Mississauga

#776: (Wag)yu Shook Me All Night Long [Reblog]

Today is our anniversary!  In this throwback post from 2019, enjoy some wicked looking steaks.


RECORD STORE TALES #776: (Wag)yu Shook Me All Night Long

For highway driving, nothing quite hits the spot like AC/DC.  It feels right.  Who Made Who works as a quickie “greatest hits” selection for a quick spin down Highway 401.  Mrs. LeBrain and I were heading to the GTA to celebrate 11 years as a married couple.  We rocked to “You Shook Me All Night Long” on the dance floor that night, and we were returning to the very same location once more.

Highway 401 is in a perpetual state of construction, but good music helps take the edge off.  This was my first drive that way in the new vehicle, and also the first with my latest gadget, a nifty dash cam that is sure to provide lots of content for my YouTube channel in the coming months.

Sorry, quick tangent:  Phil Rudd is the “man”, but Simon Wright doesn’t get enough credit for his time on the AC/DC drum stool.  AC/DC isn’t an easy beat to get the feel for, and every AC/DC drummer has their own approach.  The 1980s were a period of hard-hitters and Simon Wright was the perfect drummer for that era.  His precision is absolute on “Who Made Who” and it just sounds right.  Compare the original to Chris Slade’s interpretation on AC/DC Live.  That’s all I have to say about that.

We arrived at the hotel mid-afternoon and I settled into the jacuzzi pretty quickly.  I wanted to do a funny gangsta style photo in the hot tub with me holding a couple of American dollar bills.  I was thinking about when Floyd Mayweather threw the $1s at Conor McGregor.  And holy shit did Facebook react.

“Dude you look like if Kuato from Total Recall was successfully removed from his twin, grew up, lived a long and depressing life and got really excited when someone gave him 2 bucks to sh!t in the local YMCA jacuzzi.”

Two things:  Yes, I had pants on.  And yes, that “gang sign” is the Vulcan salute.  Relax.  Let a man enjoy his jacuzzi, publicly on social media like damn 20 year old.  Are you not entertained?!

We did some shopping.  Because, like an idiot, I forgot to bring a nice pair of shoes for dinner, I had to get a new pair just for this one night.  Then we met up with Jen’s best friend Lara for lunch.  Did some more shopping.  I wanted to go to stores that we don’t have at home.  There isn’t much of that, just the same old chains.  We did hit one up cool store, where I bought something called “Jean Guy”, but we couldn’t find any cool music or toy stores.  At least I got my shoes!

So where were we headed?  In ’08 when we got married it was the Pavilion Royale, but now it is a high end restaurant called 17 Steakhouse & Bar.  It’s very different on the inside, but recognizable.  There was the dance floor, where I once spun to “You Shook Me All Night Long”.  But we chose 17 for more than sentimental reasons.  The main draw was the real Japanese A5 wagyu.  And that’s what this chapter is really about.

I’ve never had real wagyu in my life and American wagyu was not going to do it.  You only live once.  Carpe diem.  Go big or go home.  It’s only money.  All that bullshit.  I’d done my research, I knew what I was getting my wallet into.  I’d been planning it over a year.

We started with a simple but delicious field green salad, with incredible goat cheese.  The smoothest goat cheese I’ve ever tasted.  Only when we finished the salads did they began firing our steaks.  None of that “here comes your main dish before you’ve finished your starter” nonsense.  Jennifer chose the US prime T-bone, medium rare, and let me tell you, that alone could have been the best steak I’ve ever tasted.  It was 25 oz, so more than enough to share.  So tender!  With cripsy, tasty fat.

Jen’s steak could easily have been the most tender I’ve ever tried, if not for my Japanese A5 wagyu.  Market price was $30 per oz.  I chose an 8 oz striploin, medium rare.  You should always get a wagyu steak cooked to medium rare.  I was electric with tense anticipation.  The steaks arrived, cooked precisely to order.

I gently cut a thin slice, which came off like butter.  There was a lovely char on the outside, a crisp splash of flat, and then the most tender meat you can imagine.  It was seasoned simply and perfectly, the saltiness enhancing that beefy umami.  On the tongue, it was like butter with only the slightest sensation of a meaty texture.  I probably didn’t even have to chew.

It’s a very rich piece of meat, far more than I anticipated.  I’d estimate that I finished about 3/4 of my meal, leaving a $60 chunk of wagyu in my takeout bag.  And that chunk of leftover wagyu was the best lunch I ever had the following day.

For sides, we ordered the fingerling potatoes roasted in duck fat and thyme, the asparagus with hollandaise, and the scalloped potatoes au gratin.  Of those three, the asparagus was the clear winner, with the potatoes au gratin in second place.  Only I liked the fingerling potatoes; Jen didn’t care for them, leaving her batting average with any form of duck to be zero.

We had an incredible dessert of cheesecake, Crème brûlée and whipped cream which was supernaturally good. Everything was.

Having had probably the most expensive steak I’ll ever buy, was it worth it? If you are a steak lover, then yes, it is worth it.  And I love steaks.  A little goes a long way, but every steak lover should try real Japanese wagyu once.  It’s unlike anything I’ve had before and it is easily categorised as a true delicacy.  Having said that, should we return to 17 Steakhouse in a year, I don’t know that I would order it again, and that is only because there are other interesting features on their menu that I would like to try.  The 36 oz tomahawk would be a sight to behold, though I couldn’t eat it all myself.  I would also like to try the Porterhouse, the lobster bisque, and beef tartare.

Yes, the wagyu was worth it, and I can still taste and feel its texture on my palette.  It won’t be for everyone except in small doses.  They have a 4 oz minimum order, and I suggest that may the perfect size to experiment with.

17 Steakhouse & Bar gets 5/5, and so does the wagyu. 

We started with AC/DC so we’ll finish with AC/DC.  Who made wagyu?  17 Steakhouse did, and it was hell’s bells!  I couldn’t wait to sink the pink steak in my mouth.  It’ll shake your foundations just like it shook mine.  It’s a little bit of a ride on, down the 401, but worth the drive.  Hell ain’t a bad place to be(ef)!*  For those about to rock, I wagyu.

* Courtesy 1537

#904: 2000 Dates

A sequel to #616:  None of My Exes Live in Texas (But One Lives in Thunder Bay)
and #903: Online Dating in the Brave New World

 

RECORD STORE TALES #904: 2000 Dates

When I think back on the year 2000, I realize, holy shit:  I went on a lot of dates that year.  Most of them were first dates; things generally weren’t working out for me.  When I look back,  I can’t believe how many there were.  I’ve already talked about “Hamilton #1”, “Toronto”, “Hamilton #2” (in detail!) and briefly “Kingston”.  But there were more.  Many more.  Some names are forgotten; the rest are redacted.  The cities and places are clear in my memory.

“Kingston” was cute and I fell for her hard over the telephone.  I remember finding it cool that she wore mismatched socks on purpose.  Some people teased me for that.  But she was quirky and had great taste in music.  She was a musician; a really good one too.  She came up to visit me one weekend.  We met in the parking lot of the Cambridge Record Store as it was right off the highway.  We drove from there to the cottage where we spent the night.  She brought her acoustic guitar and played some of her original tunes for me.  She also brought her copy of Pink Floyd’s The Wall.  The next day we came back to Waterloo for a Record Store party.  You can see why I liked her.

I was supposed to visit her in Kingston next.  The day of departure, there was a massive accident on highway 401.  I was stuck in it for hours and ultimately had to turn back home.  Things fizzled out from there.  She was planning on going to school in Thunder Bay, and while I said “no problem, I can do long distance relationships,” it was not meant to be.  Kingston is four hours away by car.  Thunder Bay takes a whole day, unless you fly.  It wasn’t going to work and I reluctantly had to let her go.  She already knew there was no future to it; I was the holdout.

I wasn’t over her yet, but immediately I jumped into dating once more.  It was a new girl every two weeks.  I was on the rebound.

“Guelph 1” was nice.  She was a student, who had long black synthetic dreadlocks.  The most memorable thing about her was that she was legally blind.  Maybe that was one reason why she went out with me!  She could see, she could get around, but her vision was impaired enough that she was classified as blind.   This meant that she actually got in to movies for free.  She had to sit in the very front row to see anything, but that was OK by me.

We went to see The Cell, starring Jennifer Lopez, Vincent D’Onofrio, and Vince Vaughn.  It was shit, but good enough for a date movie.   We actually went out a second time, after she had relocated to Hamilton.  But she wasn’t into me and there wasn’t much chemistry aside from a couple pleasant dates.

That’s not be confused with “Hamilton #3”.  I distinctly remember going to have coffee in Hamilton with a girl I never saw again.  I can’t recall any other details about her.  She had short black hair?  I think she brought a friend with her?  I got somewhat lost on my way back home (as I usually did when visiting Hamilton) but managed to turn myself around this time without having to call for directions.

“Toronto #2” was more memorable.  I felt a little weird that I was meeting her in the same parking lot as “Kingston”, but she didn’t need to know that.   We wanted to get a bite to eat, so we headed over to East Side Mario’s in the mall next door.

“Make sure we get a smoking table,” she said.

To her surprise, I answered “No such thing here!”

“Whaaaat?” she exclaimed.

Unbeknownst to her, the region had implemented an indoor smoking ban on January 1 2000.  They don’t pay attention to Kitchener news in Toronto, so she had no idea.  Not happy!  That was our only date.  The indoor smoking ban was a trial run, and it was soon enforced everywhere else.  There was a lot of complaining then, and a temporary dip in revenues at bingo halls.  Just like with Covid lockdowns today, many establishments fought the ban and were served up hefty fines.  Things bounced back eventually.

Not me though.  I was still rebounding.  Around the same time as  “Toronto #2” came “London”.  That was my first drive-in movie in 15 years.  The setting was more memorable than the movie, which was the Kevin Bacon turd called Hollow Man.  All I can really remember is the windows fogging up – and we weren’t even doing anything.

Then came “Mississauga”.  This is the one I felt worst about.  Most of the other dates were just dates.  We went out, we hung out, we went home.  “Mississauga” met me at the local Chapters store and we went book shopping.  Then, I believe, we went to see a movie.  I can’t remember exactly because the night ended with us making out in the back seat of my car.  Although I felt cool as hell at the time for having finally made out with a girl in the back seat of a car, afterwards I felt shitty.  She went home, and we never saw each other again.  I didn’t like that.  I was really confused, working my way through all these feelings.  But it was a mutual thing.  She didn’t call me, and I didn’t call her.

“Guelph #2” was the second last date of the year 2000.  Also a student.  Nice enough girl; we went out a couple times.  I think the moment I bailed was when she messaged me one weekend telling about this other guy she was hanging out with.  I had no problem with her seeing another guy.  We had just gone on a couple dates, we weren’t exclusive or anything like that.  It was the nature of this one specific message that scared me away.

“I’m here with a guy and his penis is stuck in a bottle!” she said.

All the best of luck to ya!  I didn’t have any follow-up questions.

At the same time, I had just met “Kitchener #1”.  The year was coming to an end.  I was 28.  I was tired.  I had done all the rebounding a man could do.  I was ready, but the first date didn’t work out as well as I hoped.  We went to the Boathouse and had lunch.  Afterwards she sent me an email titled “Let’s Hang”.  She just wanted to be friends.  I was OK with that because I did like her, and I thought, “Being friends is OK.  Nothing wrong with that.  I would like more friends.”

Right around the time some dude in Guelph was struggling to remove his penis from a bottle, “Kitchener” was having second thoughts.  We got along really well, and had continued to hang out as she wanted to.  A few weeks after that first date at the Boathouse, she had a change of heart.  She asked if I was still interested and I was.

And so, as the year 2000 ended (and with it the millennium), so did my misadventures in dating!  “Kitchener” and I stuck together for two years which was the longest relationship I ever had at that point.  We had good times.  She became like a member of the family.  In fact she still has Christmases with our family today, even though we split in 2003.  When I finally met my true soulmate Jennifer, my ex attended my wedding.  I liked that we were able to do that.  And now, my dating days are truly over!

 

 

 

#776: (Wag)yu Shook Me All Night Long

GETTING MORE TALE #776: (Wag)yu Shook Me All Night Long

For highway driving, nothing quite hits the spot like AC/DC.  It feels right.  Who Made Who works as a quickie “greatest hits” selection for a quick spin down Highway 401.  Mrs. LeBrain and I were heading to the GTA to celebrate 11 years as a married couple.  We rocked to “You Shook Me All Night Long” on the dance floor that night, and we were returning to the very same location once more.

Highway 401 is in a perpetual state of construction, but good music helps take the edge off.  This was my first drive that way in the new vehicle, and also the first with my latest gadget, a nifty dash cam that is sure to provide lots of content for my YouTube channel in the coming months.

Sorry, quick tangent:  Phil Rudd is the “man”, but Simon Wright doesn’t get enough credit for his time on the AC/DC drum stool.  AC/DC isn’t an easy beat to get the feel for, and every AC/DC drummer has their own approach.  The 1980s were a period of hard-hitters and Simon Wright was the perfect drummer for that era.  His precision is absolute on “Who Made Who” and it just sounds right.  Compare the original to Chris Slade’s interpretation on AC/DC Live.  That’s all I have to say about that.

We arrived at the hotel mid-afternoon and I settled into the jacuzzi pretty quickly.  I wanted to do a funny gangsta style photo in the hot tub with me holding a couple of American dollar bills.  I was thinking about when Floyd Mayweather threw the $1s at Conor McGregor.  And holy shit did Facebook react.

“Dude you look like if Kuato from Total Recall was successfully removed from his twin, grew up, lived a long and depressing life and got really excited when someone gave him 2 bucks to sh!t in the local YMCA jacuzzi.”

Two things:  Yes, I had pants on.  And yes, that “gang sign” is the Vulcan salute.  Relax.  Let a man enjoy his jacuzzi, publicly on social media like damn 20 year old.  Are you not entertained?!

We did some shopping.  Because, like an idiot, I forgot to bring a nice pair of shoes for dinner, I had to get a new pair just for this one night.  Then we met up with Jen’s best friend Lara for lunch.  Did some more shopping.  I wanted to go to stores that we don’t have at home.  There isn’t much of that, just the same old chains.  We did hit one up cool store, where I bought something called “Jean Guy”, but we couldn’t find any cool music or toy stores.  At least I got my shoes!

So where were we headed?  In ’08 when we got married it was the Pavilion Royale, but now it is a high end restaurant called 17 Steakhouse & Bar.  It’s very different on the inside, but recognizable.  There was the dance floor, where I once spun to “You Shook Me All Night Long”.  But we chose 17 for more than sentimental reasons.  The main draw was the real Japanese A5 wagyu.  And that’s what this chapter is really about.

I’ve never had real wagyu in my life and American wagyu was not going to do it.  You only live once.  Carpe diem.  Go big or go home.  It’s only money.  All that bullshit.  I’d done my research, I knew what I was getting my wallet into.  I’d been planning it over a year.

We started with a simple but delicious field green salad, with incredible goat cheese.  The smoothest goat cheese I’ve ever tasted.  Only when we finished the salads did they began firing our steaks.  None of that “here comes your main dish before you’ve finished your starter” nonsense.  Jennifer chose the US prime T-bone, medium rare, and let me tell you, that alone could have been the best steak I’ve ever tasted.  It was 25 oz, so more than enough to share.  So tender!  With cripsy, tasty fat.

Jen’s steak could easily have been the most tender I’ve ever tried, if not for my Japanese A5 wagyu.  Market price was $30 per oz.  I chose an 8 oz striploin, medium rare.  You should always get a wagyu steak cooked to medium rare.  I was electric with tense anticipation.  The steaks arrived, cooked precisely to order.

I gently cut a thin slice, which came off like butter.  There was a lovely char on the outside, a crisp splash of flat, and then the most tender meat you can imagine.  It was seasoned simply and perfectly, the saltiness enhancing that beefy umami.  On the tongue, it was like butter with only the slightest sensation of a meaty texture.  I probably didn’t even have to chew.

It’s a very rich piece of meat, far more than I anticipated.  I’d estimate that I finished about 3/4 of my meal, leaving a $60 chunk of wagyu in my takeout bag.  And that chunk of leftover wagyu was the best lunch I ever had the following day.

For sides, we ordered the fingerling potatoes roasted in duck fat and thyme, the asparagus with hollandaise, and the scalloped potatoes au gratin.  Of those three, the asparagus was the clear winner, with the potatoes au gratin in second place.  Only I liked the fingerling potatoes; Jen didn’t care for them, leaving her batting average with any form of duck to be zero.

We had an incredible dessert of cheesecake, Crème brûlée and whipped cream which was supernaturally good. Everything was.

Having had probably the most expensive steak I’ll ever buy, was it worth it? If you are a steak lover, then yes, it is worth it.  And I love steaks.  A little goes a long way, but every steak lover should try real Japanese wagyu once.  It’s unlike anything I’ve had before and it is easily categorised as a true delicacy.  Having said that, should we return to 17 Steakhouse in a year, I don’t know that I would order it again, and that is only because there are other interesting features on their menu that I would like to try.  The 36 oz tomahawk would be a sight to behold, though I couldn’t eat it all myself.  I would also like to try the Porterhouse, the lobster bisque, and beef tartare.

Yes, the wagyu was worth it, and I can still taste and feel its texture on my palette.  It won’t be for everyone except in small doses.  They have a 4 oz minimum order, and I suggest that may the perfect size to experiment with.

17 Steakhouse & Bar gets 5/5, and so does the wagyu. 

We started with AC/DC so we’ll finish with AC/DC.  Who made wagyu?  17 Steakhouse did, and it was hell’s bells!  I couldn’t wait to sink the pink steak in my mouth.  It’ll shake your foundations just like it shook mine.  It’s a little bit of a ride on, down the 401, but worth the drive.  Hell ain’t a bad place to be(ef)!*  For those about to rock, I wagyu.

* Courtesy 1537

REVIEW: Psycho Circus – Psycho Circus (1992 cassette)

PSYCHO CIRCUS – Psycho Circus (1992 indi cassette EP)

Psycho Circus put out their one and only album in 1993.  They were a talented band who avoided grunge cliches and instead dove into funk-metal and a darker Faith No More sound circa The Real Thing.  The album was split down the middle between the two sides.  Decades later I found an earlier indi cassette, released after they signed with SRO Management, the team behind Rush.

It’s quite clear this band had musical chops.  Opening track “Picky Purple People” is killer.  Faux-horns, massive bass and busy drums are relentless.  This is a goofier side of the band, but well executed.  If the Chili Peppers and Faith No More had a baby, it would sound like “Picky Purple People”.  Next is “Funk in Our Souls”, a track that was re-recorded for the album later.  The cassette version sounds more bass heavy.  It’s more enjoyable for that reason, not to mention the smoking guitar solo.  “Can You Feel It?” was also re-recorded for the album, but this is one of those darker songs that eschew the funk.  Singer Vince Franchi hits unreal notes.  His voice is versatile.  It’s Faith No More without the twisted mind.

The final track didn’t make it onto the CD.  “Psycho Circus” opens with traditional circus music, a full six years before Kiss did the same thing with their own song called “Psycho Circus”.  Maybe they should try suing Kiss?  It would be fun to see!  That’s the only similarity.  This is another funky track, and though the circus music is a bit silly, the chorus rocks.

The tape comes with a nice J-card and full lyrics.  In a way it’s a better listen than the album.  It doesn’t have as many great songs, but it also has less filler.

3/5 stars

#526: Location, Location, Location

GETTING MORE TALE #526: Location, Location, Location

I worked at many Record Store locations over the years, often temporarily for training and managing.  Some of them I spent a few days at, others were several weeks or months in total.  Each one had its own flavour and clientele.  While experiences and mileage may vary, here are some memories of some favourite locations (all in Ontario, Canada).

 

cambridge1. Cambridge

The store in Cambridge was our first to carry movies, initially in VHS format.  It was a lot of fun working there from time to time, buying and selling used movies.  There was always something I wanted for my collection, and it broke up the monotony of seeing nothing but CDs every day.

Cambridge was also interesting because we used to get a number of people coming in just to ask where the strip club was.  “It used to be around here!”  I don’t know why the dudes looking for the strip club kept stopping in the Record Store (as opposed to the Tim Hortons or a gas station or anywhere else), but they did indeed used to ask.

Some of the customers in Cambridge were…well, let’s just say they were not all our best and brightest.  T-Rev managed that store, and I took over temporarily when he was on road trips elsewhere setting up new stores.  The customers there wore me down more than anywhere else.  Especially when they came in to sell, which was frequently.  Cambridge bought a lot of stock.  If the customer wasn’t happy with my offer, they’d ask when the “regular guy” would be back.  Maddening since I was more generous than a lot of other folks.

There was one customer in Cambridge who hated selling to me, he always asked where “the regular guy” was.  He asked my name and I told him it was Sanchez.  When T-Rev came back, we had a laugh over the employee named “Sanchez” who was apparently low-balling this customer for his dance CDs.

 

hamilton2. Hamilton

The store I worked at in Hamilton was pretty quiet most of the time.  There was a lunch time rush when kids from the nearby highschool would come in to listen to and occasionally buy CDs.  Given Steeltown’s reputation, I was pleasantly surprised to find the kids I dealt with to be polite and friendly, more than I was used to seeing.  The adults weren’t always so friendly, but no more or less than any of the other stores I worked in.  Hamilton was a shitty place to drive (confusing one-way streets), but I didn’t mind working there at all.

 

kitchener3. Kitchener

I worked in three different stores in the Kitchener area.  One of the other guys there used to refer to Kitchener as a “ham & egger” town, a phrase I never heard before.  A lot of blue collar customers.  It was still a step up from Cambridge, depending on which Kitchener location I was working in.

I’ve said many times that my favourite store was the original one, in a small mall in Kitchener.  It was our only mall store ever.  It was a special place to work.  It was tiny and compact.  It could get really busy on the weekends.  There were a lot of regular customers, more than I remember elsewhere, probably due to the fact we were in a mall.  There was a familiarity – I knew them, and they knew me.  When I was eventually given a larger store elsewhere to manager, I missed the faces I would see on a regular basis at the mall.

I also missed the “unique” individuals you’d meet at the mall store.  Malls have a whole ecosystem of life forms, unlike others in the outside world.  There was Johnny Walker, so named because every day he would walk the circuit around the mall, talking to himself, all day.  One day, something peculiar happened.  He came in, stopped talking to himself, and bought a tape.  He paid for his cassette and then resumed walking and talking to himself again.  I only saw that happen once.  There was Butts, the guy who would dig through ashtrays looking for cigarette butts.  Let’s not forget Trevor the Security Guard, and the drunks at the restaurant next door.  It was a blast!  I didn’t care for the mallrats, but they were a minor annoyance.

 

oakville4. Oakville

I did not like working on Oakville, as was discussed in Record Store Tales Part 16: Travelling Man.  Many of those customers were snooty; just too good for you.  They felt entitled to park in the fire lane, because they were more important than you.  Read the Oakville tale for the misery that was working there.

 

mississauga

5. Mississauga

More than any other location, I may have resented Mississauga the most.  It was a shit location.  There was nothing of any value around.  There was a health products store, but nowhere to buy a snack or a lunch.  There was no foot traffic.  Across the street was an empty field.  It was a dead store from the day it opened.  I invested myself deeply in my work.  There are many things in life that can crush your soul.  One of them is working hard at something (training employees, helping set up a store) and seeing it come up to nothing.  That was Mississauga.  In the used CD business, you depend on customers bringing in good stuff for you to re-sell.  Mississauga provided very little good stuff.

 

There were more, all with tales of their own.   These however were five of the most memorable, each for its own reasons.  While a change of scenery is nice once in a while, there is nothing better than working in a location you love.

 

REVIEW: Psycho Circus – Scarred (1993)

This was one of the first, if not the first, discs I bought with my staff discount at the record store!  I wonder if Deke remembers these guys?

SCARRED

PSYCHO CIRCUS – Scarred (Anthem 1993)

20 years ago, Psycho Circus were one of the bands hyped as the “next big thing” out of Canada. They originated in Mississauga, Ontario, just west of Toronto.  They signed with SRO management (Rush, Van Halen, King’s X, Extreme) and producer Terry Brown (also Rush) and released a trendy but still unique goth-rap-funk-metal album called Scarred.  They also released a music video for the excellent “Pulsate”.

These guys were hanging out with old dudes way before Our Lady Peace.

The problem with Psycho Circus is their split personality.  On one hand (roughly half the album) they inhabit this cool, dark land I call Diet Faith No More.  Singer Vince Franchi has the lungs and range to emulate Patton’s style on The Real Thing.  Their cool use of keyboards also reminds me of that band, but without the dementia.  On the other hand, there’s a goofy rap-funk side, which does not appeal to me in the least.  I think funk metal got stale very quickly, and the juvenile lyrics render the rapping limp.  “Acid Monkey Junk”, a song about the testing of cosmetics on animals, is painful at time.  “Monkeys in the ocean and fishes in the trees?”

A M.E.A.T Magazine interview by Karen Bliss, from 1993, reveals that the band had already dropped even more irritating material from their live set.  They name a discarded song called “Picky Purple People” as being particularly notable for its silliness.  Glad I didn’t have to hear that one.

 

I prefer the Diet Faith No More side of the band: hard, melodic and dark songs like “Thru the Backbone” (which also features rapping in a non-annoying way).  “Pulsate” is easily the best song on the album, demonstrating Franchi’s impressive vocal range and power.  I’m also fond of the angry “I Know”, the haunting “Leave Me Alone”, and the closer “Goodbye”.  The rest of the album is unfortunately skip-worthy and occasionally irritating to me.

There was also a CD single made for “I Know” featuring an exclusive “Psylicone Mix”.  Although I don’t enjoy the remix as much as the album version, it’s notable for being remixed by Brown and the band, not some outsider.  I happened upon this single within my first year at the record store, and it surely must be one of the rarest discs I have.

For half a good album:

2.5/5 stars

M.E.A.T Magazine

REVIEW: Slash Puppet – No Strings Attached (aka The Demo, 1989)

SAM_2113

SLASH PUPPET – No Strings Attached (2007 Sun City Records)

Slash Puppet were one of the biggest names of the burgeoning Toronto rock scene of the early 1990’s.  Unfortunately, unlike their competition Sven Gali and I Mother Earth, they never got signed to a major label.  They did, however, manage to sell out 2500 copies of their first recording, The Demo, an independent cassette, via mail order.  They were the darlings of M.E.A.T Magazine and appeared on MuchMusic’s Power Hour.  Slash Puppet signed a management deal with Ray Danniels and SRO (Rush) who later also handled Van Halen, King’s X, and Extreme.

SLASH PUPPET GLOSSY

I was one of the 2500 people who ordered The Demo.  Every mail order was accompanied by a glossy 8 1/2 x 11 autographed photo.  I still have mine, this is especially treasured since their talented lead guitarist, Lou Garscadden, passed away in 2001.   Today, lead vocalist Mif (originally billed as “Tony Terrance Dartanian”, for some weird reason) is a successful actor.   That’s him as the mob boss in Norm McDonald’s hilarious Dirty Work, billed under his real name, Anthony J. Mifsud!

Incredibly, for a band that never put out a major label release and split in 1994, Australia’s Sun City Records reissued The Demo on CD in 2007, as No Strings Attached.  A well-assembled package, it features liner notes, lyrics, and loads of photos.

This ass-kicker starts with a bang:  “Slow Down”.  This was the first video, and it even made a return appearance (in slightly remixed form) on the second Slash Puppet release, a self-titled EP.  “Slow Down” is an infectious hard rocker, a tougher and faster Faster Pussycat with a way, way raspier singer.  It has more integrity than most of the Sunset Strip of the time combined.  And this was from the bad bad streets of Mississauga!

The extremely catchy ‘Squeeze It In” follows, a mid-tempo groover, and my personal favourite song.  This one just drips sleaze with a knack for gritty melody.   Up next is “Hard On Love”.  It’s another concoction of raspy lead vocals, catchy backing gang vocals, and pure sex.  It’s twice as hard as anything Hollywood was producing at the time.  “Bad Girls”, which closed side one of the original cassette, is about the only misstep.  While the song is another adrenaline-filled sex romp, the chorus lacks punch.

It’s here that I think the CD edition of No Strings Attached differs from The Demo.  If memory serves correctly, side two began with “Overload” and closed with “Turn It On”.  On the CD, the track order seems switched.  Unfortunately, my original cassette copy is now lost.

Regardless, “Turn It On” is fast paced, raspy and built for sex.  It’s not an upper-echelon song, it’s more similar to “Bad Girls”, the chorus is a bit thin.  The band compensates with the excellent “Evil Woman”.  Great chorus, great hooks, and it sounds great in the car.  It also has a cool dual guitar solo by Lou Garscadden and Frank “Bart” Bartoletti, proving these guys had the chops.

The dark and slower-paced “Some Kind O’ Lady” provides some variety on an album that is otherwise very party-oriented.  This killer tune was always one of my favourites.  It has some killer soloing and a great riff.  The verses kind of remind me of a Testament ballad like “Return To Serenity”, but before Testament even wrote that song.  Maybe it’s the grit in Mif’s voice that reminds me of Chuck Billy.

“Overload” closes the CD on an upbeat note.  It has a fast, playful riff, sleazy lyrics and plenty of grit.  It’s totally headbang-worthy.  And with that, the CD ends, listener exhausted by half an hour of pure heavy glam rock!

The production values for this album are not the greatest.  Keep in mind this was originally a self-financed demo tape, never meant for wide release, and never intended for CD.  The guitar solos are often buried, and the backing vocals sound a bit thin.  What does come across is the grit of Mif, an underrated singer and frontman (by all contemporary accounts).

As mentioned, Slash Puppet returned with an EP later (released by indi Fringe), amped up, better sounding and more mature without losing an ounce of their street-tough sensibilities.  Look for a review of that ultra-rarity in a future edition of mikeladano.com!

As for No Strings Attached?

4/5 stars, baby!