maiden england

Harrison Be Thy Name: 50 Years of IRON MAIDEN episode 13: Maiden England post-show summary

Clash of the Titans!  Mike and Harrison disagree sharply on one song on Maiden England ’88 and you’ll see it happen in this live episode of 50 Years of Iron Maiden from Friday night.

In this celebratory episode, we dissect this double CD song by song, including all the encores.  We discuss, and show off, different releases.  We talk about the mix, the video, the cover art, and all the usual details.  We also allow Slash from Guns N’ Roses a minute of showtime to talk about touring with Iron Maiden.  His answer angered some Maiden fans on YouTube.

The lively comments section allowed us some back and forth, and a looseness that we don’t get with the pre-recorded episodes.  For that reason and more, this was a very fun episode!  Check it out if you missed it.

See you in two weeks, for No Prayer for the Dying with Reed Little.

Past episodes:

Handy YouTube Playlist:

 

 

 

 

 

 

SHOW NOTES:

 

Recorded 27–28 November 1988 Live at the National Exhibition Centre, Birmingham

Released 8 November 1989 (VHS) 1994 (CD/VHS)

Length 95:00 (video, approx.) 74:27 (audio) 100:30 (2 CD reissue)
Label PMI / EMI
Director Steve Harris
Producer Martin Birch

1. “Moonchild”

Recorded intro is from album.  New track up for #1 and a great opener it is.  Bruce’s voice is absolutely stunning here, as he goes slightly off album format and lets it rip without rasp.  Baby crying represents birth of the seventh son and is new audio.

2. “The Evil That Men Do”

New track up for #2 and Bruce still powering through, and not an easy song to power through.

3. “The Prisoner”

Back to Beast for #3, and the audience is all there for it, punctuating the riff with “YEAHS”!  Adrian sounds great on backing vocals – integral to the live version.

4. “Still Life”  (single B-side)

Finally a live version of Still Life!  It is everything you want it to be, if you are a Piece of Mind fan.  Heavy parts are faster and heavier, Bruce’s vocals are more off the hook.  He messes up the second last line:  “Coming all the time, now we rest in peace!”  Should be “Always after me”.

5. “Die with Your Boots On”

Solid workmanlike version.  Bruce has a little more fun with varying the vocal line than on Live After Death.

6. “Infinite Dreams” (single A-side)

Wisely alternating new and old material.

7. “Killers” (single B-side)

“Gimme some bad dreams, this one!”  One of the best live versions of Killers on CD.  Absolutely vicious and perfect for following Infinite Dreams.

8. “Can I Play with Madness” (VHS only)

Backing vocals are flatter live (Steve?) but this is the first live version released of this now-classic single.  Bruce throws in lots of extra “yeah yeah yeah-hah” lines.  Set tends to focus on newer songs for the next batch.

9. “Heaven Can Wait”

A song for those who might be worried about their ultimate disposition up there or down below!  Top notch live version of this now-overplayed song.  It was fresher back then.  Faster; drags less especially in the woah oh oh section.  (I also like “That’s it – end of the song!” at the end.)

10. “Wasted Years”

And finally a live version of Wasted Years!  First real time Bruce struggles with the song, but it still sounds brilliant.  It’s a challenging song of course.  Minor differences in Adrian’s solo too.

1. “The Clairvoyant”

This single sounds great live; tad faster.  This is not the live version from the previous single A-side.

2. “Seventh Son of a Seventh Son”

Without any introduction, we go forth into the concert epic.  Replacing Rime of the Ancient Mariner, the song proves its mettle in filling that role.  Perhaps superior to the album more?  More drive, Bruce more off the chain?

3. “The Number of the Beast”

Back to the classics not much to say here.

4. “Hallowed Be Thy Name”  (VHS only)

Vocally awesome – Bruce holds that one note nice and long.  Equal to the Live After Death version?  Vocally Bruce is weaker, but singing it more “straight” without weird accents.  Davey’s solo – bonkers!  Adrian’s – composed intensity!  Pick scrapes galore!

5. “Iron Maiden”

“Yeah let it rip!”  Oldies to the end, with plenty of Di’Anno era rock.  This operatic version of Iron Maiden is fast and fun.

6. “Run to the Hills”  (2013 CD)

Abrupt sonic shift; you can hear  that these are the “bonus tracks”.  The obligatory Run to the Hills is here and there’s not much more to say.

7. “Running Free” (2013 CD)

Great version here.  Pay special attention to Nicko’s drum fills, which are animated and plentiful.  Bruce says this is the biggest indoor crowd they have played to in England.  Bruce does tell them that they are recording a video.  No big long “I’m Running Free, yeah!” section – just a couple times.

8. “Sanctuary” (2013 CD)

A smashing closer!  Steve’s bass is perfect in the – prominent enough to hear his upper neck melodies but not dominant.  Bruce does a short “Yeaaaaah” thing, but not as annoying as before.  Lets the crowd do it.

🅻🅸🆅🅴 50 Years of IRON MAIDEN episode 13: Maiden England

50 Years of IRON MAIDEN episode 13:  Maiden England

A special 🅻🅸🆅🅴 episode

GRAB A STACK OF ROCK #103

50 Years of Iron Maiden arrives at the cottage for the first time!  Like we have for past live albums such as Live At Hammersmith and Live After Death, Harrison and I will be doing this episode for Maiden England as a live broadcast.  Much like Live At Hammersmith, this album often falls under the radar.  It was recorded for a home video release, directed by Steve Harris.  Unusually, this home video spawned one single, “Infinite Dreams” live.   A live album was an afterthought and was not even released as one until Bruce Dickinson was out of the band in 1994, and even that CD was missing two songs from the VHS for time reasons.  It was finally reissused as a full show in 2013; an expanded 2 CD set with the encores restored.

The band were recorded on the Seventh Tour of a Seventh Tour, over two nights in Birmingham, playing a number of new songs from the album.  They also resurrected a couple from Somewhere In Time, and Piece of Mind, that were a delight to hear.  Reaching back to the Di’Anno years, they provided a pleasing setlist full of fresh songs and refreshing oldies.  Harrison and I will break it down for you, and hopefully entice you to give it a listen.

For physical media, we have a CD copy of the “Infinite Dreams” single from the First Ten Years box set, the 2013 double CD reissue, and the 1994 CD/VHS combo pack.

Please drop in and say hello for this special live analysis and appraisal!

🅻🅸🆅🅴 Friday May 23 at 7:00 P.M. E.S.T.  Enjoy on YouTube and Facebook.

Past episodes:

Handy YouTube Playlist:

WTF SEARCH TERMS: “Runny James Dio”

WTF SEARCH TERMS Part II: “Runny James Dio”

Welcome to the second installment of WTF Search Terms.  If you missed the first one, click here.  If you didn’t, then remember these two things:

1. Each of these are real search terms, typed in by real people on a search engine like Google.

2. Somehow, each of these search terms led them to ME!

So here’s 10 more for this installment!

  • A week isn’t a week unless I get hits from people looking for stuff like this.  I’m still assuming that people don’t know how to spell the word “lesbian”.

lebrain sex

lebrani nude 1

  • Here’s a good one:

why is here i go again not on reissue of slide it in

Because it’s not on Slide It In.  It’s on 1987, sillypants.

  • This guy can’t spell the singer’s name, nor the name of the site he’s looking for.

you too runny james dio neon nights

  • Here’s a selection that led people to some of my Kiss reviews:

just how bad is peter criss’ ’78 solo album?

was peter criss’ ’78 solo album really that bad

why did paul feel unwanted and alone in the carnival

patty stanley stripper

jean simmons with a moustache

  • And finally, if this guy had his way, we’d all be speaking Anglesh:

hmv dvd prices iron maiden maiden anglend

See you next time for more WTFs!

Anglend

REVIEW: Iron Maiden – Maiden England ’88 (2013 CD reissue)

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MAIDEN ENGLAND FRONT

IRON MAIDEN – Maiden England ’88 (2013 CD reissue)

It only took 25 years, but Iron Maiden have finally released a complete 2 CD edition of their legendary Maiden England recording.  A video was released in 1989, and a truncated CD version in 1994.  These were great, but less than 100% satisfying.

The first thing you notice is the striking cover art.  This is by somebody named Hervé Monjeaud.  It resembles Derek Riggs’ Eddies enough to fit in fairly seemlessly with the 1988 era.  I wish they used the original motorcycle cover art by Derek Riggs, but at least they credit him inside as the original artist.

Also checking the credits, I was pleased to find that the audio was not remixed.  This is the same mix that Martin Birch produced at the time.  The three unreleased songs are freshly mixed by Kevin Shirley, but there’s no tampering.  This is the authentic Maiden England.

Last year when I reviewed every Maiden release in a row, I discussed Maiden England.  Please check that review out if you’re looking for a more comprehensive review of the songs and content. Back then, I gave it 4/5 stars.  I found the sound a tad muddy, I complained about the brief running time, and I didn’t like that the CD did not include every song from the VHS version.  The missing songs were “Hallowed Be Thy Name” and “Can I Play With Madness”.  This edition restores them to the running order, and even adds three more songs that were cut completely from the original release!  So right there, two of my beefs have been addressed.

What about the sound?  Bloody great!  Whatever it was about the first CD release, the flatness of it, is gone.  It’s like when you take your car to the wash, how it shines.  Maiden England ’88 sounds so much better than the original CD.  And of course there’s a nice substantial booklet with photos and lyrics.  No notes from Steve or anybody else, disappointingly.  I always like those “producer’s notes” or what have you.  But that’s window dressing, this is really such a pleasure to listen to, I assure you.  As I wrote these words, Dave Murray was wheedly-wheedly-ing in my ears.  And I liked it.

With the added material and fresh sound, Maiden England ’88 takes its place alongside other Maiden classics such as Live at Donington or Rock In Rio.  Of course it cannot usurp Live After Death, nothing ever will.  Maiden England ’88 has some really awesome Maiden material that didn’t make Live After Death, such as “Still Life”, which remains dramatic and stunning.  “Killers” and “Sanctuary” are two other songs that were not on Live After Death.  Not to mention, by 1988 Maiden had two more albums to draw from.  That means you’ll also hear “Wasted Years” and “The Clairvoyant”, songs that stand strong among the old stalwarts.

The three unreleased songs are “Run To The Hills”, “Running Free” and “Sanctuary”.  These were the encores.  They are not mixed onto the end of the show, but follow a pause and have a noticeably different sound.  It’s hard to describe how the sound differs, but you can hear a change.  I’m not sure why these weren’t included on the original VHS.  Surely not for quality reasons.  The running time of the original video was 95 minutes.  Would another 15 have bumped them into a higher, tax, uhh, you know?  (120 minute tapes were common back then too.)

There’s a DVD too, but I don’t have that yet.  One thing at a time!  Send me a copy, EMI, and I’ll be happy to review it!

5/5 stars

Part 154: Cassettes Part IV – LeBrain’s Tapes (What Remains)

RECORD STORE TALES Part 154:  

Cassettes Part IV – LeBrain’s Tapes (What Remains)

I used to have a lot of tapes.  So many, that T-Rev converted my closet doors to shelving, just to store my numerous cassettes!  It was quite a feat of engineering on his part.

IMG

If you’ve read the other three parts of this series on cassettes, then you’ve already seen some of the awesome artwork that T-Rev used to come up with for his tapes.  Doing those articles got me nostalgic, but very few of my own tapes remained.  A year or two before I met Mrs. LeBrain, I briefly dated this one girl who was getting into hair metal.  I had succeeded in replacing most of my tapes on CD (although still incomplete; I need a copy of Live Fast, Die Fast by Wolfsbane, and Phenomenon 1).  All my tapes were redundant, and I gave her boxes and boxes full of them.

God knows where those tapes are now.  I doubt she took them back home to Thunder Bay when it was all over, they probably ended up in a landfill.  No big loss really, the only shame of it is that, like T-Rev, I used to make a lot of my own custom artwork.

Mrs. LeBrain and I were visiting her mom yesterday, and I found some of my old Beatles tapes that I had made, at her place!  Her dad drove a delivery van with nothing but a tape deck inside.  He was more than happy to receive my old Beatles tapes, and he loved them.  And there they were, still at the house, complete with my computer generated J-cards.  Nothing elaborate, although I did paste the cover for Abbey Road onto that tape.

This inspired me to dig through some boxes here, and see if I had any of my own tapes left.  Surely there must be something here, with some of my own custom cover art!  There was just a handful left, stuff that I wouldn’t have parted with at the time, and lo and behold, there was my old artwork.  These sure brought back memories!

Back in the early record store days, cassette was my primary medium.  They were portable, you could leave them in the car and not worry about them getting banged up, so I recorded everything onto cassette.  It wasn’t until I had left the record store in 2006 that I got my first car with a CD deck.  Before then, I had one of those adapter kits to play a discman in the car, but it sounded shite.  I was glad to find the following treasures tucked away in a box!

SAM_1721

Ahh, Spinal Tap.  A Spinal Tap Reunion was recorded from a 1992 TV special.  Unavailable on DVD today, as far as I know.  That’s a shame.

SAM_1724

I bought Grande Rock by The Hellacopters on vinyl, to get that bonus track “Angel Dust”.  Or, more accurately, one of my record store compatriots got it for me at Orange Monkey Music in Waterloo.  I dutifully recorded it to cassette without making elaborate packaging, but I did put some effort into the cassette spine.

SAM_1722

You Fat Bastards by Faith No More was the full show that was released on CD in truncated form on the Live at the Brixton Academy CD.  This was from a VHS release.

Guns N’ Roses did a couple cool TV specials.  I recorded Live at the Ritz off T-Rev, who stuck on some demos for bonus tracks.  The cover was made by adapting an old Appetite For Destruction J-card.  I think this turned out pretty cool.  Invade Paris! was a TV special from 1992.

These two Maiden tapes were from VHS releases.  It’s a shame that Raising Hell was never released on a CD.  Here’s hoping the band will put that out on a future box set.  It was Bruce’s “final” show.  I just edited out the crap sections with “magician” Simon Drake.   Maiden England is also taken from VHS, but this is the full show.  The CD release omitted two songs:  “Can I Play With Madness”, and “Hallowed Be Thy Name”.  My cassette didn’t!  I thought my J-card for Maiden England turned out pretty cool, using an old Seventh Son cover as its basis.

Unfortunately, this is all that remains of my old cassette art.  I did some much more elaborate things, which Thunder Bay Girl probably tossed out.  One was for Savatage’s Dead Winter Dead.  When I recorded that one to cassette, I actually painted the gargoyle onto a J-card.  Wish I kept that one.  Rush’s Test For Echo may have been the most elaborate one I’ve done.  Using some old cardboard and a full-page ad for the album, I created my own digipack for that cassette.  It would be nice to still have.  Ahh well.

It seems funny, in today’s age of mp3 files and players, that a format as crappy as cassette was anyone’s main format.  But there you go.  Before I could play CD’s in the car, they were the best way to bring music with me.  I’ve always believed a music collection was for showing off as much as listening to, plus I enjoyed making the artwork.  I’m glad some still survives today!

REVIEW: Iron Maiden – Maiden England (1989 VHS, 1994 CD)

Part 12 of my series of Iron Maiden reviews!

IRON MAIDEN – Maiden England (PAL VHS/CD set)

Maiden’s spectacular Seventh Tour of a Seventh Tour seemed the perfect time to do another live home video.   Future Maiden tours were to be toned down stageshow-wise for quite a few years.  It also enabled Maiden to take a break while Steve Harris took 6 months to edit the video himself.  In the meantime, Adrian and Bruce were able to write solo albums.  We’ll get into that.

In the meantime, “Moonchild” opens the set.  Sadly the acoustic part is just a pre-recorded tape, but Bruce just howls his way through this one.  As Bruce welcomes the Birmingham crowd to the show, the band break into “The Evil That Men Do”, probably the best live version of this song available.  Steve charges into it and the rest of the band keep up.

This is followed by a deuce of classic Maiden tunes that were-not-but-should-been-on Live After Death!  These would be “The Prisoner” and “Still Life”, also available on the single for “Infinite Dreams”.  “Still Life” is a rarity to hear live so this is a nice treat; I think it’s an excellent song.  One of my all time favourites.

“Die With Your Boots On” was included on Live After Death but I ain’t complaining!  You can hear that Bruce has lost a little bit of his range on some of the high notes; it is what it is.  It’s an awesome tune and this version has a certain reckless abandon.

The single, “Infinite Dreams” follows, and I always felt it was one of the better Seventh Sontunes.   It works live, especially once the band kick it into gear halfway.  And if you somehow managed to fall asleep, an especially screamy “Killers” will wake you up.

That’s it for classic Maiden for a while.  The next four numbers are all from the most recent two albums: “Heaven Can Wait” (with singalong), “Wasted Years” (which Bruce seems to struggle with), “The Clairvoyant” and the epic “Seventh Son of a Seventh Son”.  At 10 minutes long, Bruce makes sure the crowd doesn’t fall asleep, getting them to sing along.

The CD closes with a double whammy of classic Maiden:  “The Number of the Beast” and “Iron Maiden”.  Bruce implores the Birmingham NEC to scream for him, and scream they do.

The VHS version had two extra songs, lopped off the CD for time reasons.  They are, unfortunately, an amazing “Hallowed Be Thy Name” and the single “Can I Play With Madness”.

A DVD version of Maiden England with a remastered and complete CD was confirmed by Maiden manager Rod Smallwood to be forthcoming on March 25, 2013.

Maiden England was a good package, and it’s cool to have the Seventh Tour documented on video, with that cool arctic stage set and crystal balls, and all that.  Comparing it to Live After Death is just…well…you can’t.   Live After Death was 25 minutes longer therefore more comprehensive, and perfectly mixed.  Maiden England sounds a little more…I dunno…muddy, maybe?

Who cares.  It’s Maiden.

4/5 stars