Motley Crue

REVIEW: MΓΆtley CrΓΌe – Girls, Girls, Girls (2003 remastered edition)

girlsMΓ–TLEY CRÜE – Girls, Girls, Girls (originally 1987, 2003 remaster)

The Tom Werman-produced Girls, Girls, Girls album is a bit underrated. Β Its weaknesses are fairly obvious, but its strengths are less appreciated. Β The Crue were coming off a bit of a stinker (Theater of Pain),Β so some changes were in order. Β The band dropped the makeup and spandex in favour of a tougher street-ready look. Β The intended direction this time was a bit of a combo of the first three Crue album. Β They wanted the rawness of Too Fast For Love, the heaviness of Shout at the Devil, and the sleaze of Theater. Β There was no reinvention of the wheel, nor was anybody in the band capable of that. Β Nikki Sixx was deep into a heroin problem at this time, barely focused on the music at all. Β This has been documented in his graphic book The Heroin Diaries. Β Much of his time was spent hiding in a closet with a gun, afraid of imaginary intruders.

As an audience in 1987, we really did not suspect that things were such a shambles behind the scenes. Β The band looked good, and sounded like they had rediscovered the skills of writing memorable songs. Β Case in point: Β opening track (and second single) “Wild Side”. Β Boasting the kind of rock groove that Motley made their trademark, “Wild Side” rocked. Β They even threw in a time change on the bridge. Β “Wild Side” was augmented with a cool music video, showcasing the Motley stage show in 1987. Β This included a spinning, upside down Tommy Lee drum kit. Β “Girls, Girls, Girls” was a video too, but it never saw airplay up in Canada. Too risquΓ© for the frozen tundra of the north? Β It too was a hit, played live in concert right to Motley’s final show (opening number, in fact).

The album was rounded out by a number of cool, sleazy rock tracks and a couple ballads. Β “Dancing On Glass” kicks; it’s pretty much an autobiographical track about living in the fast lane. Β This is something the Crue were well acquainted with.

“Silver spoon and needle,
Witchy tombstone smile,
I’m no puppet,Β 
I engrave my veins with style.”

Since the cassette didn’t come with a lyric sheet, kids of the 80’s (or at least the parents of the 80’s) probably had no idea what Vince was singing about. Β The song is given some traditional rock cred with soulful female backing vocals and boogie piano.

“Bad Boy Boogie” continued the theme, this time with some tasty Mick Mars slide guitar instead of piano. Β “Better lock up your daughters when the Motleys hit the road.” Β The song is a series of sexual innuendos, cleverness put to the side in favour of blunt sleaze. Β “Got my finger in the pie, my hand in the cookie jar.” Β Aerosmith leaks through the grooves on “Bad Boy Boogie” which wears its influence on its sleeve. Β The good times continue to bounceΒ on “Five Years Dead”, loaded with more of Mick’s greasy slide. Β It’s a similar song to “Sumthin’ for Nuthin'”, which is even more fun. Β This time Vince is a gigolo, getting paid for pleasure (sumthin’ for nuthin’)! Β “Leave the money where it’s easy to see,” he sings with glee. Β It’s brilliant Motley filth just the way you like it.Β  Best of all is the smokin’ “All in the Name Of…”, which pours high octane fuel in the tank and opens ‘er up wide. Β It’s sleazier than sleazy: Β “She’s only 15, she’s the reason, the reason I can’t sleep. Β You say illegal, I say legal’s never been my scene.” Β Probably a true story….

There are only two ballads, one of which is just 1:26 of filler (“Nona”). Β The other is the very entertaining “You’re All I Need”, which sounds inspired by Alice Cooper. Β It is a delicate piano based murder ballad, like the Coop has done so well. Β “You’re All I Need” isn’t Coop quality, but on the Motley scale it’s one of their better ballads. Β It has an anthemic quality, a pompous melancholy. Β The lyrics doomed it to semi-obscurity, which is too bad, since on the whole it’s a stronger song than the better known “Without You”.

Unfortunately for this album, “Nona” was not the only filler. Β An excruciating (and live?!) cover of “Jailhouse Rock” ends the album on a pretty putrid note. Β It’s not good at all, and reeks of weakness. Β Why would you end your new album with a cover, and a live cover at that? Β Only because you didn’t have enough quality tunes to make the cut.

The 2003 remastered edition of Girls, Girls, Girls came with bonus tracks, like all the albums in the Crucial Crue collection. Β Three of them are instrumental versions, bordering on filler material. Β Motley Crue are not RainbowΒ or Marillion — you don’t get much out of an instrumental version. Β “Nona” did once have a rock section in its longer demo form. Β More entertaining than the demos is the band and Tom Werman intro. Funny stuff. Β Then there is a long sought ballad “Rodeo”. Β This song was first mentioned in band interviews in 1989, when it was mentioned for possible inclusion on a never-released album called Motley Crue:Β The Ballads. Β The demo here is not very well fleshed out, but you can hear that it had a cool chorus ready to go. Β Finally there is a live version for “All in the Name Of…” from Moscow in 1989. Β Fans may recall that Motley played at the infamous Moscow Music Peace Festival…shortly before Tommy attacked Jon Bon Jovi and ripped the shirt off his back. Β Peace and love, man!

Although the Crue were only firing on a couple cylinders at the time, they managed to piece together a worthwhile album. Β There are only two mis-steps, which are “Nona” and “Jailhouse Rock”. Β The remastered edition adds a couple more worthwhile bonus tracks to extend your listening experience. Β Go for that one if you find it first.

3.5/5 stars

Side one
1. “Wild Side” 4:40
2. “Girls, Girls, Girls” 4:30
3. “Dancing on Glass” 4:18
4. “Bad Boy Boogie” 3:27
5. “Nona” 1:27

Side two
6. “Five Years Dead” 3:50
7. “All in the Name Of…” 3:39
8. “Sumthin’ for Nuthin'” 4:41
9. “You’re All I Need” 4:43
10. “Jailhouse Rock” (live) 4:39

2003 Remastered Edition bonus tracks
11. “Girls, Girls, Girls” (Tom Werman & band intro, rough mix of instrumental track) 5:38
12. “Wild Side” (rough mix of instrumental track) 4:06
13. “Rodeo” (unreleased track) 4:14
14. “Nona” (instrumental demo idea) 2:42
15. “All in the Name Of…” (live in Moscow) 5:02

#523: Columbia House

GETTING MORE TALEΒ #523: Columbia House

How many of you were members of the Columbia House music club? Β Tapes or CDs?

The concept was simple. Β Get 12 tapes or records for one penny. Β Then agree to buy “X” more at “regular club prices” within a year. Β They would usually offer all sorts of incentives, such as getting your first regularly priced item for half price. Β Their “regular club prices” were fairly high, but if you played your cards right you could make joining the club worthwhile.

Every few weeksΒ after signing up, Columbia House would send you a catalogue and an order form. Β The order systemΒ was controversial, because it required a negative response if you didn’t want to buy something. Β When you signed up, you could pick your favourite genre of music (I chose “metal”). Β Each time a catalogue came out, your selected genre would have a “selection of the month”, usually a new release but not always.Β Β  If you did not respond with an order form expressing that you didn’t wantΒ it, they would automatically mail you the “selection of the month” and bill you for it too. Β (The Columbia Record Club system was worked into a sub-plot of the movie A Serious Man by the Coen Brothers.)

For many people this wasn’t a problem. Β Our parents let my sister and I sign up when I was in grade 11. Β We split the membership and free tapes 50/50. Β We paid for everything ourselves and diligently sent in our order forms each time. Β We were both already massive music fans, so we poured over every single page. Β Most times, one of us ended up buying something, if not the selection of the month itself.

I can still remember every album I received in that first shipment. Seven tapes. Β These tapes went into immediate and constant rotation, which is why I remember them all so well today.

  1. Leatherwolf – Leatherwolf
  2. Motley Crue – Girls, Girls, Girls
  3. Hurricane – Over the Edge
  4. Stryper – To Hell With the Devil
  5. Stryper – In God We Trust
  6. White Lion – Pride
  7. Sammy Hagar – VOA

Our musical world opened up in a massive way, and not just because of the new music we were listening to. Β The catalogues introduced us to names and album covers that we’d not experienced yet. Β What is this Bitches Brew thing? Β Why did Deep Purple albums have so few songs? Β Did Iron Maiden copy their Maiden Japan from Purple’s Made In Japan? Β Holy crap, Hank Williams Jr. has three greatest hits albums?

Everything was absorbed. Β Five years later, when I started at the Record Store, my boss was surprised that I knew who most of the artists were, what sections they should go in, and even what record labels they were on.

“I read the Columbia House catalogue cover to cover every month,” was my answer!

The catalogue provided knowledge, and pictures to cut out for locker or wall. Β We made the most of that catalogue every time. Β It was rare when pictures were not cut out!

I was even able to acquire things that might have been considered rarities back then. Β I had never seen Leatherwolf stocked in a store, but Columbia House had it. Β When vinyl was being discontinued, I was still able to get Skid Row’s Slave to the Grind (1991) on LP. Β They had most of the Savatage albums.

It all sounds wonderful, but Columbia House had flaws too. Β The biggest one was horrendous quality control. Β They licensed and manufactured the tapes themselves, which were simply not as good quality wise as the ones you could find in a store. Β They would be warbling within weeks (if not right out of the case) and the J-cards were sometimes shoddy, with printing not lining up with fold lines, or just they’d just start falling apart along perforations. Β They also didn’t carry certain record labels. Β While they had everything Warner Bros and Columbia Records, they had nothing from EMI. Β Finally, bands made next to nothing on albums that were sold through Columbia House. Β Some bands such as the Tragically Hip refused to sell their music via Columbia House. Β We didn’t know all of this as kids, of course. Β I started to pick up on the quality issues when they seemed to take a serious dive around 1991.

The key to not getting ripped off by Columbia House was to order smart. Β The 12 free tapes sounds like a great deal, but when you balance in buying the rest of your selections at full price, most people ended up on the losing side. Β Get in and get out, buying the bare minimum. Β That was the way to do it. Β Of course, we didn’t. Β We just enjoyed the convenience and stayed members for years! Β No regrets since this led directly to a 12 year career in the Record Store!

REVIEW: Union – Union (1998, 1999 reissue with bonus track)

The third and final Kulick review from our Kulick week at mikeladano.com!

Tuesday: Blackjack – Blackjack (1979)
Wednesday: Blackjack – Worlds Apart (1980)

scan_20160928UNION – Union (1998, 1999 Spitfire reissue)

A mighty Union was formed from the ashes of two classic bands’ lesser-known lineups. Β First up is Bruce Kulick, formerly of Kiss and now in Grand Funk. Β Kulick had been taking an increasingly important role within Kiss, leading to the Carnival of Souls LP which Bruce was instrumental in writing and recording. Β With him was John Corabi who had just been booted from Motley Crue after making (arguably) their best album (or one of). Β Corabi was in a bit of a state. Β His confidence in himself was shaken after the Motley experience, who seemed impossible to please when their album tanked. Β John told Bruce that he didn’t want to sing anymore, he just wanted to play guitar. Β Bruce’s response was “Dude, you’re fuckin’ high!”

And so it was that Bruce and John teamed up (with Brent Fitz and Jamie Hunting) in the aptly named Union.

You wouldn’t call Union a supergroup, but they did create a fine album. Β It is in the mold of the last albums these guys made separately (Motley ’94 and Carnival). Β Union turned out as an angry, dark rock record,Β very much a child of the 1990’s. Β With Kulick on guitar, UnionΒ was more than a 90’s alt-grunge retread. Β The 90’s are omnipresent in the droning riffs and staggered rhythms, but then Bruce dumped out his tackle box of guitar tricks. Β Bruce evolved over the years from a guy who played really fast on 80’s Kiss albums to a serious player interested in pushing his own limits. Β Where he used to be content to play flurries of notes, on Union he goes for maximum gut impact. Β It’s less about playing the notes than bending them to his will.

It’s also quite clear how much writing Bruce and John did in their respective bands, judging by the sound of this. Β “Around Again” bears groovy similarities to tracks like “Jungle” by Kiss and “Uncle Jack” by Motley. Β There’s a pissed-off attitude, and musicianship that would make Nikki Sixx crap his pants. Β Thankfully Union have a good batch of songs backing them. Β Much like the previous Kiss and Crue records, Union is not instant love. Β It takes about three good listens to penetrate its metal-grunge (with a touch of Beatles) hybrid sound. Β Union usually seem to go for the guts rather than singalong melodies.

One of the exceptions to this rule is the pure fun “Love (I Don’t Need it Anymore)”. Β This is the one that hooks you on the first round. Β With a funky little riff and a chorus that sinks right in, it slays. Β The ballad “October Morning Wind” is another catchy track, an acoustic number a-la Zeppelin. Β Think of a track like “Loveshine” from the Motley album for the right ballpark. Β Stealing a Zeppelin title, Union’s song “Tangerine” is a groove rock tune like a heavier Aerosmith.

On the other side of the spectrum: Β psychedelic rock. Β “Let It Flow” is a trippy song broken up into sections called “The Invitation”, “The Journey” and “The Celebration”. Β I think John was smoking something green when he wrote the lyrics, but Bruce’s sitar-like guitar is the perfect complement. Β “Empty Soul” has similar scope, being a pretty huge song with musical goodness coming out the wazoo.

Adding the Beatles cover “Oh Darlin'” to a reissued version of the album is a little greedy, but fortunately worth it. Β As it turned outΒ this band only made two studio albums, so more Union is good Union. Β If you recall the original song, Paul McCartney gave it his best rasp screams. Β Up to bat is John Corabi who can sing that way in his sleep. Β It’s a perfect match and “Oh Darlin'” is a nice little extra on which to end an exceptional album. Β The only issue I have with “Oh Darlin” is actually its placement as the last song. Β Previously, the solo-written Corabi acoustic ballad “Robin’s Song” was the closer, much like “Driftaway” was on the Motley album. Β You become accustomed to “Robin’s Song” as a closer, because it has that quality to it. Β “Oh Darlin'” is not a closer. Β It would have worked better earlier in the track list, so feel free to shuffle as you choose.

Whatever version you acquire, any fan of Kulick and/or CorabiΒ would be foolhardy to live without this CD. Β It ranks as one of the best albums by either.

4.5/5 stars

#499: Top Five Most Heinous Rock Criminals

Welcome back to the week of Getting More Getting More Tale. Β This one is…not funny.

GETTING MORE TALE #499: Top Five Most Heinous Rock Criminals

Who are the biggest dicksΒ in rock? People who have committed crimes so atrocious, so heinous, that forgiveness is all but impossible? Here is a list of some of the most well known examples of extreme douchebaggery in rock and roll.

SID5. Sid Vicious (Sex Pistols)

Not everybody gets to have Gary Oldman play them in a movie. In order to attain this dubious distinction, you have to be the bassist for the most notorious punk band in the world, stab your girlfriend (Nancy Spungeon) to death, and then die of an overdose before the case can go to trial. The unanswered questions will remain so forever.

PHIL4. Phil Spector

The genius producer extraordinaire may have been most well known for his β€œwall of sound” in the 1960’s, but today people remember him showing up in an array of outrageous wigs for his murder trial. On February 3 2003, actress Lana Clarkson was killed by a gunshot to the head at Spector’s mansion. Spector was found guilty on April 13 2009, and has been in jail ever since. His bald mugshot was a stark contrast to the huge wigs he was known for.

VARG3. Varg Vikernes (Burzum)

This bizarre tale cannot be summed up in a paragraph. Varg did 21 years in jail for stabbing Mayhem guitarist Euronymous (Øystein Aarseth) to death. Vikernes has explained and justified the events of August 10 1993 many times, but every interview just makes the situation more bizarre and surreal. Vikernes is a free man today, continually working on and releasing new music with his solo project Burzum.

VINCE2. Vince Neil (Motley Crue)

Drinking and driving is a crime that no-one should ever take lightly. When it involves injury and death, that goes double. On December 8 1984, a drunk Vince hopped into his Pantera with Hanoi Rocks drummer Razzle Dingley to pick up some more booze. Neil hit an oncoming car, seriously injuring its passengers, and killing Dingley. Neil spent 15 days in jail. To make matters even worse, this was not Neil’s last instance of drinking and driving. He faced charges in 2007 and again in 2010. This is an example of a man who is old enough to know better, but will never learn.

WATKINS1. Ian Watkins (Lostprophets)

Ian Watkins is in jail right now, and hopefully will remain there for a very long time. His crime? According to investigators, Watkins is a “committed, organized paedophile” and “potentially the most dangerous sex offender” they had ever seen. His lack of any sort of remorse has made his crimes that much more disgusting.

REVIEW: Motley Crue – Quaternary (1994 Japanese EP)

MOTLEY CRUE – Quaternary (1994 Elektra Japanese EP)

For me, undoubtedly the most heavily anticipated new album of 1994 was the new Motley Crue. Β Originally titled ‘Til Death Do Us Part, the self-titled ’94 Crue discΒ was their first with new singer/guitarist John Corabi. Β They holed up with producer Bob Rock and knuckled down, creating what could have been the most important album of their careers. Β The long wait (five years between studio albums) and cryptic remarks from the studio indicated that this would be the heaviest Motley album ever, and their most ambitious. Β The new, serious Motley for the 90’s had, as always, written plenty of extra material too.

In addition, producer Bob Rock had an idea for getting creative juices flowing. Β He asked each of the four members of Motley Crue to write and record a solo track with no input from the other members. Β This was slightly historic: Β the first time Nikki Sixx, Mick Mars, Tommy Lee or John Corabi had done anything solo. Β With all the numerous outtakes recorded for the Motley Crue LP, there was now plenty of extra material to put out as a bonus EP.

Scan_20160612A mail-away coupon inside the Motley Crue CD alerted fans that five more tracks were available by mail order only. Β 20,000 copies of the original EP were pressed. Β They included all four solo tracks and a new Motley Crue song called “Babykills”, featuring fifth Beatle Billy Preston on clavinet!

Still, the lucky fans in Japan didn’t have to mail away for anything. Β They were able to buy Quaternary right on their store shelves, and because it’s Japan, they also got bonus tracks. Β The Japanese version of Quaternary was not a five song EP, but more like a nine-song mini-album. Β I had no idea such a thing existed until finding one at Sam the Record Man in Toronto in the summer of 1996. Β  It still has the price tag: Β I paid $49.99, for a total of three songs that I did not have before.

Today, every one of these songs can be found on the box set Music to Crash Your Car To: Volume II, along with even more bonus mixes.

Quaternary commences with industrial noises and studio dialogue:

Tommy Lee: Β “I can’t play with fuckin’ clothes on man, this is bullshit.”
Bob Rock: “Play naked.”
Tommy Lee: “Fuckin’ jeans on, a fuckin’ shirt…what up with that?”
Bob Rock: “What, do you work in a bank?”

The industro-rap metal of Tommy Lee’s “Planet Boom” is a track he had been working on for years. An early version made its debut in the background on the 1992 home video release Decade of Decadence. Even though the words “industro-rap” and “Tommy Lee” don’t really sound good together, “Planet Boom” kicks ass. Tommy played all the instruments, utilising a simple, detuned Sabbathy riff and a relentless drum loop. The strength of his vocal came as a surprise, as did the song in general. A few years later it was remixed for Pamela Anderson’s movie Barb Wire. (Stick with this original.)

After a brief studio discussion with Mick Mars about hemorrhoids (?), his blues instrumental “Bittersuite” blows your ears off. Motley fans know that Mick Mars is the most musically talented member, considered an underrated and under appreciated rock god. The blues-rockΒ of “Bittersuite” isn’t as satisfying as I imagine a pure blues offering to be, but there is no doubting Mick’s talent here. Both as a writer and a player, Mick hit it out of the park (Chris Taylor played drums). Mick’s goal was to pay tribute to rock-blues greats like Beck, Hendrix and Blackmore. Mission accomplished. His guitar tone is beautiful and so are his emotive licks.

Nikki Sixx goes third, with another industrial-metal cross. “Father” is one angry fucked up track. It’s heavy and direct, on-trend for 1994, and very abrasive. The riff and song are simple, but Nikki’s anger leaks through. “Father — where were you?” Backwards guitars, electronics and loops on top — you can tell Nikki and Tommy were listening to the same kinds of music at the time!

New kid John Corabi goes last, and in the liner notes he says that “Friends” is his first piano song. He meant to go acoustic, but “Friends” just came out of him. It’s a pretty Queen-like ballad with lovely harmonies in the middle. Although Mick Mars’ song is probably a greater technical achievement, “Friends” is my favourite of the solo tracks. When a guy like Corabi gets going on a ballad, it’s usually going to be amazing anyway. Throw in the Queen elements, and I’m just a sucker for it! It’s really a shame that Motley did not continue with John beyond this. The potential for greatness was always there.

After more studio chatter, we break into “Babykills”, the Billy Preston collaboration. “Babykills” is fun and funky hard rock, probably the heaviest thing Preston ever played on. Unfortunately his part is little more than an added topping. Great tune though; probably far too good to lie hidden away on an obscure mail-order EP.

An impromptu jam that seems to be called “I Just Wanna Fuck You (In the Ass)” ends the original EP on a jokey note. Β “What the fuck do you want, for fuck all?”

Scan_20160612 (3)

As mentioned, the Japanese had bonus tracks. Β  These are tracks that did not make the finished Motley Crue album, since they had recorded so much extra material. Β “10,000 Miles Away” is a cool blues ballad, showing off more of Mick’s fine fingerwork. Β It was obviously too much of a standard sounding song to fit in with the experimental Motley Crue album. Β Not that the album stood a chance in hell after grunge cleared the decks, but you do wonder if it would have been better received if some of these more digestible songs were included on it.

The one track on the Japanese release that is easy to skip is the Skinny Puppy remix of “Hooligan’s Holiday”. Β This track was already available on the “Hooligan’s Holiday” single and it’s since been re-released in other places too. Β It’s long — over 11 minutes. Β Dave “Rave” Ogilvie remixed it with Dwayne Goettel and cEvin Key, so it is of possible interest to Skinny Puppy collectors. Β The thing that bugs me about it is that it strikes me as lazy. Β The song is pretty much the same as always for the first three minutes, and then the remixing begins. Β The whacked out and frankly boring remixed part goes on for almost seven more minutes, before transitioning back to the standard song. Β In other words, what Skinny Puppy did here was edit out the middle section and guitar solo of the song, drop in seven minutes of remixed barf, and then put the ending back on.

Two demos round out the CD: Β “Hammered” (which did make the album) and “Livin’ in the No” (which did not). Β The “Hammered” demo is structurally the same as the album version, no radical departures. Β It sounds like much of it is live in the studio, and it’s clear that Motley were focusing on grooves. Β It’s all about the four guys being locked in. Β Finally “Livin’ in the No” is in the standard hard rock mold. Β Again, a track like this fits in less well with the unorthodox LP, but might have made it more accessible for fans. Β Even so, a guy like Vince Neil would never have been able to sing “Livin’ in the No” and make it sound good.

There is little question that the Motley Crue album deserves its 5/5 star rating. Β This being a collection of outtakes, the same cannot be expected. Β Still, it does deserve a very respectable:

4/5 stars

Get the complete EP including all Japanese bonus tracks onΒ Music to Crash Your Car To: Volume II. That set also contains more remixes originally from single B-sides of the era: “Misunderstood” (Guitar Solo/Scream Version), “Hooligan’s Holiday” (Derelict Version), “Misunderstood” (Successful Format Version), “Hooligan’s Holiday” (Brown Nose Edit).

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REVIEW: The Adventures of Ford Fairlane – Original Soundtrack (1990)

MOVIE SOUNDTRACK WEEK
Scan_20160604THE ADVENTURES OF FORD FAIRLANE – Original Soundtrack Recording (1990 Elektra)

This movie stunk. Β Somebody had the idea: Β “Hey, let’s get Andrew Dice Clay to headline a raunchy comedy movie, and get a hard rock soundtrack! Β The kids will love it.” Β The movie and soundtrack were loaded with famous names: Β Wayne Newton, Sheila E., Vince Neil, Priscilla Presley, Robert England and so on. Β It didn’t help; the movie tanked and its resultant soundtrack was a hodge-podge of music that no one listener would like all the way through.

There is plenty to dislike on this CD.

A past-his-prime Dion remade “Sea Cruise” with Don Was, rendering it limp like a stunted child of the 1980’s. Β Skip the unbelievably terrible Sheila E. track. Β The Teddy Pendergrass song is also pretty awful, in a nondescript 80’s fashion. Tone Lōc dropped a turd with “Can’t Get Enough”, despite a phat Hammond organ riff that must have been sampled from something much better. Finally, Andrew Dice Clay taints both the band Yello and the song “I Ain’t Got You” with his voice. The Yello track is just synth music with movie dialogue on top. Then “I Ain’t Got You” is less than two minutes long, so at least it’s relatively painless. I don’t know if somebody had the idea to launch Dice as a rock star next, but if they did, it failed miserably.

There are a few songs that could be considered keepers.

Billy Idol was experiencing a comeback at the time, with the classic-tinged “Cradle of Love”. It combined new wave production values with rock and roll stylings of the 1950’s. Striking while the iron Idol was hot, the song is included on this soundtrack as the opening number. It was Idol’s first single, post-Steve Stevens. It featured his new guitarist Mark Younger-Smith, and ex-Ozzy bassist Phil Soussan who briefly appeared in the movie as one of Vince Neil’s bandmates. (He later became one of Vince’s bandmates in real life.)

Speaking of Vince, Motley Crue contributed the Dr. Feelgood outtake “Rock ‘n Roll Junkie”, well before it was released on Decade of Decadence. Β This mix is slightly different than the one commonly released on Motley albums. Β Vince sings an audible “Uh!” sound at the 30 second mark on the usual versions. Β That is absent on the Ford Fairlane mix. Β There is also a stronger flanging effect on the bass during the intro of the common version. Β So, for Motley diehards, this CD presents one mix that you don’t own elsewhere in your collection.

I have no idea how Queensryche got involved with this soundtrack; they were even on a different record label. “Last Time in Paris” was an accessible rock track; an outtake from the sessions for the forthcoming Empire. Β It would not have been one of the best Empire tracks, but it’s good enough for fans of vintage ‘Ryche. Β Chris DeGarmo employs a slide on his guitar solo, and Geoff Tate throws down a sassy lead vocal.

The final track was also an outtake from a forthcoming release: Β Richie Sambora’s Stranger in this Town solo debut. Β Sambora recorded a classy cover of Hendrix’s “The Wind Cries Mary”. Β Sambora was displaying previously unseen depth and blues chops. Β “The Wind Cries Mary” was later included on a deluxe edition of Stranger in this Town, but by and large most Bon Jovi fans have not heard it. Β With this track, Richie had the best tune on the soundtrack.

The verdict on this “rock and roll detective” movie sountrack? Β It gets the dreaded Flaming Turd.

1.5/5 stars

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REVIEW: Motley Crue – 20th Century Masters – The Millennium Collection

MOTLEY CRUEΒ – 20th Century Masters – The Millennium Collection (2003 Universal)

As a change of pace, this review focuses not on what is on the album, but what was left off. Β ThisΒ 20th Century Masters is more than a little shoddy, as this series can often be. Β So let’s talk about what it is not.

  • Too Fast For Love

β€œPiece of Your Action” is a great little ditty from the debut record Too Fast For Love. What you’re missing though: the speedy single β€œLive Wire”! Β It makes little sense to haveΒ this one without “Live Wire”.

β€œShout at the Devil” and β€œToo Young to Fall in Love”: Great choices. Both are classic 80’s metal. What you’re missing is hit single β€œLooks that Kill”. Β But as Meat Loaf says, two out of three ain’t bad.

β€œHome Sweet Home” is Motley’s biggest hit ballad ever, but where is the Brownsville Station cover β€œSmokin’ in the Boys Room”? Β Can you believe it’s not on here? Β And it’s not because it’s a cover, because, well, we’ll get there.

  • Girls, Girls, Girls

The title track makes good sense to include, but why is β€œAll in the Name Of…” on here instead of β€œWild Side”? Also missing, but understandably so, is the ballad β€œYou’re All I Need” which never made much impact. Β “Wild Side” though remained a concert staple to the end, so that’s one you’ll need to find elsewhere.

  • Dr. Feelgood

There were five singles on this album, and of course you can’t include them all on a 20th Century Masters CD. What you do need are the title track and lead single β€œDr. Feelgood”, and obviously β€œKickstart My Heart”. Β “Kickstart” was an explosive statement by the band, proving they were as mighty as ever without the drugs. Β Those two songs embodied the album, but there’s no β€œFeelgood” here. Inexplicable! Β Certainly one of the biggest oversights on this disc.


Great song! Β Not on this CD!

  • Decade of Decadence

For reasons that are unexplained and perhaps best left that way, instead of including any of the above better known songs, 20th Century MastersΒ has the far less famed β€œRock β€˜N’ Roll Junkie”, and Sex Pistols cover β€œAnarchy in the UK”. β€œJunkie” is a Feelgood outtake, original released on The Adventures of Ford Fairlane soundtrack in 1990. “Anarchy” was recorded for Motley’s first greatest hits, Decade of Decadence. Neither song is essential, and both are on Decade. Why are they here? β€œPrimal Scream”, which was a powerful single, is a must have. But it’s not here. Β Yet another song you’d still have to get elsewhere, because it’s awesome and important.

No complaints here. Β “Hooligan’s Holiday” is included from 1994’s self-titled album with John Corabi on vocals. Nice to see this single represented instead of ignored.

At this point, for a compilation like 20th Century Masters, I don’t think you need to explore the 90’s. But, from 1997’s dreadful Generation Swine comes the title track. Not the minor hit single β€œAfraid” mind you, but the title track which did nothing and went nowhere. Β Baffling!

Ending the album with β€œHell on High Heels” brought the compilation up to date for its 2003 release date. Unfortunately, there was nothing on New Tattoo worth bringing to the table. Tommy Lee had left and there was a serious dip in quality, even after Generation Swine. Β Although it was the only Motley album featuring late drummer Randy Castillo, New Tattoo isΒ simply a turd with no songs that are up to snuff. Crappy way to close a pretty crap compilation, though. Β Motley Crue’s instalment of 20th Century Masters sounds as if it’s a single disc from a double CD compilation, and the other CD’s been lost. Β Sorry Motley, this CD gets the dreaded Flaming Turd.

1/5 stars

#474: Vertigo Records in Ottawa Ontario

Last weekend, Aaron went record shopping in Toronto while I did the same in Ottawa. Check out his post too, and see what we scored!

GETTING MORE TALEΒ #474: Vertigo Records in Ottawa Ontario

Something very special happened on March 24, 1956. Β On that day, Clifford Michael Woodhouse married young Jean, the light of his life, and they began a large and loving family. Β Clifford, known as Mike, was aΒ radar operator in the CF (Canadian Forces). Β As such he and his family lived in many parts of the world at many times. Β According to his son Richard, who also served in the CF: Β “During the height of the Cold War he was a Radar operator, working on what was known as the Pine Line, where he monitored and collected information on the movement and position of threats to the Canadian Forces and to Canadian sovereignty.” Β He was also involved in classified projects, but I can’t talk about that, or he’ll have to shoot me.

Sgt. Woodhouse ultimately settled in Ottawa after stops in France and Gander, Newfoundland. Β He retired in Ottawa where he and Jean still live today. Β I am lucky to have married his beautiful grand-daughter Jennifer.

A 60th wedding anniversary is a big deal. Β Did you know that couplesΒ who are citizens of the British empire (including Canadians) can receive a letter from Queen Elizabeth II for their 60th anniversary? Β The diamond Woodhouse anniversary celebration (held on Sunday the 20th) was not an event we were likely to miss, so Jen and I climbed aboard a train and headed east to our nation’s capital.

We stayed in the Novotel (good experience; recommended) which was a block or two away from a store called Vertigo Records. Β Brilliant. Β First excursion solved! Β We’ll get there eventually (I promise), but lemme tell you, I’ve never been in a Hummer limo before. Β Jen’s cousin Missy arranged this beast of a vehicle, 18 feet in length, and just a pleasure to ride in. Β (So screw the environment I guess; I rode in a Hummer limo and enjoyed it!) Β There were 14 of us inside that Hummer, including Mike and Jean, two of their kids, three of their grand-kids, and FIVE of their SIX great-grandchildren! Β How incredible is that? Β Even more met us at the Keg Manor; a large and incredible group of people.

During the celebration, the lucky couple were presented a number of precious documents in honour of their achievement. Β The letter from the Queen was perhaps even overshadowed by a personal letter from the Right Honourable Steven Harper, former Prime Minister of Canada. Β Family member Chris acquired this by writing to the office of Mr. Harper, who was kind enough to send aΒ signed letter in response. Β There was also a letter from David Johnston, Governor General of Canada and direct representative of the Queen in this country.

Jennifer has a great family in Ottawa and I can’t wait to return to the city, in warmer weather. Β It was bitter cold that weekend, windy and unpleasant to walk in for a long period of time. Β As such we didn’t go far in distance from our hotel. Β I did find this interesting place that I might have to check out nextΒ time.* Β It was situatedΒ besideΒ a couple tattoo shops. Β Hey, it says it’s FREE, right?

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Vertigo Records (193 Rideau St, (613)-241-1011) is an inviting and cool store selling new and used CDs, vinyl and even cassettes. Β They had a copy of Metallica’s tape-only No Life ‘Til Leather, sealed for $25. Β Even cooler, they had a signed Motorhead drum head (not for sale). Β  We arrived shortly after they opened and there were already customers browsing. Β They had a lot of stock and they were putting out plenty of new stuff as I was there. Β There were a number that struck my eye.

Should I have bought Goblin Cock?

Should I have bought Goblin Cock?

 

One of the first discs I noticed was Yngwie Malmsteen’s Live in Leningrad, which I have wanted for a long time but never had. Β VertigoΒ had a good variety of tunes in rotation over the speakers, including some Motley Crue. Β Maybe that’s what inspired me to pick up the double Live – Entertainment or Death. Β I’ve seen a lot of copies of it in the past in just wrecked condition, so not remembering if I owned it or not, I picked this one up. Β I did own it already. Β So this one goes into the Aaron pile.** Β In the new arrivals bin, I saw Robert Pollard/Doug Gillard’s Speak Kindly of Your Volunteer Fire Department. Β I wasn’t certain if he owned it or not, so for only $6.99 it was better safe than sorry. Β  He does have it, so I’ll keep it. Β He tells me I won’t be disappointed with it anyway, because Gillard is a guitar hero of his and I should be in for a treat.

Speaking of Aaron, he has some Deep Purple castaways coming his way. Β When I saw these lovely Japanese reissues in mint, complete condition for only $14.99 each, it was all but a no-brainer to pick them up. Β There are Russian forgeries on the market, but these are the genuine article from Japan. Β I’m very pleased to add these to my collection and pass down my old copies to the next generation of Purple fanatics.*** And lo! More Japanese treasures were to be found! Complete with obi strip was some rare Rage Against the Machine. Β I have a brief story about this CD, that was too shortΒ to make it into Record Store Tales*^ but fine for an anecdote here.

One of the few guys that actually worked at the old Record Store before me was this guy Dave. Β There was the owner, his brother,Β two guys named Craig and Dave, and then me. Β A bit later on, Dave went to Japan but kept in touch via snail mail (back then, we just called it “mail”). Β I will never forget that he sent us a letter to the store, almost taunting us with rare CDs that he found in Japan. Β He mailed us the obi strips for Nirvana’s Hormoaning and a Rage Against Machine CD called Live & Rare. Β “Ever seen these before?” read part of the letter. Β Hormoaning yes, Rage no. Β  I never saw it again either, until Vertigo Records. Β $12.99, obi strip intact. Β Dave doesn’t even have his own obi strip anymore!

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Moving on, some classic rock finds were hard to turn down. Β Cream Gold ($8.99 for 2 CDs!) and Jethro Tull’s Living With the Past ($6.99) came home with me to Kitchener. Β I have the Tull DVD of the same name, and it’s excellent. Β And Cream? Β This is my first Cream purchase. Β This is something I’m glad to have fixed in my collection.

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I love me some Fu Manchu, but I missed We Must Obey the first time out. Β Brant Bjork’s Punk Rock Guilt also slipped past me. Β Not this time! Β $7.99 each.

IMG_20160319_132500

Finally, I could not safely bring home a lot of vinyl on the train, so I didn’t go nuts on it. Β I saw some cool stuff, believe me, and I was considering getting some Kiss solo album reissues. Β I bought one 45, which was “The Devil Stole the Beat from the Lord” by the Hellacopters, taken from their Kiss-like LP Grande Rock. Β The single contains two non-album B-sides: Β “Holiday Cramps” and “Be Not Content”. Β The devil-dragster cover art probably made Rob Zombie cry tears of jealousy.

The guy behind the counter gave me the 45 for free. Β “Because you’re buying so much,” he said. Β What a pleasant surprise. Β That was awesome. Β I guess he didn’t know who I was*^^ and that I like to do this whenever I can! Β We had a brief chat while he carefully put the discs and inserts in the cases. Β We marveled at the folks out there who actually throw away CD packaging. Β Why would anybody do such a thing? Β I will truly never understand.

It was such a pleasure being in Ottawa that weekend, windy cold weather aside. Β We will definitely return, and stay longer so as to check out some of the other record stores in town. Β Vertigo Records is a must, a highly recommended store that I would rank as highly as my favourite Toronto record stores.

5/5 stars.

And thank you to C. Michael Woodhouse for your hospitality and for everything you have done for thisΒ country.

Mike “LeBrain” Ladano

IMG_20160321_121151

 

*I’m kidding! Β I’m kidding!

**I have a lot of stuff here that I should really mail out to the friends I promised I would mail them out to.

***Hopefully Aaron and his kids.

*^Have you been reading Record Store Tales? Β If not, please click here.

*^^I’ve always wanted to say to somebody, “Do you know who I am?” and then whip out my mikeladano.comΒ cards as if I’m actually somebody.

 

 

REVIEW: Vince Neil – Exposed (1993)

 

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VINCE NEIL – Exposed (1993 Warner)

When Vince Neil finally unleashed his first solo album Exposed in 1993, it looked like he was the early winner in the great battle: Β Vince vs. Motley.

As is par for a volatile band like Motley Crue, the acrimony behind the split was intense and overshadowed any music either party was about to come out with. Β Even after reading Motley’s book The Dirt, it’s not really clear what happened. Β Vince was complaining that he wasn’t into the new Motley music they were working on. Β “Like 4th rate Physical Graffiti outtakes” he once commented in Metal Edge, with too much emphasis on keyboards and backing singers. Β Crue, meanwhile, felt the lack of dedication coming from the singer. Β He had missed a few rehearsals. Β AfterΒ driving through a torrential rainstorm making him late at the studio, he was confronted. Β “We’re thinking about having new lead singer auditions again,” said Nikki Sixx to Vince Neil. Β The band put out a bogus statement saying Neil was diverting his focus to race cars, and Vince was battling from the bottom again.

After working on one tune with the Damn Yankees (three out of four anyway, minus Ted Nugent) called “You’re Invited (But Your Friend Can’t Come)” for the openingΒ songΒ of theΒ Encino Man soundtrack, it was time to put together a new band. Β An early lineup consisted of ex-Ozzy Osbourne bassist Phil Soussan, but that didn’t last. Β When Soussan left, newcomer Robbie “Ichabod” Crane (a nickname he pretty much stopped using immediately) switched from rhythm guitar to bass, while the legendary Steve Stevens of Billy Idol fame was the main shredder. Β Vik Foxx from Enuff Z’nuff was hired on drums, and another newcomer named Dave Marshall took over the vacant rhythm guitar spot. Β Vince wanted two guitars, unlike Motley’s one.

With the ex-Billy Idol axeman by his side, Vince Neil already had everything he needed to make an incredible album. Β The help of Stevens, Soussan, and Tommy Shaw & Jack Blades from Damn Yankee meant he had a songwriting dream team. Β Fired up and motivated to prove everybody in the music business wrong, Vince was in the zone, and the chemistry was working. Β He also beat Motley to the punch byΒ 11 months.

The last thing I expected from a new Vince Neil song would have been a six minute epic with more guitar action than Motley Crue had packed into six albums. Β Vince was in great voice at this time, and his singing on this album is exemplary. Β On every track, he sounds like he means it. Β Crisply captured by producer Ron Nevison, the song is driven forth by the relentless Vik Foxx (sounding like he’s doing his best Rush impression) and the space-age technique of Steve Stevens. Β It’s an exotic metal groove, with flash and tricks like you have never heard before. Β I don’t know how Stevens does some of the things he does, but that’s why he’s the guitar hero and not me. Β If record labels weren’t scared shitless of releasing a six minute single, then this should have been the single.

Instead “Sister of Pain” was the single, a song that does not make as strong an impression. Β It’s a hard boned sleezy cock rocker in the Motley fashion, which is probably what they were going for. Β Vince felt that since Motley were changing styles, it was up to him to keep the old Crue sound alive. Β That’s “Sister of Pain”, a catchy and satisfactory rock single, although still five minutes due to the intense soloing. This is one of the tunes that Vince wrote with Shaw and Blades.

“Can’t Have Your Cake” has a neat slippery riff, and it too was used as a single. Β This fits the niche of the “fast Motley rocker”, like (say) “Kickstart My Heart”, though it’s not as heavy. Β Thankfully it’s a song to its own, thanks to Stevens’ creative licks. Β I like “Fine, Fine Wine” better. Β Vince is as dirty as ever, proving he doesn’t need Nikki Sixx to write a sleezy rock lyric. Β It’s just a kicking groovy guitar song, perfect for playing air instruments to.

Stevens fans know his flamenco work is incredible. Β He gets to show it off for the first 30 seconds of “The Edge”, finally a song about Vince’s supposed true passion — racing! Β Not an instantaneous song in any way, “The Edge” has a lot going on but it’s worth the challenge. Β This kind of technical rock was beyond Motley Crue before, but with guys like Steve Stevens, Vince was able to show them up a bit. Β There’s more of Stevens’ incredible classical guitarΒ on the ballad “Can’t Change Me”, a sentiment I have always identified with. Β This is the kind of pop ballad that would have made Vince the king of radio only two years earlier. Β Not surprisingly it’s a Tommy Shaw co-write, because that’s exactly who it sounds like.

Scan_20160216 (2)Nothing like a cover to kick off side two, and “Set Me Free” by the Sweet is basically the original “Kickstart my Heart”. Β May as well go back to the original and amp it up a bit with some slippery Steve Stevens fretwork. Β It’s a heavy, layered presentation of guitars and ass kicking drums, and we can certainly forgive Vince for putting a cover on his album. Β Besides, the next track “Living is a Luxury” has a nocturnal, smoky vibe that makes it one of the most interesting cuts. Β The jazzy guitar is like nothing on any Motley Crue album.

Then we’re down to a remake of “You’re Invited (But Your Friend Can’t Come)” from Encino Man. Β Damn Yankees played on the original, and sonically and vocally, that is the one I prefer. Β The album version of course has more guitars. Β It’s too bad they couldn’t add that one in as a CD bonus track, but the Encino Man soundtrack was on Hollywood, not Warner. Β Regardless of which version we’re listening to, this is still a dynamite blast of adrenaline that seems over way too soon. Β I used to play the soundtrack version on repeat in the car. Β Rewind and go again.

“Gettin’ Hard” is a great mid-paced rock tune, but what’s odd is that the lyrics in the booklet are nothing like the actual song, except for the choruses. Β It’s as if they changed the words at the last minute but forgot to tell the people who print the CD sleeves! Β A strange little oddity to go with a grooving cool song. Β Out come the acoustics again for the last track, “Forever”, a really sweetly made ballad. Β The layers of shimmery guitars make it a class above most ballads of this ilk. Β It ends the album on a glowing nostalgic note.

Unfortunately for Vince, he was unable to follow this album with anything decent. Β We realistically knew that Steve Stevens wasn’t going to hang around long, but what hurt Vince most was his ill-advised attempt to cross over, getting the Dust Brothers to produce. Β 1995’s Carved in Stone failed to make any impression whatsoever. Β Meanwhile, his former cohorts in Motley Crue quietly cooked up a beast of an album with Bob Rock. Β 1994’s Motley CrueΒ was about the only thing that could have topped Exposed.

4.5/5 stars

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#426: The History of the Holy Grail

KNIGHT

RECORD STORE TALES MkII: Getting More Tale
#426: The History of the Holy Grail

I don’t know when I started referring to this list as my “Holy Grail” items, but the idea is simple. Β I wanted to create a wishlist of musical items that would be my ultimate, most sought after records and CDs. Β For example, there is a rare Iron Maiden EP called Live!! +one. Β It was releasedΒ in Japan in 1980, and featured two exclusive recordings still unavailable anywhere else: Β β€œSanctuary” and β€œDrifter” from the Marquee show. Β In 2014, I found a copy in Mississauga. Β Should I have bought it? Β It was $100. Β It was not in the budget that time. Β Will I ever see it again?

Those are the kinds of things I’m referring to as Holy Grails. Β The kinds of things that you see only ever one or twice in your time as a fan. Β When you find a Holy Grail item, how much are you willing to pay? Β I paid $300 for a copy of the rare live album marillionrochester on eBay. Β I don’t think I’ll ever do that again though. Β That was a once in a lifetime buy. Β (Only 2000 copies of it were ever made, which were sent directly to fans who donated to their 1997 American tour fund. Β It will never be reissued.)

In the digital age,Β curating a Holy Grail list has never been easier. Β My solution today is simple. Β I have entrusted my Holy Grail list to Aaron over at the KeepsMeAlive site. Β There, he has created (and continues to update) several bloggers’ personal lists as the Master Grail Search List. Β Using this list from our smartphones, we have hunted for items for others, too. Β The increased range provided by the Master Grail Search List has resulted in a couple scores.

While searching one of my hard drives, I discovered what is probably the very first Grail list I ever made, and it is over 10 years old now. Β Apparently I wasn’t calling it a Grail list yet (like I said, I don’t know when we started using that term), but below is my 2005 “Ultimate All-Time Want List”. Β I have since found a number of these…but have also added many more to my list! Β Check out the list, with added notes from today in [red].

CHICKARA

Date: 2005/06/11

ULTIMATE ALL-TIME WANT LIST

To be modified and added to periodically.

In no particular order:

  • KISS – Chikara (CD or LP)

[I should have bought this when I had the chance in ’96 at Dr. Disc in Hamilton! Β I blew it.]

  • marillion – Web Christmas 1998 CD
  • marillion – Web Christmas 1999 CD

[Still missing these two. Β I’ve downloaded them from their official site, which is nice, but not as nice as an original CD.]

  • Metallica – The 5 1/2 Year Anniversary Box SetΒ LP

[Saw this one at Flying Monkey Music in Waterloo in 1997, priced around $120. Β I should have bought it. Β Scott, our Heavy Metal OverlordΒ has a copy, but he is also apparently immune to my Jedi mind tricks.]

  • Tommy Shaw – Girls With Guns CD

[Hahaha, what!? Β I don’t remember wanting this!]

[I mean, sure, I’ll take it, I like that one song…it’s a great music video too, all one continuous shot with no edits…butΒ the CD isΒ certainly not a Holy Grail item anymore!]

  • KISS – Alive III (Japanese CD)

[No longer needed, since the release of Kiss’ comprehensive Alive! 1975-2000 box set!]

  • Iron Maiden – “Wasting Love” (CD single)
  • Iron Maiden – “Hallowed Be Thy Name” (CD single)
  • Motley Crue – Generation Swine (limited edition Japanese with bonus track “Song To Slit Your Wrist By”)

[FOUND, FOUND, and FOUND! Β All of these came from eBay. Β None were cheap, but I had a budget threshold for each under which I was willing to pay.]

  • Black Sabbath – “The Shining” (12″ single)

[No longer needed, due to the excellent Sabbath deluxe edition of Eternal Idol.]

  • The Sultans Of Ping F.C. – Casual Sex in the Cineplex CD

[FOUND by Aaron in 2012! Β Holy Grail lists work!]

  • ZZ Top – Chrome Smoke & BBQ (limited editionΒ CD box set)

[FOUND, quite easily, and very soon after I made this original list. Β I just went down to Best Buy and bought it. Β Hey, sometimes it’s the simple way.]

  • KISS – Instant Live CDs (ALL of them)

[Three have been FOUND! Β I would still love “all” of them, but I’m not made of money!]

SWINE_0001

I’m actually surprised to see so many items crossed off this decade-old list! Β Surprised, and pleased. Β I know how much I wanted some of these items, such as those Iron Maiden CD singles. Β That Motley Crue import also dogged me for years.

The internet helped me gain access to many of these. Β It has also broadened my realization of what lay in the nooks and crannies of a band’s discography. Β When I made this list 10 years ago, I didn’t even know about Maiden’s Live!! +one EP. Β I didn’t know that the same band’s Best of the Beast 6 LP box set had one exclusive bonus track (“Revelations” live) that was tucked away unnoticed. Β As I have crossed items off my list, two more sprang forth in their place!

Thanks to Aaron’s Master Grail Search List, the never endingΒ quest continues!