and flawless.  Tempo seems a bit faster in the latter part than the album.

Hallowed comes in with no intro from Bruce.  Better live version than Live After Death, as Bruce sings the opening a little more true to album.  Passionate singing from Bruce.

Phantom – Top performance from Bruce, expressive and soaring!  Tempo feels a little faster than album.

Iron Maiden – Breakneck version!

Sanctuary – Same with Sanctuary!

Drifter – Songs tend to flow one into another.  I don’t like when Bruce refers to some in the audience as a “fucking women,” but that was the 80s.  I doubt he’d say this today.

Running Free – A top Bruce version, with impassioned and wild vocals.

Prowler – Crazy to hear this album opener as a closer.

 

 

 

 

🅻🅸🆅🅴 50 Years of IRON MAIDEN episode 6: Beast Over Hammersmith

50 Years of IRON MAIDEN episode 6:  Beast Over Hammersmith

A special 🅻🅸🆅🅴 episode

GRAB A STACK OF ROCK #93

Good evening Hammersmith…or wherever you are!  Tonight on 50 Years of Iron Maiden, Harrison and I are appropriately tackling this live album with a live episode!

Beast Over Hammersmith is a double live album recorded just before The Number of the Beast was released.  The band played a rare mix of Di’Anno classics and deep cuts, along with new material, and one B-side!  Bruce explains to the crowd that it’s not “really” a B-side, which it was, but we’ll get into that, as well as “all the lazy bastards from EMI in the back.”

This episode is our sendoff to Clive Burr, and we’ll be talking about him, though not for the last time in this series.

Beast Over Hammersmith was first issued as a 2 CD set within the Eddie’s Archive box set, which we have taken brief looks at in the past.  Today you can get Beast Over Hammersmith on vinyl, so it is a significant enough release to warrant its own episode.

So give us a yo, yo yo yo! and see us tonight, live!

Past episodes:

LIVE on Friday February 28 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube or Facebook.

50 Years of IRON MAIDEN episode 5: The Number of the Beast with Jex Russell

50 Years of IRON MAIDEN episode 5: The Number of the Beast

With Jex Russell 

GRAB A STACK OF ROCK #91

Enter:  The Air Raid Siren.  “Bruce Bruce”.  Paul Bruce Dickinson to his mum.  One of the greatest lead vocalists, frontmen, songwriters and lyricists in heavy metal:  Bruce Dickinson.  None of that is hyperbole.

It’s one of the greatest “replacement singer” success stories in heavy metal.  Not just anyone could replace the beloved Paul Di’Anno.  What Iron Maiden did with Bruce took the band to a whole new level.  They tightened the songwriting, sharpened the production and put out one of the best albums of their lives.  The Number of the Beast pushed Maiden to a new level, and hinted at how they would grow album by album in the future.

In this episode, Mike and Harrison discuss the full track listing, including “Total Eclipse” and the live B-side “Remember Tomorrow”.  We’ll talk about the different coloured covers, the different track listings, and of course the tour!  Also included, an interview clip with Bruce Dickinson on assumptions made about heavy metal at that time.  This in-depth episode is our longest to date at just over an hour.  It is filled with praise and critique, but by the end you will understand why this is considered by some to be “the” Maiden classic.

Jex Russell’s favourite Iron Maiden album is The Number of the Beast.  He was thrilled to find that no-one had snagged this slot yet.  Please welcome Jex back to the show!

Past episodes:

Friday February 21 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

50 Years of IRON MAIDEN episode 4: Maiden Japan, Live!! + One, Live at the Rainbow

50 Years of IRON MAIDEN episode 4: Maiden Japan, Live!! + One, Live at the Rainbow

 

GRAB A STACK OF ROCK #90

Closing out the Di’Anno years, Harrison and I take a deep dive into the live releases that accompanied them.  Live!! + One was an exclusive Japanese EP that featured “Women In Uniform” (covered in Episode 2), and three live tracks, two of which were exclusive (and awesome).  Maiden Japan, of course, was the live EP that you know and love.  Live at the Rainbow was an excellent home video that featured Paul on vocals.  We tackle all this on tonight’s episode.

You will see our copies of these releases (but not Live!! + One since I didn’t buy it the one time I saw it), and hear about them in detail.  This episode is our sendoff to Paul Di’Anno, and we discuss his reasons for leaving.  And in came a young upstart named Bruce Bruce…

This short and energetic episode features just Harrison and myself, but we’ll be back next time with a new special guest, and a new lead singer!

Past episodes:

Friday February 14 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

50 Years of IRON MAIDEN episode 3: Killers with Martin Popoff

50 Years of IRON MAIDEN episode 3:  Killers (1981)

With Martin Popoff

GRAB A STACK OF ROCK #87

Here is the episode we’ve all been waiting for:  Author Martin Popoff (Iron Maiden: Album By Album) joins us to talk about record #2, Killers.

With Adrian Smith now in the fold, Maiden settled into the studio with legendary producer Martin Birch to lay down another series of tracks that the band had been working up for years.  “Wrathchild”, “Killers”, “The Ides of March” and more will be broken down, track by track.

Martin will also be telling us a little bit about his forthcoming book, Hallowed By Their Name: The Unofficial Iron Maiden Bible, currently up for pre-order (released April 28 2025).  This book is sure to be a must-have.

We will also discuss the singles, the B-sides, and the tour.  Once again Harrison goes through the Killers tour and tells us the facts, figures and songs.

Don’t miss this awesome episode of 50 Years of Iron Maiden, tonight on Youtube.

Past episodes:

Friday January 24 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

50 Years of IRON MAIDEN episode 2: Iron Maiden (1980) and “Women In Uniform” with John Clauser

50 Years of IRON MAIDEN episode 2: Iron Maiden (1980) and “Women In Uniform”

With John Clauser (My Music Corner)

GRAB A STACK OF ROCK #86

Welcome to the big leagues, as Iron Maiden are signed to EMI and release their first singles and album!  New members Clive Burr and Dennis Stratton are now on board with Steve Harris, Dave Murray, and Paul Di’Anno.  We cover it all on this second episode of 50 Years of Iron Maiden.

Joining Harrison and I is John Clauser from My Music Corner!  We bid you welcome to this special pre-recorded look at Iron Maiden’s self titled debut album.  Because we always aim to go in depth as possible, we’ll discuss the entire album track by track, the artwork, and all the singles and B-sides.  As an added bonus, we’ll also take a look at the standalone single “Women In Uniform”, a Skyhooks cover that the band have somewhat disowned.

A new feature to the series debuts tonight as well:  Harrison Kopp will take the spotlight every time we talk about a studio album, to go over the tour in detail.  Harrison will provide the facts, the figures, and the dates, while also analysing the setlists.  This segment is a highlight of the show.

This episode premieres at 7 o’clock PM exclusively on YouTube.  (Sorry Facebook – we are trying some new things with this Maiden series.  The live episodes will still be streamed to Facebook, but not these recorded ones.)

One of us will try to be in the comments tonight, so if you want to take part in a discussion, please don’t miss the premiere!

Past episodes:

Friday January 17 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

REVIEW: Jet – Get Born (2003)

Review dedicated to the donor of this CD, Mr. Harrison Kopp.  I hope I like it.  I am writing this review “live” so to speak, on first listen.

JET – Get Born (2003 EMI)

Get Born is Jet’s first LP, only two years after forming, and after one 4-track EP.  Let’s listen and find out how adept this band got at writing songs after only two years.  You already know track 2, “Are You Gonna Be My Girl”, the one that everyone says is “Lust For Life” re-written.  Both songs utilize Motown beats, though the Jet song has more frantic energy.  Plagiarism is excusable in some cases.  In this case, I’m still undecided.  Is the rest of the album more original?

Many of these songs are fast and short.  Opener “Last Chance” doesn’t even break two minutes.  It possesses a strong riff, reminiscent of AC/DC in their Bon Scott heyday.  Lead singer Nic Cester is quite adept at “Yeahs!” and “Woos!” which will suffice.  This leads directly into the signature bassline on “Are You Gonna”, which we don’t need to review.  You already have your opinion, and mine is that you can’t tell me those guys never heard “Lust For Life”.  That kind of thing always has a subliminal influence, intentional or not.  The only question I have is how much was intentional, but I really stopped caring 20 years ago.  It is, admittedly a good song if overplayed on radio (still).

“Rollover D.J.” hits right off the bat with bass and guitar, and sounds great in that second it smashes you in the face.  Then it lays back a bit, in a Def Leppard-y way, when they used to rock.  The chorus is punkier, but feels somehow incomplete.  “Look What You’ve Done” switches up to a piano ballad, an unexpected twist.  This tender song has an Oasis quality without the snot-nosed BS.  This means, yes, you can hear a Beatles influence.  Nic Cester demonstrates a smoother side to his singing.  I didn’t want to like it, but the truth is, if this was on one of the first three Oasis albums, I would have liked it anyway.  A keeper.

A nice rock n’ roll riff brings in “Get What You Need”, and one must admire the nice thick bass tone on this album.  This song is all about the guitars.  The melodies are inconsequential.  It’s all the guitars, and the bass.

In another surprise, “Move On” opens with the distant sound of a steel guitar, before an acoustic intro.  This western tinted ballad might be too soon after the previous ballad, but it’s a good song!  Very much like the way the Stones would throw those acoustic numbers on their albums.  It’s now clear that Jet are not interested in breaking new musical ground.  They are focused on writing and recording classic sounding songs that fall within a certain boundary.  That’s allowed.

Another surprise:  acoustics and piano return on “Radio Song”, a moody trip that has me questioning everything I just wrote.  Lead vocals by guitarist Cameron Muncey.   I can hear some Radiohead, but the irony is the chorus:  “This won’t be played on your radio, tonight.”  It’s as if they knew “this is the song where we’re going to experiment a bit.”  It’s different, and it has an audible heart to it.  It goes epic by the ending, but not too much.  Not into Guns N’ Roses bombast.  Still sticking to the core instruments.  An album highlight.

Back to rocking.  A stock riff occupies the necessary space on “Get Me Outta Here”, which fortunately compensates for it with verse and chorus power!  Really great work here, with all the singing parts hitting the spot, satisfying a certain craving for a song that’ll be in your head long afterwards.

AC/DC’s fingerprints are all over “Cold Hearted Bitch”, though with drums more out of the Who school of crashes and smashes.  Unfortunately, momentum is lost on “Come Around Again”, another Stones-y ballad with piano and twang.  It takes time to build, but the reward is brief.  The mellotron and organ are the most interesting parts.

Energy returns on the punk-surf-rock-blast of “Take It Or Leave It”, like a shot of pure adrenaline to the album.  By this stretch of the album, the “Yeah’s!” are getting a bit tiring and the schtick is wearing thin.  “Lazy Gun” has a completely different vibe, with a Gary Glitter sound, and an unexpected secondary section that may or may not fit the first part.  We’re over 40 minutes into the album now, and this, the longest song, shouldn’t be track 12.  Ear fatigue is setting in.

Finally, “Timothy” is an acoustic ballad to close the album.  It sounds extraneous, though with a psychedelic rock twist.  I like the chorus, “It’s not what it seems, but it is…” but it seems the song never builds to anything bigger.

Two takeaways:  1) Jet is more diverse than I expected.  2) I don’t think they have a lot of character on this album.  Nothing strikes me as unique.  Further listens are warranted, but…

To Harrison:  “I’m sorry, old friend…”

3/5 stars

 

REVIEW: Deep Purple – “Woman From Tokyo” (Japanese CD single)

DEEP PURPLE – “Woman From Tokyo” (Originally 1973, 1998 Warner Japan CD reissue)

The 2:56 single edit of Deep Purple’s “Woman From Tokyo” is somewhat of a rarity on CD.  It’s not on the Singles A’s and B’s.  You could get it on a Japanese box set called Purple Chronicle.

The original song was almost six minutes, so half of the tune was chopped out for single release.  The intro is mangled.  The middle section is missing, and cut in such an amateurish way.  The guitar solo is missing.  Rule of thumb:  never cut the friggin’ guitar solo from a Deep Purple song, of all bands!  This is a butcher job of a single edit.  Probably why it never made the cut to Singles A’s and B’s.

The B-side “Super Trouper” is also 2:56, but unedited.  That’s just how the song goes, one of Purple’s shortest.  No, it’s not an Abba cover, but both songs were named after Super Trouper stage lights.  Some of Ian Gillan’s lyrics can be interpreted to be about his impending departure from Deep Purple. “I wanna be like I was before, but this time I’m gonna know the score.” A lot of looking in the rear view mirror in this song. A lot of past-tense.

Because of the butcher job on the “Woman From Tokyo” edit, the B-side here outshines the A-side.  The single at least has lyrics.  For collectors and analysts only!

1/5 stars

REVIEW: Marillion – Fugazi (2 CD remastered edition)

MARILLION – Fugazi (1998 EMI 2 CD edition, album originally released 1984)

Fugazi: Military slang meaning “fucked up situation”, coined during the Vietnam war.

Or: The making of Marillion’s second album.

After rolling through a couple drummers including Jonathan Mover, Marillion finally settled on Ian Mosely, the British veteran who is still in the band today. They settled in to record the “difficult” second album, which was dubbed Fugazi. It is a challenging listen, probably the most challenging of the original four. As such it tends to fall by the wayside today, despite the inclusion of the excellent single “Assassing”.

“I am the assassin, with tongue forged in eloquence. I am the assassin, providing your nemesis.”

It was a pointed statement at the ex-drummer Mick Pointer, from his former friend, lead vocalist Fish.

Lyrically, Fugazi represents the very best of Marillion of any era.  Both “Jigsaw” and the included B-side track “Cinderella Search” contain lyrics of great depth, beauty, emotion, and layers upon layers of interpretation. I like Fish’s use of homonyms, such as “Swam through the nicotine seize”.

Musically, this is a dense album that takes multiple listens to appreciate. Side one of the original album was catchier, with the two singles (“Punch & Judy” being the second) and the lullaby-like “Jigsaw”. Side two was more challenging, with longer heavier songs: “She Chameleon” and “Incubus” are good examples. Incidentally, Fish considered “Incubus” to be his greatest lyrical achievement, once again using homonyms. “I, the mote in your eye.”

The bonus disc contains the stellar B-side “Cinderella Search”, a song that goes through multiple sections before culminating with its powerful ending. “I always use the cue sheets but never the nets, never the nets, nevertheless.” Other B-sides include a remix of “Assassing” and the re-recorded version of “Three Boats Down From The Candy”. (I prefer the original.) This disc is rounded out by four demos of some of the more challenging songs.

The cover art is loaded with brilliance courtesy of Mark Wilkinson.  He put just as much thought into the art as Fish did into the lyrics.  Wilkinson and the band provide enlightening liner notes. You’ll want to make sure you read them. Did Mark Kelly really see a ghost? Find out inside.

5/5 stars

Fugazi is expected to be upgraded to a multidisc deluxe edition including 5.1 mix this summer- 2021.