kiss

VHS Archives supplemental: How they put on a KISS concert (1980)

I was going to put this video online myself, but a more complete version already exists. No point in duplicating it, but I still wanted to make a post for it.  I had this in my VHS collection on one of my 1985 tapes.

I didn’t know what show this was from, since it came from the “Balasz Tapes” recorded off my next door neighbour.  I watched and treasured it, because it was the only video I had of Peter Criss as a kid.  My only Catman footage.  Not to mention it was Kiss!  Kiss in makeup too, and there wasn’t much of that in the mid-80s.

This was from a TV show called 3-2-1 Contact, and it’s a pretty cool demonstration of what goes in to putting on a Kiss concert.

George used to complain about one detail.  The sound tech shows how he can use a harmonizer to create the Gene Simmons “God of Thunder” monster voice.  “He does that with his own voice!” protested George.  As for me, I’m more upset that the sound tech thinks it was Darth Vader who says “My the Force be with you”.

From way back on the Dynasty tour, check out this really cool Kiss clip.

 

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REVIEW: Klassik ’78 – Side One and Side Two (2017)

KLASSIK ’78 – Side One and Side Two (2017 EPs)

When I was a kid buying new Kiss albums likes Crazy Nights, I used to say “Kiss should go back and make a full album that sounds like Side Four of Alive II.” Either that or Kiss Killers. I thought either direction was worthy of re-visiting, since they were small collections of songs, not full albums.

The guys who created the original band Klassik ’78 read my mind, and decided to do something about it.  In the spirit of the Kiss sound circa Alive II, Klassik ’78 took it upon themselves to write and record a “lost” Kiss studio that could have followed Love Gun.  Imagine Kiss didn’t split to make solo albums or return with a Disco record.  Original Kiss, not ghost musicians.  Klassik ’78 aimed to create an album from that exact year in that precise alternate universe.  The remarkable thing is that they actually succeeded.


The Side One EP has a bangin’ opener:  the Paul-styled “Standin’ Tall”.   Paul-vocalist “Joe” nails the Starchild’s mannerisms, while the riff mimics that kind that Paul was writing around the time of Rock And Roll Over.  A slaying Kiss-like chorus drives it home.  Klassik ’78 member “Tom” rolls out a Gene-like song as authentic as the Demon’s long tongue.  “Please n’ Tease” is a “Love ‘Em Leave ‘Em” styled sleaze rocker just like Simmons used to write them.  There’s even an Ace-y solo that burns like the Spaceman’s rockets.  “Mean Business” definitely nails the Alive II vibe, kind of like a sequel to “Larger Than Life” with a guy who’s doing his best to sound raspy like Peter Criss.  Another perfect faux-Frehley solo is the ideal topping.  “Passion & Love” is obviously a “Paul” song, a mirror image of “Mr. Speed” and a nearly perfect vocal.  Every “Ooh yeah!” is spot-on.  There’s a good chance you could fool any casual fan into thinking “Passion & Love” is an actual lost Kiss song from 1977.  “Rock and Roll You” is another Gene-like vehicle, right in that Kiss pocket.  Finally, with a title like “Streetwise”, you’re probably already expecting a track like Ace Frehley.  That’s exactly what you get, with a crunchy Ace-like riff, sharp licks, and the same kind of spacey vocals (also by “Tom”).  “I grew up in the city, spent my time on the street.”  Every lyric on Side One is crafted to fit the Kiss member it’s for.  The attention to detail is remarkable.  Certain moments of the “Ace” guitar solo have bits inspired by Frehley’s 1978 solo album.  It’s uncanny.

The important thing is that these are not just tracks that sound exactly like Kiss songs.  These are songs that sound exactly like good Kiss songs.  Could Klassik ’78 deliver another six tracks to make it a full, good album?


“Joe” in the Paul Stanley guise opens Side Two with a stunning “World on Fire”.  It is in the style of Stanley’s ’78 solo disc, but with the Frehley guitar fills of Kiss instead of Bob Kulick.  Time for a “Gene” song next with “Ain’t No Fool”, kinda similar to “Mad Dog” as released on the Box Set.  Another obvious Ace title is “Jendell”; I say “obvious” because hard core fans know that Ace Frehley supposedly comes from planet Jendell.  “I was sent on a mission, light years ago.  To help the human condition, for how long I didn’t know.”  Yep, it’s a “Space Ace” track and a good one at that, once again with tones inspired directly from the Frehley solo album.  Back to Alive II (think “Rockin’ in the USA”), it’s another “Gene” song with “American Made”.  The title alone is perfectly Simmons.  “I”m American Made, and all my dues have been paid.”  In the vibe of “Makin’ Love”, it’s a Stanley-like “Hot On Her Heels” next.  Once again, you could easily fool friends into thinking this is actually Kiss.  Closing Side Two is “Victims (Nosferatu)”, implying a Kiss Demon epic.  Think “Almost Human” from Love Gun, but with more heft.  Klassik kloser, pardon the pun.

I’m not going to bullshit you.  If the Klassik ’78 album was a real Kiss album from 1978, it would be considered one of their best, with the original six.  Obviously Kiss have no intention of ever making an album like this, so why not let Klassik ’78 have some fun with it?  Obviously the fans responded, because the limited run of CDs (re-titled The Un-Originals) sold out immediately.

Check out Klassik ’78 on iTunes, put on your old jean jacket and set your time machine back to 1978.  This album will transport you back.

4.5/5 stars

 

 

VHS Archives #28: KISS – Paul and Gene’s reason to live (1988)

Denise Donlon got to chat with Paul and Gene in 1988 on the Crazy Nights tour. She asked them what there is to sing about after 21 albums?

VHS Archives #10: KISS band interview 1992

In 1992, MuchMusic introduced a new Saturday show called Start Me Up that focused on rock.  It helped make up for the diminished Power 30.  It got to the point that Start Me Up was the show to watch for rock and metal, since the Power 30 detoured into grunge and thrash.

Paul Stanley, Gene Simmons, Bruce Kulick and Eric Singer of KISS dropped in one afternoon on the Revenge tour.  It’s a strange, stiff interview compared to past KISS appearances on MuchMusic.  Paul Stanley seems to want to answer all of Eric’s questions and aside from Bruce, everyone’s awkward.

By request of reader KK, enjoy this strange Kiss interview from 1992!

#734: The Spaceman’s Wife and the Demon Sex Addict

GETTING MORE TALE #734: The Spaceman’s Wife and the Demon Sex Addict
“Guitars, Makeup and Murder”

Today, another in a long string of sad days in KISStory, we will dissect Ace Frehley’s incendiary statement to his ex-bandmate Gene Simmons.  (If it was written by Ace at all.  The statement appeared on Ace’s wife’s Facebook 22 minutes before it appeared on his.)  He was responding to a recent Gene Simmons quote:

Gene – “They [Peter Criss and Ace Frehley] were in and out of the band — fired — three times. For drugs, alcohol, bad behavior, being unprofessional…they weren’t carrying their load.  So the short answer to your question is we’d love to have Ace and Peter join us here and there. And if they don’t, it’s not going to be because of us. But they’re never going to be in Kiss again.”

Ace has been quite clear in recent months – he wants to be back in Kiss for their End of the Road tour.  The fans would be on board for that.  Kiss, meanwhile, continually shoot down these hopes, while proclaiming their show to be the best live performance ever.  They have questioned Ace’s ability to do a gruelling tour like this.  It seems Frehley has had enough of Gene’s trash talk.  Perhaps on his next covers album, Ace should tackle “We’re Not Gonna Take It”, because it sure sounds like he ain’t gonna take it anymore!

Let’s look at Ace’s statement piece by piece.

 

“Gene, your memory is really incorrect!”

 

Gene forgets the words to his own songs, and often inflates his own history.  At this point I think Gene simply “remembers” what he wants to.

 

“…I was NEVER FIRED from KISS, I quit twice (not 3-times) of my own free will, because you and Paul are control freaks, untrustworthy and were too difficult to work with!”

 

Gene was clearly talking about both Ace and Peter in that sentence about being fired “three times”.  Peter was indeed in and out three times.  But Ace is right, he was never fired from Kiss.  He quit both times.  The reasons he quit are not as clear as he’s making it sound.  He had severe substance abuse problems at the time and probably wasn’t thinking clearly or even functioning normally.  Yes, Paul and Gene are control freaks when it comes to their brand, but I’m sure they have a different perspective on who was difficult to work with.  Ace’s statement could very well be the pot calling the demon-kettle black.

 

“…Your slanderous remarks about my bad habits over the years has cost me millions of dollars and now that I’m over 12-years sober you’re still saying I can’t be trusted to play a whole nights show! Well that’s exactly what I’ve been doing for the last 12-years with different configurations of ‘The Ace Frehley Band’ to you and Paul’s dismay!”

 

Slander is only slander when it’s not true.  Ace’s “bad habits” are well documented.  Being sober for 12 years is an achievement to be proud of, but I don’t think that is what Gene and Paul are talking about.  Once bitten, twice shy.  They’re very wary of working with Ace under those high-pressure situations.  A tour that like can cause a relapse in anyone.  It is not going to be an easy tour for those guys at that age.  It really helps to have younger guys like Tommy Thayer and Eric Singer behind them on tour.

 

“…I’m also the most successful solo artist to come out of the original KISS lineup, and proud of it!…You and Paul have tried to derail my solo career multiple times over the years unsuccessfully.”

 

True, Ace has had the most successful solo career, but there’s not much competition.  Saying that Paul and Gene have tried to derail it?  Multiple times?  That could indeed be slander.  Where’s your proof, Ace?  Did Gene go to Megaforce and say “Don’t promote Ace’s records”?  Of course he didn’t.  Innuendo like this just comes across as someone making excuses for their own perceived lack of success.  Gene was probably not all that helpful in the 80s, but shouldn’t that be water under the bridge this many years later?  Gene wrote songs for your new album, Ace!  Frehley was invited to be the opening act for Gene’s solo tour.  It went so well that Ace hired Gene’s solo band.  The point is, Gene’s been doing a lot lately that should have benefited both of you.  That’s not derailing anything.  Anything else should be ancient history now.

Of course, maybe by “derailing”, Ace’s wife refers to the time in the 70’s that Gene and Paul “tried to have Ace killed“.

 

“…I’ve tried to be nice and friendly by inviting you and Paul to perform on my past albums for eOne Music, give each of you guys one of my prized Gibson Les Paul 59’ models, but today’s comments have made me realize you’re just an asshole and a sex addict who’s being sued by multiple Women, and you’re just trying to sweep it all under the carpet!

“…The icing on the cake was when you groped my wife and propositioned her in Los Angeles at the Capitol Records building behind my back, when I was trying to help you out at one of your ‘Vault Experiences’ which I only found out about several weeks later…she was planning on pursuing a suit against you, but I told her to call it off!!!”

 

Woah!  Heavy shots fired!

Having Paul and Gene performing on Ace’s solo albums was a dream come true for the fans.  This is the kind of thing they have always wanted.  Kiss heroes working together!  United front!  The cooperation between members over the last few years has been an unexpected treat.  Now suddenly Ace is bringing up Gene’s womanizing.  Whether the event Ace’s wife is alleging ever happened as stated, we don’t know.  Gene is a flirt and may have been making inappropriate jokes.  But if it did happen, airing it in public isn’t helping anyone.  Deal with this stuff privately!  If Ace wants back in Kiss, how the hell does he expect that to happen now?

 

“…Well now the gloves are off after your terrible comments today and I’m thinking that this really may be ‘The End Of The Road Tour’ for you guys!!!”

 

Hopefully it’s the end of the road for real, because listening to Paul singing is painful.  He was one of the true greats.  Now he’s the worst singer in Kiss, but I digress.  “Gloves are off”?  What does that even mean?  Are we about to witness a geriatric street brawl?  That outta be amusing.

Now, here’s the real kicker below:

 

“….Without a complete and heartfelt apology, an offer to give me my old job back, and removing Tommy from the Throne that I created… THE SHIT WILL HIT THE FAN AND THEY’LL BE NO STOPPING IT – IT’S ON!!!”

 

(Oooft, grammar.  “THERE’ll be no stopping it”.)

Hahah!  Hah.  You’re joking, right Ace?  When does Gene Simmons offer complete and heartfelt apologies?  Very rarely, and not after being attacked by ex-bandmates.  To demand his old job back in this way is not only ridiculous, but a flight of pure fancy.  This will only put Kiss’ backs up to the wall.

If Ace had any chance of joining Kiss on tour this year, I’d say he has blown it completely.  I will say it:  Ace Frehley will never be on the same stage as Kiss on the End of the Road tour.  That door has closed.

Let me put what Ace is asking in my own words.  Tell me how it sounds to you.

“Gene, you better stop talking shit about me, and you better apologise to me and my wife for what I’m alleging without proof!  After that, I want you to fire Tommy Thayer regardless of whatever contracts you have in place or what your relationship is.  Even though I haven’t played stadiums in almost two decades, your only option now is to welcome me back with open arms!  If you don’t…empty threat!  Empty threat!  Empty threat!”

I am in no way defending Gene Simmons or Kiss.  Gene could have spoken far more kindly of both Ace and Peter over the years.  Kind words are free to offer, and solidarity does a lot for a band’s image.  Ace’s statement simply escalates this in a childish, juvenile way.

We are now in the Twilight Zone with a group of bickering children.  Rock and roll, baby?

 

REVIEW: Jim Crean – Greatest Hits (2018)

In a surprising turn of events, Jim Crean has been named the new singer for Vinnie Vincent! So it is a perfect time to review Jim Crean’s Greatest Hits.

JIM CREAN – Greatest Hits (2018 Visionary Noise)

Buffalo’s Jim Crean has four solo albums under his belt.   That’s a good minimum before you release a greatest hits.  There is enough material here for a solid listen, including two new songs from Crean’s forthcoming fifth album.

Several of the best tracks are hard rockers from Crean’s Insatiable. “Touch” remains a standout, a great song any rock songwriter would be envious of.  Not to mention Crean’s power-pipes lay waste to the chorus.  Check out the metal riffing on “Follow Your Heart”, too.  These taffy-sweet tracks claw into your cranium via your ear canal.  All you can do is surrender to it.

Crean’s also capable of standout ballads.  “Make It” and “Can’t Find My Way” (a duet with Mike Tramp) are fantastic.  Then he goes vintage Aerosmith on “She Goes Down”, a song that could have fit nicely on an album like Toys in the Attic.

There are a handful of covers on the 16 track album, and interesting choices too.  “Caught in the Middle” is, of course, Dio, performed with Jimmy Bain and Vinny Appice.  “Over the Edge” is early 90s L.A. Guns, an excellent groove.  Crean also covered fellow Buffalo band the Goo Goo Dolls with the acoustic “Cuz You’re Gone”, one of the Goo’s finest ballads.

What about the new songs?  “Scream Taker” sounds like a Ronnie Dio tribute, with the lyrics cut and pasted from Rainbow, Black Sabbath and Dio songs.  “Scream Taker” indicates that Crean has gone heavier on his fifth record.  The other new song, “Conflicted” has a strong traditional metal riffy vibe.  (Is that Billy Sheehan on bass?)  Both these new songs hint at a great album to come.  Guitarist Steph Honde, who plays on both new songs says that while the new Crean album will be a bit heavier, there will also be some great ballads.

Don’t have any Jim Crean yet?  Pick up his Greatest Hits to catch up.

4.5/5 stars

#714: Born Again

GETTING MORE TALE #714: Born Again

They probably thought I was going to hell the day I showed up on the first day of school in that Judas Priest T-shirt.  Mrs. Powers was a devout Catholic, with a judgey side to go with it.  She enjoyed publicly humiliating her “misbehaved” students.  I can only imagine what she really thought.  Here was her “A” student, and over summer holidays, he’s got himself a T-shirt that says “Judas Priest” on it.  He’s drawing pictures of guitars in art and doing his class speech on a band called Kiss.  What the devil is with that Ladano kid?

If Catholic school was ever too sedate or solemn, this was magnified 100-fold in the lenses of the 8th grade.

It was the year you made the choice of which highschool to go to.  You’d undergo the Sacrament of Confirmation.  It was their last chance to make sure you didn’t go off the rails and do something stupid, like do drugs or leave the church!

There was a weeklong Catholic retreat to an old convent in Ancaster called Mount Mary.  “Every student I ever had who did not go to Mount Mary grew up to do drugs, or killed themselves,” said Mrs. Powers.  Holy shit!  I didn’t want to be there and it was obvious.  It was the middle of winter and every day had extensive outdoor activities, but worse, you were not allowed to bring any of your music.  No Walkmans, no tapes.  There was a radio tuned to an approved radio station in one of the activity rooms.  I didn’t know what to do, so before we left, I listened to and memorised as many Kiss songs as I could.  Double Platinum worked for my last minute Kiss cramming session.  The song I was most successful with was “Love Gun”.  I had just received a taped copy of The Elder but did not have time to investigate it much.  I had to go to Mount Mary instead.  This intrusion into the wants and desires of my musical passions kind of pissed me off.  I had to wait a week to get into The Elder.  Stupid retreat.  I was so scared of being caught with any contraband that I flushed my candy before getting on the bus.  Humming “Love Gun” in my head, we were off.

Mount Mary conjures up some real discomfort.  They were trying to teach you to be open minded about it but all I can really recall are negative feelings, and some disgusting hot chocolate.  I was isolated from everything I loved and stuck with a bunch of people who I didn’t particularly like, and felt the same towards me.  I knew this because we had to form circles and tell everybody something we liked about them.  Nobody seemed to know much about me at all.  “You like Star Wars, uhhh…and I don’t, but that’s cool.” was the most memorable.

There was a day spent outside in the snow as “hunters” and “hunted”.  I don’t remember the moral of this activity.  The hunters had wooden sticks as rifles, and my bully Steve Hartman was one of them.  The role playing had a bizarre shade of reality.  There were no explanations to us as to why people were selected for their roles.  The hunted were supposed to find some specially marked trees, but I spent most of the time just hiding in the woods from hunters and teachers alike.  There was another day including a long hike up something called “Agony Hill”.

The day we were released from Mount Mary and sent home was cold and wet.  The snow was melting, but it was just dirty slush.  My parents were supposed to pick me up when the busses arrived at the school, but I didn’t see them and vice versa, so lugged a giant heavy suitcase home through the snow.  At least when I got there, a brand new Marvel Transformers comic was waiting for me with my mail in the kitchen.  #17, “The Smelting Pool”, considered one of the best of the series.

“Well that’s over,” I said to myself.  “Now I just have to get through the rest of this school year and it’s freedom.”

That teacher just had a bad impression of me.  There was the rock and roll devilry which seemed to bring humiliating public interrogation.

“How many of you went to church this past Sunday?” she questioned the class.  “Put up your hands.”  She was determined to find out just how devout our behaviour was.  No excuses.

About half the class raised their hands.

“How many of you were there last week?”  A few more hands went up.

“And the week before?”  A couple more.  “How many have been to church in the last month?”  She noticed me, and I noticed her.  My hands were in my laps.

“MICHAEL.”  Radar locked.

“WHEN WAS THE LAST TIME YOU WENT TO CHURCH?” she boomed.

My sister dubbed it “The Hell Hole”.  The school and church are right across from each other

It had been a couple years.  Powers had her “no excuses permitted” policy regarding going to church, so I didn’t even try to explain.  (Essentially her policy was:  You are old enough to go to church on your own now, so don’t tell me your mom was sick.)  I just endured the firepower of Mrs. Powers.  What else could she do; send a note home to my parents?  If I wasn’t going to church, chances are they weren’t either.  And there was a reason for that.

It was an Easter service a couple years prior.  Good Friday mass, very busy, and the church was packed.  My dad always liked to get an aisle seat so that’s what he did on Good Friday.  That was his mistake.

My sister and I had better instincts.  We preferred to hide somewhere in the middle of the pews.  Do you know what our least favourite part of service was?  The part where you have to shake hands and greet your neighbours.  We were shy and would rather not, so we just turned to face each other.  We’d shake hands and say, “Hello sir how are you today?”  “Oh, I’m good sir and how are you?”  We’d do this for as long as we could credibly ignore the adults around us trying to shake our child hands.

On Good Friday we tucked in down the pew while dad sat on the aisle, when the Priest announced that for this special service, volunteers would come and wash your feet if you were sitting on the aisle.  John 13:34:  “If I then, your Lord and Teacher, have washed your feet, you also ought to wash one another’s feet. For I have given you an example, that you should do as I have done to you.”  My dad has a hard time saying no.  He kicked off his shoes and socks and politely pretended not to be hating every second.  And the family simply stopped going to church after this.  Coincidence?

Mrs. Powers, you can judge all you like.  Maybe my dad was sick of church and I was sick of your shitty school.

One of the heavy metal albums from my childhood that reminds me most of that period is Born Again, by Black Sabbath.  Boy, Powers sure would have hated those lyrics. “Good life is contradiction, because of crucifixion.” You can only imagine, if she knew what was I was hearing!

The devil and the priest can’t exist if one goes away,
It’s just like the battle of the sun and the moon and the night and day,
Force of the devil, that’s what we’re all told to fear,
Watch out for religion when he gets too near, too near….

Of course Ian Gillan isn’t a satanist; he’s just a singer!  But those lyrics would have set her head on fire, if the album cover didn’t do that first.  Do we mind “Disturbing the Priest”?  The truth is, the words were inspired by the rehearsal sessions for the album.  They were receiving noise complaints from the local church.  Do we mind “Distrurbing the Priest”?  “Not at all, not at all, not in the least.”  Once you know the genesis of the song, the lyrics fall into place.  Not exactly Catholic-friendly, but certainly not evil.

Evil-sounding though?  Absolutely.  Born Again might be the most traditionally evil sounding metal album in the history of the genre.  That’s why the original mix is so important even though it sounds like the refuse of the Golgothan excremental demon.  The lack of clarity, the muddy haze, and the echoing bottomlessness of it just add to the mystique.  You should not be able to clearly hear what the singer is saying.  It should remind of you a bad hazy dream.  Hell, it’s not the lyrics that make it evil; it’s Geezer’s fuzzy bass!

This article was produced after discussions with friends and acquaintances from different faiths and backgrounds.  Some had similar experiences.  Some are still dealing with residual Catholic guilt.  We were talking old church stories, and all this stuff came flooding back.  The sitting, the kneeling, the hand-shaking…my sister and I singing “Stars” by Hear N’ Aid instead of the hymns…the good and the bad.

One of the school bully kids was killed four years after Mount Mary, riding his motorcycle to work.  I morbidly wondered what Powers thought of that; he went to Mount Mary yet he was on her dead roster.  Would she add that detail for next year’s class?

It’s obvious I still hold a lot of resentment to those school years.  I wonder if that’s why I have such a strong attachment to the heavy metal music of the era.  Let the psychoanalysis begin!

#713: End of the Road? Paul Stanley’s Voice

GETTING MORE TALE #713: End of the Road? Paul Stanley’s Voice

In 2012, before the release of the last Kiss album Monster, I wrote an editorial about Paul Stanley’s voice problems.  Thanks to the advent of Youtube, anyone can hear how rough Paul’s voice has become in the last decade.  The guy who was once one of the top singers in rock, ever, is now the worst singer in Kiss!

Curiosity in Kiss and Paul’s voice has peaked again due to the End of the Road tour.  I received some hits from a Q&A site called Quora, so I followed the address and checked out the site.  I found something very interesting, from a man named Kevin Richards, who says he was a vocal coach for Paul Stanley and others such as Rod Stewart.  His story checks out.  Mr. Richards answered a question about Paul’s current vocal state, and it was very revealing indeed.

Richards said that Paul’s vocals today are a result of health and age.  He is also trying to live up to his own image too hard.  “He is trying to maintain a stage presence from 25 years ago and doesn’t realize he isn’t in the vocal shape to do so.  He is being VERY STUBBORN in doing anything that changes what he thinks the audiences expectation of the ‘Starchild’ should be. The way he moves, the way he sings, etc.”

Paul is still great as a frontman, but to me, it’s the music that matters more, and the voice is the biggest part of that.  Richards continued, saying he “told Paul that he needs to rethink how he sings his songs because it’s not 1990 or 1984 or 1976 anymore. He had to make adjustments to his vocal delivery and rearrange the set lists to give him more space between his songs. He reluctantly agreed but again stressed the ‘needs’ of the audience. I said ‘yes, but they also have an expectation that you sound good at THEIR concert.  Bad vocal performances aren’t rumour anymore, its on Youtube the next day.'”

You have to admire Paul for wanting to give fans a level of showmanship above and beyond the call of duty, but his priorities seem mixed up.  Richards’ bottom line is that Paul is a “stubborn, aging rocker refusing to accept that he can’t perform like he’s 30 anymore.”  There is even more, so be sure to read what he had to say.

What does Paul think of the current state of his voice? “I’ve been doing a lot recently to make sure that my voice is in great form. If you want to hear me sound like I did on Kiss Alive!, then put on Kiss Alive!

“Great” form?  I’ll let you know how Paul sounds when Kiss hit Toronto in March 2019.  Can Stanley’s voice survive a whole tour?  Will there be more Gene, Eric and Tommy vocals to compensate?  We will find out at the End of the Road.

#712: Does Paul Stanley Get Enough Credit for Writing Killer Riffs?

GETTING MORE TALE #712: Does Paul Stanley Get Enough Credit for Writing Killer Riffs?

Think for a moment about the greatest guitar riffs of all time.  “Smoke on the Water”, “You Really Got Me”, “Iron Man”, and “Whole Lotta Love” might make your own personal favourites.  Indeed, these songs usually show up on any decent list of great rock riffs.  Planet Rock did a dubious list in 2017, featuring the classics and questionable choices like The Darkness.  It also featured a number of hot licks by Hendrix, Ozzy, and Van Halen.  The usual suspects.  They do get points for including Budgie’s “Breadfan”.

I once read a quote by a guitar player* who said he hated Jimmy Page because “He already wrote all the greatest riffs, and I’m jealous.”  Tony Iommi, Ritchie Blackmore, the Young brothers and even the young fellas from Metallica are often credited as the greatest riffmasters in rock.  They’ve all done their part to enrich our lives with memorable, chunky and headbangin’ guitar riffs.  But so have others.

Consider Kiss’ Paul Stanley.  Once upon a time, the singer was considered one of the best with very few rivals.  You’d often see his name on singers’ lists with guys like Freddie Mercury and Ronnie James Dio.  Paul must, absolutely, be considered one of the greatest frontmen in history.  That is hard to dispute.  On the other hand, few give him credit for his guitar.

“I’m no slouch,” said Paul of his guitar playing.  He’s even responsible for some Kiss solos.  But as a riff writer?  We rarely think of Stanley, yet behold the songs!  Looking only at tracks with lone Paul Stanley writing credits, the list of monster riffs is impressive.

  • “Black Diamond”
  • “Hotter Than Hell”
  • “C’mon and Love Me”
  • “Rock Bottom”
  • “God of Thunder”
  • “I Stole Your Love”
  • “Love Gun”
  • “Tonight You Belong To Me”
  • “Magic Touch”

Paul had some pretty awesome riffs on co-written songs like “Mr. Speed”, “Makin’ Love” and “Creatures of the Night”, but since other writers may have contributed, we’ll exclude those.  This list also doesn’t include his catchy acoustic riffs like “Hard Luck Woman”, or lesser-known later material like “Modern Day Delilah”. If you wanted to delve further into Sonic Boom and Monster, there’s plenty of Paul’s guitar thunder without co-writers.  This is strictly a list of the most impactful material:  the 1970s.

So Stanley doesn’t get enough credit.  Does this make him a riff master, up there with the other guys?

I’m going to go out on a limb:  Maybe, leaning towards yes.

“God of Thunder”, “I Stole Your Love” and “Love Gun” are monolithic enough to stand next to an Iommi or Blackmore riff.  Just like a Deep Purple fan knows there is more to them than just “durrh durrh durrh!”, a Kiss fan can recommend a number of rock solid riffs from their albums.  A huge number of those are Paul’s, although certainly Gene did just fine with “Deuce”.  “Deuce”, admitted Gene, is just a Stones lick played backwards.  Paul’s best stuff is less derivative than that.  “God of Thunder” is just that — “God of Thunder”.  You can say it sounds vaguely Sabbathy, but it doesn’t sound like anything specific.  Same with “I Stole Your Love”.  As for “Hotter Than Hell”?  Much like a great Sabbath song, it boasts two killer riffs in one track!

Elitists like to scoff; make fun of adults in makeup and spandex.  Fair enough.  Tony Iommi never needed makeup or particularly tight pants to be a rock star.  Sabbath played with the “Satanic” gimmick but didn’t rely as heavily on image and flash.  Kiss wouldn’t have made it in the first place without the makeup and costumes, but as they developed, they had the music to back it up.

Do yourself a favour and go back to listen to Paul’s classic guitar riffs.  They are often highlights of the song, little rock solid gems that are ready for air guitar.  He really hasn’t received the credit due for coming up with a number of simple, solid and dynamic riffs on his own.  Should his name be spoken with Page, Blackmore, or Young when talking of riffs?  We’ve made our case, so get Kiss’ed on these classics.

 

 

 

Might have been Nuno Bettencourt

#711: Why Kiss Need to Suck it Up and Bring Ace Frehley Back

GETTING MORE TALE #711: Why Kiss Need to Suck it Up and Bring Ace Frehley Back

In a recent episode of Rock Talk with Mitch Lafon, former Kiss guitarist Ace Frehley said, among many things, that it would take $100,000 per show for him to play on Kiss’ recently announced End of the Road tour.  While that amount of money may seem like ransom, Ace might be able to make those kinds of outlandish demands.  He may have Kiss over a barrel of sorts.

Ace is in a good position right now.  2018 is an interesting time for this Kiss farewell tour to happen, because of what Frehley has been up to.  Since acrimoniously splitting with the band in 2001 (after a previous “farewell” tour), Ace has rebuilt his credibility and his standing.  Over the last decade he’s regained the respect of fans who feared he could no longer write, with a series of increasingly good solo albums.  AnomalySpace Invader, and the recent Spaceman have been well received by fans and critics alike.  Most importantly, since 2016, some crazy things have happened.  First Ace reunited with Paul Stanley on Origins, Vol. 1, a covers album.  Then Ace re-ignited his friendship with Gene Simmons, as Gene promoted his Vault box set.  Gene appeared on Spaceman, and now Ace is touring with Gene’s solo band.  Ace appears cozier with Kiss than he was when he was actually in Kiss.

Throw the farewell tour into the mix.  Kiss will be touring with the current lineup of Stanley, Simmons, Eric Singer and Tommy Thayer.  Some fans still call Singer and Thayer “scabs”, merely imitating Peter Criss and Ace Frehley.  Eric Singer has won over more fans than Tommy Thayer has.  Perhaps it’s because Singer has been in the band longer and played on the legendary Revenge.  More likely, the fans resent how closely Thayer imitates the licks of Frehley — on the orders of Simmons and Stanley, let’s not forget.  At the end of the day, they sign the paychecks, and the employees play the way they want them to.  That’s why they are still in the jobs all these years later.  Regardless, fans have largely accepted Singer as the drummer in the Cat makeup.  Peter Criss has retired with dignity, and realistic fans know that he’s no longer really capable of playing the kind of tour that Kiss are looking at.  Peter had his farewell with Kiss and his chapter certainly appears to be closed.

Frehley, however, is on a new leg of his career and the quality of his new material is encouraging.  In addition to his ask of $100,000 per show, Ace has also suggested the real way to end Kiss would be one final studio album.  It’s almost as if he’s throwing down the gauntlet to Kiss.  An Infinity Gauntlet with only four stones:  Ace, Paul, Gene and Eric.

A studio album might be a bit far fetched.  Monster is from 2012, and Kiss seem scared of their own shadows in the studio.  But Ace on tour?  It simply has to happen before it’s over.  Not doing so would be a slap in the face.

Fans are going to demand it.  Black Sabbath blew it on their The End tour.  Bill Ward probably couldn’t have done a tour, but to not invite him back, for at least a few songs at the end?  A wasted opportunity that can never be repaired.  The original Black Sabbath were all still alive.  Bill Ward was willing and able.  The Sabbath camp didn’t want to hear it, and so finished with 3/4 of the original band plus Ozzy’s drummer Tommy Clufetos.  It’s sad to say, but the next reunion of the original Black Sabbath might have to be at one of their funerals.

Deep Purple can never reunite their original or even their Mk II lineup.

Led Zeppelin will never be whole again.  Neither will Queen, Styx, Stone Temple Pilots or Soundgarden.  Sabbath had the chance, and they let it go.  Truly a regrettable, ego-driven mistake.

Kiss cannot make the same mistake.  True, without Peter Criss, it’s not the originals, but Criss has not expressed interest or ability.  Ace has.  Repeatedly.  And we know the clean and sober Ace today can do it.  He is on another creative high, and already getting along with Paul and especially Gene.  To lose this opportunity in the face of the fans would be a mistake some would be unwilling to forgive.

Start the tour, as normal, with Tommy.  Bring Ace out for a couple guest appearances.  See how it goes.  I’ll tell you how it will go.  Ace would sing “Shock Me”, the crowd would go bananas, and you’d be forced to do it again.  And again.  And again.  Eventually, Tommy could bow out gracefully having had his farewell.  Ace could take over from that point.  Or do half a show each.  There are many permutations for this to work.  This is almost exactly how Duff McKagan returned to Guns N’ Roses.  You’re Kiss; you can figure it out.

Don’t let money stand in your way, Kiss.  Money is not forever.  History is.  You do not want to go down like Black Sabbath, when you could go out the way fans want to see you.

Nobody knows how much time they have left on Earth.  The next reunion cannot be a funeral.  We also don’t really know how many shows Paul’s voice has left before it’s gone for good.  A reunion with Ace Frehley must happen before it is too late.

What about Vinnie Vincent and Bruce Kulick, you ask?  It would be wonderful to see them guesting too, but let’s not set hopes too high (even though Vinnie has been spotted in Kiss makeup).  Focus on what is important:  that is getting the original Spaceman back for the final leg(s) of this tour.  Fans may have to be vocal.  (As if Kiss fans are anything but.)

What if Kiss just flat out refuse to pay Ace’s greedy ransom, and Ace can’t be negotiated with?  It would be a loss for all parties, particularly the fans.  While Kiss will still play spectacular shows, would ticket sales be any different from the last few tours?  Kiss have always done well enough (that’s why they keep touring), but the 1996 reunion tour made $144 million gross, which Kiss haven’t equalled since.  A farewell tour without Ace, and with Paul’s voice in its current condition, simply won’t touch that.

With Ace though?

With Ace, they would generate a lot more hype, press and positive reviews.  Ace Frehley, playing as great as he is today, could inspire yet another generation of kids to pick up the guitar.  It’s what Ace does.  He is a superstar, and even the most staunch fan must admit that Tommy Thayer is not.  If Kiss want to go out as big as they can, they need Frehley.  It’s that simple.

No dates have been announced yet.  Paul Stanley has teased on his social media that the band is rehearsing.  They’re talking about doing a 25 song set.  There is plenty of time for more pieces to fall into place.  A big piece is Spaceman-shaped.  They need to make it fit.   Without Frehley, The End of the Road tour will just be another Kiss tour.  New costumes, sure.  That alone won’t sell tickets.

Kiss have always been a band that claimed to “listen to the fans” and “gives the fans what they want”.  This then would be Kiss’ last chance to live up to it.