50 Years of IRON MAIDEN episode 4: Maiden Japan, Live!! + One, Live at the Rainbow
GRAB A STACK OF ROCK #90
Closing out the Di’Anno years, Harrison and I take a deep dive into the live releases that accompanied them. Live!! + One was an exclusive Japanese EP that featured “Women In Uniform” (covered in Episode 2), and three live tracks, two of which were exclusive (and awesome). Maiden Japan, of course, was the live EP that you know and love. Live at the Rainbow was an excellent home video that featured Paul on vocals. We tackle all this on tonight’s episode.
You will see our copies of these releases (but not Live!! + One since I didn’t buy it the one time I saw it), and hear about them in detail. This episode is our sendoff to Paul Di’Anno, and we discuss his reasons for leaving. And in came a young upstart named Bruce Bruce…
This short and energetic episode features just Harrison and myself, but we’ll be back next time with a new special guest, and a new lead singer!
I felt like writing again, I hope you don’t mind. My emails are not the esteemed A Life in Letters by Isaac Asimov, but it’s more about the process of the writing for me.
I’ve been listening to Van Halen in the car a lot. Long story short: I’ve been having issues with my music hard drive in the car, with it repeating tracks. I discovered I could fix it by formatting the drive and starting over. Certain Van Halen albums used to give me issues in the car, with the repeating songs. It’s been a pleasure to rock to King Edward this week. It’s hard to believe but he died over a year ago now.
I remember coming home from work the day he died and I was just in a foul mood. Not only was I grieving Edward Van Halen, but I felt stupid for grieving someone I never met and never hoped to meet. It was a torrent of shitty feelings, plus I hadn’t eaten properly. It was a Tuesday and I had to do laundry or something, and I snapped at Jen. I felt like an asshole afterwards. I also remember telling you this story, and you were the one who said it was OK to be grieving. Until that moment I didn’t really consider that maybe you don’t have to be a psycho to be upset about Van Halen’s death.
Music aside — which was usually warm, fun with instrumental and occasional lyrical depth — Van Halen meant a lot to me. I must have been 13 years old when I was sitting on the porch with my best friend Bob, hearing 1984 on the tape deck for the first time. My dad came home from work, heard the noise and asked what we were listening to, as dads often did. “Van Halen!?” he said. “Sounds like some kind of tropical disease!”
My dad was always good with one liners! When we watched music videos on Much, he would mock the singers shrieking their best operatic screams. “What’s wrong with that man? Should he go to the hospital? He sounds like he’s in pain!”
Good memories, all. I’m very attached to those childhood memories. I’m trying to commit them all to writing before they’re gone. Often, lost memories can be triggered by an old photograph. But there are many things I wish I had video of! If only there was a tape or photograph of that first time I heard Van Halen. But film was a precious commodity until the last 15 years or so. You didn’t just take pictures of you and your friends listening to music on the front porch.
I remember some of the tapes, and conversations. Iron Maiden’s Maiden Japan was popular in our porch listening sessions. George would come over from next door, and Bob would come over with his tapes. My house was right in the middle! I wonder how much of my happiest childhood memories are due to geographic concerns. If my house wasn’t right there in the middle of everybody, maybe I never would have been there that day to hear Van Halen or Iron Maiden.
Sometimes I worry that I spend too much time living in the past and trying to recapture those moments. But then I think about what you would say to that. “Why are you worried about something that brings you happiness?” I think you might ask. And you’d be right. So bring on the Van Halen. Bring on the Iron Maiden. Let’s party like it’s 1985. Might as well go for a soda — nobody hurts, nobody dies.
I don’t know exactly why, but some countries got four songs on this EP while others got five. Something to do with what would be considered a single vs an EP. Fortunately for me, Canada was one of the countries that got all five.
A cross section of the best songs from the first two albums, Maiden Japan (how can you not love the title?) was an almost instant love for me. Expertly recorded by Maiden and Doug Hall, the EP breathes new life into “Running Free” and “Remember Tomorrow”, two songs from Iron Maiden. Di’Anno’s screams are absolutely awesome. By and large I often prefer these versions to the originals.
This EP was relatively easy to find here when I was growing up, so it was my first exposure to early Maiden aside from the “Women In Uniform” music video. A lot of the time, if you hear a good live album first, that is the version that sticks with you through life.
This would prove to be Paul Di’Anno’s final release with Iron Maiden. The band were already planning his replacement. An early cover with Eddie decapitating Paul was quickly replaced with another, in light of these developments!
The original cover art
I know this was released on CD, I saw it myself. It was with the 2 CD edition of Killers, Japanese import version. Yet another item that I wish I’d splashed out for!
Lineup: Paul Di’Anno, Steve Harris, Dave Murray, Adrian Smith, Clive Burr.
Changing vocalists proved to be the right move to Maiden; it launched them into a whole new world and tranformed them into a bigger, better Beast…