Reality is the Nightmare

KICK AXE! Grant’s Rock Warehaus tackles one of the best Canadian bands with whom you’re not familiar enough! All albums ranked!

This weekend on Grant’s Rock Warehaus, we tackled a band that needs and deserves more attention:  Canada’s Kick Axe!

“Nobody’s talking about Kick Axe!” said Grant.  We aim to change that with this show.  Please give it a watch!  What are your favourite Kick Axe songs?

This show almost didn’t happen.  I wanted an expert on Kick Axe, so I asked Derek Williamson of Thunder Bay Ontario, who saw Kick Axe live back in the day and also interviewed the guitarist Larry Gillstrom.  He stonewalled me three times, so we decided to do it without him.

Show notes are below, if you want the Cole’s Notes version, but you’ll have to watch the video to get our album rankings.


Formed 1976, Regina Saskatchewan as “Hobbit”.

Original lineup:

  • Victor Langen, bass, vocals
  • Gary Langen, drums
  • Larry Gilstrom, guitar

Ray Harvey added on guitar.

Moved to Vancouver BC, Gary Langen leaves band replaced by Brian Gillstrom, Charles McNary hired as vocalist.

1981 – Playboy Street Rock – live track called “Reality is the Nightmare”.

1981 – Weekend Ride / One More Time (Harvey on vocals).

Produced by Bill Henderson and Brian Too Loud McLeod of Chilliwack.

Wrote “Heavy Metal Shuffle” which opened Vices later on.  Attempted to record an album but never released it.

McNary replaced by George Criston, who brought in power, range and soul as well as a unique sound.

1984 – Signed to CBS in Canada, approached Spencer Proffer to produce because they wanted the same sound as Metal Health by Quiet Riot.  Proffer liked the band personally and thought highly of their musicianship.  Album Vices released on Pasha in the US.

Recorded existing material (2 songs re-written with Proffer) in Hollywood at S.I.R.  30 Days in the Hole – a cover, like Cum On Feel the Noize, but not intended to be a hit, just a showcase for their talents.  Released on the soundtrack to Up the Creek.

Ran into Tony Iommi and Geezer Butler – supposedly approached Criston to replace Ian Gillan in Black Sabbath.  Proffer was working with both bands.

Vices is their best album.  Proffer intended it to be a concept album about vices.  Not a bad song.  Bangin’ backing vocals.  Music video for On the Road to Rock made major impact in Canada, with the comedic video attracting attention.  The Vices mascot was one of my first “rock buttons”.

Vices did not perform to expectations, but Kick Axe wrote three songs for the next Black Sabbath album:  “Wild in the Streets”, “Hunger”, and “Piece of the Rock”, later recorded by W.A.S.P. and King Kobra.  Kick Axe did not want to lose Criston to Sabbath.  “Piece of the Rock” is one of the rarest Kick Axe tracks, only released on a 2005 issue of Rock the World.

1985 – Second album – Pasha wants band more streamlined for radio.  Brought in Pasha staffer Randy Bishop to help on lyrics.  Co-wrote 5 songs and co-produced Welcome to the Club.  Some of the heaviness is blunted, in favour of better song structure and melodies.  Recorded at Metalworks in Toronto.  Cover art by Hugh Syme, which the band never understood the meaning of.

Band brought in cover of Joe Cocker’s version of “With A Little Help From My Friends”.  Rik Emmett, Lee Aaron, Andy Curran, Alfie Zappacosta and more on backing vocals.  Very cool music video made of the recording session.

Pretty solid album, though not as banging throughout as the original.  The cover tune is completely different, but really excellent.

The band and Proffer blame lack of sales on parent label Epic.  No support.  Toured with Autograph, Krokus, Night Ranger, Helix and Triumph.

1986 – Ray Harvey returns home to deal with family matters.  Joins Rock & Hyde as touring guitarist (Bob Rock & Paul Hyde).

The Transformers soundtrack released.  Hunger, and Nothing’s Gonna Stand In Our Way released as Spectre General.  All done by Proffer, without knowledge of the band.  Due to pseudonym used, no benefit to band happened.

Still signed to CBS in Canada.  Next album picked up by Roadrunner in US.

Rock the World (initially “Fuck the World”) recorded as four piece.  Self-produced primarily by Larry due to lack of funds provided by CBS.  Recorded at Right Trak in Vancouver.  Also forced to mix the album themselves.  The cover tune this time is The Chain by Fleetwood Mac.

Band breaks up – sherrifs seize equipment due to unpaid debts.  Later immortalized in the song Rocking Daze on Kick Axe IV.

2002 – Kick Axe reunite with Gary Langen returning, this time on lead vocals.  George Criston remains active in country and more soulful music.  Has expressed no interest in returning to rock.  Has not participated with reissues.  Has worked as a guitar tech for Sarah McLachlan, Dido, Avril Lavigne, and k.d. lang.

2004 – Kick Axe IV self produced.  Best song Rockin Daze written by Brian Gillstrom.  Decent album but not memorable long-term except for Rockin Daze.  Gary Langen has a style of voice reminiscent of Phil Naro.

2008 – Gary Langen leaves band, replaced by Daniel Nargang.

2023 – Run to the Thunder, first new song in decades, to be followed by new album.


 

 

 

 

 

#773: Rock Candy + Internet = Kick Axe!

GETTING MORE TALE #773: Rock Candy + Internet = Kick Axe!

Like many things, it started with a story.

I have liked the music of Kick Axe since I first heard them back in 1984.  “On the Road to Rock” was a Power Hour (not yet the Pepsi Power Hour) staple.  I knew the video off by heart.  A Vices button was among the first handful I owned.  I think it was a birthday gift from my best friend Bob.  As it turns out, I never got the album, or any Kick Axe for that matter, until now.  So how did it turn out that I’m doing this Kick Axe review series?

I. ENCORE

In July, I scored two Kick Axe remastered CDs by Rock Candy records.  This occurred at the best Record Store in town, Encore, who had both Vices and Welcome to the Club in stock.  I had been looking for these in Toronto (“Taranna”) for years.  No luck.  The Encore visit was my first time finding them in store.  Vices has a bonus track.  I always intended to get the Rock Candy version for that reason.  Aaron and I found Kick Axe vinyl in Taranna before, but I was holding out.  The bonus track made the Rock Candy reissue my preferred version.

II. ROCK CANDY

Another thing about Rock Candy:  the liner notes are, shall we say, goddamn essential.  Featuring original interviews, untold stories, and assorted documented details, you will absolutely learn something from the liner notes in a Rock Candy CD.  One thing I learned before even opening the booklet was that the third Kick Axe album was also available from Rock Candy.  Already having the first two, it seemed dumb not to get the third.  Especially since the liner notes said that Rock the World was, in some regards, their strongest album.  As I read the notes, I recalled they did two songs for The Transformers soundtrack under the name Spectre General.  The notes confirmed that Spectre General was Kick Axe, not some side project.

Thanks to Rock Candy, light was shed on early Kick Axe history previously unknown to me.  I discovered they had an early 7″ single called “Weekend Ride”, with a singer earlier than George Criston.  They also had a live track on a compilation called Playboy Street Rock.  When Bob and I were kids, we used to be fascinated by the early history of bands.  Like finding out White Lion had an album before Pride, or that Iron Maiden had something called The Soundhouse Tapes before their first album.  I wanted to get the early Kick Axe stuff I just found out existed!

III. AMAZON and DISCOGS

If I knew about those early Kick Axe songs as a kid, it would have taken me decades to find them.  Today, I had most of them within a week.

Amazon had Rock the World in stock, and it was at the house two days later. Discogs had “Weekend Ride”, The Transformers, and Playboy Street Rock from different sellers.  I hesitated on Transformers but pulled the trigger on the other two.  I would have preferred a remastered Transformers CD with bonus tracks.  They were way too rich for me.  I couldn’t get one for much less than $50.  Even the reissued vinyl without the bonus tracks was pricey.  Ultimately, I settled on an original CD, which was still not cheap.

“Weekend Ride” and Playboy Street Rock arrived within a few days.  Wonders of the modern world.  What would have taken years before happened in under a week.

IV. KICK AXE

Fortunately, it turns out that I quite like my Kick Axe purchases.  So much so, that I was inspired to do a Kick Axe review series.

Kick Axe have a fourth album (Kick Axe IV) from a Criston-less reunion.  I’m undecided if I’ll go that far, but in the mean time you can look forward to learning more about Canada’s own metal proponents.  I’m delighted to discover a band that could really sing, and play like big leaguers.  I hope you’ll enjoy them too.

REVIEW: Kick Axe – “Reality is the Nightmate” (1981) – Kick Axe series Part One

Part One of a series on classic KICK AXE!

KICK AXE – “Reality is the Nightmare” (1981, from Playboy Street Rock on Nightlife Records)

They were originally called Hobbit.  Formed in Regina Saskatchewan, the core was Larry Gillstrom and the Langen brothers, Victor and Gary.  They were playing mostly covers, but by mid-1976 they changed their name to Kick Axe.  What is a “Kick Axe”?  The name represented rock band instruments – kick drums and axes.  Members came and went, including Gary Langen, until they settled on a five member lineup:  Larry Gillstrom (guitar), his brother Brian (drums), Victor Langen (bass), Raymond Harvey (guitar) and Charles McNary (vocals).

It was this lineup that recorded the first Kick Axe releases.  (Though not the very first Kick Axe recordings — an earlier album was scrapped and has never been heard.)  The first two records that were available were a single called “Weekend Ride” (to be reviewed next time) and a live song called “Reality is the Nightmare”.  This was recorded in Vancouver and released in April 1981 on a most peculiar LP.

Street Rock was a compilation by Playboy Magazine of new, unsigned bands.  Kick Axe were one of two Canadian bands to make the cut, the other being a group called The Remedials.  According to the back cover, which prominently features the “rabbit head” logo, these are the bands that won a Playboy “music poll talent search”.  It appears Kick Axe were the only group here who went on to bigger things.  I’ve never heard of Snake Rock.  Have you?  The singer’s name was Snake Rock (no relation to Kid or The), and he had a snake tattoo and a snakeskin vest.

Kick Axe clearly had talent even back in 1981.  “Reality is the Nightmare” boasts a solid riff and accompanying groove.  Charles McNary was a decent singer, too.  Kick Axe got lucky later on when they landed the golden pipes of George Criston, but McNary could hold his own.  He could scream and carry a melody.  The guitar soloing and drumming on this track is quite exceptional.  The track was written by McNary and Larry Gillstrom, and whadayaknow? — they could write a good song!  It’s a well constructed heavy rock song, not breaking any new ground, but doesn’t have to.  Listening to the individual instruments, it’s clear that Kick Axe could always play and always write melodically.  Victor Langen is a melodic bassist and combined with Brian Gillstrom’s almost tribal drums, you get a song that is more than the sum of its parts.  That’s pretty impressive for such early material.

With a quality track like this right from the start, Kick Axe were off to the races.

4/5 stars