RECORD STORE TALES MkII: Getting More Tale Report: Aux 33 Tours in Montréal
My sister, bass clarinetist Kathryn Ladano, just completed the east coast leg of her Canadian tour last month. This was followed by a western leg, but while returning home from the east there was a stop in Montréal. Kathryn is a collector too, though not to the extent that I am. She doesn’t need the physical musical media in her daily life like I do. She still collects some of her favourite bands, and has recently started buying vinyl. While in Montréal, she visited a record store called Aux 33 Tours, located at 1373 Mont-Royal Est. According to their website, it is the largest record store in the city. She emailed me the following day, May 27, raving about the store. I’ll let her take it from here! Enjoy the pictures.
I found the most amazing record store in Montréal yesterday! I found almost all The Spoons’ albums on LP, including ones that aren’t available on CD. I also found a promo live album by them that didn’t have a proper cover because it wasn’t supposed to be sold. They were all dirt cheap – like $2 – $7. One of them was autographed and personalized “To Martin”! [Fortuitously, her husband is also named Martin!] I also got Kid A on record. Kid A and Sgt. Peppers are reissues with heavy packaging. They had an original Sgt Peppers, but the reissue was cheaper, so I got that.
I spent about $140. Which I think is good for that many albums! Note: the Simon and Garfunkel and Gord Downie ones are Martin’s.
I’d also like to point out how rare that Bryan Adams single is. He really tried to bury that song! Watch the video, you’ll hear why. (They sped up his voice which gives him a Chipmunks sound.)
And finally, gratuitous photos of Schnauzers and Starfleet collars:
In late 2005, I met Dave for the first time. Jen and I had just started dating, since September 18 actually, and I think I met her dad on our second date (by complete accident, we were out for a walk and as he was driving by). He made me very welcome to their family early on. He treated me like a son when I spent Christmas Day 2005 with them. Dave was one of the greatest people I’ve ever met, and one of the most generous. He truly would have given the shirt off his back. I kept hearing the same stories over and over again: “Dave really helped me out in the past,” or “I remember Jen’s dad let me stay with them for a week when I had nowhere to sleep.” He never asked for repayment. I remember when he helped my sister move from Etobicoke to Kitchener. He drove the moving van (actually his delivery van) and he signed up for one trip to Kitchener and that was it. Well, we couldn’t get everything in one load. We had to do a second load. So, he drove back to Etobicoke, and back again to Kitchener, before finally retiring for the evening. I had to twist his arm just to get him to accept a Canadian Tire gift card in repayment! That’s the kind of guy Dave was. Did I mention he’d never even met my sister before that night? He just did it because he was that kind of man. We lost Dave three years ago, Nov 3 2009. He was only 58 years old. Jen misses him — we all miss him — every day. It still shakes us. We lost a great man, probably one of the greatest I’ve ever known. I couldn’t let Nov 3 go by without talking about him. Miss you, Dave.
WATCHMEN : The Ultimate Cut – The Complete Story (2009 Warner 4 disc blu-ray set)
Directed by Zack Snyder, 216 minutes
What’s the greatest comic book movie of all time? I’ve seen a lot of them. There’s quite a few I haven’t seen as well, but it’s a great topic for discussion. I always have to put Watchmen on the table when discussing great comic book adaptations.
Watchmen is a complex tale. Its original comic was ambitious, containing page after page of dense backstory information in the form of documents and faux-magazine articles, all very relevant. There’s even a parallel story taking place, a comic within a comic, which directly reflects one (or arguably more) of the characters in the main story. Characters and their psychology are key. In addition, neither the comic nor the movie are linear. The story unfolds within different time periods, flashing back and forth, as we learn more about the characters, their motivations, and the world they inhabit.
It is the world they inhabit that was the hook for me. I’m a sucker for alternate universe stories. Here’s one that sets us on Earth, 1985, but things have unfolded very differently. The influence of various superheroes/vigilantes has caused history to unfold very differently. Specifically, it is the presence of Dr. Manhattan, who puts a swift and decisive end to the Vietnam war, who influences history the most. In this 1985, Richard Nixon is still president, and masked vigilantes are now outlawed.
The Watchmen are a group of such vigilantes, originally known as the Minutemen. Some, such as Dr. Manhattan truly are superhuman. Others, such as Nite Owl and his successor Nite Owl II, are mere mortals with high-tech gadgetry and skill as their allies. All have retired, some in fame and some in anonymity…all but one. Rorschach. He remains active, alone and wanted.
The movie begins as a murder mystery. Someone has managed to identify and kill Edward Blake — The Comedian, once one of the most dangerous heroes alive. To overpower and murder Blake would require an individual of tremendous resources. Who? And are other former vigilantes also at risk? Rorschach seems to be the only one who wants to know.
Being a fan of the graphic novel, I was very happy with the way that Zack Snyder captured Watchmen. It was done with love and care. The things that are discarded, I didn’t miss so much. The things that he changed, I understand why it was done. There’s one layer to the story/mystery that has been discarded, probably to keep this thing under 4 hours! The things that are reverently exactly the same as the comic made my jaw drop in awe. The acting performances are what they are, but I have to give special mention to Jackie Earl Haley as Rorschach.
The soundtrack is one of the best in recent memory. Outside of Wes Anderson, I haven’t loved a soundtrack this much in a long time. It’s awesome from the stunning Bob Dylan classic “The Times They Are A’Changing”, to Nat King Cole, to Simon and Garfunkel, Hendrix and Philip Glass, and probably the weirdest use of Leonard Cohen’s “Hallelujah” in movie history. The soundtrack is where it’s at. The movie even contains a Village People sighting! I’ll skip My Chemical Romance.
This Ultimate Cut weaves the comic-within-a-comic, Tales Of The Black Freighter, previously only available on its own, into the main body of Watchmen. These segments are narrated by Gerard Butler. New live action linking sequences connect the movie to Black Freighter, much like it worked in the graphic novel. People who haven’t read the graphic novel might not understand what “Black Freighter” is doing there, but they should probably start with the less daunting theatrical cut to start with anyway.
The box set includes four discs, beautifully packaged. Hardly a complaint to be registered. The box is heavy and sturdy. Included is Watchmen: The Motion Comic, packed in its own case, 5 hours long on its own. One disc is the expired digital copy of the theatrical cut (whoop de do) and another disc is loaded with special features. Best of these is Under The Hood, which is based on the graphic novel segments covering Holis Mason. Mason, the original Nite Owl I, wrote an autobiography called Under the Hood; this film is a faux-documentary on his story. It is presented as a television program from 1975 re-run in 1985, including commercials and scratchy footage. At 35 minutes, this is an absolute must. Other special features include brand new audio commentaries, for those who dare to keep going deeper. This set is just loaded. Unfortunately I found the sound level inconsistent, I had to turn it up and down frequently.
Having said that, I’m not going to discard my Director’s Cut of Watchmen. Clocking in at almost four hours, watching this version is a commitment. I know that occasionally, I will want to watch the “shorter” version of the film. Since a digital copy of the theatrical (shortest) cut is included here, maybe you won’t feel the need to double-up on Watchmen editions. For an enriched viewing experience, set aside the four hours one afternoon and enjoy.
20 years? Wow, they sure flew by for me! When Empire first came out I bought it on cassette, and even back then I thought it was a bit too commercial. That’s not to say Empire is a bad album, but coming off Mindcrime and the killer first single “Empire”, I expected something heavier.
Now with the benefit of hindsight, you can really hear a band coming into their own identity. Empire is kind of the end of the old “heavy metal” Queensryche and the beginning of the newer more diverse Queensryche. The next album, Promised Land was a another stride further away from sheer metal, but more successfully achieved.
This box set, very nice looking and all, would have been better released as an individual live album, because disc one is identical to the previous Queensryche remaster version. The bonus tracks are the same. (“Last Time In Paris” from the Ford Fairlaine soundtrack, “Scarborough Fair” from the “Anybody Listening” single, and “Dirty L’il Secret” from the much later “I Am I” single. Yes, “Scarborough Fair” is a Simon and Garfunkel cover. Much more gothic though!)
The live album is from the same tour (but not the same show) as the Operation: Livecrime album. Think of this as representative of Queensryche’s non-Mindcrime live set, so if you have both albums you kind of have one complete show. It’s a good live album, although without the Mindcrime material to balance it, it is way too Empire-heavy. 7 of the 10 tracks are from Empire. That’s not me complaining really, just an observation of the feel of the set, as an album. For non-Empire material, you get the awesome “Walk In The Shadows,” “Roads to Madness”, and “Take Hold Of The Flame”, representing the first couple Queensryche full-lengths.
(As an added note, the Operation: Livecrime reissue also had one additional song not on this, which was “The Lady Wore Black” originally from the first EP.)
The live stuff sounds great, very clear with a good performance by the band. Tate is in peak voice at this point — he nails all the notes in “Take Hold”! The whole band sounds really good, especially in the backing vocals department. It also sounds pretty live and not messed with, which is my preference. I’m sure there are backing tapes, Queensryche do use them, but the overall feel was one of spontaneity. The liner notes claim there are no overdubs whatsoever.
If you’re not familiar with the Empire album and you’re buying it for the first time, you are definitely going to be familiar with most of the album’s six singles:
“Empire”, the dark forboding tale of drug trafficking, with killer spoken word-style vocals from Geoff Tate.
“Best I Can”, the power pop rock song, with uplifting (but cheesey) lyrics.
“Silent Lucidity” one of the three songs that defined the term “power ballad” in the summer of 1991. (The other two were “More Than Words” by Extreme and “To Be With You” by Mr. Big.) A great song with brilliantly sparse-yet-lush arrangement. Still stands up today!
“Jet City Woman”, my personal favourite simply for that unstoppable bass groove.
“Anybody Listening?”, the epic album closer, and one of the all time best songs Queensryche have ever written.
“Another Rainy Night”, not one of the better songs, in my opinion. Kind of repeats the pop rock stylings of “Best I Can” but with lyrics about missing some girl.
There are also buried treasures within the album tracks. “Resistance” feels like a polished-up Mindcrime outtake for sheer tempo and mood. “Della Brown” is unlike anything the band ever attempted before, an atmospheric tale of a homeless woman that foreshadows the direction of Promised Land.
The band were really gelling at this point, and an album like this makes me really wish Chris DeGarmo was still in the band. He wrote or co-wrote almost every song, and his backing vocals really enrich the record. Everybody was playing great, though, and big props to Eddie Jackson for his killer bass sound.
The package includes an Empire poster, booklet, and five postcards featuring stills from the “Empire” music video.
To sum up, there is absolutely nothing wrong musically with this album, or the bonus live album. This is a 5 star album for music, for packaging, for sound, and all that stuff. I have to deduct one star simply because the first disc is just the same Empire I already owned and I think the live disc on its own could have been released alone for the 20th anniversary of Empire.
4/5 stars (5 for music -1 for rebuying the album, again!)
Jen and I had just started dating, since September 18 actually, and I think I met her dad on our second date (by complete accident, we were out for a walk and as he was driving by). He made me very welcome to their family early on. He treated me like a son when I spent Christmas Day 2005 with them.
Dave was one of the greatest people I’ve ever met, and one of the most generous. He truly would have given the shirt off his back. I kept hearing the same stories over and over again: “Dave really helped me out in the past,” or “I remember Jen’s dad let me stay with them for a week when I had nowhere to sleep.” He never asked for repayment. I remember when he helped my sister move from Etobicoke to Kitchener. He drove the moving van (actually his delivery van) and he signed up for one trip to Kitchener and that was it. Well, we couldn’t get everything in one load. We had to do a second load. So, he drove back to Etobicoke, and back again to Kitchener, before finally retiring for the evening. I had to twist his arm just to get him to accept a Canadian Tire gift card in repayment! That’s the kind of guy Dave was.
Did I mention he’d never even met my sister before that night? He just did it because he was that kind of man.
We lost Dave three years ago, Nov 3 2009. He was only 58 years old. Jen misses him — we all miss him — every day. It still shakes us.
We lost a great man, probably one of the greatest I’ve ever known. I couldn’t let Nov 3 go by without talking about him.