king’s x

Martin Popoff & the Gang round up their King’s X Top Five

A huge thank-you once more to Martin Popoff for joining us on the show to talk King’s X!  We have been immersing ourselves in the magic trio from Texas:  Dug, Ty and Jerry.  And it has been brilliant.  And these were some brilliant lists.  Martin’s insight on these crucial records will be of interest to diehards and new fans alike.

Want a starter’s kit into King’s X?  Watch this show and listen to Martin.  He comes in at 0:12:45 of the stream.

Martin hung out and chatted King’s X (and a little Rush) for an hour.  Afterwards, we were joined by Kevin from Buried On Mars to continue the musical discussions.  Jacob Moon, Marillion, Def Leppard, Black Sabbath…it was a fun freeform chat that I hope you will stick around and enjoy for the balance of the show.

A huge thanks to Mr. T-Bone Erickson for the new Martin Popoff intro.

Your panel tonight was:

Thanks for Dr. Dave Haslam and KK for your bonus lists!

 

REMINDER: Martin Popoff and the King’s X Top Five lists on tonight’s LeBrain Train

Please give this one a “like” and a “share” — and give Martin your warmest welcome on tonight’s show!

The LeBrain Train:  2000 Words or More with Mike Ladano

Episode 50 – Top Five King’s X Albums with Martin Popoff

For this very special 50th episode of the LeBrain Train, we welcome back Martin Popoff to talk King’s X!  It is such an honour and a pleasure to have Martin on a second time.  The subject matter:  King’s X’s Top Five albums.  Actually a monumental task.  And you can’t read my reviews and guess how I will rank them.  I will be coming at this with fresh ears and no holds barred.

These are some serious lists, and we’re sitting down with a serious King’s X fan!

Tonight, “We Will Find Who We Are”.  Is this one “Over My Head”?  Let the “Skeptical Winds” blow.  I don’t want to “Pretend”, because “I’ll Never Get Tired” of King’s X.  Please give Martin your biggest welcome, and give it a share, won’t you?

 

Friday February 12, 7:00 PM E.S.T.
Facebook:  MikeLeBrain  YouTube:  Mike LeBrain

 

 

KING’X STUDIO ALBUMS + MORE

Part 1 – Out of the Silent Planet (1988)
Part 2 – Gretchen Goes to Nebraska (1989)
Part 3 – Kings of the Absurd (split bootleg with Faith No More)
Part 4 – Faith Hope Love by King’s X (1990)
Part 5 – “Junior’s Gone Wild” (from 1991’s Bill & Ted’s Bogus Journey soundtrack)
Part 6 – King’s X (1992)
Part 7 – Dogman (1994) + bonus “Pillow” promo single review
Part 8 – Ear Candy (1996)
Part 9 – Best of King’s X (1997)
Part 10 – Tape Head (1998)
Part 11 – POUNDHOUND – Massive Grooves from the Church of Psychofunkadelic Grungelism Rock Music (1998 Doug Pinnick/Jerry Gaskill)
Part 12 – Please Come Home…Mr. Bulbous (2000)
Part 13 – PLATYPUS – Ice Cycles (2000 Ty Tabor)
Part 14 – Manic Moonlight (2001)
Part 15 – Black Like Sunday (2003)
Part 16 – Ogre Tones (2005)
Part 17 – XV (2008)

 

Over Our Heads? Top Five King’s X Albums with Martin Popoff on this week’s LeBrain Train!

The LeBrain Train:  2000 Words or More with Mike Ladano

Episode 50 – Top Five King’s X Albums with Martin Popoff

For this very special 50th episode of the LeBrain Train, we welcome back Martin Popoff to talk King’s X!  It is such an honour and a pleasure to have Martin on a second time.  King’s X was the subject broached (by Uncle Meat, thank you) and Martin challenged us to hone down our usual Nigel Tufnel Top Ten lists to a tight Top Five.

Topic decided, it was only after the fact I realized how difficult this was going to be!  But I think I have my top five ready.  These are some serious lists, and we’re sitting down with a serious King’s X fan.

Friday night, “We Will Find Who We Are”.  Is this one “Over My Head”?  Let the “Skeptical Winds” blow.  I don’t want to “Pretend”, because “I’ll Never Get Tired” of King’s X.  Please give Martin your biggest welcome, and give it a share, won’t you?

 

Friday February 12, 7:00 PM E.S.T.
Facebook:  MikeLeBrain  YouTube:  Mike LeBrain

 

 

KING’X STUDIO ALBUMS + MORE

Part 1 – Out of the Silent Planet (1988)
Part 2 – Gretchen Goes to Nebraska (1989)
Part 3 – Kings of the Absurd (split bootleg with Faith No More)
Part 4 – Faith Hope Love by King’s X (1990)
Part 5 – “Junior’s Gone Wild” (from 1991’s Bill & Ted’s Bogus Journey soundtrack)
Part 6 – King’s X (1992)
Part 7 – Dogman (1994) + bonus “Pillow” promo single review
Part 8 – Ear Candy (1996)
Part 9 – Best of King’s X (1997)
Part 10 – Tape Head (1998)
Part 11 – POUNDHOUND – Massive Grooves from the Church of Psychofunkadelic Grungelism Rock Music (1998 Doug Pinnick/Jerry Gaskill)
Part 12 – Please Come Home…Mr. Bulbous (2000)
Part 13 – PLATYPUS – Ice Cycles (2000 Ty Tabor)
Part 14 – Manic Moonlight (2001)
Part 15 – Black Like Sunday (2003)
Part 16 – Ogre Tones (2005)
Part 17 – XV (2008)

VHS Archives #89: Doug! Ty! Jerry! It’s King’s X with some Faith Hope Love! (1991)

The late, amicable Dan Gallagher was always enthusiastic about every band he interviewed.  He drew a good interview out of King’s X, and asked some deeper questions that got the band thinking.  You’ll also see some live footage from the Faith Hope Love tour.

Subjects covered:

  • What is King’s X?
  • What does Faith Hope Love mean?
  • How much does Ty hate making music videos?
  • Spirituality in music — does it belong?

I really love Jerry’s answer on that question.

 

 

 

Thanks for hanging this week for a whole lot of old VHS clips.  Winter is the perfect time to work on projects like this!

VHS Archives #66: King’s X and the Dogman – Full band interview! (1994)

Join King’s X in the MuchMusic studios with Power 30 host Teresa Roncon!  All three members – Doug Pinnick, Ty Tabor, and Jerry Gaskill – sat for this live interview on the Dogman tour.

Lots of interesting subject matter is discussed.  Doug Pinnick had 4000 CDs in his collection in 1994 — I have just managed to catch up with him! Hear about influences, religion, and their hardcore following.

 

#700: How Are You Doing?

GETTING MORE TALE #700: How Are You Doing?

It’s been a week since we lost Mum…and we are doing OK.  Jen’s been focused like an electron microscope on getting things done for the funeral.  My job is scanning photos and preparing music…and catching up on laundry.  Attempting to put a dent into the pile of clothes I call “Sock Mountain”.  I’m assuming reality will hit us later.

For music, Mum would have liked if we used something by my sister Dr. Kathryn.  I hope I can find something appropriate, perhaps from her Stealth CD.  At least one track.  For the reception after, I’m using Mike Slayen’s awesome acoustic guitar album DUDE.  Don’t let the title fool you!  If Mum was well enough, I know she would have been enjoying this album with us.  Probably in the car on the way to the cottage.  She would have loved it.  Me, I would have loved just having Mum with us.

This has been a very hard year for us, and I know the power of music is such that you always associate certain tracks or albums with periods in your life.  Music also has the power to raise the spirits, and it did that for me quite a few times this summer.  On every shitty drive to Toronto on the 401, to every dismal hospital parking lot, my stereo was on.  A lot of albums were repeat listens, and I worry:  “Will I always associate the Bosstones or Blotto with this shitty summer?”

I might.  And that might make the Bosstones or Blotto hard to listen to, down the road.  I think we have to try and make more memories of those bands later on.  Maybe when we finally do return to the cottage.

That aside, we sure did devour a lot of music on the road.  Just last week, between Toronto and the work commute, I polished off Marillion’s The Singles ’82-’88 (12 discs), its followup Singles Box Vol 2 ’89 – ’95 (12 more discs), and a third “box set” of eight more singles. A whopping 1.5 gig of music.  Basically all their singles and B-sides in one massive weeklong stretch.  Meanwhile, back at the office, I had my Kiss flash drive.  Basically, everything I own by Kiss in one place.  I’ve been focused on the studio albums, and each one has been spun more than once.  I realised this:  I never seem to get tired of Kiss!

Whether it was Lick it Up, Hotter Than Hell, Dressed to Kill, Love Gun, Rock and Roll OverDynasty, Unmasked, Creatures…even Asylum got multiple plays in the last couple weeks.  When a band has been your favourite for over 30 years and you can’t explain why, I guess you can just keep playing those albums in rotation.  The later albums…admittedly less so.  The emotional attachment isn’t quite there.

Get this!  While I was bopping to Kiss Unmasked one afternoon, the guy in the office next to me put on “Summerland” by King’s X!  How cool is that?  When was the last time you heard King’s X in the office?  The guy even knew the names of the members.  Said a friend recently turned him onto King’s X, but all he had was the Best Of.  Gotta start somewhere!

Thanks for checking in.  We’ll be OK.  I think we’ll manage to make it through this, but not without the support of friends and loved ones.

#689.5: A Tribute to Superdekes [VIDEO BLOG]

A Coda to #689:  Fuck iTunes

 

superdekes.wordpress.com

RE-REVIEW: KISS – “God Gave Rock & Roll to You II” (1991 single)

The KISS RE-REVIEW SERIES Part 40:

 – “God Gave Rock & Roll to You II” (1991 Interscope single)

Kiss’ Hot in the Shade tour wasn’t a sellout, but it was well received by fans who appreciated that a bunch of older songs were back in the set.  The tour was unfortunately highlighted by the June 15, 1990 date in Toronto, igniting a feud with Whitesnake.  Kiss were third on a four-band bill, with David Coverdale, Steve Vai and company in the headlining slot.  Paul Stanley used his stage raps to complain that Whitesnake wouldn’t let them use their full setup, including a giant sphinx.  When Whitesnake hit the stage, it was to a chorus of boos.  Steve Vai later stated that it was the first time he had ever been booed.  Vai once even walked onstage to the sound of people chanting “Yngwie! Yngwie! Yngwie!”, but he had never been booed until the incident with Kiss in Toronto.

When the tour wrapped up in November, Kiss took a few months off before gearing up again in the new year.  It was to be another album, another tour, but suddenly real life interfered.

Eric Carr hadn’t been feeling well.  Flu-like symptoms turned out to be heart cancer.  Simultaneously, Kiss received an offer to record a song for the sequel to Bill & Ted’s Excellent Adventure.  Carr underwent surgery in April, with chemotherapy following.  Having little choice, Kiss recorded without him.  Eric Singer, who had performed so well on Paul Stanley’s solo tour, filled in on drums.  Eric Carr, in a wig, was able to play for the music video taping.  He gave his all, and did a full day’s shoot, with excellent (pun intended) results.

Unfortunately a rift was developing, with Eric Carr feeling shunned and excluded from Kiss.  He was afraid he was going to be replaced, permanently, and his relationship with the band was strained.  Although everybody hoped Eric would make a full recovery, he passed away from a brain haemorrhage on November 24, 1991.  Eric Carr was 41.

On the same date, Freddie Mercury of Queen succumbed to AIDS.  Carr’s death was barely mentioned in the news, including Rolling Stone magazine who missed it completely, prompting a harsh reply from Kiss:

If anything positive came from Eric Carr’s death, it was that Kiss were going to put all that anger and frustration back into the music.  The music was to be their Revenge.

It started with “God Gave Rock & Roll to You II”, a re-imagining of an old Argent song for the Bill & Ted movie.  Eric Carr may not have been well enough to play drums, but that didn’t stop him from singing.  His vocals on “God Gave Rock & Roll to You II” were his last.  The song wouldn’t be the same without Carr, as he can be heard sweetly harmonising with Paul Stanley.   Eric Singer wasn’t credited on the single, or the final soundtrack for Bill & Ted’s Bogus Journey.  It simply says “performed by Kiss”.

“God Gave Rock & Roll to You II” was important for two more reasons.  First, and very significantly, it was produced by Bob Ezrin.  Ezrin was responsible for the two albums that some consider Kiss’ best, and Kiss’ worst.  It had been 10 years.  A Kiss-Ezrin reunion was very big news for fans.  It indicated that Kiss meant business this time.  Secondly, “God Gave Rock & Roll to You II” was the first Paul Stanley/Gene Simmons (with Bob Ezrin and Russ Ballard) co-writing credit since 1985, and their first shared vocals in ages upon ages.

Although it didn’t make waves in 1991, “God Gave Rock & Roll to You II” has become enough of a favourite to make it onto 2015’s Kiss 40 compilation, and continue to be played live.  It shows off what Kiss can really do.  Yes, they can sing!  Yes, they can play!   This lineup could do it particularly well.  It’s appropriate that Eric Carr went out on a good Kiss track.  And Eric Singer was the right guy to continue.

There are three released versions of “God Gave Rock & Roll to You II”:  The single edit (3:57), the soundtrack version (5:23) and the final 1992 version that was later released on the next Kiss album (5:19).  The single edit cuts out too much of the grand, pompous arrangement, including the epic opening.

In an ironic twist, the version of “God Gave Rock & Roll to You II” that is in the movie has a guitar intro solo by Steve Vai.  The same guy whose band got booed in Toronto thanks to Kiss.

The CD single is rounded out by two more songs from the Bill & Ted soundtrack, by Slaughter and King’s X.  The King’s X track, “Junior’s Gone Wild” (previously reviewed in our mega King’s X series) has never been one of their better tunes, but as a non-album rarity, a nice one to have.  Just don’t judge King’s X by this one track.  Slaughter turned in something better, a fun party tune called “Shout It Out”, also a non-album recording.  Slaughter, of course, were one of Kiss’ well-received opening acts on the Hot in the Shade tour.  And what was their Kiss connection?  Mark Slaughter and Dana Strum were in a band with Kiss’ old guitar player, called the Vinnie Vincent Invasion!

As work proceeded on the next LP, the world suddenly changed.  Hard rock was out, and grunge took over MTV.  This single bought Kiss a little bit of time, but it was going to be the longest gap between Kiss albums yet — three years.  Revenge had to wait a little longer.

Today’s rating:

3.5/5 stars

 

Original mikeladano.com review:  2012/08/08

 

 

REVIEW: King’s X – XV (2008)

quiz

Complete studio albums (and more!), part 17 – the Final Chapter!


KING’X – XV (2008 InsideOut)

King’s X faced many setbacks over their long 30+ year career. Their last obstacle has been the hardest and most serious of all, and because of that, 2008’s XV album remains their most recent. That’s a tough pill to swallow, because for many fans XV was largely considered a return to form.

“Pray” immediately starts things right: face-crushing bass, a groove you can’t get out of, and a funky melody. You are transported back in time to the late 80’s and early 90’s, but with modern slants and production…and funk! The song boasts a soulful, powerful chorus just like the classics King’s X built their foundation on. What a satisfying opener. Peel yourself off the floor though, because it’s over before you know it and the next song “Blue” has launched. King’s X have always been successful at balancing their sound with soft songs, while maintaining their integrity.  It’s a great track sonically, though missing a killer chorus.  XV strikes me as the best produced King’s X album since the mighty Dogman.

Better than “Blue” is the gentle “Repeating Myself”, Ty Tabor’s first vocal outing on XV.  Everything is in its right place:  Ty’s delicate picking, the patented King’s X harmonies, and just a touch of Beatles-y psychedelia.  “Repeating Myself” is possibly the most perfect song King’s X had done in many years.  It melds perfectly right into “Rocket Ship”, a mid-tempo heavy rocker with “single” written all over it.  The 60’s psychedelia remains, but wrapped up in a heavy stomping riff. “Society-sanctioned brain-washing tries to wrap its arms around me,” sings Dug Pinnick, still unafraid to tackle issues in his words. Jerry Gaskill takes his first XV lead vocal on the lovely “Julia”. Another perfect song. It’s a ballad that reminds me of everybody from the Beatles to Shaw-Blades and Motley Crue, of all people. Then it’s foot to the gas on the irresistible “Alright”. This is a classic King’s X rocker, but this time with gang vocals on the chorus. It’s gangbusters. One of the catchiest King’s X songs yet.

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Greasy blues rock guitar kicks off “Free” with an unusually simple Gaskill beat behind it. This transforms into possibly the most soul-infused King’s X song ever, with it’s inescapable “Na na na na, yeah!” backing vocals. For the first time since Ear Candy in ’96, it seems King’s X just wanted to write and record some catchy songs. Of course this is done with all of their diverse influences and talents, but it does not mean the band stopped progressing in order to write some pop rock. “Free” is catchy indeed, and easily could have been on the radio, but it also has lyrical integrity. “The debt is rising, and you overload, because you’re broke, is this a joke? So go buy something, that you can’t afford, because you’re broke, is this a joke?” Musically, by turning the soul knob right up to 11, King’s X have progressed again.

Ty Tabor takes his turn on a mournful ballad called “I Just Want to Live”. A fine song, “I Just Want to Live” won’t be remembered as well as the previous tracks. Then the aptly titled “Move” has a pulse that you won’t believe. It’s Dug Pinnick’s bass that drives this thing, in a very 80’s kind of sparse arrangement. The awesome chorus seals the deal: it’s killer. Ty once again provides the soft side on “I Don’t Know”, another simply beautiful King’s X ballad, much like his Ear Candy material. His guitar solo here is a work of pure magic, and I swear to you that I did actually feel a chill go up my spine. Honest truth.

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Winding it down, Dug makes “Stuck” stick to your brain with some unusual melodies. It’s an unorthodox song and in that way it reminds us of early King’s X, though it sounds little like it. The return of the massive grooves on “Go Tell Somebody” turns this church singalong into a groove metal classic. “If you like what you hear, go tell somebody!” Yeah Dug, you said it! Word of mouth, baby. That’s kept King’s X alive through some difficult decades. They must have known, recording this song, that it was going to be awesome.

I’ve never seen a version of XV without bonus tracks, but my import digipack has ’em too. “Love and Rockets (Hell’s Screaming)” is an interesting song with a good riff. Dug sings the vocal with a calmness, as opposed to the wailing of “Go Tell Somebody”. Then “No Lie” is a jokey blues. “I’ve never sung this song before,” says Dug at the start. This one truly is a bonus track; although it has instrumental integrity, it doesn’t feel like a sincere part of the album. Another version of the album (probably Japanese) has a demo version of “Rocket Ship” as a bonus track. (Add to “Holy Grail” list)

XV is a solidly entertaining album with only a few moments that drag. For all the complaints about albums like Manic Moonlight or Black Like Sunday, XV sounds like redemption.

4.5/5 stars

Scan_20151201 (2)Jerry Gaskill suffered his first heart attack on February 25 2012. He required surgery but was feeling strong. King’s X had a tour booked to start only one month later, which had to be cancelled. Then in October of that year, his home was destroyed by Hurricane Sandy. Fans rallied and donated money to help the Gaskill family rebuild. As if all of this was not enough to deal with, Gaskill had a second heart attack two years later. This required a double bypass. Once again, King’s X cancelled all gigs. They released special live albums to benefit the drummer, and only now in 2015 have they managed to get back on the road and start work on a new album.

We have waited a long time, but we will continue to wait as long as we need. King’s X will return!

This series is dedicated to Dug, Jerry and Ty.  Long may they reign.

Part 1 – Out of the Silent Planet (1988)
Part 2 – Gretchen Goes to Nebraska (1989)
Part 3 – Kings of the Absurd (split bootleg with Faith No More)
Part 4 – Faith Hope Love by King’s X (1990)
Part 5 – “Junior’s Gone Wild” (from 1991’s Bill & Ted’s Bogus Journey soundtrack)
Part 6 – King’s X (1992)
Part 7 – Dogman (1994) + bonus “Pillow” promo single review
Part 8 – Ear Candy (1996)
Part 9 – Best of King’s X (1997)
Part 10 – Tape Head (1998)
Part 11 – POUNDHOUND – Massive Grooves from the Church of Psychofunkadelic Grungelism Rock Music (1998 Doug Pinnick/Jerry Gaskill)
Part 12 – Please Come Home…Mr. Bulbous (2000)
Part 13 – PLATYPUS – Ice Cycles (2000 Ty Tabor)
Part 14 – Manic Moonlight (2001)
Part 15 – Black Like Sunday (2003)
Part 16 – Ogre Tones (2005)
Part 17 – XV (2008)

REVIEW: King’s X – Ogre Tones (2005)

quiz

Complete studio albums (and more!), part 16


Scan_20151123KING’S X – Ogre Tones (2005 Inside Out)

The previous few albums split fandom.  Many found it hard to grab onto the loose structures of Mr. Bulbous, and the drum loops of Manic Moonlight.  For this review, we are trying an experiment.  I have never  heard Ogre Tones before (in fact I’ve never heard any of these 14 tracks), so this will be a first-listen review.  Does King’s X have the same impact on first listen as they do on 21st?  Probably not, but let’s find out.  In a sense this is a “live” review, so please join me as I listen!

“Alone” could have alienated fans again, starting as it does with distorted alt-rock screaming.  This introduces a short pop-rock duet with Doug Pinnick and Ty Tabor, not a bad little song.  Even though it’s only three minutes, it still boasts multiple sections and lush harmonies, as well as the trademark King’s X groove that only they can play.  Ty dumbs-down the guitar solo for the 2000’s, as it mostly consists of one note.  It’s over quick and then it’s into the even shorter “Stay”, a Doug pop ballad with balls.  Some of those balls come from the heavy detuned guitar, some of it is purely in the ragged soul of Doug’s voice.

Pleasant sailing is “Hurricane”, not too challenging.  The trademark Beatles-meet-King’s X backing vocals lend it a psychedelic feel.  Thankfully, the kind of massive grooves you crave return on “Fly”, the first King’s X Klassic on Ogre Tones.  Biting bass licks nicely accent a catchy rock tune, old-school style meets new-school production.  “If” is another good song, kind of similar to the pop rock delicacy Ear Candy.  Onto the jazz-metal of “Bebop”, Doug throws a very different song into the mix but the album is the better for it.  Just before the halfway point of the album, “Bebop” becomes a highlight.

I like Ty’s acoustic numbers, and “Honesty” is a bare, emotion-filled Tabor classic.  Sounding a lot like Faith Hope Love-era King’s X, “Honesty” is hit-worthy.  You need some heavy riffing after that, and “Open My Eyes” has a big, phat Sabbathy riff behind it.  The song is a bit disjointed though, at least on first listen.  Just a riff without a song.  “Freedom” goes in one ear and out the other (albeit with a great guitar outro).  Unfortunately like many albums with so many tracks on them, Ogre Tones starts to sag in the middle.  “Get Away” is another one.  The lyrics don’t hit the spot anymore:  “Hey God, I watched the news tonight, why are your people so fuckin’ mean?”

The only long song on Ogre Tones is “Sooner or Later”, at 7:00.  It’s a decent slow dirge that I suspect will require a few more listens to appreciate, and even if it doesn’t, there’s plenty of Ty Tabor noodling to go around.  Then there is another decent ballad in the oddly-titled “Mudd”.  I was hoping this was a song about the classic Star Trek character, Harcourt Fenton Mudd.  Sadly, it is not.  The strangest song of all might be a remake of “Goldilox” (from Gretchen Goes to Nebraska).  True to the original, but of course not as timeless and perfect, it is nonetheless a welcome inclusion.  After all, can you really fault King’s X for putting one of their best songs out for a second time?  Considering they tried, and tried, and tried to catch a break, why give up?  Of course I don’t need to tell you that “Goldilox (Reprise)” was not a hit in 2005, but maybe they should try again in 2020!  The album then closes with “Bam” which is exactly what it sounds like.  Bam!  A crash of instruments…followed by almost three minutes of feedback, noise, and the bizarre.

There is a video included on the first run of the CD, which you can still buy.  “Alone” has girls shaking their hair for no reason.  This video is now on Youtube, of course.

Ogre Tones strikes me as a good album, one that should deliver more on further listens.  However I wonder if the sluggish middle section will be a difficult obstacle.

3.25/5 stars

Part 1 – Out of the Silent Planet (1988)
Part 2 – Gretchen Goes to Nebraska (1989)
Part 3 – Kings of the Absurd (split bootleg with Faith No More)
Part 4 – Faith Hope Love by King’s X (1990)
Part 5 – “Junior’s Gone Wild” (from 1991’s Bill & Ted’s Bogus Journey soundtrack)
Part 6 – King’s X (1992)
Part 7 – Dogman (1994) + bonus “Pillow” promo single review
Part 8 – Ear Candy (1996)
Part 9 – Best of King’s X (1997)
Part 10 – Tape Head (1998)
Part 11 – POUNDHOUND – Massive Grooves from the Church of Psychofunkadelic Grungelism Rock Music (1998 Doug Pinnick/Jerry Gaskill)
Part 12 – Please Come Home…Mr. Bulbous (2000)
Part 13 – PLATYPUS – Ice Cycles (2000 Ty Tabor)
Part 14 – Manic Moonlight (2001)
Part 15 – Black Like Sunday (2003)