I found this old VHS tape in the stockroom at work a long time ago, and forgot about it. Fortunately, Facebook remembers! You gotta admit, the cover is hilarious.
FEEL – “I Become You” (1994 independent VHS tape)
Not all great bands make it, and Feel was a great band. Formerly Russian Blue, Feel were active on the Toronto rock scene in the early 90s. When things went grunge, they adapted their melodic rock to the times. The result was dark, not-quite-mainstream hard rock that could appeal to both sides of the aisle. Their album This (get it? Feel This?) had a number of memorable tracks. They also released a home video for lead song “I Become You”.
The video arrived personally autographed by all four band members; a nice touch. In addition to being a top quality song, “I Become You” is also a slick looking, well-edited music video. It utilises tricks like slow and fast motion, still photos, and plenty of camera movement. The result is a briskly paced video with a band always in motion. The guitar solo segment is particularly good. Feel were television ready, if only the chips had fallen differently. Frontman Joe Donner had the chops and certainly appeared ready to be the next rock sensation.
Make sure you watch the video to the end, as I added some bonus content! In 1993 Feel released a sampler cassette called A Taste Of…. I included the “Introduction” track at the end of the video, as it has a sampling of the album and even an unreleased riff that didn’t make it. Check it out and let me know what you think of Feel!
GETTING MORE TALE #745: Lost Things, Found Again
When you accumulate as much stuff as I have over the years, it’s no wonder things get tucked away in a box and eventually forgotten. I’ve been doing a massive purge/reorganisation. A huge undertaking. Many hours logged, and many many things ejected from the house.
I accidentally donated our cable remote to the Goodwill store. Whoops. New remote should be here by Wednesday. Sorry, Jen.
Some things were put into storage, but a lot was flat-out given away because I ain’t got time to sell all this stuff.
My personal goal through this is to completely re-file all my music. Right now, the many thousands of CDs I own are in a weird sort of limbo. Some are filed alphabetically (by band; and then chronologically by album), but many have spilled into my computer room. They sit in huge unsorted piles; stacks of newer purchases and recently reviewed albums. When I’m done I want them all organised and accessible again. Something to show off, and something to use as a properly filed library.
But I’ll tell ya, it ain’t easy. I have doner’s regret over a lot of the movies I ditched a couple weeks ago. Some of the items I boxed up for storage are notable by their absences too. I miss having my Star Wars guys hanging around me.
Emptying out some boxes, however, revealed numerous treasures that I had forgotten I owned. A sealed tin of Star Trek Uno cards. Three sealed sets of “The Making of Star Trek: The Next Generation” cards — two “gold”, one “platinum” edition. My rubber Spock ears that came right from Vulcan, Alberta! I’m going to open some of the cards. May as well enjoy them, after all these years.
I also found the last of my missing video tapes…and the key to unlocking them all.
Stuffed into my box of treasured comic books, I found my meticulously kept, nearly completely intact VHS directory.
The original was hand-written, in pencil. The last was typed out in IBM Writing Assistant 1.0. It looks like I noted every single thing I recorded, with some additional details like the year. All my video tapes were numbered, and these pages use the same numbering system. At least one page is torn out, but this is a huge discovery. I should be able to locate with ease anything I remember having on tape!
I obviously want to keep many of these things as surprises for you. I don’t want to spoil everything that’s coming. Here are a few pages to whet the appetite. Everything that’s allowed will eventually be uploaded and posted right here.
Among the missing video tapes was the very first one, with that sticker of #1 still on the spine.
This tape has a funny history, much of which was deleted when I wrote up my video directory. Tape #1 wasn’t my tape — it was the “family tape”, until I hijacked it about a year later for myself. As such, it has a lot of weird stuff taped on it. The tape began in 1984, with my sister’s Madonna and Glenn Frey videos. “Material Girl” is the very first thing on Tape #1. My mom’s 20 Minute Workout. Boy, I used to get teased by my friends for that being on tape. “Sure, it’s your mom’s! Then why is Iron Maiden on the same tape!” There’s a Transformers episode (“A Plague of Insecticons”) and all my earliest music videos. My mom and dad also taped a movie on here called Nate and Hayes, however after many years of them not watching it, I decided to erase it. Over that, I taped two longer MuchMusic specials: “Rock and Roll all Nite” (Kiss) and “Capitol Punishment” (Iron Maiden) some time in 1988.
There’s not much on Tape #1 that I will be able to show you. “Thor popping hot water bottle” is good, but the Maiden and Kiss specials will probably be blocked by Youtube copyrights unless I heavily edit them.
The special thing about Tape #1, to me, is that it shows all the earliest heavy metal songs and bands that I heard, almost in the order I heard them. With very few exceptions like Quiet Riot, recording these videos happened before I owned any of the albums.
Among my first true loves: Triumph, Kiss, Helix, W.A.S.P., Twisted Sister, Iron Maiden, Van Halen, Judas Priest, Motley Crue, and Queensryche. Originally the last song on this tape was “Queen of the Reich”, but a couple years later I wanted to make sure I used up all the tape, and squeezed on three more videos.
So sad to let old things go, but so glad to have hung up to the important stuff.
GETTING MORE TALE #743: A Shout-Out to Sean Kelly
When it’s warranted, I like to use the Getting More Tale banner to include tributes to helpful individuals. This goes as far back as Record Store Tales. These chapters are mini-stories wrapped in a thank-you…or vice-versa.
So let’s go back to the beginning for a moment. Ever since I first launched this site in 2012, I’ve been talking about my insanely cool VHS library and how badly I wanted to show it to you. Now I’m doing that (as you’re all painfully aware by the lack of review content), and it has been enjoyable, rewarding work! Long hours, but well spent. Reliving old memories, hearing forgotten songs, and seeing those MuchMusic VJ faces from ages past…watching these old tapes is something I try to do a little bit every day.
But I’m not doing this just for me. If I was just looking for “hits” or “views” I would just make endless lists of things. That seems to be the kind of content people click these days. I’m doing this for history, both personal and general. I think these old rock star interviews and clips are historically interesting. For you, and for posterity, I think it’s important to get the details as right as possible. I can usually nail down a rough date of recording, and the names of all the people involved.
Usually. This is where Sean Kelly comes in.
Sean Kelly is the Canadian axeman behind Metal On Ice (the book and album). He’s currently playing with Lee Aaron, Trapper, and I can’t keep track of them all! I have his #1 Classical Guitar Album. He has been a regular on Helix CDs over the past decade. He’s played with Nelly Furtado, and of course his own band Crash Kelly! Superdekes interviewed him last year, and there’s no question: the guy knows his rock! (According to the Superdekes interview, Sean and I have something in common: the first rock album we bought was Metal Health by Quiet Riot.)
As I’ve been going through my tapes, I’ve been taking screen shots (like these below) to tease social media. Sometimes I’ll post a challenge: “Name all the people in the picture”. Sean Kelly has a 100% score!
Yeah that’s right. Sean Kelly has yet to get any wrong, and I’ve posted some challenging ones. Only Uncle Meat has come close to Mr. Kelly. (Meat is at about a 99% or so.)
But where Mr. Kelly has helped me out was identifying some of the MuchMusic personalities. As I said, I want to get the details of these videos right for historical purposes. Any time I needed help figuring out who the interviewer was, Sean knew it, and usually got it within five minutes! And it’s funny too. The names “Ziggy Lorenc” and “Lance Chilton” were on the tip of my tongue, but he just knew them right away.
I guess that’s why he’s the professional!
The guy is a virtual encyclopedia of rock. He identified some of the artists just by the instruments they were wielding. He’s also a super talented player and writer, and a helpful friendly chap too!
I really appreciate Sean’s assistance getting the details for the VHS Archives right. Check out the track I currently cannot get enough of: Trapper’s cover of “Illégal” by Corbeau. Trapper is a supergroup consisting of Emm Gryner, Frank Gryner and Tim Timleck. This song rocks! Enjoy.
GETTING MORE TALE #740: Things I Wish I Recorded, But Didn’t
Regrets? I’ve had a few. I think I have a pretty cool collection of videos, but at the same time, there are tons of things I wish I’d taped. I remember them all clear as a bell, but have no way of showing you. Instead, you can only read about these bizarre MuchMusic events. Fortunately, I have a really good memory.
Here are the things I wished I recorded but didn’t.
1. Randy Bachman on MuchMusic – Canadian Federal Election 1993
Much had a unique idea to get young people engaged with voting. They brought in music stars to interview the politicians that were running for Prime Minister in 1993. Additionally, they didn’t talk to just the “big three” parties, but invited plenty of second and third tier candidates as well. 14 candidates in total.
Neil Peart from Rush interviewed the eventual winner, Jean Chrétien of the Liberal party. I have that on tape. What I don’t have on tape is the schmuck they stuck poor Randy Bachman with!
Bachman did the best he could, but the candidate was really flakey and wouldn’t stop mentioning how his platform was all on a floppy disc. Get the floppy disc and read the full platform! He gave one to Randy, which was utterly pointless. Poor Bachman and the Floppy Disc Guy!
2. Vanilla Ice interviewed by Natalie Richard 1991
Totally out of my wheelhouse. Turned out to be pretty funny. Vanilla Ice was on his way out. This interview did not help. Natalie asked him “Where do you fit in the stratosphere of music today?” His answer was to laugh and say, “Wow, that question went right over my head, I don’t even know what that means!”
3. Daniel Richler hosting the Power Hour 1987
Daniel Richler is the adopted son of the famous author Mordecai Richler. I grew up with his dad’s books, so I was thrilled when he got to host the Pepsi Power Hour one time in ’87. I said at the time it was the best episode they ever did. I loved all the songs (not always the case with an hour long show) and recorded five of the videos.
Unfortunately, I didn’t record Daniel’s segments between the songs, which was a shame. The guy was hilarious and I remember he did one entire segment with the camera upside down. I tended to record only music and interviews to save tape.
4. Living Colour with Michael Williams 1988
They had a Living Colour contest. All you had to do was guess the number of braids in Corey Glover’s hair! He shook his hair around for the cameras. It didn’t help with counting, but it was funny and cool!
5. Thelonious Monster 1989
I’m not particularly a fan of the punk rock pioneers, but I was intrigued when they played a song live at the Much studios called “Sammy Hagar Weekend”. “He actually liked the song!” said the Monster. “That’s how dumb he is. He didn’t know we were making fun of him.” One of those moments I wish I had recorded.
6. Lemmy and Philthy Phil
Motorhead were too scary for young me! But they were funny. I wish I had this one on tape. “What do you think this is, a holiday?!”
7. The Def Leppard Pepsi jacket
Finally, not just a video I wish I had, but also an article of clothing.
It was the Hysteria era, and MuchMusic were giving away a hell of a prize. I wanted it so badly. All I got on tape was the address to enter the contest, and a very brief grainy view of the Def Leppard jacket. It was a white jacket, unlike any I’d ever seen before. It came fully equipped with a speaker system built into the jacket! You could walk around, play your music and have it coming right from your body. The jacket also came fully stocked with a Walkman and all the Def Leppard albums on cassette.
I really, really wanted that jacket, but even some video footage of it would be cool today. I pictured myself walking around in my Leppard jacket, with “Pour Some Sugar On Me” coming from somewhere in my chest. How could the ladies possibly resist?
I found this ad in the commercials as I was fast-forwarding a tape. In 1987, MPI Home Video released The Beatles movie Help! on VHS for the first time. But wait, there’s more! Order now, and get Sixties Headlines for free! Regular price: $74.95? Holy shit! The 80s were expensive!
VIDEO CAPTURE USB 2.0 – Software by honestech
I almost gave this 0 stars.
For only $18, I was willing to take a chance. I needed to get my VHS Archives online before it was too late and the tapes were degraded all to hell. Fortunately the tapes are in great shape, so all I needed was a way to convert them. I didn’t even know if my VCR was still working. It’s not so easy to hook up an old VHS player to a hi-def system anymore.
So I gambled my $18 for a little USB device to connect my VCR to a PC, using a USB-to-RCA device and some special software. I set up a little work station with my VCR and laptop and began running into problems.
Issue #1 is no big deal for me, but might be for you. The software you need can’t be downloaded, it’s on a little 3″ CD included, with a 16 digit access code printed on it. My laptop refused to install the software — something to do with permissions and security. The manual isn’t super-helpful. “Any problems, please email the seller,” it says. I’m sure some lackey at Amazon could tell me how to install it….
I bypassed the error by installing the software in a different folder. Then I hooked up the VCR to the USB device and plugged everything in. Unfortunately I could not get the software to detect the video source. It defaults to capture from a webcam, but it couldn’t access the USB. “The selected device cannot be used” said the popup window. “If you get this error message, the USB might not install correctly. Input win+x or use other ways to open the device manager”. That was the not-helpful advice in the manual. However it did tell me that the USB needed to install something on the laptop, and that was the hold up.
I was unable to get the USB to install, so I decided to try a different computer. I tore down my little work station and hauled the VCR over to my desktop.
Everything installed quickly and easily on my PC. In the end all I lost was an hour of my time, and my plan to use my laptop for everything. No big deal. I can manage. So how does this device work?
Once you have it running, it works like a charm! It’s the easiest thing in the world to use. Rather than burn my tapes to DVD, I set the device to export directly to .WMV video file. Click “record” on the software, press “play” on your VCR, and you are in business. As soon as you click “stop”, the file will save itself. You can make a file up to 24 hours long! Any tape you have, this baby can handle it. There is also an editing suite here to trim the excess or add transitions, but I don’t use it. It is very limited. You may as well use the default video editor on your computer (Window Movie Maker on mine). Within minutes of playing my tape, I had videos on Youtube. So painless!
The quality you get will depend entirely on your tapes and VCR. Fortunately those things were not an issue for me. You’ll probably have a harder time finding a VCR that isn’t all beat up, than using this device. Incidentally you can plug in anything that uses standard RCA plugs or an S-video connector.
Bumpy installation aside, the Video Capture USB 2.0 has done everything I needed it to do, and actually more smoothly than I thought it would be. For the price, this device is recommended — but be forewarned you may have the same problems installing it as I did.
As Mike’s VCR is currently stored away, he will be joined by Harrison, who was naughty and downloaded a 720p copy of the show when someone had it up on YouTube, and therefore will be reviewing the video half of this box set.
The video version is a great snapshot of the band at this period. The quality is quite good for a VHS, only betraying its origins with any large expanses of black shown. It also features some innovative action shots to capture the band, which is much appreciated as, although Geezer is still head banging away as usual, Bobby generally fades into the background and, as Mike has pointed out in other reviews, Tony Martin’s frontman-ship involves either singing up front or shaking his thinning hair by the drum riser. As for Tony Iommi? Well he’s still the epitome of theatrical guitar playing.
The lighting is done well also, although the red occasionally gives the skin an overly pink tone. And for the first time, Geoff Nicholls is visible in the background of some shots, doing keyboards and backing vocals.
Puzzlingly, there is also a black and white filter used on a couple shots here and there, that really isn’t necessary. Those preceding niggles however, were only small nit-picks of a thoroughly enjoyable show to watch.
There are also three songs included on the video that aren’t on the CD and will be therefore be reviewed here. The first is fairly early in the set and is “Mob Rules”. Tony powers through verse after verse without fail. Although it inevitably falls short of the Dio renditions, it still deserved a place on the disc.
“Anno Mundi” is next. This is easily the best of the three. Tony Martin sings his heart out in an amazing performance of the only song from Tyr. This easily should have been on the disc as well. (They all should have.) On a side note, it’s really nice to see audience members head-banging and singing along to these Martin-era songs. Last of these is a decent rendition of “Neon Knights” that just can’t compete with Dio’s versions. A couple subtle melody changes here and there don’t help it either.
Still, despite a couple small missteps:
4.5/5 stars, and Tony martin’s finest hour with Sabbath.
Vintage review from the archives.
Directed by Mark Pellington
I bought this on VHS when it first came out. I watched it once, put it away for a decade, and finally sold it at a garage sale for 50 cents. Why? Because this is one of the most boring pieces of vanity projects ever foisted upon the loyal. You can see all the JBJ fanboy-esque reviews on Amazon: “The Destination Anywhere film is perfect…something to have if you are a true Bon Jovi fan. Good movie plot too…enjoy!”
True Bon Jovi fans need not apply except for “the collection”. Let’s please be objective.
This vanity project was very loosely based on the Jon Bon Jovi solo album of the same title. As such, the music from that movie acts as the soundtrack. The music is the best thing about this film. Sure, the actors are all great — Kevin Bacon, Whoopi, Demi — but there’s no script here worth filming.
Jon Bon (“Jon”) and Demi Moore (“Janie”) are struggling with alcoholism and the death of a child. A dark film, Destination Anywhere mostly just follows Jon around town while he tries to figure things out. The characters he runs into offer various pieces of advice, but there are no epiphanies. The film sadly falls flat, sitting there purposeless, and smelling like something that Jon thought would elevate his movie career. It didn’t, and I think that’s the proof in the pudding.
1/5 stars. Boring as hell.
RECORD STORE TALES Mk II: Getting More Tale
#344: Childhood Recording Sessions
When we were kids in the 1980’s, pre-internet, pre-downloading, the only avenue we had to share music with each other was taping. If a friend had an album you wanted, you could try to record it. For example my next door neighbor George had all the Kiss albums, on LP. All he was missing was The Elder. What Kiss albums I didn’t own myself (which was most of them) I gradually taped one by one from George. I’d write down the song titles and make a cassette cover. When George wrote down the songs, I couldn’t always read them. When he did get The Elder in ’86, he made a copy for me. For a little while, I thought Kiss had a song on it called “Escape from the Ish”.
One Sunday afternoon in ’85 I went over to his place with a 60 minute tape, intending to record Unmasked. George dusted off the LP, dropped the needle and hit “record”. At the same time, he also decided to play bass along to the whole album. Somehow, his bass bled through to the tape recorder.
I didn’t find an original copy of Unmasked for two more years. Until that time, all I had to listen to was my taped copy, complete with George’s bass “overdubbed” on top of Gene’s! If I think back and remember really hard, I can still hear in my mind how George kept playing through the song fade outs!
Other recording sessions were far more elaborate. When George acquired Kiss’ Animalize Live Uncensored on VHS tape, he brought it over along with his own VCR, so we could dub a copy, VCR to VCR. On other occasions I would bring our VCR over to my best friend Bob’s place, and record there. My parents hated it when I disconnected the VCR! My dad always seemed to fear we’d never get it hooked up properly again! Or that we’d lose the controller, or worse, break it. But then, if we were recording at my house, my dad would always walk in and mock the bands. “What’s wrong with that man?” my dad said of Bruce Dickinson. “He keeps on screaming as if he’s in terrible pain!”
Copying music improved greatly in the 1990’s. The durability of the blank tapes improved, and dubbing from CD was infinitely better than recording tape to tape. Because of the improvements in quality, the cassettes we dubbed in the 90’s are still playable. Still, there is no comparison in sound to a CD. Finally in 2001, I purchased my first CD burner, enabling me to create the best possible sounding copies of music.
None of those improvements in technology, nor the advent of the CD-R, swayed me from owning an original CD or LP. I may have had a burned copy of the Sultans of Ping F.C., but there’s nothing better than an original. Somebody could send me a CD rip of some amazing rare bonus tracks by bands I like, which is great…but not as great as owning the original.
I don’t really know. Certainly I have plenty of friends from every age group who are content not to own any CDs. They don’t need to own it in order to listen on an iPod. That’s not good enough for me. I want the whole experience. I want the cover art (on paper, not a computer screen), I want the liner notes. I want to file the new CD on my shelves in the right order, and then gaze upon my collection of a given artist. I like to handle the artwork, the CD, and take a hard squint at the pictures. It’s hard to explain. I can justify it by saying CD just sounds better than an mp3. And as good as CD gets, sometimes vinyl can sound even better.
Even though I don’t need them anymore, I miss the old days of the Sunday recording sessions. I miss the social aspects of friends gathering in somebody’s basement or living room to share and discuss and enjoy music (all of which I later bought, anyway). I miss that feeling of heading home with some new music to listen to, right out of a friend’s collection. But I don’t miss having only enough money to buy blank tapes, instead of originals. I’m much happier now with my collection of well loved physical, original music.