Cheap Trick

#721: Christmas Mix 2010

GETTING MORE TALE #721: Christmas Mix 2010

Making mix CDs was a lot of fun (and work).  I used to make custom Christmas discs that didn’t suck, for my family and friends every year.  Why did I stop?  I ran out of good Christmas songs.  Let’s face it:  unless you’re one of “those” people, Christmas music is nails on a chalkboard.  You can only take so much.  If you’ve worked retail in the past (or present), you probably can’t take any at all!

2010’s Christmas CD is a good example of what I used to make.  You’ll notice there’s no Trans-Siberian Orchestra on there.  I used up all their best stuff on the previous instalments.  I tried to avoid duplicating songs from previous years although Hawksley Workman’s Christmas album is so good that I made exceptions for him.  Hawkley’s Almost A Full Moon is the best Christmas CD that I own, and probably the best one I’ve heard.  I bought it twice.  He reissued the album after only a year with two extra songs!  I forgave him, because Almost A Full Moon is so warm and perfect.

What do you think of the Christmas 2010 CD?  Would you have wanted a copy that year?

1. Bill Ward – “Twas the Night Before Christmas”.  Yes, that Bill Ward!  The Black Sabbath drummer did a spoken word recording of the classic Christmas poem, and I opened the CD with it.  I can tell you that when we played the CD at dinner time, this track was a failure.  Nobody paid attention.

2. Kathryn Ladano – “Jingle Bells”.  I got their attention back by putting on a track by my sister.  This instrumental version on bass clarinet is from her CD The Christmas Album.  Of note, her Schnauzer Ali is credited for barks on “Jingle Bells”!

3. Lemmy, Dave Grohl, Billy F. Gibbons – “Run Rudolph Run”.  This breakneck Christmas carol is done in the Motorhead style.  I played it in the car for sis.  “This is shit!” she proclaimed.  “Why do these guys get to put out albums and not me?”

4. Marillion – “Let It Snow”.  This drunken favourite is from 2007’s Somewhere Elf.  The spirit is intoxicating, as I’m sure they were!

Found some booze in a flight case,
And I’m afraid that we’re all shit-faced,
So I guess that we’ll have to go,
Let it snow, let it snow, let it snow!

5. David Bowie and Bing Crosby – “Little Drummer Boy / Peace on Earth”.  This is the David Bowie song that your grandma likes.  It’s just lovely.  I didn’t own anything with this song on it, so I had to download.  That’s why it didn’t appear until 2010!

6. Helix – “Happy Christmas (War is Over)”.  Yes, it rocks, but not too hard!  Helix covered Lennon for their Heavy Metal Christmas.  Singer Brian Vollmer is trained in the Bel Canto technique and he’s more than capable of singing songs for your Christmas dinner in mind.

7. Extreme – “Christmas Time Again”.  My mom always liked Extreme, or “Nick Strean” as she thought they were called.  This isn’t the greatest Christmas song in the world, but it doesn’t suck.

8. Hawskley Workman – “3 Generations”.  Told you there would be some Hawksley.  This touching song is about three generations of women in the kitchen making Christmas dinner together.

9. Elvis Presley – “Blue Christmas”.  I must have downloaded this one too.  I am a bit of a sucker for Elvis.  I included Joe Perry’s instrumental version on a previous CD.

10. The Beatles – “Christmas Time is Here Again”.  Not one of their best songs, but it’s the Beatles so it had to be included eventually.  This version comes from the 1995 CD single for “Free As a Bird”.  Relatively few have heard it, and I thought that would get people’s ears perked up, but by this time, the wine was out….

11. Steve Vai – “Christmas Time is Here”.  This is from the first Merry Axemas.  It’s a lovely track and not too shreddy.  Remember this song from the Charlie Brown Christmas special?  Steve does it on guitar, of course!

12. Jethro Tull – “God Rest Ye Merry Gentleman”.  This funky flute version will get the toes tappin’.  Hard to believe that this is from Tull’s final studio album in 2003, The Jethro Tull Christmas Album!  It would have been nice to get one more, but Tull’s Christmas Album is a good one to have around.  If you need to tolerate Christmas music, you may as well listen to Tull jamming it out.

13. Brian Vollmer – “The First Noel”.  Helix’s Vollmer put out a rare charity album in 2005 called Raising the Roof on Mary Immaculate.  “The First Noel” is one of the best tracks.  Vollmer is the first artist to get two appearances on my CD.

14. Ted Nugent – “Deck the Halls”.  Much like “Run Rudolph Run”, this one smokes!  It’s a guitar instrumental at full speed.  Grandma didn’t like this one.

15. Twisted Sister – “O Come All Ye Faithful”.  I really don’t like the Twisted Christmas album.  This song was a hit though, and since it’s virtually identical to “We’re Not Gonna Take It”, I can…errr…take it.

16. Cheap Trick – “Come On Christmas”.  My sister was a huge Cheap Trick fan at one point.  She had this song before I did.  Essentially just a Cheap Trick pop rocker with Christmas lyrics.  Sounds like classic Cheap Trick to me.

17. AC/DC – “Mistress For Christmas”.  I put this song on as the joke it is.  I like to remind people that AC/DC did have a Christmas song.  “Jingle bells, Jingle bells, jingle all the day.  I can’t wait to Christmas time, when I roll you in the hay.”  Hey, it counts.

18. The Darkness – “Christmas Time (Don’t Let the Bells End)“.  In my review, I said, “Even though the guitars are thicker than a good ol’ bowl of Thin Lizzy pudding, there is no mistaking this for anything but a Christmas song.   It is a joyous rock re-imagining of a Christmas carol, with the unmistakable Justin Hawkins falsetto.”  Plus, sis likes The Darkness.

19. Jon Bon Jovi – “Please Come Home for Christmas”.  I like this one.  Fuck off.

20. Jimi Hendrix – “Little Drummer Boy/Silent Night/Auld Lang Syne”.  From an EP called Merry Christmas and Happy New Year.  Jimi and band jammed out some impressive licks but the dinner party didn’t enjoy.

21. Jim Cuddy – “New Year’s Eve”.  Cuddy’s solo debut All In Time is tremendous CD and comes highly recommended by this guy right here.  It’s like listening to a Blue Rodeo album, but only the Jim songs.  The sentimental “New Year’s Eve” is a lovely ballad that fits right in with the Christmas theme.

22. Bob & Doug McKenzie – “The Twelve Days of Christmas”.  You gotta end with a classic.  From 1981’s The Great White North comes the big Christmas hit.  We used to hear this every single year on my mom’s old clock radio.  We’d squeal with laughter trying to sing along.  “A beer…in a tree…”

 

How would you rate this one?  Trying to avoid overlap was previous instalments was my Achilles’ heel.  I’d swap out a lot of the lesser songs for better ones, but it’s not bad.  It’s listenable.  It’ll do.

3/5 stars

 

 

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GUEST REVIEW: Rock and Rule (1983) by Robert Daniels

Please welcome guest writer Robert Daniels, from radio’s Visions In Sound 

ROCK AND RULE (1983 Nelvana)

“Oh what will the signal be for your eyes to see me…”

Back in about 1984 or 85 I remember watching TV one afternoon and stumbling on an animated movie. Interested, I stopped to watch. It had weird, trippy images and some scantily clad cartoon woman singing and a strange creature growling. My 14 year old mind was intrigued and then was completely blown when one of the animated characters said “Shit!” Cartoon characters were not supposed to swear!! Clearly this was a mistake. No, it was not a mistake, it was Rock and Rule. Although at the time I didn’t know the title and didn’t see the movie on TV again for a while.
Rock and Rule was set in a post apocalyptic future where the street animals evolved into a human like society. MOK is an aging rock star trying to find a specific voice in the guise of a worldwide talent search. MOK hopes to unleash a powerful demon from another dimension, his dwindling popularity driving him to destroy the world in vengeance and immortalize himself in the process. After returning to Ohmtown he finds the voice he’s looking for in Angel, a singer in a local band along with friends Omar, Dizzy and Stretch. MOK invites her to join him and when she refuses he kidnaps Angel and forces her to sing to raise the demon.

This was the era of the edgy “adult” cartoon, Heavy Metal, American Pop, Wizards, Starchaser: The Legend Of Orin and others. I do remember getting into an argument with my Mom back in 1981 about not being able to see Heavy Metal. “It’s a Cartoon…it HAS to be for kids!!!”.

It would be several years later when I was in high school that I described the ending scene to someone and they said “Oh yeah, that’s Rock and Rule…” Bingo, I had a title and looked high and low for a copy on VHS. Nothing. I was obsessed to find Rock and Rule. Of course, in the late 80s early 90s there was no internet so the only thing I could do was continue to bug the people at Steve’s TV to try and find a copy. Again, nothing. Then one day out of the blue I got a call from Steve’s. They said they found a copy and would order it for me. “Great” I said, “How much.” “$129.99”. My heart sank, that was far too expensive for my blood. So the film continued to sit in the back of my mind for years.

“My Name Is MOK, thanks a lot”

Then one day in (about) 2003, I heard of a showing at the former Hyland theatre. A local Anime expert and film buff rented the then-empty theatre to show the a cut of the film.

Also Don Francks, the voice of MOK, was going to be there. I jumped at the opportunity.

The film was nothing like I thought it was going to be. First, it was produced by Nelvana Studios that I only knew for Care Bears, Strawberry Shortcake, Droids and Ewoks, etc. All kids’ cartoons. It was also one of the first films I ever saw that listed “Songs by…” first above the main cast. This list included Cheap Trick, Debbie Harry, Lou Reed and Iggy Pop, with a special performance by Earth, Wind and Fire. After the movie there was a Q & A with Don Francks, who I later found out provided the voices for such characters as Dr. Claw from Inspector Gadget, Lackki from Captain Power and the un-credited voice of Boba Fett from the Star Wars: Holiday Special. I asked him if he based his performance of MOK on David Bowie. He said that he didn’t have any particular person in mind when he voiced MOK. I later found out that MOK’s full name was MOK SWAGGER a spin on Mick Jagger. However, the talent representation of The Rolling Stones’ lead singer objected and forced the producers to drop the character’s surname. It’s also interesting to note that David Bowie, Tim Curry, Michael Jackson, Mick Jagger and Sting were all considered for MOK but the budget of the film couldn’t afford them.

“I dunno about this, nobody seems to be buying these ‘I survived the MOK concert’ T-shirts.”

This year (2018) is the 35th anniversary of this masterpiece of Canadian animation. Rock and Rule is the first English speaking Canadian animated feature film entirely produced in Canada itself. Unfortunately the film sat in near obscurity for years after being shelved by distributor MGM and never got released in North America. The film did develop a cult following after being shown on CBC (who held the Canadian TV Rights), HBO and Showtime. Bootleg copies would show up at comic book conventions oddly enough with Ralph Bakshi being credited as director.

“She can sing, or she can scream!!!”

Much like Heavy Metal from 1981 music was a huge part of the film and also much like Heavy Metal the music got tied up in rights issues.

Back in about 2005 just before the release of the Rock and Rule DVD, I was actually in contact with someone from Nelvana Studios who told me that director Clive A. Smith, whose wife Patricia Cullen had also written the score, had the tape masters for the soundtrack in his garage and that he might be willing to let me have them for mastering. Unfortunately nothing came of this as I lost contact but it was the closest I came to producing a soundtrack release. In 2010 the film was released on Blu-ray and unfortunately has become quite expensive on the used market.
It was previously believed that no official soundtrack album had ever been issued for Rock and Rule. In fact, Deborah Harry mentions on a “Making Of…” documentary that she hopes the music gets a soundtrack release.  However, as it turns out, a handful of film critics received a cassette tape featuring nine songs (“Hot Dogs and Sushi” and “Send Love Through” were omitted). All songs are extended from how they appear in the film and in familiar copies. “Born to Raise Hell,” “I’m the Man,” “Dance Dance Dance,” and “Ohm Sweet Ohm” have been officially issued on CD, along with an alternate version of “Pain and Suffering,” and “Maybe For Sure” (an alternate version of “Angel’s Song”).

Though a deliberate Google search will turn up a couple of versions of the soundtrack, this is the most common track list:

[2:46] 01. Born To Raise Hell (Cheap Trick – Album Version)
[5:14] 02 Angel’s Song (Deborah Harry)
[4:22] 03 My Name Is Mok (Lou Reed)
[2:11] 04. I’m The Man (Cheap Trick – Album Version)
[3:12] 05. Earth Wind And Fire – Dance Dance Dance
[2:49] 06. Ohm Sweet Ohm (Cheap Trick – Album Version)
[3:15] 07. Triumph (Lou Reed)
[1:28] 08. Hot Dogs & Sushi (Melleny Brown)
[3:28] 09. Invocation Song (Deborah Harry)
[3:41] 10. Pain & Suffering (Iggy Pop)
[5:56] 11. Send Love Through (Deborah Harry and Robin Zander)
[4:30] 12. Maybe For Sure (Deborah Harry)
[5:22] 13. Angel’s Song (Cassette Mix)
[3:29] 14. Invocation Song (Mono Cassette Mix)
[4:35] 15. My Name is Mok (Cassette Mix)
[3:42] 16. Pain And Suffering (Iggy Pop)
[0:52] 17. Triumph (Movie Mix)
[2:35] 18. Angel’s Song (Movie Mix)
[1:38] 19. Invocation Song (Movie Mix)
[1:49] 20. Pain & Suffering (Movie Mix)
[2:06] 21. My Name is Mok (Movie Mix)
[3:36] 22. Triumph (Mono Cassette Mix)

Rock and Rule falls into the category of “…what could have been”. Had MGM had more faith in the project and released it in North America it may have been a hit rather than the cult classic it would eventually become. If you haven’t seen it or are interested in a look at a piece of Canadian animation history check it out, you will not be disappointed.

A solid 4/5 stars.  Dark, and yet at the same time fun.

 

 

Robert Daniels

 

 

REVIEW: Heavy Metal – Music From the Motion Picture (1981)

movie-soundtrack-weekHere we go with another week of movie soundtracks! It’s a case of the second one being even better than the first, so let’s start things off properly, shall we?

 


Scan_20160706HEAVY METAL – Music From the Motion Picture (1981 Elektra)

I’d never seen anything like Heavy Metal before.  It was a sci-fi cartoon with a bunch of guys from SCTV doing voices…but it wasn’t for kids!  I probably saw my first animated genitalia in Heavy Metal.  It was also the first time I heard Sammy Hagar.

Sammy’s title track opens the now-legendary soundtrack, which like many others was deleted in the 1990s and commanded heavy prices on the second hand market.  When I worked at the Record Store during that period, there were always plenty of names on the wish list for this album.  There were tracks on here that were hard to find anywhere else.  This version of Hagar’s “Heavy Metal” is different from the one on Sammy’s Standing Hampton LP, and it was not the only such exclusive.  “Heavy Metal” is one of Hagar’s best tunes, simply legendary.  It’s a pummelling good time!

The rest of the album is equally awesome.  Riggs (Jerry Riggs, later of the Pat Travers Band) has a Hagar-esque rocker called “Heartbeat” that is definitely good enough for rock n’ roll.  You might not expect DEVO to be on an album called Heavy Metal, but what’s not to like about “Working in the Coal Mine”?  I’m sure more than a few metal fans would have skipped this one back in 1981, but when compared to the next song by Blue Öyster Cult…what’s the big deal?  B.Ö.C.’s “Veteran of the Psychic Wars” leans just as heavily on synthesizer, so purists be damned.  “Veteran of the Psychic Wars” is a classic, through and through, a dark apocalyptic ballad that can’t be touched.  Some would say it was the last gasp of B.Ö.C. before a long period of mediocrity.  Cheap Trick utilised synth too, but their “Reach Out” is a rocker.  Cheap Trick were another band in a period of decline, following the departure of original bassist Tom Petersson. “Reach Out” was a damn fine tune, and not on one of their albums at the time.  (It’s hard not to notice that Tod Howarth ripped off the verses of “Reach Out” for his own song “Calling to You” with Frehley’s Comet.  Howarth later played with Cheap Trick as a sideman.)

Don Felder from the Eagles isn’t the kind of guy you’d expect to hear do a song called “Heavy Metal (Takin’ a Ride)”.  It’s an Eagles-metal hybrid and it’s pretty cool, more metal than Eagles, but you can hear them in there.  He’s followed by Steely Dan’s Donald Fagen who presents the interesting “True Companion”.  It’s progressive jazz light rock nirvana.  The punks will hate it, but the same guys who dig Captain Beyond will appreciate it.  Quite daring to include tracks like this on a CD primarily made up of rock and metal, but this helped open the minds and tastes of many metal heads over the years.  Nazareth re-centers it back to rock and roll, with “Crazy (A Suitable Case for Treatment)”.  It’s not among Nazareth’s best but it’s always such a pleasure to hear Dan McCafferty gargling glass.

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Riggs returns with “Radar Rider”.  Heavy riff in hand, it’s a slammin’ good track.  But it is overshadowed by the bombast of “Open Arms” by Journey, one of the biggest ballads in the history of balladry.  You know what’s funny?  Even though I have heard this song 106,941 times as of this morning, I still smile upon hearing it.  There must be something timeless to it that I can’t explain.

Grand Funk were in a decline (like a few of these bands), and “Queen Bee” from Grand Funk Lives was their contribution.  Good track, though it does not sound much like the Grand Funk I know from the 1970s.  And then it’s Cheap Trick again, with a noisy throwaway track called “I Must Be Dreaming”.  It’s a bizarre track from the high priests of rhythmic noise, but they do bizarre just as well as they do catchy.

There’s one band that I think blew the doors off the album.  One band that, to me, is always associated with this album.  One band that defines the phrase “heavy metal”, and that one band is Black Sabbath.  If you listen to fools, the mob rules!  This was brand new Black Sabbath at the time; Mob Rules wouldn’t be out yet for a couple months.  I have always preferred the soundtrack version of “Mob Rules” to the different recording that made it onto the album.  This could be because it was the first version I owned.  Regardless, to my ears it sounds faster and livelier…and more “Geezer-er”.  Not that it matters, because no matter how you slice it, “The Mob Rules” is a shot of adrenaline right to the heart.

Don Felder takes it back to a slow groove with “All of You”, a good rock ballad with some seriously cool funky bass.  All told, the Heavy Metal soundtrack has some damn fine playing on it from all of these bands — just incredible musicianship in these grooves.  Things wind down with Trust, and a very heavy track called “Prefabricated”.  Nicko McBrain was in Trust in 1981, but this does not sound like Nicko on drums.  The song would have been better without the vocals.  Especially when it’s followed by Stevie Nicks, one of the most iconic voices in rock.  “Blue Lamp” was recorded for her solo debut Bella Donna, but not used.  It’s certainly not outtake quality.  In fact it’s pretty damned classic.

That’s what the Heavy Metal soundtrack is:  a classic.  If you like heavy metal, but don’t like soundtracks, then you should still own this one.  Make it so.

4.5/5 stars

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Like many movies with a rock soundtrack, there was also a score for Heavy Metal released.  I asked our friend Rob Daniels from Visions in Sound for a few words on this score in the interests of being complete:

“It’s a great score by the late Elmer Bernstein who is best known for a lot of 80’s comedic scores including Ghostbusters, Animal House and Airplane. His score fits perfectly within the metal music atmosphere, weaving its way through the various stories and songs to the Taarna story. The “Taarna” theme was actually first written for the Farrah Faucett character in the 1980’s film Saturn 3 but was not used. It includes an unusual instrument called a Ondes Martenot, similar to a Theremin but with a physical keyboard. Bernstein used the instrument quite a lot in his scores. While a lot of people know Heavy Metal for the songs in the film the score is of equal note and probably one of Bernstein’s best.”

HMSCORE

 

 

Part 290: The Vacuum Conflict

VACUUM

RECORD STORE TALES Part 290:  The Vacuum Conflict

You’re always going to get conflict in any work place, and a CD store is no different.  Back in the early days we hired this kid named DJ Donnie D.  He was a regular customer that was well liked, so the boss gave him a chance.

Donnie was a good kid, a bit of a neat-freak perhaps, but that’s not a bad kind of person to have around a store.  As we expanded, we hired another new kid named Jason.  Donnie and Jason did not really get along all that well.  Donnie was often criticizing Jason’s musical selections and work habits.  He thought Jason was lazy, often leaving work undone for someone else to finish.  Donnie seemed to develop a bit of a personal grudge because he always made sure the store was left as he found it:  Clean, things put away, not left out for others to tidy up.

What really chapped Donnie’s ass was that Jason didn’t like to vacuum.   We had to vacuum before closing every night and Donnie was certain that Jason didn’t do it when he was closing.  Jason said he did of course but Donnie had his doubts and took it upon himself to prove he was right.

Taking matters into his own hands, Donnie set an elaborate snare for Jason.

We stored our vacuum cleaner in a cabinet underneath the Classical section.  Before Jason’s shift, Donnie tied a hair to the door of the cabinet.  If Jason opened the door, it would break.  If he did not, the hair would be intact the following morning, thus proving that Jason was averse to vacuuming.

I know you’re dying to know what happens next.  I’ll drag this out a little longer.

Donnie really did take this kind of thing really seriously.  I can’t say anything bad about Donnie, I think he always had good intentions.  For example, his neatness obsession extended to painting the bathroom in our brand new store one night.  He wasn’t told to paint it, he just decided to make it look nice.  I came in one morning to find it neat & tidy, and painted from floor to ceiling!  The bathroom also doubled as a storage room.  He had organized all the supplies and tools, marking their new storage places.  He had even drawn the outline of a hammer and labelled the spot “HAMMER”.  Same with “SHOVEL”; it too had an outline of a shovel where it was to be hung.  The boss flipped on him, but Donnie meant well.  That’s just how he was.

So what about the vacuum cleaner?

The hair was intact, unbroken.  Jason said that he vacuumed that night, but he obviously had not.  Busted!

 

WTF Search Terms: More Rock and Roll edition

WTF Search Terms XII: More Rock and Roll edition

“Here We Go Again” with more WTF Search Terms!  Everything seen below is an actual search term, that a real person clicked to somehow get here to mikeladano.com.  As David Coverdale might say, “Here’s some rock and roll for ya!”

  1. jon mikl thor arnold the beatles greatness (One of these things is not like the other)
  2. russ parish is god (Good, yes, God, no.)
  3. buyers for kiss albulms (What you got?)
  4. taking the rush blu ray disc out of moving pictures deluxe edition (It’s not that difficult, guy.)
  5. queensryche take hold of the flame cheap trick lyrics (Again these things are not the same.)
  6. used t-120 vhs recording tapes for kids sing along (OK…)
  7. cherone nice good guy (I wouldn’t know?)
  8. marilyn manson sucks himself (No!  How many fucking times do I have to tell you!)
  9. iron maiden gone too soft (Bullshit.)
  10. the demon code prevents me from declining a rock off challenge lyrics (ACCEPTED!)

If you enjoyed this and would like to read more WTF Search Terms, please click here!

DEMON GROHL

REVIEW: A Tribute to Ace Frehley – Return of the Comet (1997)

Part 6 in a series on Ace Frehley! Missed the last part, “Cherokee Boogie”? Click here!
RETURN OF THE COMET_0006-a

RETURN OF THE COMET_0001A Tribute to Ace Frehley – Return of the Comet (1997 Shock Records)

Last time we talked about a tribute album with a new recording by Ace.  This time, we’re talking about a tribute album with new recordings by the Comet!  Return of the Comet even features some of the same artists that were on Spacewalk:  Tracii Guns, Gilby Clarke and the brothers Abbott (Dimebag Darrell and Vinnie Paul) are on both albums.  And like Spacewalk, this one also comes with a guitar pick.  This time it’s a Bruce Kulick pick, because the CD also features a cool bonus: Bruce’s debut solo track, “Liar”.

This is a pretty good tribute CD.  Somebody called Bruiz does a faithful reproduction of the “Rock Bottom” intro, which seques directly into Brian Tichy’s “Rip It Out”.  I was familiar with Tichy from Zakk Wylde’s Pride and Glory, but he sings and plays every instrument on this.  Everybody knows today how talented he is, but this was a revelation to me in 1997.  Do I need to say that he does an excellent job on it?  He also nails Anton Fig’s drum solo.

RETURN OF THE COMET_0004

L.A. Guns is next, but it’s not Phil Lewis.  It’s Ralph Saenz.  You might know him better as Michael Starr from Steel Panther.  So how’s their “Cold Gin”?  It’s perfect for this band and this singer.  Eric Singer and Karl Cochran take a shot at “Strange Ways”, but I don’t like their take on it too much.  Eric’s vocal doesn’t suit the song in my opinion, and this version is too chunk-chunk-chunk.

“Getaway” was always a bit of a throwaway Kiss track, but I like the lesser known songs.  Seattle’s Tubetop speed it up a fair measure, but that’s not the problem.  I always identify this song with Peter Criss’ gritty voice.  Who doesn’t?  The singer, Gavin Gus, takes a smooth approach to the song, but sometimes Kiss songs aren’t meant to be tampered with too much.  It improves as it gets harder at the end.

RETURN OF THE COMET_0007Then we have the Presidents of the United States of America.  OK band I guess, but their stripped back sound is totally wrong for “Shout It Out Loud”.  Having said that, the brilliance of the song itself still shines through.  The album is immediately redeemed by a remarkable performance from a remarkable guitarist:  Dimebag.  He and Vinnie Paul stomp through “Snowblind”, a sludgy Ace classic.  Wisely, Dime changed nothing about the song, except adding some trademark Dime guitar shrieks on top.  It’s a totally appropriate touch.  Even though his singing voice is nothing like Ace’s (he’s more Zakk Wylde than Ace Frehley) he still lays down a lead vocal that fits.  Then his guitar solo rips your head off, end of story.  Mind blown, the album can end here thank you very much!

We’re not even half through yet.  Tod Howarth (ex-Frehley’s Comet) turns up with his own solo version of “Dancing With Danger”.  It’s a Streetheart cover that Frehley’s Comet also did on Second Sighting.  Tod tries to update the song for the 1990’s but fails.  His voice is also noticeably lower.  Then, Karl Cochran and Eric Singer are up with “Love Her All I Can”, a song originally sung and written by…Paul Stanley?  Why?  According to the liner notes, Cochran used to sing this song when he was in Frehley’s solo band in the 90’s.  Cochran and Singer perfectly nail this one, right down to the guitar solo and those Simmons/Stanley harmony vocals.  A winner.

Filler is “Speedin’ Back to My Baby” by Lee and Dallas (?).  As great as the original song is, I didn’t need to hear a jazzy country version of it.  It’s old-school country, swinging and authentic, but no thanks.  Thankfully Gilby Clarke comes to the rescue with the classic “Rocket Ride” from Alive II.  I love it.  I like it better than his version of “Shock Me” from Spacewalk, actually.

Richie Scarlet from Frehley’s Comet teams up with Beatlemania’s Mitch Weissman on Ace’s “Remember Me”.  It’s great and much like the original.  Then the Presidents are back for a second term, this time adding members of Tubetop and Kim Thayil of Soundgarden to the mix.  They do a cool campfire version of “New York Groove” that sounds live.  This is much better than “Shout It Out Loud”.  Well done.

A Frehley’s Comet reunion is the climax of the album.  Alumni Richie Scarlet, John Regan, Steve Werner and Arthur Stead are back to redo two unreleased Comet classics.  These songs are Vinnie Vincent’s “Back On the Streets”, which is, in a word, awesome.  It’s a dark ominous song with balls.  Then they do “Animal” which was written by Regan and Stead (perhaps the reason it was never released before?).  It has a funky little riff before it breaks into a cool anthemic chorus.

RETURN OF THE COMET_0005It’s best to think of the last two songs as bonus tracks, because they have little to do with Ace.  From a forthcoming Howarth album named Cobalt Parlor is a lacklustre song called “California Burns”.  I wanted to like this, really I did.  It’s just a really nauseating attempt at being modern and heavy, and no sir I don’t like it.  Sorry Tod.  “The Liar” by Bruce Kulick is much better.  I am a real fan of Kulick as a solo artist.  He is an articulate, skilled player with a knack for melody.  “The Liar” is a great instrumental, alternating between light and heavy, but always very lyrical.  Just sing a lead vocal of your own over Bruce’s guitar, and you can imagine this as a “I Still Love You” rock ballad.  This song was Bruce’s first ever post-Kiss solo release, and according to the liner notes, it serves two purposes.  One: to end the album with an instrumental as Ace always did.  Two: to tip the hat to the guy who succeeded in filling Ace’s shoes for over a decade.

I would recommend this tribute album to any serious Ace/Kiss fan, simply because it has some great cover versions of some obscure classics.  That to me raises it above most cut-and-paste tribute albums that are out there on the market.  There is a real sense of passion to this CD.  John Regan put it together and you can tell by the attention to detail.  Kudos, John.

3.5/5 stars

Sausagefest XII: The Complete Countdown!

There were some pretty awesome picks this year.  I have to give Scottie props for “Coming Home” by Iron Maiden, from the excellent Final Frontier album.  I found some things a bit surprising, such as the overplayed-on-radio “Black Betty” by Ram Jam, placing so high.

“Thick As A Brick” was the live version, so just over 10 minutes.  Other long bombers included all of “Supper’s Ready” by Genesis, which resulted in a tirade by Phil for just as long, about how much he thinks it sucks!  (And he’s an old-school Marillion fan…surprising.)  And of course there were several Maiden tunes that clock in well over 5 minutes.

For your edification, here is the official Sausagefest XII Countdown:  75 tracks, plus 35 tributes.  One tribute for each person that submitted a list!  110 songs over one weekend!  Awesome.

1 Toronto Tontos Max Webster
2 Long Cool Woman in a Red Dress The Hollies
3 The Grudge Tool
4 Rooster Alice in Chains
5 Supper’s Ready Genesis
6 Papa Was a Rolling Stone The Temptations
7 Mississippi Queen Mountain
8 Black Betty Ram Jam
9 Locomotive Breath Jethro Tull
10 I’m Your Captain Grand Funk Railroad
11 Wasted Years Iron Maiden
12 Low Hanging Fruit Tenacious D
13 Green Eyed Lady Sugarloaf
14 Hey Joe Jimi Hendrix
15 Headlong Flight Rush
16 Roadhouse Blues The Doors
17 Thick as a Brick Jethro Tull
18 Powerslave Iron Maiden
19 Bohemian Rhapsody Queen
20 Trapped Under Ice Metallica
21 Nautical Disaster Tragically Hip
22 No Quarter Led Zeppelin
23 Mr. Blue Sky Electric Light Orchestra
24 The Wizard Black Sabbath
25 Mama Told Me Not To Come Three Dog Night
26 Blackened Metallica
27 Jungle Boogie Kool and the Gang
28 Telegraph Road Dire Straits
29 Sanitarium Metallica
30 Renegade Styx
31 Eulogy of the Damned Orange Goblin
32 Throw Down the Sword Wishbone Ash
33 Electric Worry Clutch
34 The Alabama Song The Doors
35 Rise of the Fenix Tenacious D
36 Livin Thing Electric Light Orchestra
37 The Shape I’m In The Band
38 Mother Danzig
39 The Chain Fleetwood Mac
40 No One Knows Queens of the Stone Age
41 Die Young Black Sabbath
42 Bang Bang Terry Reid
43 Caught Somewhere in Time Iron Maiden
44 Buried Alive Avenged Sevenfold
45 Dream Police Cheap Trick
46 Would Alice in Chains
47 Don’t Fear the Reaper Blue Oyster Cult
48 Zero the Hero Black Sabbath
49 Pool of Booze Volbeat
50 Parabola Tool
51 Why Cant We Be Friends? War
52 Rock and Roll Led Zeppelin
53 While My Guitar Gently Weeps The Beatles
54 Breadfan Budgie
55 Strutter KISS
56 Holy Wars Megadeth
57 Old Man Neil Young
58 Southern Man Neil Young
59 The Pusher Steppenwolf
60 Tempus Fugit Yes
61 Fight Fire With Fire Metallica
62 Kielbasa Tenacious D
63 Green Onions Booker T and the MG’s
64 Weird Beard Fu Manchu
65 Tonight’s the Night Neil Young
66 BYOB System of a Down
67 The Zoo Scorpions
68 As the Years Go By Mashmakhan
69 Toxicity System of a Down
70 Deuce KISS
71 Space Truckin’ Deep Purple
72 South of Heaven Slayer
73 Rocky Mountain Way Joe Walsh
74 Roadie Tenacious D
75 Rock and Roll Motorhead
TRIBUTES
TOM Earache My Eye Cheech and Chong
ERIC Rosanna Toto
BUCKY A Day in the Life WAR
LAMB LORD The Wizard Uriah Heep
LEBRAIN Well You Needn`t Herbie Hancock Quartet
TROY Caught Up in You .38 Special
ERNIE Apocrophon The Sword
SCOTTIE Coming Home Iron Maiden
RYAN Still Counting VolBeat
SEB Demiurge Meshuggah
PHIL Under Black Flags We March Arch Enemy
CHUCK New Fang Them Crooked Vultures
TYLER G. Come on in my Kitchen Robert Johnson
C Time After Time Savage Steel
CHAD She`s a Rainbow The Rolling Stones
DR DAVE Ogre Battle Queen
LOGAN Cowboys From Hell Pantera
GRANT Around the World Red Hot Chili Peppers
WAYNE Inside Looking Out Grand Funk Railroad
CAM Red Hot Mama Funkadelic
AARON High Caliber Consecrator Clutch
JOHN B. I Stay Away Alice in Chains
TAL Dear God XTC
LAMB LAD Kick Out the Jams MC5
ALEX Chicken Strut The Meters
TREVER Volare Dean Martin
FRANK Whiskey in the Jar Metallica
JAGGER Frozen Love Buckingham/Nicks
MARK E. Are You Mine? The Arctic Monkeys
JON K. Stone Deaf Forever Motorhead/Metallica
TYLER W. We Are All on Drugs Weezer
MARK S. People are Strange The Doors
JUSTIN Monsters Blue Oyster Cult
MIKE Monarchy of Roses Red Hot Chili Peppers

The official video

REVIEW: Anthrax – Anthems (2013)

ANTHEMS COVER

ANTHRAX – Anthems (2013 Megaforce Records)

Anthrax have recorded some of the most entertaining covers of the last 30 years.  Many of them have appeared as hard to find B-sides or bonus tracks.  Anthems is Anthrax’s new covers EP, readily available, and a welcome addition to a metal lover’s collection.

As if they needed to show off how well they could play, the EP kicks off with “Anthem” itself, a Rush cover, and a stunning one at that.  Joey Belladonna’s voice strains to reach the highest of notes, but he hits ’em.  This is one dead-on accurate Rush cover, not an easy thing to execute.  And it’s heavy as balls.

“T.N.T.” is a blast.  Again, this is not an easy song to cover, because it is so indelibly linked to AC/DC and Bon Scott.  Incredibly, Anthrax do so with as much accuracy as they did Rush.  Joey sounds perfectly in his element paying tribute to Bon.  Up next is “Smokin'” as performed by Boston.  Like a chameleon, suddenly Joey is in Brad Delp’s shoes.  As great as the entire band is on Anthems, at this point, it is Joey that is blowing me away the most!  What’s also cool about “Smokin'” is that the lengthy organ solo is intact, performed by Canadian Fred Mandel (ex-Alice Cooper).  An extended keyboard solo with Anthrax?  Smokin’!  (No kidding though, it’s great.  Like it or lump it!)

We all know Joey Belladonna is a huge Steve Perry fan.  It is a joy to hear him having a chance to pay tribute to his hero on “Keep On Runnin'”.  Scott Ian proclaims in the liner notes that “On paper, Anthrax covering Journey may seem weird,” but he reminds us that “the song just fucking rocks”.  Charlie Benate ensures this with surgically inserted blasts of drum fury.

“Big Eyes” is a Cheap Trick song I had somewhat forgotten about.  It has a monster groove and yet another fantastic lead vocal.  Anthrax bring the song to its knees.

“Thin Lizzy is arguably the most underrated and under appreciated band of our time,” says Scott in the liner notes.  Amen brother!  But he also points out their paradoxical great importance and influence.  Scott reveals he’d like to do an entire record of Lizzy covers.  Phil Campbell of Motorhead plays the solo, as per the Live and Dangerous version.  I love hearing Joey do the “Hey you, good lookin’ female! Com’ere!” line.  So much more menacing than Phil Lynott!

From Anthrax’s most recent record, Worship Music, comes “Crawl”.  I am on the fence with this song, as all I can think of is Soundgarden.  “Fell On Black Days”.  Can you hear it, there in the first minute of the song?  (Maybe it’s their Soundgarden cover, eh?)  Also on the EP is the remix of “Crawl”, which was previously only available on the Japanese version of Worship Music.  So this purchase worked out well for me.  I had been putting off buying Worship Music until I could find a reasonably priced Japanese import.  I prefer to get all the bonus tracks, so with Anthems now in hand, I can just pick up the domestic Worship Music and be done with it!

As a nice touch to collectors, Anthrax released this EP with six different covers.  I pre-ordered this thing from Amazon, so I didn’t get the luxury of picking my cover art.  If I did, I might have chosen the Rush or Journey versions.  What I got was the Cheap Trick cover, but I think I like it best anyway.

5/5 stars

Part 170: Jonathan

RECORD STORE TALES Part 170:  Jonathan

I’ve worked with a lot of accountants over the years.  I like accountants.  I seem to get along with accountants, don’t know why.  The coolest accountant I ever worked with was Jonathan.  I like to describe Jonathan’s appearance as being a dead ringer for the actor Romany Malco:

Jonathan always made me laugh.  Check out this journal entry:

Date: 2004/06/17
14:09

It was really amusing walking into the office today, and seeing Jonathan singing “Lick It Up” by Kiss.

Very un-accountant like behaviour!

Jonathan was good people.  He took a pay cut to work with us, because he wanted to do something he was passionate about.  He taught all us knuckle-draggers on the store floors about cash flow vs. profit.  He helped us out a lot on the financial side, and he was smart.  Plus he loved music.

One time when my mom came into the store to visit, I introduced her to Jon.  He said to my mom, “You brought up a good son, Mrs. Ladano.”

I used to drive Jonathan home from work once or twice a week, and it was always good to talk to him.  He used to give me advice every time.  He encouraged me to better myself.  He used to call me “Lifer”.  He said, “You’re never going to get out of here.  You’re going to work here forever.”  But he did it to rile me up, to get me looking for work elsewhere, because he knew the CD store was a dead end for me.  He had respect for me, when he called me “Lifer” he meant it to motivate me.

I’d talk to him about girls I liked.  There was this girl that worked at the Money Mart next door, but I was too shy to walk in and talk to her.  So Jonathan did it for me!  Witness these journal entries:

Date: 2004/05/21,  10:08

The one girl at the Money Mart next door is really cute, and I see her out there all the time having a smoke. When Jonathan goes out to have a smoke, he talks to her, give her a light, whatever.  I mentioned to Jonathan that I thought the one girl was real cute yesterday.  Then today, I TOTALLY got busted staring at her through the window!  THEN Jonathan went out to chat it up with her, right after I got busted, to tell her all about me, ask her if she wants to go out on a date with me…Jesus Christ!

Date: 2004/05/22,  09:52

  • Cheap Trick – Authorized Greatest Hits
  • Alice In Chains – Jar of Flies
  • KISS tribute – Kiss My Ass
  • The Goo Goo Dolls – Gutterflower
  • Rush – Vapor Trails

Nice thing about working the day alone with no bosses around is that you can listen to whatever the hell you want!

I don’t think Money Mart Girl, who I learned from Jonathan is named Jessica, is working today. So I couldn’t say hi to her even if I worked up the guts!

In the end, Jonathan had to split.  He had three kids and being an accountant for a CD store wasn’t going to cut it anymore.  He took an offer he could not refuse, and bid us farewell.

I’ll always remember good times working with Jonathan, a true character, and the guy who got me thinking about my future.