eddie van halen

REVIEW: Sammy Hagar – “Give to Live” (12″ single)

SAMMY HAGAR – “Give to Live” (1987 Geffen 12″ single)

Sammy Hagar released his solo album I Never Said Goodbye in 1987, right when he was still in Van Halen.  It was co-produced by Sammy and Eddier himself.  It was a mixed bag, with some killer tunes and a few things that were far too wimpy.  A couple singles were released, and “Give to Live” was the best.  As a power ballad, it probably could have suited any of the Van Hagar albums except For Unlawful Carnal Knowledge.  That’s Eddie on bass, by the way, and listen to how great he is.  No surprise, right?  When you’re as great at music as Eddie Van Halen is, it must be hard for other musicians to cut it in his eyes.  (Cough cough Michael Anthony cough.)

Also on the A-side is album opener “When the Hammer Falls”, an OK rock track.  As discussed in the album review for I Never Said Goodbye, “When the Hammer Falls” has a good riff but not much of a chorus.  That’s too bad since it was one of the hardest rockers on the LP.  (And just listen to Eddie’s bass…again!)  you can’t hit a homerun every time, though there’s nothing here to be embarrassed of.

If you buy the single, there’s no point unless you get the 12″ with the non-album bonus track.  On the B-side you will find the full-length version of “Standin’ at the Same Old Crossroads”, which was only 1:46 on album.  It served as an introduction to the song “Privacy”, but on this single it’s unedited.  This is a real treat for fans of Sammy’s underappreciated guitar playing.  The song is just Sammy and an electric slide guitar, bluesing it up.  The intro is longer and there’s a lot more playing than the album version.  Stuff like this is the reason to have B-sides and buy singles in the first place.

3.5/5 stars

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REVIEW: Van Halen – LIVE: Right here, right now. (1993, plus “Jump” live single)

scan_20160929VAN HALEN – LIVE: Right here, right now. (1993 Warner Bros, plus “Jump” live single)

The summer of ’93 was the “Summer of Live Albums” here at LeBrain HQ.  There were many live discs out to digest, several of them from “must-purchase” bands.  Most notable was Ozzy’s Live & Loud which came in a metal speaker grille cover.  Iron Maiden also put out A Real Live One, the first of a two-album live set.  And then there was a big’un:  Van Halen’s first live album, the double Right here, right now.

What did all three releases have in common?  They were all boring duds.

Sad but true.  In Van Halen’s case, the disappointment was acute.  Sure it was “Van Hagar” and not the “real deal” if you believe in that  sort of thing, but that wasn’t the issue.  There are a few problems with Right here, right now but none of them have to do with the singer.  The setlist is a real drag, with way too much material from For Unlawful Carnal Knowledge.  10 of the 11 songs from F.U.C.K. are on this album!  (“The Dream is Over” being the only missing song — you had to buy this on VHS to get it!)  A F.U.C.K. song opens the set, another closes the set…it’s too much, especially since F.U.C.K. was (one of?) the weakest Halen albums to date.

Issue #2 is perhaps a bit silly, since Van Halen shows are known for their solos: but this album has too many solos.  Eddie’s aside; he always going to blow your mind.  Unfortunately, Michael Anthony and Alex Van Halen are, quite frankly, boring soloists.  Did “Ultra Bass” need to be five minutes long?  It’s best when Michael’s just playing, but as fans know his bass solo is half notes, and half noise.  Immediately after that is “Pleasure Dome/Drum Solo”, nine whole minutes.  The instrumental “Pleasure Dome” section is best since it resembles a song (a driving hard one at that).

The final major issue is one we didn’t even know about until recently.  Sammy Hagar revealed in his book Red that this album was heavily overdubbed afterwards, and I wouldn’t doubt it.  (Hagar claims that he re-sang the entire thing over again in the studio.)  There was always something underneath the surface that didn’t feel right about this album, and that could be it right there.  Right here, right now feels dulled, perhaps by too much studio polish after the fact.

It’s not all bad of course, how could it be?  “Poundcake” and “Judgement Day” start it off strongly.  Then they went and dropped a ballad (“When It’s Love”) and a shitty song (“Spanked”), and all momentum is stopped.  The duo of “You Really Got Me” and “Cabo Wabo” are pretty damn great though.  There are a couple Hagar solo tracks in set which add some spice to the mix.  The acoustic ballad “Give to Live” is just Sammy alone, but “One Way to Rock” is the whole ass-kickin’ band.  Of all the Hagar tracks the band has played live, “One Way to Rock” sounds most natural as a Van Halen song.  The final surprise is “Won’t Get Fooled Again”, which Eddie does not play keyboards on.  Instead he mimics Pete Townsend’s synthesizer part with his guitar.  Who purists will hate Sammy’s take on it, but fuck it.  It’s a pretty damn good version of a hard to cover classic.

There are a couple other decent tracks to be had.  German and Japanese versions contain two bonus tracks:  “Mine All Mine” (from the OU812 tour) and another Hagar track, “Eagles Fly”.  They can also be found on the “Jump” live single.  Unlike much of the rest of the album “Mine All Mine” has some bite to it.  It’s a great example of synthesizer working well in a hard rock song.  (Unfortunately it fades out early.)  As for “Eagles Fly”, this is a song Sammy played acoustic on the occasions he didn’t play “Give to Live”.  Although it was played less, “Eagles Fly” edges out the other just slightly by a nose.  These two bonus tracks are worth tracking down the single for, or an import version of the album.

I traded up my original copy of LIVE: Right here, right now for a US import that came in a cardboard digipack.  Although it has no bonus tracks, it does have some bonus photos, which is still pretty cool.

It’s not fun to say any Van Halen album isn’t essential, but Right here, right now is not essential.

2/5 stars

 

COMPLETE VAN HALEN REVIEW SERIES:

VAN HALEN – Zero (1977 Gene Simmons demo bootleg)
VAN HALEN – Van Halen (1978 Warner)
VAN HALEN – Van Halen II (1979 Warner)
VAN HALEN – Women and Children First (1980 Warner)
VAN HALEN – Fair Warning (1981 Warner)
VAN HALEN – Diver Down (1982 Warner)
VAN HALEN – 1984 (1984 Warner)
VAN HALEN – 5150 (1986 Warner Bros.)
VAN HALEN – OU812 (1988 Warner)
VAN HALEN – For Unlawful Carnal Knowledge (1991)
VAN HALEN – Balance (1995 Warner – Japanese version included)
VAN HALEN – Best Of Volume I (1996 Warner)
VAN HALEN – 3 (Collectors’ tin 1998)
VAN HALEN – The Best of Both Worlds (2005 Warner)
VAN HALEN – A Different Kind of Truth (2012)
VAN HALEN – Tokyo Dome Live in Concert (2015)
VAN HALEN – Tokyo Dome Live in Concert (2015) Review by Tommy Morais

+

VAN HALEN – “Best of Both Worlds” (1986 Warner 7″ single)
VAN HALEN – “Can’t Get This Stuff No More” / “Me Wise Magic” (1996 Warner promo singles)
VAN HALEN – “Can’t Stop Loving You” (Parts 1 & 2, inc. collector’s tin)
VAN HALEN – “Right Now” (1992 cassette single, Warner)
VAN HALEN vs. JOHN LENNON – “Imagine A Jump” mashup by “Mighty Mike”
RECORD STORE TALES Part 186:  The Van Halen Tin

 

 

REVIEW: Sammy Hagar – Sammy Hagar / I Never Said Goodbye (1987)

Scan_20160705SAMMY HAGAR – Sammy Hagar / I Never Said Goodbye (1987 Geffen)

Remember when everybody in the Van Hagar camp just loved each other?  Things were so happy in Van Hagar, that Sammy released a solo album in 1987 and nobody got mad.  Hell, Eddie himself co-produced it and played bass!   Hagar was obligated to do another solo album to get out of his contract with Geffen, and so the self-titled Sammy Hagar was recorded quickly.  Sammy apparently forgot he released another album also called Sammy Hagar in 1977, so this one was re-titled I Never Said Goodbye.   (I still call it Sammy Hagar.)

There was something particularly weird about this release on cassette. I had a version, purchased from Columbia House around 1989-1990, with a bizarre cover. The J-card was designed to fold around outside the cassette shell. I’m not sure why to this day, and I’ve never seen another copy like it. The artwork was obviously designed to fold on the outside rather than the inside, but I’ll never figure out why.

All the members of Van Halen even appeared in Sammy’s video for “Hands and Knees”.  The plot was simple, and perhaps a foreshadowing of things to come.  A bored Hagar calls his bandmates (including nextdoor neighbor Eddie) to jam, but nobody’s interested.  Instead, Hagar jams with a group of robots!  “Hands and Knees” was an odd choice for a first single, being a dark and slow mood tune.  The video guaranteed attention, and still garners a chuckle today (albeit a sad one, knowing these guys aren’t pals anymore).  I love Michael Anthony’s huge brick of a cell phone.  The video was better than the song, though it does have a killer of a chorus.  It’s clear if you listen that Eddie Van Halen is one damn fine bassist too.  Are you surprised?

One thing about this album, though:  it’s really commercial.  Like way, way more pop even than 5150.  It’s no surprise that some writers like the esteemed Martin Popoff have slagged this album.  The production has an airy 80’s feel, not enough oomph.  The opening track “When the Hammer Falls” is a hard rocker, but it could have been thicker with more meat.  Not that it would have helped too much.  The chorus on this one is pretty weak, which is too bad since the riff is good enough for rock and roll.

The second single, which Van Halen used to let Sammy play live acoustically, is “Give to Live”.  Van Halen’s version can be found on 1993’s Live: Right here, right now.  Hagar’s studio original is unabashedly pop, bombastic…and good.  I admit I still enjoy this very cheesy ballad.  Hagar is rarely profound, and neither is “Give to Live”, but it’s a nice song indeed.

A shitty synth (?) horn section urinates all over “Boy’s Night Out”. Speaking of synth, “Returning Home” is all but unpalatable. This is one of Sammy’s UFO yarns, a story of a guy returning back to Earth to find it wrecked. “I saw the ruins, once the smoke cleared, once upon returning home.” It’s just sunk by all this terrible synthesizer junk and programming. The UFO has crashed into the damn mountain!

ALIENS

The second side surprisingly opened with some blues jamming:  “Standin’ at the Same Old Crossroads”.  And that would be Sammy on the slide guitar.  “Crossroads” leads directly into “Privacy”, a “Radar Love” re-write that is better than “Radar Love”.  Maybe I’m just sick of “Radar Love”, but “Privacy” has some smoking playing on it, proving again that Hagar is actually a pretty badass soloist.  Side two on a whole is actually much better than the first.  “Back Into You” is a vintage-style Hagar radio rocker.  Journey must have wished they wrote “Back Into You”.  The keyboard overdubs aren’t necessary but hey, it was the 80’s and this is a great little AOR rocker.

Another tune that Hagar played live with Van Halen was “Eagles Fly”.  He actually presented the song to the band for 5150, but it was turned down.  A live Van Halen version can be found on the 1993 single for “Jump (Live)”.  He did it acoustically on stage, but the studio version is bombastic and big like “Give to Live” is.  It’s a pretty impressive tune, for pop rock.   David Lauser’s drumming makes the song, I’m a sucker for that rat-a-tat-tat!

The album ends on a ho-hum note, the soul-funk of “What They Gonna Say Now”, sort of this album’s “Inside” to close it out.  Just not good enough.  If you want to hear Eddie Van Halen playing bass up close and personal, he’s very audible here, but he’s not a flash bassist.  He plays with the groove for the song.

It’s tempting to think of this album as a collection of tracks that were not right for Van Halen, and that’s mostly true.  A lot of it, however, just wasn’t good enough for Van Halen.  “What They Gonna Say Now” could have been a Van Halen track, but it would have been the weakest tune on 5150 if so.

2.5/5 stars

REVIEW: Van Halen – OU812 (1988)

Review by special request of reader Wardy!

OU812_0001VAN HALEN – OU812 (1988 Warner)

Those who were displeased with 1986’s 5150 album were optimistic about the next Van Halen.  “I heard it’s supposed to be heavier like old Van Halen,” were the whispers in the highschool halls.  “More like the stuff with David Lee Roth.”  Even though Van Hagar plotted their own course with tremendous success, there were and always will be factions that prefer Diamond Dave.  It is all but impossible to review a Van Hagar CD without asking, “is it as good as the classic records?”

I like OU812, a lot. It’s probably my favourite Van Hagar album and I’ve liked it since it came out. It is a little harder than 5150, and it does sport old school Van Halen shuffles like some from the days of old.  I would often argue that where Sammy Hagar fumbled in Van Halen is in the lyrical department.  But few of his lyrics on OU812 outright suck, and some are pretty cool.  Eddie’s guitar tone was beefier than it was on 5150.  Most importantly, the band were all fired up and still writing great rock songs and ballads.

Keyboards remained on the new album, as heard on opener “Mine All Mine”.  The context now was a harder rock song, and they work effectively.  Hagar turns in a surprisingly penetrative lyric regarding religion and self reliance.  “You got Allah in the East, Jesus in the West — Christ, what’s a man to do?” sings Sammy, never one to mince his words.  The breakneck track serves as an excellent starter for the new Van Halen.

“When It’s Love” kills the momentum momentarily.  It was a huge hit and also happened to be Van Halen’s first actual “music video” since David Lee Roth quit the band years before.  As far as ballads go, it’s edgier than “Love Walks In” or “Dreams”, although I don’t think it’s as good as either of those.  Thankfully the boys chase this with the weird-titled “A.F.U. (Naturally Wired)”.  This blazingly fast Van Halen shuffle isn’t too dissimilar from the style of song the band used to do with Dave.  Eddie, of course, knocks everybody down with his impossible licks.  Meanwhile, drummer Alex Van Halen gleefully enjoys the odd beats and searing tempo.

One of the best Van Hagar songs of all time closed side one, and it’s the song that loaned its name to an award-winning tequila:  “Cabo Wabo”.  A laid back summer classic, I challenge even the most cynical fan to not tap their toes during “Cabo Wabo”.  Hell, feel free to air-drum along.  Eddie lays down some juicy chords in that trademark brown sound.

“Source of Infection”, side two’s opening song, is barely a song at all.  I have always been convinced that Sammy ran out of time and didn’t have any lyrics written for this song so he just went in and sang stuff.  We know that Van Halen were indeed rushed in the studio.  I think “Source of Infection” is evidence of that, as there are barely any words to it.

Hey!OU812_0002
Alright!
Woo!
How ’bout ‘cha now, come on!
Oh yeah!
Dig it! That’s right
Is everybody ready? Let’s go!

(Movin’ up and down) Up ‘n down
(Round and round) Oh, round and round
(Movin’ up and down) In ‘n out
(Round and round) Yeow!

Crank it! Blow out!
Uh! Ouch!
Help me
Now flip on over
Oh baby, you know that I like it
(Woop! Woop! Woop!)

I think I’ve made my point.

It’s actually a smoking track, one of the heaviest Van Hagar blazers ever recorded, but to call it a “song” would be too generous and misleading.

I’ve been on record here for trashing Van Hagar ballads in the past, but I really like “Feels So Good”!  It’s the bright upbeat one.  Eddie’s keyboard sound on it is unique.  You have to give Eddie credit as a keyboardist, because that is so overshadowed by his guitar playing.  Eddie has always manufactured cool keyboard hooks, and accompanied them with an identifiably unique keyboard tone.  “Feels So Good” continues that tradition.  Top that with an Eddie solo complete with two-handed tapping and tricks, and you have a flawless Van Hagar pop rock track.

The country-flavoured “Finish What Ya Started” is one of the best top 40 hits about blue balls that I can think of.  I suffered from a high level of burnout from this track in ’88-’89, due to its saturation on radio and MuchMusic, but you can certainly hear why radio went for it.  The blue balls theme probably went right over their heads, and it’s accessible with plenty of incredible guitar hooks.  You just don’t hear Eddie playing like this often.  I also have to praise Alex’s snare drum sound here, so full and authentic.

“Black and Blue” was actually the first single, although no video was made for it.  It’s a slower Van Halen blues groove, but I don’t think it holds up particularly well after repeated listens.  (I caught hell for playing this album at work once, because Sammy sings “Bitch sure got the rhythm,” on this song.)  And unfortunately I don’t think “Sucker in a 3 Piece” is particularly awesome either.  It’s probably the weakest track on the album, although I remember one kid at school thought it was the best one, so there you go!  “Only Eddie Van Halen could come up with ‘Sucker in a 3 Piece’,” he praised.  I don’t see what his fuss was all about.

There was a CD bonus track on this, a rare novelty back in 1988.  I already had “A Apolitical Blues” on the flipside of the “Black and Blue” single.  For the first time since Diver Down, a cover (Little Feat) on a Van Halen album! Granted, only on the CD version, but still.  On MuchMusic, Eddie explained how this song was recorded about as low-tech as you can get:  four guys, two microphones, one room.  It sounded great on that scratchy old 45, but it’s not as memorable as a Van Halen cover can be.

Interesting and sometimes annoying factoids about the albums:

1. No producer is listed anywhere in the credits.  There is only “Recorded by Donn Landee”.

2. The tracks are irritatingly and purposely listed in the wrong order on the back cover, and in the lyric book.  They are alphabetical.  Who does that anymore?

4/5 stars

Final note:  A rare 3″ CD single with a remix of “Finish What Ya Started” and the album version of “Sucker in a 3 Piece” found its way into our store.  It came in with no packaging, so I bought it and stuck it in with my CD of OU812 as “disc 2” in a 2 CD case.  The remix version is notable for not being audibly different from the album version in any detectable way!

REVIEW: Van Halen – Tokyo Dome Live in Concert (2015 – LeBrain’s review)

For another perspective, check out Tommy Moraisreview of this CD, here!

NEW RELEASE

VAN HALEN – Tokyo Dome Live in Concert (2015 Warner)

I’d like to begin this review by diving head-on into the thick of it.  Everybody’s been talking about Dave’s voice.  It’s all anybody seems to talk about regarding the new Van Halen Tokyo Dome Live in Concert CD.  Even Sammy Hagar, always eager to open his mouth and opine on all things Halen, had this to say:

“I’m trying to tread lightly on the whole thing.  Every time they do something, I’m like, ‘Oh my God, can these guys do anything worse to their reputation and to the level of the music of the band?’”

Sammy couldn’t be more wrong (or bitter sounding).

Newsflash:  the new Van Halen is good!

Sonically, this CD is monstrous.  The bottom end sounds so good, and what a bottom end it is!  Lil’ Wolfgang Van Halen has become quite a bassist, which surely comes as no surprise.  His vocals with pa Eddie keep the melody grounded while David Lee Roth freestyles it.  No, he doesn’t sound like Michael Anthony, but surely you knew that by now.  I have always loved Mike’s backing vocals.  But Mike’s not coming back to Van Halen, and if you miss Mike that much, Chickenfoot have two excellent albums for you to pick up.

TOKYO DOME

The setlist: in a word, phenomenal.  All seven DLR-VH albums are mined for hits and deep cuts.  This means that you get to hear tracks like “Romeo Delight”, which I bet you never thought you’d hear live again.  “I’ll Wait”, “Ice Cream Man”, “Beautiful Girls”…almost all of my favourites are here!  But what really blew my mind was “Hear About It Later”, one of my desert island tracks, from Fair Warning.  I understand that the setlists were often decided between Dave and Wolfie, and you sure can’t find much fault in their choices.  The only one I didn’t particularly care for in the live setting was the recent single “Tattoo”, with its taped backing vocals.  It’s kind of an oddball Van Halen track as it is.

Now, Dave’s vocals:  They are what they are.  There are moments he’s out of breath, wheezing, and missing notes.  They are fewer than you’d expect.  I think one thing that didn’t help this album’s early reputation was that they released some questionable preview tracks.  Dave’s vocals on “Panama” are not as hot as they are on something like “Ice Cream Man”.  Definitely, he does better on some songs than others, but he succeeds in injecting every line with that Dave “charasma”.  He cheats his way around certain melodies, and speaks where he used to sing, but other singers his age do the same thing.  Rob Halford changes the vocal melody live quite often.  So, given that age and time do things to the human voice, and given that Dave is a smoker, you cannot compare Roth in 2013 to Roth in 1983.  (Let’s just hope that some day, we get a CD/DVD set of that US Festival, eh?)  And keep in mind: Roth’s so-so vocals are only proof that this album is live, no tampering in the mix (unlike the live album they did with Sammy which was heavily re-recorded).

Last, but certainly not least: Edward Van Halen himself.  It seems kind of pointless to say “he’s playing awesome”, but I do think it’s important to get it out there.  He’s had health scares, and he definitely hit a low point back in 2003.  His singing and playing here is awesome.  There is nobody in the world who sounds like Eddie Van Halen, though there are many who have tried.  In a blind taste test, 100% of Van Halen fans chose Eddie.

Filler:  Alex’s drum solo “Me & You”, a tropical jazz inflected moment that simply does not fit the show.  But the guys are getting up there and a mid-show drum solo gives Dave and Eddie a chance to rest for a few minutes.  In every other way, Alex Van Halen is awesome on this album.

I recommend any serious Van Halen fan to ignore the hype (and Sammy) and pick up Tokyo Dome Live. It’s cheap (about $13-15), it sounds excellent (it’s self-produced) and it has all the songs you want.  After all, we didn’t spend all these years moaning that we wanted Dave back in the band, only to bitch and complain about the live album, did we?

4/5 stars

VH LIVE_0001

GUEST REVIEW: Van Halen – Tokyo Dome Live in Concert (2015)

NEW RELEASE review by TOMMY MORAIS

“Better late than never or too little too late?”

VH LIVEVAN HALEN – Tokyo Dome Live in Concert (2015 Warner)

It came especially late, but alas we finally have a live Van Halen album featuring David Lee Roth. Tokyo Dome Live in Concert was recorded on March 22 2013 during VH’s last tour. It’s not the band’s first live album as there has been a live Van Hagar release, but it’s the first with Diamond Dave which fans had been asking for, for decades now. This lineup features the Van Halen brothers (of course) Alex and Eddie with David Lee Roth, and Wolfgang Van Halen au lieu of original bassist Michael Anthony. One has to ask “why a live album at this point late in their career?” but it’s better late than never l suppose. Van Halen’s classic lineup and first six albums with DLR from 1978-84 have touched and inspired generations. It’s all-time classic rock, and there are plenty of masterpieces and classics to be found. The band knows this too, as they perform the songs that everyone wants to hear from those six albums along with a few from the current lineup’s 2012 output A Different Kind of Truth.

The setlist is incredible! I mean seriously look at it (they open with “Unchained”) and tell me that it’s not damn well near perfect. All the hits are there along with favourites and that’s one of the album’s strengths and main appeal. I don’t think l would’ve taken anything out. I wouldn’t have added much more either. Anyone who complains is just nitpicking. I would’ve wanted to see “You And Your Blues” from ADKOT instead of “Chinatown”* but that’s about as picky as l can be. Everything l could’ve asked for is here. Two discs and 25 songs (one is a drum solo) at this price is excellent. Those things l can’t complain about.

Now let’s address the elephant in the room. Yeah THAT one! Roth’s singing. Sometimes he completely leaves out lines, his timing is off or at the very last second, and occasionally he’ll almost talk instead of singing. To his credit he’s getting up there in age and moves a lot during live performances, it’s not getting any easier for him and l know criticism of his voice will be harsh towards this release. I’m trying not to be too harsh, while remaining objective. Granted he doesn’t sound great and there some not so good moments, but Diamond Dave was never truly an amazing singer to begin with. Less so live. He was always known to be the charismatic and energetic frontman and no one could touch him.

One of my favourite moments has Dave being Dave, during the beginning of “Pretty Woman” where he goes: “I know that song! (pause) I know that song! (pause) I fucking love that song!”  On some songs he sounds good, some tolerable and some…awful.

People have mixed feelings to say the least about Wolfgang replacing Michael Anthony. I think it hurts them not to have Anthony around because his backing vocals were truly the band’s secret weapon and they improved Dave’s overall sound, something Wolfgang simply cannot do (he does sound a little better now), but he does get the job done on the bass guitar. The backing vocals are not awful, and they try their best (“You Really Got Me” is a good effort) but they could have used Anthony’s presence.  Alex Van Halen has lost nothing with the years and plays incredible.  The “Me & You” piece is amazing. Eddie does what he does best, and surprises us at times adding things here and there being the player we know he is. I can’t say that they really live up to their past glory, but very few bands can and at the end of the day it’s a fun performance.

The sound is very raw and bare-bones, it doesn’t sound like it was overdubbed at all which is one of Tokyo Dome‘s best qualities. I think they were going for a bit of a bootleg sound, not too much as clearly this exceeds a bootleg, but Van Halen wanted a real raw, gritty and heavy feel. Now the audience is essentially nowhere to be found. I own lots of live albums and this has got to be one of the quietest crowds l’ve heard for Van Halen (and a rock concert for that matter). I can only assume they turned them down during the mixing.

On a side note, I think it was a missed opportunity to film the show and have it released as a CD/DVD package**.  I think it would have helped gather even more interest in the band and Tokyo Dome. I’m just glad we finally have some new Van Halen out, and a live one with Dave.

Is it perfect? No. Does it have it’s flaws? Yes. Could it have been more? Well l think if you don’t expect too much out out of Van Halen you will find much to enjoy. The guys are a little older, Dave’s voice has aged and it’s 3/4 of the classic lineup but they can still deliver a good performance and entertain you. Some will completely rip on Dave’s voice and l get it (STOP CHEWING GUM WHILE YOU SING!), it’s the main reason l’m giving Tokyo Dome 3 stars. It does make you long for a proper live release from the early 80’s. The musicianship though, is very good and the setlist incredible.

3/5 stars

*LeBrain disagrees.  I like both songs, but “Chinatown” trumps “You and Your Blues”!

**LeBrain agrees.  I don’t know why that wasn’t done.

For LeBrain’s review, click here!

TOKYO DOME_0002

#375: VH Predictions FAIL!

RECORD STORE TALES MkII: Getting More Tale
#375: VH Predictions FAIL!

I like to think I’m such a know-it-all. Higher-than-thou, my musical knowledge trumps yours, etc. However when I’m wrong (it happens frequently), sometimes I’m colossally wrong.  Below is an example of me being completely, 100% totally wrong.  Although I’m glad I was.  When the Van Halen reunion with David Lee Roth was announced, I believed it would not last long.  I took the time to write out this list below.  With the live album coming, and the hot rumours of another tour, this is a great time to showcase one of my most colossal failures as a clairvoyant.

VH

Date: 2007/02/08 07:10

TOP TEN REASONS WHY THE =VH= VAN HALEN REUNION TOUR WILL GO DOWN IN FLAMES

10. Wolfgang Van Halen on bass means that there are three Van Halens in the band vs. one Lee Roth. David will feel outnumbered at every turn.

9. Wolfgang Van Halen, a 15 year old kid, is an untested property. Will it sound like the same band without the very recognizable Michael Anthony on bass?

8. No new songs, no new album, just another greatest hits (the third and most obvious rip off for your money). [NOTE: at the time Van Halen were planning to release a “best of DLR-era” CD, which was thankfully cancelled.]

7. David Lee Roth’s voice has been utterly destroyed since about 1991.

6. Eddie Van Halen is but a shadow of the man he once was. A raging alcoholic surrounded by yes-men, his guitar playing hasn’t touched upon brilliance in almost a decade. Throw his 15 year old son into the alcoholic tour and you have recipe for disaster.

5. Roth and the VH brothers haven’t gotten along in decades. The fact that the brothers recently attempted–and failed at–a reunion with Sammy Hagar before this indicates that this is a last-ditch effort to save the band. Not exactly the kind of motive to make a reunion happen.

4. Roth will say and do what he wants, much to the chagrin of the ultra-controlling VH brothers.

3. Alex VH’s spinal problems, while not heavily discussed, are probably only getting worse with time.

2. 40 dates isn’t much of a tour for a band of this stature.

1. Classic VH = Edward Van Halen, Alex Van Halen, David Lee Roth, and Michael Anthony. Without Anthony, this is not classic Van Halen. This is in effect the fourth version of the band. VH-IV, if you like. That isn’t what I wanted to see on tour this summer.

I am glad to be have been proven wrong on this one. Van Halen has defied the odds and my predictions. I couldn’t be happier about it.

REVIEW: Van Halen – Best Of Volume I (1996)

I will be live on the Craig Fee Show on 107.5 Dave FM this afternoon 12/01/14, around 5:20 pm Ontario time, to discuss one of the tracks included on this album. Listen live by clicking right here to stream!

EDIT – Show went great!  Thanks for listening!

This review is a companion piece to my previous “Van Halen (Not Van Hagar!)” series of reviews:
Part 1: The Early Years (Zero – 1977) VH_0003
Part 2:
On Fire (Van Halen – 1978)
Part 3: Somebody Get Me A Doctor (Van Halen II – 1979)
Part 4: Everybody Wants Some!! (Women and Children First – 1980)
Part 5: Push Comes to Shove (Fair Warning – 1981)
Part 6: Intruder (Diver Down – 1982)
Part 7: House of Pain (1984 – 1984)
Coda: Can’t Get This Stuff No More & Me Wise Magic (1996 singles)

VH BEST OF V1_0001VAN HALEN – Best Of Volume I (1996 Warner)

Van Halen’s first “greatest hits” compilation was historic in its fallout.  The band had talked for years about putting out a “best of” set, with one disc of Dave and one disc of Sammy.  That never happened but the concept continued to be discussed in the Van Halen camp, with Sammy Hagar adamantly against it.  When Hagar’s friend and Van Halen’s manager Ed Lefler passed away, he was replaced by Canadian Ray Danniels, who was also handling Rush, Extreme, and King’s X. Hagar and Danniels never quite saw eye to eye and when push came to shove, Hagar refused to participate in the recording of new music for the compilation.  The Van Halen camp considered this to be highly hypocritical of Sammy, since he had done just that for his own solo “greatest hits” CD, Unboxed (1994).  All of this led to a tense telephone standoff with Eddie Van Halen himself, the revelation that Ed had already started working on new songs with former singer David Lee Roth, and Hagar quitting the band.  (On top of all that, and unbeknownst to Hagar or Roth, was that was Van Halen were also eyeballing Gary Cherone, who Ray Danniels brought in from one of his other bands, Extreme. They had even recorded some test tracks with Mitch Malloy who ultimately turned the gig down.)

When Best Of Volume I was finally released in fall of 1996, there was so much confusion in the air that many fans really had no idea who was in Van Halen or what the hell was going on.   At the Record Store, I had one guy come in and return this on the day of release, October 22, 1996.

“Yeah, I want to return this CD,” he said.  “I already have these songs.”

What?!  You couldn’t tell that from the title Best Of Volume I?

That’s indicative of the confusion in fandom.  This guy had assumed, like many people, that Van Halen had a brand new album of songs out with David Lee Roth singing.

VH BEST OF V1_0004Another common urban myth was that there was such a thing as Best Of Volume II.  People would constantly ask if we had it, when it was coming out, and sometimes even insist they had seen it before in stores.  When asked when Best Of Volume II was coming out again and again, I started answering “18 years”, because that’s how long it took for them to come out with Volume I.

T-Rev wrote up a quickie review for our store newsletter.  He praised the remastering job, but bemoaned that only one song was included from Van Halen II, and that there wasn’t enough Dave in general.  I would agree.  At the very least, a song like “Can’t Stop Loving You” should have been ditched for something else like “Everybody Wants Some!!”  However, to put this into context, in 1996 that was one of Van Halen’s most recent hit singles, just over a year old.   The rest of the album takes tracks from each studio record (sans Diver Down which Eddie doesn’t speak too highly of). The most notable omissions were “Hot For Teacher” (only available on the Japanese release of Best Of) and “Love Walks In” (which I can do without). Presumably there would have been more tracks on a Volume II, which never materialized.  (18 years my arse!)

To me, the hits part of this disc is just preamble. The reason fans went out and bought this CD was the return of David Lee Roth on the two new singles. Nobody cared about the hits they already had.  Indeed, as implied by T-Rev’s review, most of us didn’t really agree with most of the hits selected.

They stuck “Can’t Get This Stuff No More” and “Me Wise Magic”, the first new songs by the original Van Halen in over a decade, at the tail end of the CD.  As fans, we were elated to hear new music that clearly hearkened back to the pre-synth, pre-1984 sound of Van Halen. Dave’s voice was lower and less powerful, but no less expressive.  His delivery is pure gleeful Dave, even on these darker songs. His lyrics (which according to Roth, Eddie didn’t like) are as Diamond Dave as ever.  As far as guitar goes, Eddie’s letting it, basing both songs purely on riffage. This was a pretty cool about-face from the too-commercial sounds of Balance.

Neither song was really single-worthy, but they would have made solid album cuts, had this incarnation of Van Halen continued to make an album.  Of course, that didn’t happen.  Best Of Volume I is, thus far, the only place you can buy them.  And that means if you love original Van Halen, you need to buy this album.

For Van Hagar fans, there was the excellent newbie “Humans Being”, with its angry modern verses and bright shiny chorus.  I’ve always liked the song, because of the chorus and Eddie’s guitar.  The verses, not so much, but as a song it holds together as something different for Van Halen.  In some ways it pointed the way forward to Van Halen 3.  This is the only ‘Halen album where you can get “Humans Being”, saving you from having to buy the terrible Twister soundtrack.

(Missing is a track called “Respect The Wind” billed by Eddie & Alex Van Halen from the same soundtrack.  It’s not really that good, and it’s not billed as Van Halen the band, so seek as per your own needs.  Presumably, “Respect the Wind” was from the batch of music that they were working on while Sammy refused to record.  See KeepsMeAlive for a review of the Twister soundtrack CD.)

VH BEST OF V1_0003

Roth mentioned in his autobiography Crazy From the Heat that he hated the cover art and booklet for this.  It looked devoid and sucked dry of all life.  I would agree.  A music video was planned but nixed.  The concept was the trio of Michael Anthony and Eddie & Alex Van Halen playing on a stage, with a big screen behind them of Dave singing.  Insulted, Roth refused to do it.

Of interest, if you’re lucky enough to own a first pressing of this CD, you might have a mini-rarity.  There was a version with an error on it.  You may own a very rare alternate mix of “Runnin’ With the Devil”, released by mistake, where the verses, chorus and solos were arranged in a different order than that of the originally released album version. Take a listen and see if you’re one of the few.  That version was quickly discontinued and corrected.*

3.5/5 stars. Despite the brevity, this album doesn’t overstay the party.


*My friend at 107.5 Dave FM, Craig Fee, had this to add about the “error” mix of “Runnin’ With the Devil”:

You just solved a huge mystery for me. Something that has been bugging me for YEARS.

When I first moved here, I was listening to Dave FM one day. I heard this fucked up version of “Runnin’ With The Devil” with the “whoooooo whooooooo” part at the end edited out. I mentioned it, but Darryl didn’t do anything about it. 5 years later, we are still playing this version. It sounded like a bad edit made by an overzealous producer who was trying to do something to the song.

Until this post, I had no idea why somebody would butcher the song like that. Now I know why. The majority of the big ‘hits’ were dubbed from that CD.

I have the version I bought the day it was released. I listened to it twice. I have no idea if it’s the edited version.

Craig advised me to load both versions (Best Of and Van Halen I) into Audacity and sync them.  I did and I could see right away visually that they did not match up.  I hit “play” and everything was synced until around 1:15.  Then, as Craig puts it, “all hell breaks loose” and the two versions completely deviate.    So apparently I do have both.

RUNNING WITH THE DEVIL WAVEFORM COMPARISON

 

The only modification I made to the tracks was to reduce the version from Van Halen in volume by 7%, so they were roughly the same.

More VH:

VAN HALEN – 3 (Collectors’ tin 1998)
VAN HALEN – 5150 (1986 Warner Bros.)
VAN HALEN – A Different Kind of Truth (2012)
VAN HALEN – Balance (1995 Warner – Japanese version included)
VAN HALEN – “Best of Both Worlds” (1986 Warner 7″ single)
VAN HALEN – The Best of Both Worlds (2005 Warner)
VAN HALEN – “Can’t Stop Loving You” (Parts 1 & 2, inc. collector’s tin)
VAN HALEN – “Right Now”(1992 cassette single, Warner)
BRIAN MAY & FRIENDS – Star Fleet Project (w/ Edward Van Halen)

REVIEW: Van Halen – For Unlawful Carnal Knowledge (1991)

VAN HALEN – For Unlawful Carnal Knowledge (1991 Warner Bros.)

What a frustrating experience this album was for me.  This was supposed “the one”; the album that would please the DLR fans and finally unite Van Halen fandom.  Heavier with only one ballad, For Unlawful Carnal Knowledge was to be a statement.  Edward Van Halen had said that neither 5150 nor OU812 were ever properly finished to his liking.  In both cases, the band were under pressure to get out there and tour (OU812 because of the 1988 Monsters of Rock).  F.U.C.K. was to be the album that he finally got to spend time on and properly finish.  It was also Eddie’s first album using his new Ernie Ball guitars.   I expected my brain to be blown.

And it was, or it was by the first single at least.  “Poundcake” lived up to the promise.  Sure, lyrically it was…well, pretty stoopid, but musically?  Van Halen had some balls back!  This motherfucker grooves like a slow train.  As far as guitar tricks went, Eddie went all out with harmonics, taps, and…drills?  The shimmery guitars were subtly different from Eddie’s classic “brown sound”, but a guitar sound is an ever-evolving quest.  On this song, his rhythm guitar tones recall his friend, Brian May.  With “Poundcake” as a first single, I couldn’t wait to hear the whole album.

MuchMusic came close to banning this video

I was given the CD (same copy I still have) on my birthday in ’91, by childhood friend Bob.  I still remember popping the CD in for the first time that afternoon.  Then a few days later it was given to me again (this time on cassette) by my Aunt and Uncle!

Momentum is maintained on the second track, “Judgement Day”, heavier than the first.  The riff is anchored by a whammy bar trick, and it’s tasty.  I cannot find fault with “Judgement Day”.  This is what I wanted and hoped for from the new Van Halen album.  The groove is still there, Alex and Mikey gelling in a relentless way.  Sonically, both guys are recorded better than ever.  The bass and drums on For Unlawful Carnal Knowledge are really something to behold.

Then, things slide.  The awful “Spanked” is the worst song on the album, and possible contender for worst Van Hagar song yet.  “All you bad bad boys, call her up on the spank line,” sings Sammy with a straight face.  The sad thing is, the song would have been a fine instrumental, or basis for something with David Lee Roth.  Sammy ruins it with shitty lyrics and a shitty melody.  Too bad.  “Runaround” is a good song on first and second listen, but you tire of it quickly.  It’s bland, as is much of F.U.C.K.  The problem with “going heavy” for an album is the risk of losing diversity and texture.

The 7-minute “Pleasure Dome” can barely be called a song.  Organized chaos with some lead vocals, yes.  But it’s barely a song.  There are moments of brilliance contained within (the drums in particular) but it’s not particularly worthy.  And this was the side closer.

VHFCK_0002

As crappy as “Spanked” is, “In ‘N’ Out” is virtually a carbon copy.  It has some sparkling guitars to go with it, but like “Spanked”, the song sucks.  I can’t believe somebody didn’t say, “Guys, let’s cut the album down to 9 tracks like we used to do, and leave those two for B-sides”.   “Man On a Mission” isn’t much improved.  Just dull rock with dumb lyrics.  Totally uninspired.  It’s just four guys playing music without much direction other than, “turn it up!”

Things change up a little bit on “The Dream is Over”.  This also-ran isn’t a bad tune, though nowhere near single quality for Van Halen.  It’s at least a step in the right direction.  It feels as if the album was in a slumber, and it has now woken up — the title is apt.  And thankfully Sammy isn’t singing about girl parts for a change.

Van Halen didn’t consider “Right Now” to be a ballad, but it’s the only song with a keyboard.  It’s a welcome oasis in the desert of monotonous rock.  It’s a great song.  I don’t think anyone can say that it hasn’t been played to death, so I don’t need to comment further.  MTV awards, Pepsi, blah blah blah.

Nice suit.

“316” (named for Wolfy’s birthday 3/16/1991) is an acoustic guitar part that Eddie had been playing live for years.  Later, Eddie used to play this piece for Wolfgang while still in the womb.  But it’s just a brief 90 second instrumental, a segue into “Top of the World”, also a single.  It took a while for me to recognize the riff.  In fact, I didn’t pick up on it until I heard this song following “Jump” on the album LIVE: Right here, right now.   Only then did I realize:  it’s based on the outro riff from “Jump”!  So they re-used that oft-forgotten riff and built a new song around it.  It’s a good song, very pop rock, but a suitable album closer.

As high as this album charted (US #1), I’m convinced For Unlawful Carnal Knowledge is one of the albums responsible for the death of hard rock in 1991.  Sure, a lot of people bought it.  But a lot of people also didn’t like it very much.  Maybe they were getting tired of the schtick, but I do know I found it really hard to proudly blast this album out of the car.

2.8/5 stars

REVIEW: Van Halen – “Can’t Get This Stuff No More” / “Me Wise Magic” (1996)

VAN HALEN (Not Van Hagar!) Coda: Can’t Get This Stuff No More

Welcome to the final installment in my latest series of reviews at mikeladano.com:  an in-depth look at all the classic VAN HALEN albums, with David Lee Roth.  If you missed anything, don’t fret: the complete list is right below.  Dig in!

Part 1: The Early Years (Zero – 1977) VH_0003
Part 2:
On Fire (Van Halen – 1978)
Part 3: Somebody Get Me A Doctor (Van Halen II – 1979)
Part 4: Everybody Wants Some!! (Women and Children First – 1980)
Part 5: Push Comes to Shove (Fair Warning – 1981)
Part 6: Intruder (Diver Down – 1982)
Part 7: House of Pain (1984 – 1984)
Coda: Can’t Get This Stuff No More (Best Of Volume I – 1996)

VAN HALEN – “Can’t Get This Stuff No More” / “Me Wise Magic” (1996 Warner promo singles)

Van Halen had been doing just fine, thank-you-very-much, with Sammy Hagar for a decade.  There had always been rumors that they were on the verge of a split with Hagar.  I remember hearing those rumors on MuchMusic in 1987, around the time Sammy had released his self-titled solo album.  The rumors returned when Sammy released his Unboxed compilation in 1994.  When the split did finally occur in 1996, it was explosive.  Especially when Van Halen announced that they had resumed work with David Lee Roth, and two brand new songs featuring his voice would be released on the forthcoming Best Of Volume I album.

A somewhat embarrassing MTV Awards appearance by the reunited Van Halen stoked the fire. They presented an award to a stunned looking Beck, who thanked them in his speech. Dave, always the ham, made the most of the opportunity to address the crowd. Edward looks uncomfortable, keeping his distance and trying keep the subject on the “Best Male Video” award.

As predicted, the reunion was strictly temporary.  A tense studio situation (with new producer Glen Ballard) produced two cuts.  The first, “Can’t This Stuff No More”, was considerably darker than most of the Van Hagar tunes the band has been putting out.  You can hear some quiet organ overdubs, but it is otherwise void of keyboards.  Roth uses his lower voice, as he had on his previous solo album Your Filthy Little Mouth.  Eddie’s guitar sounds a bit like his work on 1984, but with a much fatter tone.  As a single, “Can’t Get This Stuff No More” is a bit of a disappointment.  If it had accompanied a whole album of new material, it would have made an excellent album cut.

“Me Wise Magic” is the one with the catchy chorus.  It too has a dark tone to it, perhaps reflective of the mood in the Van Halen camp.  Roth again uses his low voice, until the chorus when he lets those patented Dave shrieks loose.  They’re older, more ragged and tamed, but it’s that same Diamond Dave “charasma!” that we had missed for so long.  The chorus isn’t bad, but the song doesn’t boast one of those classic guitar riffs that albums such as Women and Children First were loaded with.  There’s no mistaking the player as Edward, especially come solo time, but it is undeniable that these two “new” songs lack a certain magical aura.   Both would have made excellent album songs, surrounded by others of different tempos and types.  As “new” compositions on a greatest hits collection of questionable intent…

3.5/5 stars

Whether you are traveller or tourist, this is the end of the ride; the series stops here.  We know what happened next:  Van Halen 3, inactivity, followed by years of confounding turbulence.  Finally, the album A Different Kind of Truth (2012), and redemption.